Homegoings
From headliner to heartbreak: The theatre director who’s starting over
Season 4 Episode 7 | 46m 41sVideo has Closed Captions
Losses and heartbreak led a theatre director to uprooting his home, his craft and his identity.
In 2015, theatre director Jarvis Antonio Green founded JAG Productions that served as an artistic sanctuary for Black creatives in American theatre. Last year after losing venues and revenue, JAG took a final bow and closed its curtains for good. Soon after, Jarvis suffered other losses and heartbreak in his personal life that led to him uprooting his home, his craft and his identity.
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Homegoings is a local public television program presented by Vermont Public
Sponsored in part by the Rutland Regional Medical Center and the Vermont Arts Council
Homegoings
From headliner to heartbreak: The theatre director who’s starting over
Season 4 Episode 7 | 46m 41sVideo has Closed Captions
In 2015, theatre director Jarvis Antonio Green founded JAG Productions that served as an artistic sanctuary for Black creatives in American theatre. Last year after losing venues and revenue, JAG took a final bow and closed its curtains for good. Soon after, Jarvis suffered other losses and heartbreak in his personal life that led to him uprooting his home, his craft and his identity.
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Learn Moreabout PBS online sponsorship-I am was in an interesting -!position, being, you know, four -!hours from New York City.
So I -!was able to go down to New York -to cast men up to Vermont and -created this sanctuary, -!essentially where artists get to -!leave the hustle and bustle of -!New York right and get to bask -in the beauty of Vermont.
-Jarvis Antonio Green is a -!director of theater, an actor, -hes even been a musician -and we share something -!in common, we're both two black -creatives who've spent a good -!chunk of our lives in Vermont.
-I was raised in Vermont, this -!show is made in Vermont & Jarvis -!lived there for nearly 15 years -after growing up in the South -and spending some time -!developing his craft in New York -!City.
Vermont's known for a lot -!of things, nature, maple syrup, -!Bernie Sanders, Ben and Jerry's, -ice cream, but also it's -!overwhelming whiteness.
Vermont -!is the second whitest state in -America, which is why, when -!somewhere around 2016 I started -!seeing stuff like this pop up in -!my feed, I started to ask, What -!in the Shakespearean what in the -Jane Austen -!movies?
Black people?
Frolicking -!in fields.
That is exactly what -!I want people to see when they -think of Jag.
-!It's beautiful.
Jarvis's work in -!the state, it stood out.
He was -!the founder of jag productions, -!a theater company whose mission -was to, quote, serve as an -artistic sanctuary for black -creatives in the American -!theater, the company put on an -!annual New playwrights festival -called jag fest, hosted -workshops and outdoor theater -performances and offered a -musical theater lab, all with -!black and queer artists who came -!up from New York or other parts -!of the country to make theater -!together in the Green Mountains.
-!Over the past decade, Jarvis has -!been a huge part of the artistic -!revolution in our little state, -which is why it devastated so -!many of us when in June of 2024 -after an eight year run, jag -!closed its curtains for good in -!an emailed letter, Jarvis said -that, much like other theater -companies across the country, -jag was a victim of, quote, a -!model that increasingly proves -unsustainable amid shifting -!societal support and financial -pressures.
It all seemed very -!sudden to me.
How did jag get to -!this point?
I remember I reached -!out for an interview with Jarvis -!the moment I heard the news, but -!he wasn't ready to dive into it -then now he is, and what I've -!learned is that at the time his -company closed, so much was -!going on behind the scenes for -Jarvis.
Yes, a lot of it was -financial, but there was more -too.
And Jarvis's experience -!speaks to a reality that a lot -of queer creatives of color -face, that at any moment, -everything can fall apart.
-So June in 2024 I closed Jag.
-July 30, my dog of 11 years -!passed, and then September 1 is -when my relationship ended.
-What happens when the public -perception of your work -thriving, vital and expansive -doesn't totally match the -!reality of everything going on -!behind the scenes?
What happens -!when you're just one life shift -away from things breaking and -!what does it look like to piece -it all together again.
-It felt, you know, I guess a -little bit of my own kind of -abandonment issues.
I'm like, -!Why is everybody leaving?
Yeah, -why -is everybody leaving?
