Heritage Hotels and Resorts (sweeping dramatic music) Proudly sharing the culture and stories of New Mexico with our guests and future generations.

D.H. Lescombes.

Sixth generation French wine makers Crafting wines in New Mexico and preparing lunch and dinner D.H. Lescombes in Old Town, New Mexico Albuquerque, New Mexico Where arts, culture, and community are the pulse of this city.

Visit Albuquerque and New Mexico True are proud supporters of Bands of Enchantment (rock music) - [Announcer] "Bands of Enchantment Filmed Live at the Railyards in Albuquerque, New Mexico.

(audience cheering) Tonight's band from San Francisco, California, French Cassettes.

(audience cheering) - [Ken] I am a gigantic fan of this band.

It's their first time performing in New Mexico and Albuquerque.

Let's just give them the biggest Albuquerque welcome please to the French Cassettes, you guys!

(audience cheering) (band warming up) Hey (melodic vocalizing) Long dress, yes Tell me you're staying in tonight, oh And if you like it less and less over time I won't say I told ya Oh yes, is that a yes Tell me you're staying in tonight, oh And if you like it less celestial, we can try Or we can wait up for the sun And wouldn't you wanna see the sun Only one, and I'll feel much younger Under the sun And wouldn't you wanna see the sun Only one, and I'll feel much younger Under the sun, sun, sun Unless, and this is a guess It was something easy to try But if you like it less and less over time Then we can wait up for the sun And wouldn't you wanna see the sun Only one, and I'll feel much younger Under the sun And wouldn't you wanna see the sun Only one, and I'll feel much younger Under the sun I never get why they say you should live like you're dying Don't take me dancing I think I wanna stay home tonight I never get why they say you should live like you're dying Don't take me dancing I think I wanna stay home tonight I never get why they say you should live like you're dying Don't take me dancing I think I wanna stay home tonight Don't take me dancing I think I wanna stay home tonight (audience cheering) - [Scott] Thank you so much.

- Yeah, okay - That was perfect.

Good for it I need you more than anybody else can know but Nobody else was asking me - What's up?

- [Crew] French Cassette interview Take one, common slate.

- [Ken] Hey guys.

- [Both] Hey.

- [Ken] Have you guys ever been to New Mexico before?

- Yes, I don't remember why.

What it was for.

- It was probably you were abducted and then you went into a vortex.

- Yeah.

- Same.

- Same.

- Classic.

- First time for the band in New Mexico, for sure.

- Cool.

First time playing at a railyard?

Or you guys typically always do.

- Second time, to be honest with you - [Ken] What?

Shoots over.

We're done here.

- Yeah.

I thought you said you were feeling better Come back to mine, to mine I found a list of things I never told you I'm too dumb to cry, to cry Could you ever see yourself without me Hope you don't, no - [Ken] How'd you guys link up?

How'd this come to be?

- I think high school.

I was writing and recording music with my brother and we weren't really doing much We were just doing it for fun.

And then I learned Mackenzie played guitar and so then we started playing music together back then probably when we were like 16 or so - [Ken] And where did you guys grow up?

- In Rippon, California.

Small town I need you more than anybody else can know but nobody else is asking me Thank you, this song is called Utah Oh, what you don't know won't kill ya Like what would it be like To be like a beautiful woman And oh, what you don't know, we'll make it up Those flowers look good, as they should But it's hardly a garden And oh, kid you can't grow, I'm chokin' up There's no one to help you from there Do you think this is funny Yeah (melodic vocalizing) Some come to Utah Some said they knew ya Some get a new god Some go to Utah Sunset-set-set, sunset-set-set Sunset-set-set-set- set-set-set-set-set I wish I could reset the mood for you We could do the things that we used to do You'll know it when I go with someone What do you mean I'm gone What do you mean I'm gonna stay What do you mean I'm gonna be late Oh, what you don't know won't kill ya Some go to Utah Some go to Utah Some go to Utah (melodic vocalizing) (audience cheering) Oh do you think you need me Am I being emotional Need to make sure you re laughing enough I just wanna make sure you're laughing enough Oh do you think it's easy Am I being insatiable Are we just making it up?

I just wanna know if we're making it up I was sleeping when you found me I'll never make it hard to be around me Yes I am better off now that I know you But everything that I got will not make up For what I owe you baby Please, I can hardly treat my body right Your time was well wasted on me But I can't do this every night Oh do you think need me Am I being emotional Need to make sure you re laughing enough I just wanna make sure you're laughing enough Oh, do you think it's easy Am I being insatiable Are we just making it up?

I just wanna know if we're making it up Oh (melodic vocalizing) (audience cheering) We ll put you up on a fireplace mantle, woo We ll put you next to a Jesus Christ candle - Well you know when I say fireplace mantle, I say what rhyme comes to your head - [Ken] Yeah.

