ARTHUR: You're far more ruthless than I could ever be.

I think you're the most dangerous man I've ever met.

I never thought Kim was unsafe with you.

Of course she is safe.

- Ah!

Oh!

- [Kim screams] - Kim!

- I'm okay.

Julien, who was driving your car in the lead-up to Cate's murder?

Ellie, these photographs were on your phone.

They're of the Wakefield house.

- Did you take them, Ellie?

- Cate sent them to me.

Cate had a second secret phone that she's hidden somewhere.

CHLOE: John Blakely's life was ruined.

What about my life?

It's about your confidence in the conviction.

They found my hair in his car.

He disputes that.

Are you a corrupt cop who pursues vendettas by framing innocent men?

No comment.

[suspenseful music] What the hell are you doing, John?

Oh, you've spoken to Chloe, then.

Oh, she's a real bloodhound, that one.

Well, that's a shame.

I was on a roll, but this will be far more entertaining.

Right, you listen to me, yeah?

You did it.

You were guilty.

Ah, I was found guilty under false means.

I've been thinking.

How many other poor, innocent souls have you stitched up?

I don't know about you, but that keeps me awake at night.

Yeah?

What about Sophie Armstrong?

Do-- Do you think about her?

Oh, I think she'd want the right man to pay for the crime.

[sighs forcefully] You... -[hard thud] -Ooh.

Careful, Jim.

God's eyes are everywhere.

CCTV of the soul.

Now, I forgave you, but you just kept coming.

You stopped me from starting over.

After I'd served my time.

The only reason we went to the press is because we can't trust the police.

Who's "we?"

Someone who hates you as much as I do.

Arthur Wakefield.

So the law is paralyzed, for the wicked surrounds the righteous.

So justice go forth, perverted.

Yeah, thou shalt not fucking abduct!

[theme music] [waves crash softly] - [door slams] - [keys jingle] MARGARET: Where's Julien?

He's at the police station.

He, uh, he left the opera on the night of.

I didn't mention it for obvious reasons.

Ah... and then he, uh, took my car, drove it here.

He was seen en route on CCTV.

He must have killed Cate.

Uh, but why?

He took out a life insurance policy on Cate for 250K.

Presumably to pay off his gambling debts.

But I thought you'd paid them off, that he-- that he'd managed to stop.

Yeah, so did I. Looks like he's fooled us all.

And he faked the ransom after Lily had been taken.

MARGARET: What?

No.

His own daughter.

You-- I need to call Lawrence.

Get him to draw up a strategy.

Um, plead insanity, say that we did everything that we could to help.

But in the end, addiction won out, you know?

The ungrateful little shit!

He's robbed us of everything.

We need to preserve what little we have left of our reputation.

- Arthur, I-- I-- - What?

I need to tell you something.

[dramatic music] [zipper rasps] [sniffing deeply] [phone buzzing] [sighs] Hi, Dad.

BERGERAC: Hi, Love.

You okay?

Um... How's Dragon Lady?

Still breathing fire.

Says it could have been a lot worse.

I could've broken my arm.

Uh, you didn't.

KIM: And I could have seen you being killed.

Yeah, well, she should keep her fantasies to herself.

The thing is... She doesn't want me to see you for a bit.

What?

Not 'til you've sorted yourself out.

BERGERAC: Who does she think she is?

Look, it's not her choice, Kim, okay?

It's yours.

Um... Look, I'll talk to her.

Put her on.

No, Dad.

No, I'm not going to let her take over your life, Kim.

I don't want you two fighting.

Again.

[sighs] [door slams distantly] She's coming.

I should probably go.

BERGERAC: Wait, sorry.

You can't even talk to me now?

Kim!

[disconnection beep] [sighs heavily] [knocking on door] JOHN: Hi.

Guess who just came to the hostel like a man possessed?

- Bergerac?

- Yeah, totally lost his shit.

The cage is rattled, prison beckons.

[chuckles] So, uh, how long 'til you run the story?

- 'Cause I can't wait.

- CHLOE: I spoke to Sophie.

I was hoping she'd concede that Bergerac had coached her into identifying you, but she is convinced it was you.