-From Vermont public, this is -!homegoings, a show that invites -you to eavesdrop on candid -conversations with people who -!will challenge what you think.
-You know, I'm Myra Flynn, and -!today a conversation with Jarvis -!Antonio green, a Triple Threat -director, actor and singer -!who found himself just last year -losing so much of what he -!built in his community and his -!personal life in one fell swoop.
-!Today, I'm talking to him about -a different kind of art he's -putting his energy into these -!days, the art of starting over.
-!This is his journey, and this is -!homegoings.
We're a proud member -of the NPR Network.
-Welcome home.
-!First of all, it's just so great -!to see you.
I feel like I know -!you, but don't really know you -that well.
But I feel like I -know you, because every time -!I've like witnessed you, whether -it's like social media or -!anything, you're just like you -!put me at ease.
I feel.
You do -!that with so many people?
Like, -ah, that's true.
And you've -!just, you know, you keep track -of each other in a state like -!Vermont, when we're black folks.
-!So yes, welcome to homegoings.
-Yeah.
Always knew I wanted to -talk with you.
Yeah, I guess, -!like, I want to start out with, -!like, who you are, what you do, -!what is it that you set out to -do in this world?
-!Wow.
Okay, question, that is a -!big question.
Well, my name is -!Jarvis.
I am from the south from -South Carolina.
-Stop it.
Yeah, where's your -accent?
-You know, a lot of theater, a -lot of being in white spaces.
-But yeah, I'm from South -Carolina.
I grew up in the -church, Southern church.
Boy, -!I'm a southern things you never -!know, the things you never know.
-I am a southern church boy.
I -!was the, you know, director of -!the praise dance team.
I believe -!this, yeah, no, I was a church -soloist.
I started singing in -the church like I remember so -!vividly, like my choir director -!at 10 years old, was like, hey, -I want you to learn the solo -that we're going to sing the -song that we're going to sing -!next Sunday.
And it was his eyes -on the sparrow, exactly, -!exactly.
Exactly, yes, okay.
And -!I killed it.
I killed it.
And I -think that was like the first -time I understood, like, the -!power of storytelling, the power -!of song.
And then from there, I -!started just like singing it in -!the church.
And then my a woman -!who was going to my church, who -!was my school librarian, told me -about this boy choir that was -!auditioning young boys, and they -!were going to be traveling all -over the world, singing this -!like classical music.
And I had -!no idea what that meant.
Yeah, -!and she picked me up, took me to -!this audition, and I nailed it.
-And then my world kind of -!shifted in that moment, because, -!like, he was like, Yes, I want -!you to be a part of this choir.
-!And then I went from this, you -!know, very black community, and -then things kind of like, for -!the first time, I, like, learned -!what it meant to like, I don't -!know, essentially be like, not -wealthy, because all of this, -you know, the singers and The -boy choir members were like, -from affluent families.
And I -remember just being like, oh, -there's something different -about my like, I knew that I -!was, like, rich in culture and -!family and things like that, but -like, for the first time, I -learned that, like, Oh, we're -we're poor.
-!I remember this lyric, I think -!it's from Erica Badu that says, -!I remember there in school one -day I learned I was inferior.
-!How did it feel to learn that?
-!Did you feel inferior to these -!boys?
I felt inferior.
You did.
-I did.
I did.
I did because I -think my parents didn't know -what to do with this, that -talent and that gift, and so -!they just allowed me to figure -it out kind of on my own.
So -they couldn't necessarily be -!that support for me, because in -these spaces, I was still the -most talented, -which is a currency in and of -!itself.
What I mean, right?
So -!they weren't necessarily like, -!there for the kind of emotional -things that that I was -navigating in terms of, like, -!what it it felt being like the -!little poor kid versus all the -!kind of white wealthy kids.
So I -did feel a little inferior at -the time, even starting jag -like, I'm now realizing that -since I was 10 years old, up -!until starting jag like, I had -!like, I feel like I was like, I -strayed away from that like, -deep familial cultural -experience.
And was like, in -this, like, very white artsy -!community, white friends, yeah, -!etc, etc.
So like starting Jag, -and now it's like, this big -!coming home to myself, yeah, if -I'm understanding.
