
Idaho
12/29/2020 | 4m 42sVideo has Closed Captions
Residing in Idaho most of his life, Mexico-born Evaristo lives between two cultures.
Mexico-born Evaristo Mireles moved to Idaho decades ago as a teenager searching for a job. He has worked long hours with local farmers and raised his children in the state. Evaristo's desire to return to Mexico wanes as he comes to terms with how he's lived most of his life in the United States: between two cultures.
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Funding provided by the Corporation for Public Broadcasting, the John D. and Catherine T. MacArthur Foundation, the Wyncote Foundation and the National Endowment for the Arts.

Idaho
12/29/2020 | 4m 42sVideo has Closed Captions
Mexico-born Evaristo Mireles moved to Idaho decades ago as a teenager searching for a job. He has worked long hours with local farmers and raised his children in the state. Evaristo's desire to return to Mexico wanes as he comes to terms with how he's lived most of his life in the United States: between two cultures.
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorship(guitar music) - I born in Guanajuato, Mexico.
I probably didn't brought very much of Mexican heritage.
I feel like I don't have a lot left of that, if I ever did.
You know, I'm over 40 now.
So most of my life I've lived here.
Man, I don't have another place to be, right?
No other place you can call home.
(guitar music) I feel like I'm a pretty isolated person.
I have friends from the little bit of business because that's the people that I know.
And that's the people that I relate with.
I guess that makes me kind of boring person.
(laughs) Actually my wife say why did I choose farming.
I say I don't know.
I just liked it.
I've been doing this for the last 15 years.
At the time I was working eight hours a day for a guy here in Gooding.
And I asked him hey can I buy a machine and run it here with yours?
Soon after that I was able to buy a tractor.
A little more money and I bought another one, and pay it off and then another one.
And it was getting more and more and more.
And pretty soon it was a little too much.
I have a hard time working eight hours for him and after the eight hours in the day go out there and start doing the jobs that I had to do.
I was working for weeks about 20 hours a day.
I did nothing for fun.
I didn't have nobody to give me a ride from one place to another.
So I take the baling tractor to the one certain field that I was gonna do.
(engine turning over) If the alfalfa, it was not quite right to bale right then, I had to wait.
I don't know an hour, maybe two hours or something.
And in the meantime I just curl up in the seat of the tractor and take a nap.
And when I fall asleep I have a hard time waking up.
And I'm trying to move, I'm trying to wake up.
But I couldn't.
It got to the time that I was afraid I never wake up one of these times.
To stay awake in the middle of the night when you're already so tired, working so many hours, you are getting where, I couldn't do much more.
So I've been through a lot to get what I got, or to be where I'm at right now.
I never dreamed to have what I have right now.
One thing after another and get the opportunity to get it, and to live better.
People tell me that I actually like to kill myself because I work so much.
But I feel like I need to.
Not to say that it's worth killing myself, but I was doing just because I needed to do it to feed my family.
And I want them to have something better than I did.
(guitar music) My dream always just to be in this country, but not to have what I have.
Idaho is my home.
I feel like I fit in somehow.
Over 20 years here in Gooding.
So that's the last 20 years that I've been here, I've been here in Gooding.
Most of what I know now, I learned here.
The relationship I got with the farmers and stuff like that you know they make me feel like that's where I'm supposed to be.
I don't remember nobody treating me differently, you know just because I'm a Mexican, or you know, different race.
I don't know where else I could fit better than around here.
(guitar music)
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Funding provided by the Corporation for Public Broadcasting, the John D. and Catherine T. MacArthur Foundation, the Wyncote Foundation and the National Endowment for the Arts.













