>> OKAY, EVERYBODY, HERE WE GO.

HOW ARE WE DOING ON THE TIME?

30 SECONDS.

30 SECONDS.

CAMERA 2, ARE YOU THERE?

>> YEP.

>> I LIKE WHAT WE TALKED ABOUT BEFORE, AN OPENING TILT.

FOUR, LET'S MOVE IN A LITTLE.

A LITTLE MORE, OKAY, FINE, RIGHT THERE, HOLD IT.

OKAY.

DAN, SET UP THE OPENING.

HOW ARE WE DOING?

>> I WILL BE IN HERE.

>> THEY WILL HIT THE FIRST NUMBER.

>> STAND BY.

STAND BY AUDIENCE.

OKAY, TEN SECONDS, HERE WE GO, LARRY, DON'T FORGET THE RECORD MACHINE.

HERE WE GO, GUYS, LET'S DO IT.

READY?

ANNOUNCE.

READY, TITLES.

IN FIVE, FOUR, THREE, TWO, AND QUEUE.

>> GOOD EVENING, VERMONT ETV WELCOMES YOU TO AN HOUR OF JAZZ FUSION, FUNK, AND THE BLUES WITH KILIMANJARO AND FRIENDS.

PLEASE JOIN US IN WELCOMING RECORDING ARTIST KILIMANJARO.

[APPLAUSE] ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ [APPLAUSE] >> THANK YOU VERY MUCH.

THAT WAS A TUNE CALLED "NEON LEON."

LET ME TAKE A SECOND TO TELL YOU WHO YOU ARE LISTENING TO, ON THE KEYBOARDS IS MR.

CHARLES ELLER.

[APPLAUSE] ON THE GUITAR IS MR.

PAUL ASBELL.

ON THE PERCUSSION IS MR.

STUART PATON.

[APPLAUSE] ON THE DRUM DRUMS, MR.

HARRY THOMPSON.

AND THEN TO THE BASS, TONY MARKELLIS.

[APPLAUSE] >> RIGHT NOW WE WOULD LIKE TO BRING MR.

RUSSELL REMINGTON UP TO PLAY THE TENOR SAXOPHONE, AND THE SOPRANO SAXOPHONE.

WE HAVE A LOT OF FRIENDS COMING UP TO JOIN US, AND WE HOPE YOU WILL ENJOY ALL WE HAVE.

THIS IS A MEDLEY OF TWO SONGS.

♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ [APPLAUSE] ♪ ♪ ♪ ♪ ♪ [APPLAUSE] ♪ >> THANK YOU.

IF YOU WOULD LIKE TO BRING -- WE WOULD LIKE TO BRING UP DAVID ON THE ALTO SAXOPHONE.

♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ [APPLAUSE] >> THANK YOU VERY MUCH.

THAT WAS SOMETHING SO NEW THAT WE HAVE NOT GOTTEN A NAME FOR IT YET.

WE WOULD LIKE TO BRING UP A GENTLEMAN WHO WE HAVE LEARNED A LOT FROM OVER THE LAST FEW YEARS.

MR.

BIG JOE BURRELL!

PLEASE MAKE HIM FEEL WELCOME, LADIES AND GENTLEMEN, MR.

BIG JOE BURRELL.

[APPLAUSE] ♪ ♪ ♪ UNDERSTANDING PEACE OF MIND ♪ SEND ME SOMEONE'S LOVE ♪ HOW TO GET ALONG ♪ WHEN HATE IS GONE ♪ IF IT'S NOT TOO MUCH BABY ISN'T IT ♪ PLEASE SEND ME LOVE ♪ ON MY WEEKNIGHTS ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ YOU KNOW THE WORLD IS IN SUCH A BAD SHAPE ♪ ♪ AND EVERYBODY WANTS TO BLOW UP THE WORLD ♪ ♪ NOW WE WANT TO BLOW IT UP ♪ LEAVE IT FOR THE KIDS ♪ THEY MY JUST STRAIGHTEN THIS WORLD OUT ♪ ♪ ALL YOU NEED IS TO LOVE ONE ANOTHER ♪ ♪ THAT'S ALL YOU HAVE TO DO ♪ EVERYBODY IS BLOWING UP, KILLING SOMEBODY ♪ ♪ IT AIN'T RIGHT ♪ THIS IS A PRETTY PLACE TO BE IN ♪ ♪ LOVE ONE ANOTHER AND EVERYTHING WILL WORK OUT ALL RIGHT ♪ ♪ MY MOTHER USED TO SAY, SAY GOOD MORNING ♪ ♪ WE WOULD A BROTHER THAT WOULD COME DOWNSTAIRS, AND HE WOULD SAY, HMM ♪ ♪ I MOM WOULD SAY, SPEAK UP, SAY GOOD MORNING TO EVERYBODY AT THE TABLE, YOU KNOW ♪ ♪ THAT'S WHAT IT'S ALL ABOUT ♪ LOVING ONE ANOTHER AND LEAVING IT FOR THESE LITTLE KIDS BECAUSE THEY MIGHT STRAIGHTEN IT OUT ♪ ♪ YOU BETTER BELIEVE IT ♪ ON MY WEEK NIGHTS ♪ ♪ ♪ [APPLAUSE] >> MR.