-!You, right?
You have a really, -!you have just admitted something -!that a lot of black folks don't -talk about, which is that I -gravitated toward whiteness -because it felt safer.
-Yeah, right.
You.
-I moved to Vermont in 2011 -!which is wild, I know, and also -why Vermont.
-!I started teaching voice lessons -!to folks in Barnard Vermont, and -!there was like this curiosity of -!like, who I was and what I could -bring to the table.
There's a -!curiosity about my craft and my -work.
And in New York, I was -working some in the creative -world, but it was mostly like -!hustling to survive, working at -!work to pay the rent.
Exactly, -!yeah, I was waiting tables, etc, -!etc.
And so it felt good to live -in a community where folks -valued you for your creative -sensibilities, for -your merit.
Basically, yeah, -!yeah, yeah, you brought what I -brought?
Yeah, -that felt really good.
I got -this idea, and I basically -!mimicked it after a lot of the -!arts organizations that I grew -!up in.
And then Kathleen Dolan -!at artistic community art center -was like, Hey, would you be -!interested in starting a theater -!program for me?
And I was like, -!Sure, I did that for two years -and and realized that, like, -yeah, no, I don't want to be -!like, making and building shows -!centered around, like, you know, -!white playwrights.
I want to do -!shows that reflect my humanity, -!and that was my struggle in New -!York.
It was like, you know, a -!lots of colorblind casting, but -!not really, you know, going into -!the heart of the matter of like, -what it means for this black -body to be playing this white -!character to appease to dei was -!like, okay, cool.
Like, you can -!be a black person in Oklahoma, -!but like, you know, like, what -does that mean for the person -!that is in this body portraying -!this character?
Like, you know, -!folks never went into the depths -of that, -!yeah.
I mean, like, the theater -!has been notoriously racist in -!its casting for i We interviewed -Audra McDonald, I think, last -!year, and I know so much to say -!about this.
Yeah, look at your -eyes, literally my episode, -!yeah.
But she was, like, she was -!always being cast as, like, the -!maid or, you know, the slave or -!something as well.
So not even -!just plain white characters, but -!the black ones you got to play.
-!Yes, that wasn't good, exactly, -!but I remember her saying, like -she wanted to kind of reclaim -!those roles and take them back -!and make their bigger presence -!on stage.
So I guess, like, I'm -!curious, how would you go about -!staffing this idea of yours with -black representation in the -second white estate in the -union?
-!Yeah, I think particularly for -the artist, I was in an -!interesting position being, you -!know, four hours from New York -!City, so I was able to go down -!to New York to cast to Vermont -and created this sanctuary, -!essentially where artists get to -!leave the hustle and bustle of -!New York right and get to bask -!in the beauty of Vermont.
White -!folks here get to, you know, not -!just white folks and everybody -!that lives in the Upper Valley -or whatever, get to sort of -experience these art because, -!like, at first, I struggled with -this idea of, like, not using -local talent, you know, -!right?
There's, yeah, a lot of -pressure on local here, yeah?
-!Well, yeah, yeah, in Vermont.
So -you, you, you chose like to -ignore that.
I chose -to ignore that.
I chose to -!ignore that.
And it's also what -!I knew, especially if I wanted -to be producing and making -!things like ASAP, so I would go -down to New York and cast -artists work with a casting -director to cast the shows.
-!Wow.
Essentially amazing, yeah, -I mean, and unheard of, like, -you'd have to know Vermont to -know, like, how rare This is.
-And, you know, some people -!listening be like, oh, there's a -!black theater.
Production in my -!city.
This ain't the city?
No, -!yeah.
It's a hard thing to pull -!off, yeah, which is why you've -!been so I think on my radar for -!so many years, all, all of your -!your photos are just like black -people luxuriating in fields.
-!And I'm like, What?
What in the, -literally, yes, what in the -!Shakespearean?
What in the Jane -Austen movie.
That -is the brand black people -frolicking infield.
That is -exactly what I want people to -!see when they think of Jag.
It's -beautiful.
Yeah, 1234, -one, how was that funded?