Right, but we still have the second search of the car.

No.

I just had to explain this to Arthur Wakefield.

It's not enough.

Without hard proof that Bergerac did this, we could be sued for defamation.

So, are you saying that you're not going to run it?

I'm sorry, John.

You're serious?

[Chloe sighs] Okay, fine.

You need to go to this address.

It's the house I grew up in.

You'll need to go into my old bedroom, top of the stairs, first on the right.

There's a wardrobe.

Taped to the inside of the wardrobe is an old mobile phone.

I need you to get it, and I need you to bring it to me.

But why can't you get it?

It's not safe for me to go there.

But it is safe for me to go there?

You said you need evidence.

Wait, so there is evidence?

But why didn't you use it at trial?

You'll see.

[door clicks shut] [suspenseful music] So... we know that Julien took out a life insurance policy on Cate right around the time he went into debt with Rachini.

People have life insurance policies, you know?

For all we know, maybe she had one on him.

It doesn't mean that he was desperate enough to kill her.

And-- And besides, insurance companies don't pay out immediately after a murder.

Uh, it's a long shot, Barney.

He was desperate enough to fake a ransom note to his father, for his own daughter.

That's opportunistic.

It's not premeditated, Barney.

It's a key difference.

Not premeditated.

He knew that she was at home, alone, with no CCTV.

He snuck out of the opera house.

He took his dad's car.

Master Wakefield, in the nursery, with the candlestick.

Julien, look, is definitely... um, is promising, but Arthur is still in the frame.

- [scoffs] - Um... hold on.

Uh, any luck enhancing the CCTV of Arthur Wakefield's car?

Yeah, I sent it to Tech, but I'll chase him up.

Yeah?

What?

[tense music] Uh, what exactly did she say?

I haven't gone into any detail with her.

She just gave me the headline, and I put her in here.

♪♪♪ Chief Inspector, I came here to tell you that it was me driving Arthur's car from the opera house.

♪♪♪ I slipped out from the stalls, took Arthur's keys from his coat pocket, and drove back to the house to talk to Cate.

What about?

Something she said before we left about Ellie Robson.

Uh, I presume Julien must have told her we'd been receiving threatening letters.

Why?

What did Cate say?

That she empathized with Ellie, and that concerned me.

And then during "No non tremare, O perfido," I-- KARA: Sorry?

Um, "Oh, Do Not Tremble, You Treacherous One," Act One, Scene Nine.

It struck me that they may have been in contact with each other.

Okay, so you left, yeah?

- Mm-hmm.

- BERGERAC: Okay.

What happened when you got back to the annex?

Well, we talked, and I was right.

I mean, Ellie had convinced Cate that there was some great conspiracy, that she was denied all this money, and Cate was naïve enough to believe her.

Okay, so, an easy target for a vengeful woman.

Well, I'm sure Ellie was very convincing.

There's just one problem.

The usher told us that no one left the stalls before the interval.

- Well, they're wrong.

- BERGERAC: Hmm.

I don't know.

It doesn't seem inconceivable to me that you wouldn't step up and take one for the Wakefield team.

Was this Arthur's idea?

[chuckles] That you would put yourself in the frame to save him?

Your petticoat's showing, Chief Inspector.

I'm sorry?

[laughs] Your fixation with Arthur.

[sighs] Okay.

For the sake of argument, then, you go back to the annex, uh, because Cate and Ellie are conspiring.

Conspiring to do what, exactly?

Well, that's what I wanted to find out.

I mean, there isn't any proof, so the best Cate could hope to do would be to, I don't know, undermine Arthur in some way.

Damage his profile, our profile.

But I made it very clear that that would be a very, very bad idea, and I left.

Right, and Cate was still alive?

Yes, absolutely.

Why didn't you tell us this before?

Because I knew how it would look.

And I didn't want Arthur grieving a daughter-in-law who was, in effect, stabbing him in the back.

But I can't stand by and watch Julien be incriminated, so... - Cate thought there was proof.

- I'm sorry?

About the illegal purchase of Allied Ciro-cell.

You said there wasn't any proof.

Cate thought there was.