BIG JOE BURRELL, LADIES AND GENTLEMEN!

[APPLAUSE] YES, INDEED.

WE WOULD LIKE TO BRING UP ANOTHER OLD FRIEND OF OURS RIGHT NOW.

A NATIVE OF BURLINGTON, VERMONT, MR.

KIP MEEKER.

KIP, COME ON UP HERE.

[APPLAUSE] MAYBE WE CAN TALK BIG JOE INTO COMING UP HERE AND LEADING THIS HORN SECTION FOR US.

♪ ♪ ♪ ♪ ♪ WELL, YOU WORE A DIAMOND WATCH ♪ ♪ IT COME FROM UNCLE JOE ♪ I LOOKED AT THE INSCRIPTION ♪ IT SAID, LOVE, DON'T LET IT GO ♪ ♪ WELL, WELL, WELL ♪ ♪ ♪ ♪ YOU WALKED IN SMILING WITH YOUR LIPSTICK ALL A MESS ♪ ♪ I WANT TO SING TO YOU DARLING ♪ ♪ I HAVE GOT NEWS FOR YOU ♪ YOU WORE A DIAMOND WATCH ♪ YOU SAID IT COME FROM UNCLE JOE" ♪ I LOOKED AT THE INSCRIPTION, AND IT SAID LOVE ♪ ♪ ♪ [APPLAUSE] >> MR.

KIP MEEKER.

YEAH, KIP!

[APPLAUSE] ♪ ♪ ♪ EVERY DAY ♪ EVERY DAY I HAVE THE BLUES ♪ EVERY DAY LITTLE GIRL, BIG JOE HAS THE BLUES ♪ ♪ PRETTY BABY, YOU KNOW I HAVE THE BLUES ♪ ♪ NOBODY LOVES ME ♪ NOBODY ♪ NOBODY LOVERS ME ♪ NOBODY LOVES ME ♪ ♪ EVERY DAY, EVERY DOG ON DAY I HAVE THE BLUES ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ EVERY DAY I HAVE THE BLUES ♪ EVERY DAY, BABY, YOU KNOW I HAVE THE BLUES ♪ ♪ WELL, IT'S YOU, PRETTY BABY ♪ DARLING, I HATE TO LOSE ETC.

NOBODY LOVES ME ♪ ♪ NOBODY TREATS ME WELL ♪ NOBODY LOVES ME ♪ NOBODY TREATS ME WELL ♪ ♪ ♪ EVERY DAY, EVERY DOGGONE DAY ♪ EVERY DAY, EVERY DAY ♪ EVERY DOGGONE DAY I HAVE THE BLUES ♪ ♪ HONEY, YOU PRETTY BABY ♪ I HATE TO LOSE ♪ >> THANK YOU.

>> MR.

BIG JOE BURRELL, LADIES AND GENTLEMEN.

[APPLAUSE] [CHEERING AND APPLAUSE] >> YES, SIR!

BIG JOE!

[APPLAUSE] WE WOULD LIKE TO THANK OUR STUDIO AUDIENCE FOR COMING OUT TO SEE US TONIGHT.

WE WOULD LIKE TO THANK YOU FOLKS AT HOME FOR DECIDING TO TUNE IN AND WATCH.

WE WOULD LIKE TO REMIND YOU WHO YOU'VE BEEN LISTENING TO BEFORE WE FINISH UP WITH OUR LAST TUNE.

ON THE KEYBOARDS, HAS BEEN MR.

CHARLES ELLER.

[APPLAUSE] ON THE GUITAR, PAUL ASBELL.

[APPLAUSE] ON THE TENOR SAXOPHONE, MR.

RUSSELL REMINGTON.

[APPLAUSE] ON THE ALTO SAXOPHONE, MR.

DAVID GRIPO.

[APPLAUSE] >> ON THE PERCUSSION, MR.

STUART PATON.

[APPLAUSE] ON THE DRUMS, MR.

HARRY THOMPSON.

[APPLAUSE] ON THE BASS, TONY MARKELLIS, AND WE WOULD LIKE TO THANK OUR GUESTS, MR.

JOE BURRELL.

THIS IS A TUNE BY MR.

SONNY RELLIS, THANK YOU AGAIN!

♪ ♪ ♪ ♪ ETC.

♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ [APPLAUSE] >> FOR MORE CLASSIC PROGRAMS, VISIT VERMONTPBS.ORG/FROMTHEARCHIVES.