You -!know, philanthropy, child, like, -just, you know, the whole -donors, local donors, -foundations, grants, and that -allowed me, for a year and a -!half to put up really beautiful -kind of mind blowing for the -area work and folks wanted to -invest in it.
So that initial -gift helped opened up -opportunities for me, for -!mobile, you know, because, like -!people in philanthropy, people, -they got money, they want to -!give money to successful things.
-!And when folks would come to the -shows like they wanted to -support that and be a part -!of that was any of the funding -!as it continued, part of, like -!the boom of Dei, and some of, oh -my god, -2020, yeah, just cash.
Gosh, -!cash, cash, cash, cash, yes, you -get a theater, yeah.
I think -!particularly the big boom for me -!in 2020, was like my partnership -!with a huge organization in the -Upper Valley, which made, you -know, the work easier, like, -!they had a lot of resources and -!a lot of connections within the -!community, and that connection -helped me to make more -!connections and really kind of -!take jag to this next level.
In -!2019 we produced a show called -!East ice table that moved to New -!York, that kind of put us on the -map.
I mean, it was just like -!this combination of, like, all -!the things, really good theater, -!it being outdoors, food, news, -like, it was just a really -lovely it was lovely.
Yes, it -!was lovely.
So all those things -!combined really made a beautiful -experience.
And my thing as a -producer, as a director, it's -like, yes, you're gonna get -!really great theater, but, like, -!it's all the elements from the -!moment you walk into the space -that, like, makes the theater -experience great for me, like -!the people that you're around, -!like, you know, the lobby, all -!of that, like, I like for it to -feel like a, I don't know, -immersive, -!yeah, it's gonna say that, yeah, -!it should feel like church.
It -!should feel like it should feel -like -it is like, if you're gonna -!gather people, if you're gonna -gather 200 300 people, folks -should leave changed.
I i, -so I love this image of black -!people frolicking in the fields, -!and I just wonder, like, I don't -know that curation, right?
Of -just like everything is just -like wonderful and beautiful, -!and like going so well, and even -hearing you talk, it sounds -like, I believe you like, it -!sounds like, like it was dope, -!and, oh no, I wonder, I wonder, -what a struggle -at I wonder, -what if there's more to the -story.
-!Gosh, behind the scenes, really -!interesting conversations with -funders.
Basically, things -!started to go south.
They pulled -out big.
That's big.
We were -getting ready for the third -!season and, like, kind of got an -email that was just like, we -can't do this.
-Wow, anymore that must have -gutted you.
Gutted, yeah, -!gutted, gutted, gutted.
And your -mind goes to all these places -like, Sure, yes, yeah, yes, -!yeah.
And we were coming out of -the pandemic, and Biden was -elected now, and -you know, time to lose that -money, -!yes, yeah, yes.
And so that was -a big shock.
And then we lose -!our outdoor space, and then we -kind of lose our sort of home -indoor space, yeah.
And so -things got really strange for -!us.
It felt, you know, I guess, -!a little bit of my own kind of -abandoned.
Issues.
I'm like, -!Why is everybody leaving?
Where -!are we?
Yeah, why is everybody -leaving?
-And so backtrack, in 2022 or -!three, I got the biggest burnout -I've ever had.
I didn't know -!what it was.
I woke up.
We had a -!fundraiser in the fall of 2022 I -!woke up one day and I felt like -!my life force was, like, gone.
-Like, I would like, get up, I -!would like, get dressed, and I -would have my heart, would -!raise, I wouldn't want to leave -!the house.
And I was like, What -!in the hell is going on?
And at -this point, I had just been -!going, going going going, going, -!running this organization.
And I -!remember calling my doctor, and -!then I meet with a psychiatrist, -and they're like, this sounds -like this sounds like -depression.
And then I had to -!get on, like, some SSRIs to kind -!of calm me down.
And I remember -talking to a board member and -!saying, like, hey, like, I need -!to take a break.
And this board -!member was like, Well, if you, -!like, take a break, like, there -won't be an organization, -yeah, because you are, you're -the identity, you're the -identity.
Your identity is -!wrapped up in this identity, and -you are not separate anymore, -yeah?
-!And at this point, it's probably -!year six or seven, and I'm just -like, which is a -!long by the way, kind of amazing -for any -!project.
Thank you.