Their plan was Cate would go to the theatre, Ellie would sneak into the house, go to Arthur's laptop, and take all of the incriminating evidence, and sneak out, and take it to the press.

I mean, Cate had sent Ellie hand-drawn plans of the house, the location of the laptop, the passcode.

- I see.

- Ellie got cold feet.

Cate's last message to Ellie was, "If you won't expose Arthur, I will."

Cate feigned illness, so she could get the information herself.

Where did this argument take place?

It-- It was more of a conversation.

Well, where did this conversation take place?

In the nursery.

Lily was in her cot.

Now, I need-- Ah!

I need to understand the conversation.

Where were you?

Where was she?

I was in the doorway.

Cate was by the fish tank.

Okay, see, this is what I don't get.

Why, why, would Cate put herself and her baby at risk by conspiring against Arthur Wakefield while under his roof?

[suspenseful music] She was leaving.

She was taking Lily, and she was leaving.

That's why there was a half-packed bag in the nursery.

She was packing, and she got interrupted.

And that was the ultimate kick in the teeth, wasn't it?

After everything you, and Arthur and Julien had done for her, she was going to break up the Wakefield empire, your surrogate family, run for the hills.

- No wonder you lashed out.

- No, that's not what happened.

This wasn't just about Arthur, it was about you.

You'd given your whole life to this family, to this company, and this ungrateful bitch was gonna destroy it all.

No, that--- that-- I told you what happened.

Uh, We-- We talked.

I-- I went back, and we-- we talked.

That-- That's all.

I-- I went to talk to her.

♪♪♪ CROZIER: So, Margaret finds Cate about to leave, with the intention of exposing Arthur Wakefield.

She tries to stop her, it gets out of hand, she bashes Cate over the head.

Unless Arthur has put pressure on Margaret to sacrifice herself in order to protect the family name.

Arthur will have told her about the speed cam picture of the car, so maybe she's come forward because she knows it's only a matter of time before we identify her anyway.

And her story ties in with the time of death.

Julien and Arthur still don't have alibis.

And-- And the usher said that no-one left the stalls.

Get Simon to talk to the usher again.

If he still says no one left the auditorium, then we charge Julien Wakefield.

If he says he's not sure now, then he looks like Margaret's our killer.

Where are we with forensics?

Finally came back this morning.

Other than the family, Mia, and Margaret, there are four unidentified DNA traces.

They did just have decorators in, so we have to track them down so we can eliminate them.

This fucking guy, I swear to God.

I have to go.

CROZIER: Another lunch date, is it?

Just, there's stuff to do here.

Meeting with my therapist, actually.

You know, I would not say that he was the best advert for the effectiveness of therapy.

I thought you had stuff to do.

[crows caw] [suspenseful music] [knocking lightly on door] - Hi.

- Uh... I'm so sorry to do this.

I was just in the area, and I saw the "For Sale" sign, and I just couldn't resist asking for a sneaky peep.

- ELAINE: Ron?

- RON: Yeah?

ELAINE: There's a lady here that wants a viewing.

- Hi.

- No viewings without an agent.

- You could be anyone.

- No, totally.

Yeah, absolutely fine.

I'll, um... I'll talk to, uh... I've just been a bit reluctant to deal with agents.

You have to give over your details, don't you?

And then you just become inundated.

Especially if you're a cash buyer, and not in a chain.

But, no.

So sorry to disturb you.

Wait.

All right.

Oh.

Thank you.

- Here.

- Thank you so much.

Thank you.

Oh, wow.

Original features.

Uh, why are you selling up?

Oh, we're going to live with our son, Mark, in Scotland.

Oh, lovely.

Is he your only child?

Do you want a viewing or our life story?

Um, tea?

Coffee?

CHLOE: Coffee would be great, thanks.

Well, go on up.

Oh, it's okay.

I can whiz 'round.

Save you.

I've been enough of a nuisance already.

[suspenseful music] You said that no one left the stalls during the first act.

Are you sure about that?

Yeah, yeah.

No, definitely.

I need you to be certain.

Thing is, I'm not supposed to leave my post at the door.

Josh, if you did, that's not a criminal offense.

But withholding evidence is.

