- [Narrator] Previously, on McLeod's Daughters.

- You know that I adore you, don't you?

- Oh, me too.

- And I want to spend the rest of my life with you.

- Me too.

- She's gonna be pretty upset when she hears about Peter.

- When she hears what about Peter?

- He's married.

- If you want to me to tell her, I'm not gonna do it.

- The cafe's booming.

They can't keep up with all the work.

That's why I said I'd come and help them.

Yeah, they were practically begging me.

- And you said yes, just like that?

- It's about Peter.

He's married.

- You're lying.

(hand slapping) - I'm sorry.

- Get out!

(melancholy music) - Don't say goodbye because it's not okay.

I'll be back for the engagement party and the wedding and all the christenings.

(engine roaring) (Claire sobs) - [Jodi] You know, farmers spend years trying to drag rocks out of paddocks, but, hey, why should we let that stop us?

The more rocks, the better, I say.

Of course, if we had Becky helping.

- She's working on the tractor.

- Or if Tess hadn't gone and left us.

(engine rumbling) - You can help me get lunch ready.

(gentle music) - Trying to call you all week.

- Are you married?

Are you?

- Yes.

- Well, that's all I need to know.

- [Peter] Look, we're separated.

- Since when?

Before we met?

- No, but it's over.

It was finished anyway.

I'm not lying.

- Just get out of here.

- Not until you let me explain.

- Oh, you have had plenty of time for that!

(dramatic music) - Claire!

(upbeat music) ♪ It'll take some time ♪ ♪ To find your heart and come back home ♪ ♪ You could walk for miles ♪ ♪ Cross every river ♪ ♪ And find you're not alone ♪ ♪ 'Cause I'll be there ♪ ♪ Oh, oh, oh ♪ ♪ Oh, oh, oh, oh ♪ ♪ No more ♪ ♪ Oh, oh, oh, oh ♪ ♪ Oh, oh, oh, oh ♪ ♪ 'Cause I'll be there ♪ ♪ Ooh ♪ Is that tea still hot?

- I'm gonna get back to work.

- I told him it was over.

- I thought you might.

- He said he'd left his wife.

- Not very original.

- No.

(scoffs) - Are you gonna tell Tess?

- No.

No, I don't want her changing her plans 'cause of me.

She's doing what she always wanted to do.

I don't want to wreck that.

- She's gonna find out sooner or later.

- Well, it can be later.

Peter and I are over.

It's no big deal.

That's it.

(dramatic music) - I thought you guys said you were run off your feet.

- We were.

Don't know why it's dropped off.

Not having second thoughts about all this, are you?

- No, of course not.

This is where I'm meant to be.

- Told you.

You belong in the city.

- You should tell her the truth.

- I will.

Just not yet.

(Roy barking) - [Claire] Problems?

- Nothing I can't fix.

- Good.

Ah... What you told me about Peter, you were right.

- Yeah?

(melancholy music) - Probably done me a favor, eh.

Better off without him.

- Hey, men.

Can't live with them.

Can't shoot them.

- [Claire] Well, when you've finished here, we'll head up to Wilgul.

Help with the drenching.

I said we'd set up the yards today.

- Sure, no problem.

- Not that it matters, but, uh, how'd you find out?

- Harry.

- (scoffs) That'd be right.

Roy.

(Roy barking) Come on.

- [Alex] That's it.

That's it.

That's it.

There you go.

- Slackers.

The girls have practically got the yards up already.

- We weren't sure whether you were coming or not.

- I keep my word.

- So, we're still speaking?

- Looks like it.

(Alex chuckles) Just for your information I, I know it was Harry who told you about Peter.

Anyway, um, I've told Peter he can pack his bags.

(Roy barking) - Bloody hell.

(engine revving) - You okay?

- I will be.

- You tell Tess?

- She's got her cafe.

- In Cameron Street?

- I don't want her to give it up because of me.

You can't tell her, Nick.

- Yeah.

(engine rumbling) - Let's get some work done.

- Yeah.

(gentle music) - Didn't think you'd be here today.

- Had to bring the drenching pack from Killarney.

- I, um, about the ball, I just want- - I don't want to talk about it.

- I just wanted you to know that nothing happened.

- Well, uh, I wrote it all down.

Says how I feel.

(gentle music) - I'll, I'll read it when I'm not working.

- No hurry.

