
Lorin Maazel: How The Maestro Conducts Himself
Clip: Season 33 | 4m 20s
Before his retirement, Lorin Maazel reflects on his style - and that of his predecessors.
Live From Lincoln Center always asks the important questions. For example: Was Toscanini really a tyrant? On the eve of his retirement from the podium of the New York Philharmonic, Lorin Maazel reflects on his style - and that of his predecessors.
Problems playing video? | Closed Captioning Feedback
Problems playing video? | Closed Captioning Feedback
Live From Lincoln Center is made possible with support from the Family of Robert Wood Johnson III, the Audrey and Martin Gruss Foundation, The Robert and Renée Belfer Family Foundation, Mercedes T. Bass, and the National Endowment for the Arts.

Lorin Maazel: How The Maestro Conducts Himself
Clip: Season 33 | 4m 20s
Live From Lincoln Center always asks the important questions. For example: Was Toscanini really a tyrant? On the eve of his retirement from the podium of the New York Philharmonic, Lorin Maazel reflects on his style - and that of his predecessors.
Problems playing video? | Closed Captioning Feedback
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Lorin Maazel: How The Maestro Conducts Himself
Clip: S33 | 4m 20s | Before his retirement, Lorin Maazel reflects on his style - and that of his predecessors. (4m 20s)
There Really Was A Madam Butterfly: Madama Butterfly
Clip: S33 | 4m 44s | The tragic story of the son of a geisha and a Scots industrialist. Susan Graham narrates. (4m 44s)
Madama Butterfly: Butterfly and Belasco
Clip: S33 | 2m 51s | Susan Graham explores the working relationship between David Belasco and Giacomo Puccini. (2m 51s)
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Live From Lincoln Center is made possible with support from the Family of Robert Wood Johnson III, the Audrey and Martin Gruss Foundation, The Robert and Renée Belfer Family Foundation, Mercedes T. Bass, and the National Endowment for the Arts.