This girl that works here in the cloakroom, she... uh... She asked me to meet her in the storeroom.

- SIMON: Okay.

- So I did.

And what-- what time was this?

This is really important, Josh.

[sighs] 8:40.

How quick was this quickie?

I was back in position for the interval at 9:20.

9:20.

And you're telling me the truth this time?

Yeah, look.

[suspenseful music] ELAINE: Coffee's ready.

I'll be down in a minute.

♪♪♪ [doors creaking] [hangers rattling] [heavy footsteps on stairs] [tape ripping] What are you doing poking about in here?

I'm a photographer.

I just thought this would make a really good darkroom.

It's time you went.

Sure.

♪♪♪ She won't be having coffee.

[sighs] [tense music] [phone buzzing] And, back in the room.

Yeah, it's not that easy to navel-gaze when you've just had a lead on a murder investigation.

Huh.

Well, you're my priority.

Oh, wow.

Thanks, Pete.

I'm touched.

How did it go with Kim?

Not great.

- We got interrupted.

- Oh, because of the case?

It does have a habit of doing that.

Well, go on then.

What's this lead?

Arthur Wakefield's looking less likely.

Margaret, his PA, um... she caught Cate trying to leave the house the night she was killed.

Cate was planning to expose Arthur for defrauding Jonathan Robson.

She was working with his daughter, Ellie.

Everyone talks about Cate being weak.

And naïve.

Gullible.

But the Cate that sent messages to Ellie from her secret phone was sharp.

She was confident.

She was principled.

There's so much about Cate's life that we don't know about.

What's that graze on your knuckles?

Oh, that's nothing.

I, uh, I punched a wall.

It was quite restrained, considering the alternative was John Blakely.

Where did this happen?

John's hostel.

Yeah, I know.

I know I shouldn't have gone there, but... no damage done.

Well, apart from to my hand.

Why did you want to punch him?

Well, the point is, I didn't punch him.

Why are you still hounding John Blakely?

I-- [sighs] You know, this anger I'm picking up on, - this lack of control.

- Oh, here we go.

What if it's projection for the anger you feel at losing Rachel?

You're hurling yourself into work to avoid dealing with your grief, and, as a result, your emotions are getting displaced because you're not targeting the original source.

Yeah, or maybe I'm doing it because I'm trying to find out who killed a young woman who was brave enough to bring that fucking tyrant down.

Look, I need to find Cate's second phone, so let's just chat when her killer's been caught, yeah?

[sighs] I knew there was a reason I kept every charger I'd ever owned.

So you saw them, then?

How was Mum?

She seemed... sad.

Yeah.

He won't let her reach out to me, he's a beast.

There.

There, you see?

I-- I took some photos that I was going to send to her father, but I never used this one.

No, no, no, go-- go back.

You see, through the window, that is-- that is my father's red Metro.

That's not my car.

That is not the car that they planted the evidence in.

That's Sophie Armstrong.

Yeah.

You wanted proof, there it is.

No, you said you were innocent.

You lied to me.

Not about Bergerac planting the evidence.

It's-- That was true.

- Look.

- She was a child.

[groans] I'd have never pursued this if I'd known.

[slams table] Fine.

Fine.

Hmm.

Just take a minute.

I mean, you've met with her.

She's fine, isn't she?

She was a child.

Look what you did to her!

[shouting] I served my sentence!

He hasn't.

I think we're done here.

I fucking see you.

[door slams] [exhales shakily] [approaching footsteps] Well?

[groans] I, um... I've been charged with perverting the course of justice and bailed to attend court.

Ah.

Well, I'm, uh... - sorry to hear that, Margaret.

- Hmm.

However, there is an upside.

Ah, we know it wasn't Julian.

Hmm.

[Arthur clears throat] Why, what were you going to say?

Well, they know I didn't do it.

[scoffs] Well, I wouldn't be so sure.

Bergerac's convinced I'm covering for you out of some sort of die-hard loyalty.

Even when we're telling the bloody truth he's determined to pin it on me.

I'm telling you, the man's not well.

[line ringing] [phone buzzing] You've got to tell him.

[exhales] Arthur.