(engine rumbling) (sheep bleating) Well, I better get this drench pack fixed up.

(upbeat music) - [Briony] Come on, you guys.

Are you ready?

- [Simon] All right?

- Oh, too much creme de menthe.

I feel sick already.

- No piking.

Night's only just started.

- Whoops!

- Simon!

This is my bed.

- Well, you can always share with me.

- Yeah, right.

(Simon laughs) - Come on.

George is only gonna be on the door for another 20 minutes.

- [Simon] Yeah, yeah.

- Four parties in three nights.

What are you guys doing to me?

- Showing you a good time.

That's all.

- Not to mention avoiding the truth.

- Party pooper.

- I am not.

- Come on!

- [Simon] Yeah, come on, Briony.

- [Briony] I've always been ready.

(Claire sighs) (dramatic music) - I can't leave it like this, Claire.

So, please just... Just hear me out.

(gentle music) You are the most wonderful thing that's ever happened to me.

Now, I don't know why it happened or how it happened, but it did.

And I can't change it.

- You can't do this to me, it's not right.

(gentle music) - I love you, Claire.

I love you more than I've ever loved anybody ever before.

(Claire sobbing) (gentle music) (birds chirping) - Hey.

Peter's car's in the driveway.

- He's not in the horse yards.

- Well, where is he?

- I'm gonna go check out the study.

- Stay.

- (huffs) I think you're confusing me with Roy.

- I think you should mind your own business.

- [Jodi] Well, wherever he is, Claire's gonna be tearing strips off him.

- Uh, just to let you know, Peter'll be staying.

- Here?

- Here.

So, that's the situation.

- Oh.

- Right.

- Ah, ah, ah.

(engine rumbling) - [Peter] Alex.

- Thought we would have seen the back of your head by now.

Between you and me, Peter, the quicker you get out of here, the better it'll be for everybody, right?

- Well, I don't see how it's any of your business.

- Mate, I'm making it my business.

- I'm really sorry to disappoint you, because I'm not going anywhere.

I'm staying right here.

Are you deaf?

I said it's none of your business.

(dramatic music) - Hey, hey, hey, hey.

You two.

You two.

Cut it out.

Alex!

Stop it.

What are you doing?

- I thought you were better than that.

(dramatic music) - [Peter] Oh, he's looking good.

He's really fit.

- Yeah, I've been giving him a bit of variety.

Doing the fence lines, dry circle work, cutting in the yard.

- Yeah, no, looks like it's paying off.

(horse whinnying) Claire.

- Peter.

- No, you go.

- Uh, about what happened with Alex.

- Ah, yeah, look, that was probably my fault.

I didn't handle that really well.

- No, no, that's not what I was gonna say.

People around here are a bit protective about me.

Hmm.

Overprotective really.

- Right, so you're having second thoughts.

- No.

No, no.

Definitely not.

I'm just saying be prepared to cop a bit of stick.

That's all.

- Look, if it means being with you.

(horse whinnying) Can't wait for you to meet the girls too.

- What girls?

- My girls.

My daughters.

Alana, Natalie.

Oh, I thought you knew.

(gentle music) Right.

Does this make a difference?

- Yes.

(sighs) No, I mean.

- No hurry.

Take your time.

- You'd do it fast, I suppose.

- Yeah, a goat could do it faster.

- [Jodi] You know, they don't really need us.

- Could have stayed at Drovers.

- What, with him there?

No way.

I wouldn't go out with a married man.

I think the whole things sucks.

In fact, I don't think I can work there anymore.

- Might see if Nick needs a hand.

- [Jodi] Yeah, right.

He's a married man.

He's not an ax murderer.

- Well, how do you know?

He's lied before.

(Becky laughs mockingly) - All right, bring them up.

- Read that note yet?

- I'm working.

Come on, move it, fatty.

(mournful music) - [Claire] I'm sorry.

I, I just wasn't expecting children.

- No, it's me who should be saying sorry.

I mean, I feel like such an idiot.

Look I understand if you don't want the girls in your life, but I just can't turn my back on them.

- Peter, please.

Of course they're welcome.

They're a part of you.

It's just I was getting used to the idea of you being a, a father that's all.

I just thought that, well, one day, we'd have kids.

- Look, and I want us to.

I really do.

(gentle music) It'll be all right, Claire.

We'll work it out.

- [Jodi] Hey.

