
The Heidelberg Project
Clip: Season 4 Episode 7 | 8m 27sVideo has Closed Captions
How the Heidelberg Project has faired during the pandemic | Episode 407/Segment 1
Will Glover talks with Jenenne Whitfield about how the Heidelberg Project has faired during the pandemic. Episode 407/Segment 1
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One Detroit is a local public television program presented by Detroit PBS

The Heidelberg Project
Clip: Season 4 Episode 7 | 8m 27sVideo has Closed Captions
Will Glover talks with Jenenne Whitfield about how the Heidelberg Project has faired during the pandemic. Episode 407/Segment 1
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorship(upbeat music) - First things first, let's introduce people who may not be among the initiated when it comes to the Heidelberg Project.
So just give us a little bit of insight as to what the Heidelberg Project is, where it is and you know, how long it's been around.
- Sure.
So the Heidelberg Project in Detroit is this outdoor, funky, cool, colorful art environment that's located in the heart of an urban community on the East side of Detroit.
It has been believe it or not, we're in our 35th year.
It's hard to believe that Tyree Guyton has been caring for this art installation for the last 35 years, but that's the case.
And it is made up primarily a foam and recycled materials.
It used to cover a two block area, but as we go through the metamorphosis of the Heidelberg Project now, it is changing and we're focusing now Heidelberg more linear where it's one street and it goes straight down the street now and it meets at our headquarters.
So Heidelberg has always been just this amazing, colorful outdoor art environment that has intrigued the entire world.
- The Heidelberg is run completely by women, is that correct?
- It is now darling, I mean, for the most part, Tyree Guyton has always been supportive.
And I've worked with Heidelberg for 27 years.
And in one of our pieces of promotional materials Tyree said that when he was a boy, he always gave his money to the women in his family 'cause he know he could depend on them.
And I think that in some ways he's kinda carried that over into the organization and putting me in front to lead us through or to that next evolutionary place or state, which is Heidelberg 3.0.
And that is consisting of Heidelberg now as this arts district arts community.
And just it's I wouldn't say it's not necessarily an effort, it just so happens that we're all women.
So my staff consists of women, but we're all surrounding Tyree so it's a good thing, but yeah, it's all women.
- And I do have to point out the fact that it's never a big deal if it's no all male staff.
- No, it's not, is it?
- Like you said, it just happens to be all women and you're doing a great job.
One of the other things I wanted to talk about was the fact that the Heidelberg Project isn't just an arts destination and you kind of alluded to it just now when you were talking about the community space and the interaction with the community but it also helps economically.
Can you talk a little bit about that - Man, let's you know, there was a study done by Williams college and I believe it was 2011 when they did the first study.
And what they did was they took a fraction of our visitorship, which we boasted at that time 200,000 people annually.
They took a fraction of that being 50,000.
And what they wanted to determine is what is the impact, economic impact of the Heidelberg Project on both the city and the larger Wayne County region.
And what they determined in 2011 was that we contributed 3.2 million to the local city and something like 3.7 million to the Wayne County region.
Now that was in 2011, but because they were so in awe of the economic power behind the Heidelberg Project they left us on their website.
Meaning that if you go in and plug the numbers of 2020 today, if you still use that fraction of our visitorship you will see that, well, I'll say 2019 that's the last time we checked, you will see that today it's something like 7.5 million in terms of and what that translates into is that the people that are coming to see Heidelberg are also coming to see other places, they're spending more time in Detroit, they're spending money in restaurants.
Now keep in mind, this was all before COVID, right?
So you can see that the innovation that Tyree came up with here in the city of Detroit really had more of an impact than just art and creativity but it also affected our economy.
- One of the things that I saw that you guys recently got was an award as one of the leading culture destinations.
Tell me a little bit about that.
- Man, that was crazy.
That came right before the pandemic.
And what happened is, you know we were nominated for a best cultural activation and we were nominated on a worldwide scale.
We, our competitors was the, Oh my gosh I'm not gonna remember this, but there is a House of Blues or something like that in Toronto and then another cultural institution in South Africa.
And Heidelberg won and I actually flew to Berlin to accept the award in person.
And it was just, it gave us an opportunity in Berlin to come together with other cultural makers around the world who were doing things that were innovative and cutting edge.
So it was incredible.
But I have to admit that COVID put a damper on it because look, while I was in Berlin, I'm like I need to get home 'cause this is not good.
- Yeah, for sure.
- But it was amazing to have that kind of acknowledgement.
And you know, we've got awards racked up that people just would not believe - Obviously, it means a lot to you.
Can you just tell me a little bit about what it actually means to you personally?
- Sure, I will tell you in way the of the experiment that the artist performed with me.
He asked me if I'd help him and I said, "No cause I don't even understand what you're doing."
And so then he asked me if he could do a little experiment with me and I said, "Okay."
So he blindfolded me.
He gave me paint, crayons, paper, pencil, all of this, and I sat on the floor like a child blindfolded, and he said, "Now paint what you see?"
And what I painted after I finished, now I'm completely inhibited, I got no reference, I can't see so I just have fun.
And there's a very symbolic message in that.
And so that painting that I created, I framed and I hang it on my wall is with me all the time because it is a reminder that we must challenge ourselves to go to a place that is often uncomfortable in order to grow.
See if we're just complacent and settled in what we already know, then how do you innovate?
How do you challenge the status quo?
How do you go to the next level?
Heidelberg Project has taught me what it means to go beyond and to aspire to something that you didn't even know you could.
- And for people who want to help contribute be it financially or they just want to experience the Heidelberg Project, where can they go to do that?
- Oh, they can go visit our website.
We have a very, very active website and social media platform.
We're on all the channels, Facebook, Twitter, Instagram and they can also just email information@heidelberg.org.
Everything is heidelberg.org.
That's where you find us, that's where you can get a contact with us.
And then we're right in the community.
So because we do have a lot of space you can also knock on our door.
Video has Closed Captions
Clip: S4 Ep7 | 4m 52s | Albert Kahn | Episode 407/Segment 2 (4m 52s)
Video has Closed Captions
Clip: S4 Ep7 | 6m 23s | Art for Life's Sake | Episode 407/Segment 3 (6m 23s)
"Could You Love Me" by Matt Watroba
Video has Closed Captions
Clip: S4 Ep7 | 1m 42s | "Could You Love Me" by folk artist Matt Watroba | Episode 407/Segment 4 (1m 42s)
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