Thank you.
-But, like, I was also like, -okay, you know, within this -organization, we're talking -about the we're talking about -!what it means to co lead.
We're -!talking about what it means to -!build community.
You are about -that life of like, centering -!black and marginalized voices, -!etc, etc.
So it's like, right?
-!Don't think about this just for -me.
Think about all of the -!artists like, let's figure out -ways to make this thing work, -not just because of me.
Like, -there, there are more voices -like mine that like, benefit -!from this work.
So I was like, -!I'm like, why am I showing up to -the board meetings?
Why am I, -why are all of us here?
Like, -!you know, why do I have a board -!of like, eight people?
Why do I -have staff if I can't take a -break.
-Yeah, that's that math is not -math, yeah, -!yeah.
And so I think part of my -!superpower is that, like people -!do love me and care for me, and -!I think that the folks that were -involved were doing it for me -!versus the bigger right picture, -!right, right?
And that love is -very stressful, love as well, -!because it's about, it's about -!loving you, but it's also makes -you a bit of a token in a -!situation where, like, You are -!the beloved black person, yeah, -!in the town and, like, not the -!work, yeah, you were presenting.
-I was, I was actually kind of -shocked that, like, no one -fought harder for it to stay.
-That's how I knew that it was -!like, oh, like, Oh, we're just -doing it because, because of -!Jarvis, right?
And I'm like, Oh, -you don't want this for your -town, right?
You don't, you -!don't.
You don't want to, like, -have this here as, like, a -permanent sort of thing, you -!know.
And people were showing up -!and doing the thing because of -me, not because of, like, the -!cultural impact and like being a -very white town, and like -needing and wanting something -like this, like the -reasons you started it.
The -reason I started it wasn't -because you, yeah, and -!so, like, I thought that, like, -!when, when we lost those venues, -that people would literally, -like, be in the streets, -!essentially, of just being like, -!Okay, we got to figure out how -to turn this around.
But -!everything still kind of fell on -!my shoulders, and I'm just like, -well, I don't need to care.
I -don't need to -!carry all of this.
You can't.
I -cannot.
And your body was -telling you, -my body was telling me.
I -!decided to wrap it up in 2024 I -!remember vividly.
The of like we -!were going in circles at a board -!meeting on like, what, what was -!the thing that needed to take us -to the next level?
And it was -!like, oh, we need to really amp -up our committees.
Like -!committee structures.
We need to -have all of these committees -!you were acting too in your own -Yeah.
-And so at that moment, I was -!like, Oh no, no, I can't manage, -!run this board, raise the money, -manage the staff like I just -can't.
I told them that I'm -!like, I can't do this anymore.
I -!need to, I need to be done.
And -I think a lot of it was tied -!into my personal life as well.
-What was going on with you -personally?
Dine, -!yes, so like, I was in a serious -!relationship with a person for -almost six years.
We were -!engaged.
I got engaged about a -!year ago, around this time, wow, -yeah.
June 14 was when I was -proposed to of 2024, -!happy engagement, diversity, I -know, but -so, but was this person there -!watching you do all go through -!all of this?
Yes, yes.
That's a -!really Yes.
That's an intimate -yeah thing, especially the -burnout and the depression, -yeah, all of that.
So, -and it's, it's interesting -!you're talking about, like the -!white would you know, when you -!were mentioning about, like, me -!having access to whiteness and -!white people and like, feeling -!like I'm safe and stuff there, -!and like, part of this closing -!jag was, like, I had the safety -in this, Like, white partner, -!because they, um, very well off, -!and they're gonna finish their -!PhD program, and we were gonna -go out into the world, get -!married, have children and go to -!move essentially.
So I was like, -knowing that and knowing the -!pressures of my job.
I was like, -!okay, cool.
Like, this is a good -time, right?
-!You're like, I can afford to end -!this.
Yes, this, this production -I've worked, like, my life on -!basically, yes, right?
Because -you had that safety net.
Yes, -!oh, the white safety net.
Yeah.
-So what happened next?
-We both did proposals to each -other.
I saw -that it was so nerdy and so -!cute.
Thank you.
Like, you guys -both, like, I got engaged.
-!Here's my ring in, like, a week -!or daily.