- I wonder what Tess is doing right now.

I bet she's not sitting under a tree getting buzzed to death by blowies.

(gentle music) - Can you read this for me?

- Yeah, it's from Brick.

- Yeah, duh.

- You want me to read it out loud?

How else would I want you to read it?

- (sighs) "Dear, Becky."

- Yeah, I got that bit.

- Man, and I thought my handwriting was bad.

(throat clearing) Sorry.

"Dear Becky, I want you to know you hurt me a lot when you kissed Craig."

Hey!

I haven't finished reading.

- I'm not that interested.

We should get back to work.

- But we only just sat down.

(sighs) - This is fantastic, Meg.

Uh, I'd love to know what's in it.

- Oh, it's just some chicken and apricot and some spices.

- It's Meg's specialty.

- Well, it's, it's delicious.

- (throat clearing) So, Peter, how old are your children?

- Alana's seven and Natalie's four.

- Oh, well, they're nice names.

Who do they look like?

You or your wife?

(kick thuds) Ow!

- [Meg] Becky, so how was the drenching today?

Everything all right?

- Mm, it was great.

Yeah.

- (sighs) Well, that went well.

- They'll get used to it.

- Yeah, and what if they don't?

- Well, we'll just eat alone.

In bed maybe.

- No running away to South America.

- Hm!

That wouldn't even get me to Tassie.

- Mm.

(gentle music) - [Claire] Maybe we'll have breakfast in bed too.

- And, um, and lunch.

(both chuckling) - Maybe we'll never get up at all.

(phone ringing) - Mm, you should get that.

- [Claire] Mm-mm.

- Um, Drovers Run.

- Hi, Peter, it's me Tess.

How is everything?

- Ah, per, perfect.

(both laughing) I'll just get, (laughs) I'll just get Claire for you.

Tess.

- Oh!

Tess.

- Hi.

(laughs) So, have you set the date?

- No, not yet.

- Oh, well, I've got this bridesmaid's dress lined up.

It's, um, it's this pink color, but it's not a horrible pink.

It's kind of like a rose pink.

- Whoa, whoa, steady on, Tess.

Um, we haven't made any plans yet.

I don't know... Well, I mean, who gets married these days anyway?

- Oh, right.

- So, what about you?

Are you having a good time?

- Yeah, the best, I'm completely run off my feet.

Out every night.

Loving it.

- (giggles) Sorry, Tess, I didn't get that.

What did you say?

- Um, ah, nothing.

Look, I've got to go.

I've still got a lot of work to do.

So, I'll talk to you soon, okay?

- Yeah, definitely.

Bye.

- Okay, well, send my love to everyone.

- You're naughty.

- Mm-hmm.

(both laughing) - Okay, guys.

Where's the party?

- I thought you said only on weekends.

- Yeah, well, I lied.

- Let's go.

- All right.

- Okay.

(phone ringing) (Claire groans) - Leave, leave it.

- No, it'll be Tess, and she'll just ring all night.

No, you cannot wear a pink bridesmaid's dress under any circumstance.

Yeah, yeah, no, of course you can.

He's just here.

I'll pass you over.

(dramatic music) It's your wife.

(suspenseful music) - Hi, it's, it's me.

(pensive music) Look, I'm really sorry about that.

- Don't be.

It's fine.

- I had to give her the number because, um, well, in case there was, you know, with the girls.

- Yeah, yeah.

Is there a problem?

- No, not exactly.

Except, um, she's calling from the car.

She's on the road to Gungellan.

- She, Gungellan?

- Mm.

- From Queensland?

- Yeah, she says we still have a few things to sort out.

- I thought you had.

- Yeah, but I could hardly tell her to turn around and go back, could I?

- Well, if she's, if she's coming, she's coming.

That's fine.

I'm, I'm, I'm fine with that.

- Really?

(gentle music) (rooster crowing) (cow mooing) - Yeah, well, this isn't exactly my idea of a good time either, Madonna.

- [Claire] You've missed your calling.

- Oh, well, we've come to an arrangement.

It's udderly wonderful.

- (scoffs) That's pathetic.

- Yeah, well, it's early.

- I've brought the sheep handler for you.

- A bit late, Claire.

We ended up getting one from Killarney.

- Oh, well, I probably should have checked first.

- Yeah.

- (sighs) Look, Alex.

