So, oh, it's really light.

I thought it would be so much heavier because, you know, I'm used to, I guess, made out of stone, but that's pretty nice.

- Yeah, so imagine as far as 3D printing, for those who aren't familiar, imagine a, like a glue gun that's going around and building up these little layers.

So you can see there's a- - Little striations.

- Striation there.

And that is the printer literally piling layer upon layer to create these.

- Mm-hmm.

- So when there's an overhang, they need to produce these supports so that it actually can be printed and not fall over.

- Okay, yeah.

- So then all of the supports are removed, and we apply different mixtures and things.

Think of it like spackle- - M'kay.

- So to speak.

But I do sort of a blend of cement with some acrylic paint as a binder, and then that removes the striation lines.

- Right.

- And then it can be scenically painted, you know, in this case, given a golden- - Yeah, look at his eyes too.

- Aged brass look with red eyes.

- Mm-hmm.

- And you have something that, you know, this probably takes eight to 10 hours to print.

- Okay.

- Plus- - So you just- - The post-production work.

- You feed it in there and then you're off to do something else, right?

- Oh, yeah, so that thing's running 24 hours pretty much.

(Christine laughs) It's on a tight schedule.

- Mm-hmm.