I don't know there was -another one.
There's another -!proposal.
You already engaged.
-!It happened once, yeah, but it -was really sweet.
Yeah, -!so in August, we're now engaged.
-The world knows, I close Jag, -we're starting to plan a -!wedding.
Yeah, we go to Ireland -for a trip, just like an -engagement -!trip, yes?
So we're in Ireland.
-!It's like, day 10.
I'm a little -!exhausted.
There are children.
-They're like, we're waking up -every day.
That's -!hilarious.
There are children.
-!There are children there.
I love -K, -!yes.
But children be children.
-!We're all in one Airbnb, and day -!10, I'm like, I I need a breath, -!like I am.
This is a lot for me.
-And I I remember, yeah, I -remember saying that, like, I -I'm gonna go, I'm gonna meet -y'all in Dublin.
That was the -!next stop.
I'm gonna meet y'all -!in Dublin.
I'm gonna get a hotel -for the night and meet you in -!Dublin, and then I'll meet up at -!y'all the Airbnb, which is like -!a block away.
I made sure to get -!something close so I meet them -!in Dublin.
My part, my fiance at -!the time, we stay in the hotel -!the night.
They get up the next -morning, go on a walk, come -!back, lie in bed, and I'm like, -What's something's up?
Like, -!what's going on?
And they were -like, I don't think this is -!going to work anymore.
And so I -!like, Get up, like, I sit up in -!bed, and I immediately go into -!like, Okay, I know this is a lot -you were planning, a lot.
-Wedding.
This trip is a lot.
-!Let's continue our trip.
We were -gonna leave the family at the -end of the trip, go to London -and Paris.
We had tickets, we -!had hotels, we had show tickets.
-!Let's go to London and let's go -!to Paris, and let's talk about -!this, even if you feel this way, -like let's get away.
-But your immediate question -!wasn't why.
It was like, let's -just keep it going.
Keep it -!pushing Yeah, okay, yeah, yeah, -all right, -!yeah.
And I think we got to sort -!of a Yeah, no.
I that's a really -!great question, because I think -!part of what was difficult was -like me trying to figure out -what the why was and the Why -!didn't come until later, the Why -did not come until later.
So -!they get up, pack their things -!and go to their parents Airbnb.
-!I am, like, sitting in my hotel, -!like, just kind of in shock.
And -then I I realized I was, oh, -they have my passport.
And I -!called him, like, Hey, can you -!bring me my passport?
I already -did.
It's at the front desk.
-!Stop, yeah, and again, did not -see any of this coming.
I -already did this at the front -!desk.
And then I called back.
I -!was like, hey, so they called me -!and was like, Are you going to -London?
And I was like, well, -!this, that trip was for the two -!of us.
Are we going?
Like, are -we going?
No, I'm not going -!well.
I'm like, well, I'll come -!back home.
I'll take the return -!flight from Dublin back to the -!US.
They were like, I've already -!changed my flight.
I'm getting -!on the 10 o'clock flight with my -family.
-!Wow.
Yeah, so stark, yeah, yeah.
-!And so I go to London and Paris -!by yourself, by myself.
I'm in -London.
I have a friend that -!lives in Paris, and X actually, -!and I saw him, and he showed me -around Paris, and was, like, -!very supportive.
I come back.
I -!am bopping around in Airbnbs in -!Vermont while I'm trying to like -Like, no one talks about what -it's like to like, like, deal -with grief.
And also have to -like and like deep hurt.
And -!also have to be organizing your -!way forward and out like I was, -!like, dealing with all of this, -!I'm like, Oh, I have to figure -out where I'm going to live, -!right?
We had a home together, -and you still don't have an -!answer as to what is happening -!well.
And yes, it was, it's been -maddening.
I know it was -maddening, but it was like -!things that we talked about in -our relationship of like, you -!can be a little analytical, you -can be a little critical at -!times.
And yes, I do have that -nature.
I make theater, you -!know?
I wish you can be a little -bit more supportive.
And so, -!like, I was like, Well, did any -of this change since you -!proposed, right?
No, no, no, but -I think things just got to a -fever -!pitch with the proposal in the -wedding, the -!wedding and and feelings, and a -!lot of it was internalized.