I wish you'd just give him a chance.

- What for?

He lied to you.

- He didn't mean to lie to me.

- Oh, yeah, righto.

So, his wife just slipped his mind.

- Look, the marriage is over.

You know how these things happen.

They married too young.

Way too young.

- Yeah, well, that's a real tragedy.

- You are such a hypocrite!

You've slept with a married woman.

- I have not.

- Jenny Watson.

- What, you knew?

- Oh, everybody knew.

- Look, she doesn't count, right.

She seduced me.

- Oh, my mistake.

- And, anyway, I never lied to her.

- Everyone tells a lie sometimes, Alex.

- Yeah, true, Claire.

But you've got to admit, his was a real biggie, right?

(pensive music) - [Tess] That's it.

No more partying on a school night.

- What you need is a burger.

- Oh, luckily, it is not on the menu.

- Pity.

It's the best hangover cure.

I'll see what I can rustle up.

- Mm-hmm.

- [Nick] Any chance for a cup of coffee?

- Nick.

(laughs) Hi.

- G'day.

- What are you doing here?

- Oh, appointment for the physio.

- Oh, right.

I have to sit.

Had a big night.

I got a bit wrecked.

- You look okay.

- Yeah, and you're a liar.

- [Simon] Tess, how about some stir-fry- - [Tess] Hey, look who's here.

You remember Nick, don't you?

- Hey, Nick.

- [Nick] Simon.

- Hello.

- Hey.

- What are you doing here?

- Oh, I just came to see Tess.

- Oh, went out with the wrong brother, did she?

- Ah, Briony, I think the coffee machine's calling.

You want to go and make us two lattes?

- Sure.

- I'll, I'll just, I'll see you in a bit.

- So, how about Claire and Peter?

- Well, that was a bit surprising.

- Yeah, I spoke to them both last night.

So, happy, aren't they?

- Tess made me put that in.

Loads and loads of bloody rock and I don't even like the stuff.

Doesn't stay crisp.

Doesn't start crisp.

None of that fancy lettuce does.

Now it's ready, she's not here to eat it.

Still, she's probably drowning in it where she is.

- Yeah.

Meg?

Are you okay about Peter and me?

- Why wouldn't I be?

- (laughs) Meg, I want you to tell me the truth.

Tell me what you think.

- Why?

- Because your opinion matters to me.

It always has.

- [Meg] (laughs) Are you sure about that?

- [Claire] Give it to me straight.

- Well, what I think is, it's never gonna work.

Of course she wants to see him.

How do you think she'd react to being left?

Just say goodbye, don't forget the milk money.

Thanks for the kids.

Are you sure this is the sort of life that you want for yourself?

Because between here and getting that life there's gonna be an awful lot of pain along the way.

But it's your life.

It's your decision.

Don't let me influence you.

(pensive music) - [Tess] Ah.

There's a taxi.

- [Nick] I guess I'll just take this one here then.

- Oops.

Too late.

So, what are you doing after your appointment?

- Oh, nothing.

I'll just go back to the hotel.

- No, you will not.

You're gonna come out with us.

- Am I just?

- Yeah.

Here's the address of the warehouse.

Meet us there at nine o'clock.

- Okay.

- Okay.

(upbeat music) (people chattering) - Forget the farm, Nick.

You should move in with us.

Then I could have a tall, handsome escort on my arm every night.

- Of course you'd have to sleep in the bathroom.

Both bedrooms and the lounge are already taken.

- Oh.

- Oh, nasty.

- It's just up here.

- Well.

- [Woman] That's true!

Oh, you are going now.

- [Man] I know, I thought I'd just like.

- Could you please do that when we get in there.

(people chattering) - Yeah, sure, no problem.

Oh, now what?

- We wait.

- No, there'll be no waiting.

George is on the door.

- Oh.

- George.

- George.

She won't be long.

It's a great club.

- Hey.

- Hi.

- Excuse me.

He's with me.

Let's go.

- [Nick] Maybe I should stay in the city.

- Right, let's go.

Excuse me.

(upbeat music) (all laughing) - [Briony] That's the best fun I've had in ages.

- [Tess] Who wants a cup of tea?

- [Briony] No way.

- [Simon] Something a little bit stronger?

- No, I've had enough.

- Coffee?

- [Tess] Sure.

Do you want espresso or instant?

- [Briony] Oh, Nick, you'd probably like instant.