We were just talking about you.

The Bergerac exposé.

Enough dicking around.

- You run the story tomorrow.

- I'm sorry, Arthur, but whatever Bergerac did to frame him, we have evidence that proves conclusively that Blakely did, in fact, abduct that girl.

Yeah, right, but, I mean... you're not saying Bergerac didn't falsify the evidence, - are you?

- No, I-- I'm saying I'm not jeopardizing my career or my reporters by printing a story that champions someone who abducts young girls.

Fine.

I'll be talking to - the owner and the board.

- LOUIS: Be my guest.

I'm sure they'll agree with me this isn't a story.

- It's a suicide note.

- Well, thank you for your time.

Arthur, please.

Please, just-- just listen to me.

All that Blakely cares about is hurting Bergerac.

Now, I know that aligns with your objective, but... Blakely, he's-- he's a very sick man, so take my advice, have nothing more to do with him.

He's toxic, Arthur.

If you have to go after Bergerac, find another way.

Noted.

He hung up.

You know that, um, man you brought here to my house?

John Blakely.

Turns out he abducted the girl.

So now they're not running the story.

Well, I'm-- I'm sorry.

I thought he'd be able to help somehow.

Just explain to me again, why were you in the annex when Cate died?

So as you know, she'd been speaking with Ellie Robson, and I wanted to find out what they were planning.

Hmm.

So you would've been the last person to see Cate alive.

Hmm.

Bergerac was right.

You are loyal to a fault.

What are you saying, Arthur?

Hmm?

Oh, no, no, nothing.

Just thinking aloud, that's all.

You know.

[scoffs] [Uma sighs] One day, someone's going to walk through that door, and it won't be about Jim.

Every time I get close to a breakthrough, he talks about work.

The lines between personal and professional are blurred.

I think he's projecting his buried rage at losing Rachel onto his suspects.

Yes, he was ranting about Arthur Wakefield this morning.

Again.

And then there's John Blakely.

Oh, that's sorted.

He's no longer in the frame.

No.

Jim went to see him last night at his hostel.

Ended up punching a wall.

- [sighing] Dickhead.

- Rather than being a healthy diversion, this case has become an addiction of sorts, a replacement for alcohol, which he'll do anything he can to perpetuate.

"Everyone can master a grief but he that has it."

- Bumper sticker?

- Shakespeare.

[chuckles] My bad.

I'm gonna have to take him off the case.

[intriguing music] Where-- where are the, um... Where are they?

The, um-- the-- Where are the photos that Cate sent to Ellie Robson?

Oh, er... Under here.

BERGERAC: Are forensics still in the annex?

KARA: Yes.

♪♪♪ ♪♪♪ Poppy, it's DCI Bergerac.

You're still at the Wakefield house, right?

Yeah, yeah, I'm just in the-- Look, I need you to go to the nursery.

- What are you up to, Jim?

- And go to the, um, fish tank.

Jim, I need a word.

In my office.

Uh, sorry, Poppy, it's gone quiet.

Where are you?

Yeah, I was-- I was downstairs.

- I'm in the nursery.

- Okay, you see the fish tank?

Uh, just go to it.

I need you to look inside.

What am I looking for?

There's just loads of fish.

Uh, what about the, um... Isn't there, like, stones at the bottom?

Little tiny stones.

Just, can you dig around in there?

- What is he doing?

- I have no idea.

BERGERAC: Poppy?

What are you doing?

Poppy?

Poppy, talk to me.

I don't wanna harm the fish.

No, the fish are fine.

We can replace the fish.

Okay, enough.

Jim!

Jesus!

Would you-- Wait!

Poppy?

[tense music] - Nothing in the stones.

- Er, what else?

A log?

It's quite realistic for plastic.

Okay, can you pick that up?

Can you look inside?

Jim, hang up.

- I need to talk, now.

- Yeah, no, just hold on.

Um, Poppy, talk to me.

♪♪♪ There's, like, a-- a freezer bag.

- And there's a phone in it.

- Yes!

- Yes what?

- Excellent work, Poppy.

I'm coming to pick it up now.

Um, uh, we got it.

We got Cate's second phone.