And -I, I know one of my I don't -know, like, problems or -whatever, is that like?
I can -have a really good argument.
-Oh, -it's bad, it's bad, it's bad, -!it's bad.
And so then they would -not want to address things -!engage with, engage with because -!I could, I could take it to the -moon and back, -!also theater, yeah, yeah, yeah, -yeah.
So -!a lot of things they would not -!disclose, and so they had to sit -!with a lot of that until it was -just too much.
You -!sound so understanding of their -purview and perspective right -now.
Were you pissed -I was fucking -so I'm just recognizing like -!you've had two major heartbreaks -!happen around how.
Distant were -they from one another?
Jag -closed in 2024 -June of 2024 September 1 is -!when, so June in 2024 I closed -Jag, and then September 1 is -when my relationship ended.
-I really, really want to cry.
-!That's a lot.
Yeah, it is.
It's -a lot.
And you you were, it -sounds like already kind of -!fragile, and is like fraying at -the seams in this point.
So I -gotta ask, like, how was your -mental health going after the -personal breakup?
Did it did -!it get worse?
It got worse?
It -got worse, and I'll be -!completely honest, like I just -came through a really kind of -!dark time, like in this breakup.
-!I gained weight, started taking -!ozempic, had crazy side effects, -wow, got vertigo, and it was, -!you know, it was, it was awful.
-!And so, like, all these things -!are just kind of coming up, like -!in the breakup, like, oh yeah, -!no, I have to deal with a little -!bit of my own internalized fat -!phobia.
And just like, what it -!means to, like, heal in, like, -!in isolation, yet, like people -!are around me, for sure, and but -!this is, like, this work I have -to do, -like, on your own, on my own.
-!Can nobody do it?
No, you can do -it.
So, how did you start the -work?
-!I started the work by becoming -sober.
-!Good place to start.
Yeah, did -it change a lot for -you?
It changed a lot for me?
-!Yeah, I was numbing.
You know, I -didn't have, like, a huge -!drinking problem, but when I did -!drink, I would go to the ends of -the world.
And you know, I am -!just learning how to deal with -!my own like emotions.
I have to -!learn what it means to deal with -the racing thoughts I have to -!learn to deal with.
You know, so -!much that comes up by having the -!psych time and space right now, -!to not be distracted.
And a lot -!comes up fear.
I a lot of there.
-!There's been a lot of fear that -!I've had to excavate out of me, -!like no one's no one's around to -save me, no saviors around.
I -can't lean on to a partner to -!make me feel whole, to make me -!feel safe, okay, like I have to -cultivate those things on my -own.
I have a really deep -meditation practice, right?
-!Yeah, right now, lots of breath -work.
-!And you moved, I moved and you -!moved out of the country, out of -the country.
Listen, not that -I'm like, a crazy Instagram -stalker of you, but I like, -!that's where I see all your your -!life happening.
And I was like, -You're in Montreal.
-I'm in Montreal.
I'm in -!Montreal.
Why Montreal?
Okay, so -why Montreal is that it's far -!away enough.
But I also have a -!friend that lives there, Natalie -!batchville, who was on my board -when I first started Jag.
She -was doing a post doctorate at -!Dartmouth, black Haitian woman, -feminist theory, you know, a -!ceramicist, amazing person.
So I -!wanted to be around someone that -!could, like, give me a warm hug -and, like, put me in, like, -!intentional communities.
She was -!the main reason.
To be honest, -she was the main reason.
-And so, what are you doing in -Montreal?
Like, like, I -am, like, yeah, yeah, I'm -!writing a book which is wild.
Do -you just try on -anything that looks like art?
-!Yes, I've heard music, theater -!production.
I've never written -!a book.
I won a quarter million -dollar grant.
How -!are you getting I need to hang -!out with you more.
You seem to -!just have luck with that.
That's -amazing to -!write this book.
Now.
Who gets -!funding to write a book before a -book is written?
-You do way.
So -!I'm writing this book about my -!experience here my methodology, -!how I develop new plays, how I -center wellness and movement -!around my theater practices, how -!food is so integral to the way I -make and create.