- Two sugars.

- Yeah.

We only have soy milk.

I'm so sorry.

- Come and dance with me.

- No.

Ah!

No, I can't walk, let alone dance.

I just can't.

I'm too tired.

- I know.

I know.

- You two dance together.

- No, no, no, no, no, no.

- And then Nick and I can go and die on the couch.

- Do you guys want a drink?

- No thanks, mate.

I'm all right.

- No, I've had enough.

- I should get going actually.

- No, you're staying here.

City hospitality.

- Where exactly?

This is so much better than a queen-sized bed in a hotel.

- Yeah, it is, isn't it?

It's like camping out under the stars.

- Not quite.

You know, Tess, I...

I didn't have a physio appointment.

(gentle music) I just wanted to see you really.

I tried to tell you before you left, but... Tess?

(Nick sighs) (gentle music) (Nick sighs) - [Peter] (sighs) I'll try not to be too long.

- Oh, don't worry about it.

Take your time.

You can't rush these things.

- Yeah.

It's no wonder that I love you.

- See you then.

(engine rumbling) - Hmm.

- Coffee's on its way.

- Oh, I could get very used to this.

- Tess, you really didn't need to cook us all breakfast.

- [Tess] No, I didn't.

- And he cooks!

Tess, how did you let this one slip through the net?

- [Simon] Better get moving, guys.

We're meant to open right about now.

- Oh, God, thanks, but- - You've got to go.

- [Tess] Why don't you stay longer?

We can do it all again tonight?

- [Nick] Oh, look, I'd love to, but I've got to get back.

- Oh, that's a shame.

Good to see you, Nick.

Have a safe trip back.

- Well, I've got to get showered and- - Tess.

(gentle music) - [Briony] Has anyone seen my red top?

- It was good to see you.

- Yeah, you too.

(gentle music) Bags first.

- Oh, no way.

(Claire sighs) (pensive music) - [Meg] Are you off to Wilgul?

- [Claire] Oh, no, I'm just going into town.

We've run out of saddle soap.

- Oh, no, there's some in the shed.

Uh, no, you're right.

I, I think Becky finished it.

- Yeah.

- Claire.

Good luck.

Where are you off to?

- Helping the guys.

- Uh-uh.

There's stuff to do around here today.

- But Becky's already there.

- [Meg] Yeah, and you're already here.

So, just get on with it.

Claire can't be expected to do it all.

- Maybe if she wasn't having sex with Peter all the time.

(pensive music) - [Alex] Hey, Brick, these shears are blunt.

Doesn't Dad maintain these tools anymore?

- Don't know.

- Probably doesn't know which way's up now that I'm not there to show him.

Listen, I'll get a stone and give them a sharpen.

(sheep baaing) - Read my letter yet?

- No.

- Why not?

- Because I can't read, properly.

(gentle music) - Messy handwriting.

- Just read it.

- "Dear Becky, I want you to know that you hurt me a lot when you kissed Craig."

- Hey, Brick.

Load one up.

Becky, push some up, will you?

- Yeah.

- "Maybe you think it doesn't matter.

"Maybe you do it because you don't know "how I feel about you.

"Because you never let me tell you even though I try, "and how I feel is that you're really, really special.

"And you should start believing in yourself "because it's true.

"You're the nicest girl I've ever met.

"And at night when I go to sleep, "you're the only one I think of "because I just can't help it.

"Anyway, I really, really like you, "and even if you don't like me, "I promise I'll always be your friend.

"That's if you want me to be.

"Yours sincerely, forever true, Brett."

- Yeah, I would like that.

- Hey, oi!

What the hell are you dingbats doing?

(sheep baaing) - Sorry, mate.

(engine rumbling) (dramatic music) (engine roaring) (dramatic music) - Claire.

How's things?

- Oh, g'day, Terry.

Yeah, good.

- [Terry] How you been?

How's Tess?

(melancholy music) - Oh, good, good thanks.

Yeah, no, no problem.

- [Terry] Is it true she, she went back to the city?

♪ There was never time enough I can't breathe ♪ ♪ It's too hard to think of love I can't breathe ♪ ♪ I can't breathe ♪ Yeah, right then.

Well, look after yourself, Claire, and say g'day to Meg.

- Sorry?

- Uh, does, doesn't matter.