Oh!

Margaret said that Cate was by the fish tank, and, you know, I thought, um... she's not gonna be feeding them, so why is she there?

She was hiding her secret phone because someone was heading into the annex.

And then I saw the waterproof bag in the corner of the photo that Cate sent to Ellie, I enlarged it-- Why-- why would Cate have a waterproof bag?

For the phone in the fish tank.

Thank you and goodnight.

That's-- that's actually very smart.

Yeah, I know, right?

I-- I-- And now we're gonna find out who the real Cate is, because I think it's on there, everything we need to know-- - Jim, we need to talk.

- Absolutely.

I'm just gonna pick up the phone and swing by once I'm done.

I know you went to see John Blakely.

And punched his wall.

Okay.

Um... Look, I didn't touch Blakely.

Um, but no, look, I messed up.

I appreciate that.

But I swear, that will never happen again.

It's harassment, Jim.

- Um... - [Uma scoffs] My God.

You arrested Arthur Wakefield when I expressly told you not to.

You took your daughter on an arrest, and now this.

I took a huge risk on you.

Yeah, and I just got us a massive breakthrough!

Yes, and I need to secure a conviction.

We can't risk some lawyer getting the case thrown out because you freestyled protocol.

I'm sorry, Jim.

I have no choice but to... - No, no, no, no, no, wait-- - ...take you off the case.

I found Cate's phone.

UMA: And you can rest easy that tech forensics - will help us with it.

- No... I never doubted your brilliance as a detective, Jim.

Please, don't do this.

Not now.

Don't take this away.

I need this.

UMA: Take some time.

Get your priorities straight.

Go home.

Be a dad.

Right.

Back to work, everyone.

Thanks to Jim, we have Cate's phone.

Our best lead so far.

[overlapping chatter] [exhales] [solemn music] ♪♪♪ [phone buzzes] ♪♪♪ ♪♪♪ [exhales] JOHN: "Yet I am not silenced because of the darkness, "nor because the thick darkness covers my face.

"God has made my heart faint.

The--" Fuck off, there's a good lad.

I won't stay long.

The last thing I need today is tetanus.

You haven't been quite straight with us, have you, son?

No, I said Bergerac planted evidence to secure my conviction.

No, you weren't straight about who you are.

You failed to mention that you're a grubby little sicko that abducts young girls.

One young girl.

Mmm.

That's an interesting hill to die on.

Fine.

What can I do for you, sir?

ARTHUR: You wasted my time.

However, my forgiveness knows no bounds, nor does my generosity.

Bergerac's address.

And what am I expected to do with this?

Use your imagination.

And what do I get in return?

Well, he's as much your enemy as he is mine.

You said he lost you your job.

We're always looking for fit, hard-working young men for our sites.

Fresh start.

Clean break.

Blah, blah, blah.

I'm not just an animal that you can let loose on someone.

Really?

'Cause I think that's exactly what you are.

[sinister music] [door closes] Hello, darling.

- Hello.

- How was your day?

I didn't attend any arrests, you'll be glad to know.

Starting early, Gran?

Maybe we have something to celebrate.

Oh.

What?

An all-inclusive break to Corfu?

Very funny.

I'm not that drunk.

- I've seen this.

- They do skiing trips.

They have a state-of-the-art music department, complete with a recording studio.

[sighs] Places are like gold dust.

So I took the liberty of, uh... signing you up for next term.

What?

CHARLIE: Your grades are suffering.

They have a 98% pass rate.

Your GCSEs are coming up.

[classical music playing] I have a thirst for knowledge and already possess a broad understanding of the cultural, historical, and geographical, which makes me eager to discover more.

Is she AI generated?

What about my friends?

CHARLIE: You'll keep your old ones and make new ones.

- With these twats?

- [Charlie scoffs] Your mother, darling, was very happy there.

Not sure she'd agree.

Think of it as a new adventure.

There's been enough change.

Darling, sweetheart, you were so keen before.

I was being nice.

It's my life, my decision.

Dad was right.

About what?

And do surprise me.

You're trying to take over.

Because, right now, it seems I'm the only responsible adult in your life.