One of my -chapters is about the not for -!profit industrial complex, and -all the systems that are in -!place and how they are not the -greatest systems for the work -that I was doing.
They were -created for something very -specific back in the day, but -like you know, to be doing -transformative theater making -!from a black and queer lens like -!those systems aren't necessarily -!really.
Great.
So I write about -that, yeah, you look -!well, thank you.
You sound well -and you look well, thank you.
-!Thank girl.
Oh, because it has -been a time, yes, -literally, the heart, one of -!the, like, the hardest moments -!of my life, and even on my way -!here, because I was with my ex, -somatic things came up for me -again, and I think -!my body wanted to revert back to -!that life, when there's there, -!was like, there's so much growth -!that has happened, and so, you -know, leaving I felt like a -!sense of loss.
But I'm like, I -!also was just like, asking the -!universe for my energy back.
I'm -!like, I give me my energy back.
-!Because, you know, when you've -!known someone for so long, and -!even though we are friends, when -!you do jump back in, you know, -!your body wants to, you know, go -!back to that life, and I'm like, -yeah, -!no, kind of Yeah, forgiven each -other.
And -yeah, yeah, we have forgiven -!each other.
I've forgiven her.
-She came out as trans a month -after we split up, and she's -!going through HRT, wow and all -those things.
And so was -this happening, like, as an -!undercurrent in the breakup at -all?
Or, like, I -!mean, I think in hindsight, yes, -!but like, no, no.
I mean, they -!were always a feminine person.
-!Wore dresses sometimes, but you -!know, to, you know, she tells me -now that she feels like she's -always been a girl, but you -!know, we never talked about her -!transness, right, when we were -together.
-If you had stayed together, -would that have been an issue -!for you to be?
I don't think so.
-Yeah, -like, I could be in a -!relationship with her as she's, -like, transitioned, because I -know who that person is.
But -!like, if I just met her on the -!street as a woman, I don't think -right, I would -!be but like you would be willing -to go through that transition -!with somebody and love them for -Yes, who they are, no matter -!what correct a lot of the people -!that ended up helping you with -!jag and the person who ended up -!proposing to you.
These are the -!people who broke your heart, and -!these are white people.
And so I -!just kind of want to, like close -!that loop of the initial trust -!in the safety of white people in -!the south, now that you've been -!through all this, do you trust -white people less, -damn right?
Yeah, yeah, -!yes, yes, yes, if I can get my -!brain to understand that more in -my actions, you know, and be -!clear about understanding that -for like the people that I -engage with moving forward, -!yeah, no, I do.
I do trust white -people less, but I've also -!created a life, and are living -!in a place where there are a lot -of white people, right?
Which -makes I have to check myself -with that, because it just I -still gotta engage with the -!world.
I still gotta be out in -!the world, and I can't just be -!like hiding, not trusting people -!and not being out in the world.
-So it's complicated.
It's -complicated, I think thing, I -!think I'm excited for my like, -!what's after Montreal, and being -in an area where there's just -more black and brown folk -that'll -feel good.
Yeah, yeah, as -!somebody who's been through so -!much in such a short period of -time, who is like sitting in -!front of me, like keeping life -beautiful and positive and -productive and writing a book -and making future plans and -!cuddling with your ex in a way -!that you forgave them.
And I'm -like, could you just tell the -rest of us your secret sauce?
-!Like, what is this art you have?
-Of like, moving on, starting -over with so much holistic -!sensibility, you know?
Wow.
It's -really cool.
-Wow.
God.
God, -okay, like to thank God.
Yes, -yes.
-Spirit, spirit spirit spirit -!spirit surrender, calling out, -!asking, I like letting like my -!moon is in Virgo, I organize, I, -plan i and this has been the -!biggest lesson of like girl, let -!go of that survival shit.
Let it -go like you are enough if you -don't do another friggin -organization, organizing like -you are enough, -!the core of me is just a loving, -sweet person, and I try to -!really lean into that love and -!into that joy as much as I can, -because like that, that's my -!survival.
That is my survival.
-!Thanks so much for joining us.
-!If you want to continue to be a -!part of the homegoings family, -!stay in touch@homegoings.co and -subscribe.
To the homegoings -podcast.
Wherever you listen, -take good care you.
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