♪ Words will never be the way ♪ ♪ I won't talk, won't talk ♪ ♪ Many fears and many dreams ♪ ♪ Many roads out there ♪ - Yeah.

Well, nothing lasts forever.

♪ Behind the tears ♪ - [Briony] Are you sure I can't tempt you with any of our lunch specials?

Not even hokkien noodles with kelp and tofu?

- Just the coffee, thanks.

- Well, you've been nursing that for over an hour.

Why don't I get you a fresh one?

- Oh, if it's free, sure.

- Get a life.

Jesus.

- [Simon] Great work, Briony.

Our only customer and you scare him away.

- [Briony] Oh, gee, we miss out on the price of a latte.

- Right now that matters.

- Simon, at this rate, we're gonna be broke inside of a month.

- Shh!

Tess is out the back.

- This is ridiculous, and you know it.

- She's gonna find out sooner or later.

- [Tess] Find out what?

- That we're having a party.

- Simon, tell her the truth.

- We're going broke.

Why didn't you say something?

- I was waiting, hoping for business to turn around.

- But it's not.

It's going from bad to bloody awful.

- Thing is, we don't know what we're doing wrong.

Our service is okay.

But our menu's as good as any around here, if not better.

- Only difference is they're packing them in and we're... - We're not.

(birds chirping) (gentle music) - You're here.

- I live here.

- I thought you might have changed your mind.

- I don't do that.

So, where are we going?

- Oh, nowhere really.

Just a place.

Well, it's just a place.

You probably won't think it's that special.

- I'll never know if we never get there.

- Beck, wait.

Sometimes it's all right to let people do things for you.

(gentle music) ♪ Da-da.

♪ - And the punch line is?

- Look, if everyone else is doing what we're doing, then we're crazy if we don't do something different.

And what I reckon men want is good, hearty, belly-filling food like Simon's hangover hamburgers and steak and kidney pie.

- Bangers and mash.

- Right.

- Were you two drinking the same thing last night?

- Look, what have we got to lose?

And if it doesn't work out, we can always go back to having no customers.

(upbeat music) - Apple crumble and double cream.

- (laughs) Yes.

(pensive music) (engine puttering) - I went into Gungellan today.

(Peter sighs) - Why did you do that?

- I wanted to see if I could cope, and I can't.

- We'll get through it.

- No, we won't.

I won't.

I hate myself already.

- Hey, hey, hey, come on.

- I don't want you to be nice to me.

I don't want you to persuade me.

I don't want to love you anymore.

- You just can't turn it off, just like that.

I can't.

- You have to.

- I'm not the first man to break up with his wife, Claire.

- I know that.

It's not that.

- Well, then what?

- I love you, Peter, but it makes no difference.

Somebody else already loves you.

- [Peter] You're wrong.

And I do not love her.

- I'm not talking about your wife.

Your little girls.

They didn't ask for this to happen.

All they know is that you're their dad, and they need you, and nothing's gonna change that.

(pensive music) - I don't want this, I don't want it to be over.

It can't be.

- I don't see that we have any other choice.

- I love you.

- And I love you too.

(melancholy music) (pensive music) (Claire sobbing) (horse whickering) (gentle music) (Tess sighs) (crickets chirping) - There's another one.

How come I never knew about satellites?

- I don't know.

Guess you just forgot to look up.

(Becky laughs) You sure you're not getting bored?

- No way.

It's amazing.

It's, it's like being in heaven.

- Yeah, heaven's what I reckon it is.

(crickets chirping) (sweet gentle music) ♪ My heart is like a river ♪ ♪ My heart is like these hills ♪ ♪ They never change I never change ♪ ♪ And I never will ♪ ♪ You called and I came running ♪ ♪ You cried and now I'm here ♪ ♪ So hold this faith, accept our faith ♪ ♪ These are little fears ♪ ♪ We have enough to guide us ♪ ♪ We have enough to last ♪ ♪ We're not alone, We never were ♪ ♪ You and I aren't lost ♪ ♪ Oh, hold me very tightly ♪ ♪ Hold me fast and strong ♪ ♪ I am your love, won't stray from you ♪ ♪ You and I belong ♪ (sweet gentle music) ♪ My heart is like a river ♪ ♪ My heart is like these hills ♪ ♪ They never change I never change ♪ ♪ And I never will ♪ (thunder rumbling) (bright music) (bright techno music)