- Jesus Christ candle - Jesus Christ candle, naturally - So that was easy.

Started there.

Could I every see myself without you Of course I don't - And it is a song about someone I love and someone from my family.

Yeah you got it.

- [Interviewer] Thank God.

- Yeah, arrows down.

That's good news, you said you're good for it What have you got to lose, when you're good for it Good for it - It was funny.

I didn't think about that until after it was done.

I thought I was writing like a really angry song.

I thought I was writing like a pretty punk song.

And then they were like, no, this is like you're softy.

Hear what you were just saying?

Those are actually sweet, and I was like, okay.

So yeah, I guess you caught me.

(crew applauding) I'd say at the time you were my best friend Held each other close in each others beds Blame it on the lack of good magazines If only our folks knew all the sh** we'd seen (melodic vocalizing) Off and on and off On and off and on We liked to pretend there was something wrong But there never was we just liked it 'cause It was on and off On and off and on (instrumental break) Oh, you're not strange But you said you were the only one You said you were the only one And oh, you're not strange But you said you were the only one You said you were the only one Oh, you're not strange But you said you were the only one You said you were the only one, yeah (audience cheering) Thank you, thank you Say you'll stay here when you don't go to sleep But then you won't, you speak in onomatopoeia Dixie, I will leave ya with a short nose bleedin' When we wake up, we'll make it seem like we stayed home So, you smell good when you dance We were never shakin' hands But it still was nice to meet ya I'm a heavy sleeper, at least I used to be Five past 19 Without a screen, I'll never sleep alone (melodic vocalizing) I sleep too much, I'd better set two lights I wouldn't wanna be your brother's second-best man I wouldn't be surprised If I was reading this off of a napkin I quickly realized, you mean the best, I know Cemetery, cemetery, cemetery, cemetery Cemetery, cemetery, cemetery, cemetery You mean the best, I know Cemetery, cemetery, cemetery, cemetery Cemetery, cemetery, cemetery, cemetery Cemetery, cemetery, cemetery, cemetery Cemetery, cemetery, cemetery, cemetery Cemetery, cemetery, cemetery, cemetery Cemetery, cemetery, cemetery, cemetery Cemetery, cemetery, cemetery, cemetery Cemetery, cemetery, cemetery, cemetery That's not easy to remember No, won't make another baby And if only it was less than lately I would probably have more to say But I have come to change the conversation Since it's not a matter of just say When it's more lonely in here since you came in Have my soul, it's come from lack of fame And only fast forgets to know my real name Since it's not a matter of just say When it's more lonely in here since you came in I've been less than lonely since you came in I've been less than lonely since you came in (audience cheering) what you don t know won t kill ya - Have you played "Utah" in Utah Some go to Utah - We haven't played it.

- No, haven't played it yet.

- No.

Our manager says we need to write a song about every state, so yeah.

- [Ken] Get on it guys.

- "City Kitty," such a groove.

- I was really excited about that bass line.

- [Ken] Yeah.

- And I was like, man, I can't wait to play this live.

And then we worked it out, and then I'm not the person who plays it.

- [Mackenzie] Yeah, I get to play the fun part.

- [Ken] You do it?

Yeah.

- So that one I'm just... Take me dancing - While everyone else... and I m like- - I heard "Rolodex" was written under a stairwell with Harry Potter?

No.

- I was staying under a stairwell for a little bit.

I would just make demo ideas and yeah I would go through the night and then make demos.

Sent 'em to Mack, say "Am I crazy?

Most of the time he said no.

And then we made those songs into "Rolodex."

One, two, three.

I float entirely off the ground sometimes Depending on where you're staning I'll sip grape soda while you print out girls You think you like Rip and tape it up in wax cups I'm not that wasted Well maybe I should be Better at being somebody's someone Or I could make it easier Coming home to no one I'm not opposed to sleeping fetal What are the chances you'll die Underneath the black light On your side with me I don't suppose that you drive Otherwise I'm walking, I don't mind Honestly It takes 30 to 45 I might be a man but I can't lie Obviously Ooohh (instrumental break) I'm sleeping organ-side Hymnless by waldon right But I don't mind Waiting such a long time For patience For three red lights No, I don't mind Waiting such a long time For patience For three red lights No, I don't mind Waiting such a long time For patience For three red lights No, I don't mind Waiting such a long time For patience For three red lights No, I don't mind (melodic vocalizing) (instrumental break) (audience cheering) - [Ken] If you could take home any one of these statues... - Whoa.

- [Ken] Which one would you take?

- [Mackenzie] That's really cool This one just got out of jail.

- Yeah.

- [Scott] I'll take that one with a big hole in it.

- [Interviewer] The big hole one?

- Yeah.

(rock music) Ain t got nothin got nothin Ain t got nothin Got nothin to lose (guitar solo)