It's not me who keeps letting you down.

Remember that.

[birds chirping] [solemn music] [approaching footsteps] Well, Granny's only gone and signed me up to the posh private school and says I have to start next term.

- What?

- Granny's trying to turn me into a version of Mum that doesn't even exist.

- Um... - You're right.

She's trying to take over.

Not on my watch, love.

[Kim sniffs] [Kim sighs] Hey, it was just the one.

Fuck you, Dad.

- Kim.

- Stay away from me!

Kim.

Kim!

- Kim, I'm sorry.

- Leave me alone.

Just-- Please, would you just come back and-- and we can talk.

Not when you're pissed, we can't.

Why did you have to prove Granny right?

[Kim huffs] [phone buzzing] [sighs] Kara, uh, it's not a good time.

Wha-- [intriguing music] [seabirds squawking] Cate only had two contacts in her phone: Ellie Robson and someone called Fred.

Now, Ellie's phone is Ellie's phone.

But Cate's and Fred's were pay-as-you-go, so untraceable.

And it looks like she deleted the messages about once a week.

So they don't go back very far... but what she says is really interesting.

Um... "Margaret hates me.

"Watching and listening, pretending to be on my side."

Right, and this is to the, um, Fred guy-stroke-woman?

- Heart emoji as a reply.

- Right.

Um, "The more I dream about breaking free, "the more she keeps tabs on me."

What, then... Fred says "You can do this."

- How many of these are there?

- Loads.

And this is just one week.

Almost all of them about Margaret.

"Margaret told me today "how lucky I was to be welcomed into the family, "that I was adopted like Lily, a stray."

Look at this, a few days later.

"Just had a big argument with Margaret.

"She said Julian would be better off without me, "then she said they'd all be better off without me.

"I can't breathe, Fred."

KARA: And this, the night she was killed.

BERGERAC: "They've all gone.

Tonight's the night.

"Arthur needs to be exposed.

"I just need the documents and then I go."

And then, "I couldn't resist saying something "to Margaret, though, which was probably silly.

"Funny, though."

A cry-laughing emoji from Fred, then Cate says, "Thank you, I couldn't have done this without you."

Fred replies, "You did this all yourself.

"What a joy it's been to know you.

Safe travels."

Cate was clearly terrified of Margaret.

What you said in her interview, I think you were right.

She comes back to the annex, she talks to Cate.

Cate tells her what she's planning to do.

And Margaret kills her.

[phone buzzing] Um... Uh, sorry, I need to take this.

Charlie, look, I need to talk to Kim.

I thought she was with you.

She ran away, hasn't gone to her violin clas.

- Okay.

- Her friends haven't seen her.

And now she's not answering her phone.

Um... Look, I'm gonna send you an address.

Uh, meet me there.

I need to go.

Let me give you a lift.

You don't need to be breathalyzed on top of everything else.

[low, ominous music] I'd say she left mine just after half past four.

I'm half an hour away on foot.

CHARLIE: How long was she with you?

About a minute.

Um, okay, find the nearest footage to my house.

There.

There she is, there.

BERGERAC: Uh, can you... Where's she going?

Uh, what have you got on King Street?

Try Tommassi's.

There.

Is that her?

What has she got?

She's got flowers.

She didn't have those before.

She's going to the graveyard.

KIM: I told Champagne Charlie to do one with St.

Bitchadette's School, Mum.

I know you were bullied there but were too nice to tell her.

I don't even know who knows you anymore.

I miss you.

I just wanna hug you, hold on to you.

[kisses] [seabirds squawking] Where is she?

Where is she?

She was here, she was... She was here.

We saw her-- we saw her just-- just a minute ago.

Wait here.

[Charlie sobs] Hey.

We'll find her.

[sobs] Oh, my God.

BERGERAC: Hey.

Hey.

[kisses] Miss you.

Every day.

Kim left with a man.

Average height, fair hair, tight jumper.

He had his arm around her.

What?

Who?

Who could it be?

[ominous music] [door slams] [lock clicking] [approaching footsteps] ♪♪♪ JOHN: Vengeance is mine.

I will repay.

♪♪♪ ♪♪♪