
Indiana
12/16/2020 | 4m 32sVideo has Closed Captions
Born and bred Hoosier Randy explains the value he places on his sense of belonging.
Born and bred Hoosier Randy Evans explains the value he places on his sense of belonging including his connection to those that have gone before. From a rather surprising discovery of skeletons in his cellar to the backyard memorial he created for his deceased brother, Randy reflects on the nature of death and the importance of where a person is buried.
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Funding provided by the Corporation for Public Broadcasting, the John D. and Catherine T. MacArthur Foundation, the Wyncote Foundation and the National Endowment for the Arts.

Indiana
12/16/2020 | 4m 32sVideo has Closed Captions
Born and bred Hoosier Randy Evans explains the value he places on his sense of belonging including his connection to those that have gone before. From a rather surprising discovery of skeletons in his cellar to the backyard memorial he created for his deceased brother, Randy reflects on the nature of death and the importance of where a person is buried.
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorship(wind blowing) - When we moved to one house to another, sometimes it seems like it's a year before a house feels like home to you and I don't think I could ever move anyplace else and truly feel at home.
(light guitar music) If you've been born in Indiana and you've got know Indiana then no matter where you go, you take a part of Indiana with ya and that makes you a Hoosier.
When we first moved into this house, we didn't know the history of the house and then we came to find out that there were babies that were found in the cellar.
Baby bodies.
Look back in through here.
I don't know if you can see anything back there or not but there is a crawl space back there that's about three foot tall and it goes for approximately twenty feet and that's where they found the bodies of the little babies from a long time ago.
(wind blowing) There was a midwife that lived on this property and they just were under the assumption that the midwife preformed abortions.
A lot of people's concerns was ghosts but we know how to handle that.
We have a Savior we talk to whenever we feel like there may be something like that coming on.
(objects rustling) In the olden days, where did you, where'd you bury your family at?
You took them underneath the tree in the backyard and you buried your family close at hand so that the closer they were to ya, the more coveted you were.
That's a memorial to my older brother right there and he went to Canada with some friends and got dumped over in the English River and he drowned from Hypothermia.
I talked with his brother-in-law and he said, he just kind of looked at him with a solemn smile and slowly went under and that's the last they saw of him.
I thought, you know, that's how life goes, ya know.
That's just how life goes sometimes, sometimes you make it to an old age and sometimes you don't.
They never did recover his body so I built a little memorial out here just as memory to my older brother.
It's kind of irrelevant, the body portion of it.
All it is is just a memory and I have a memory of my brother and I would just as soon keep the good memories as to go back and think about the death portion of it.
(guitar music) I think of Fall as the latter portion of a person's life.
Spring would be the birth, Summer is the growth part of your life.
All of sudden, boom, there you are, it's Fall and then the Winter would be the death.
I don't have an issue with death because I know that it's inevitable.
(fast guitar music) In Indiana, my family goes back into the 1800's.
My mother and father-in-law lived over by a cemetery and after getting into the genealogy, I realized that this one cemetery had a relation of mine from back in the 1800's and so that's where me and my wife had decided that we're going to intern whenever we pass away and I don't think I could ever move anyplace else and truly feel at home because to me, there's nothing like it.
(upbeat instrumental music)
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Funding provided by the Corporation for Public Broadcasting, the John D. and Catherine T. MacArthur Foundation, the Wyncote Foundation and the National Endowment for the Arts.













