
There Really Was A Madam Butterfly: Madama Butterfly
Clip: Season 33 | 4m 44s
The tragic story of the son of a geisha and a Scots industrialist. Susan Graham narrates.
Does life really imitate art? Susan Graham, host of Live From Lincoln Center's broadcast of the New York City Opera production of Puccini's Madama Butterfly, makes the case. With rare photographs of World War II-era Nagasaki, she tells the tragic real-life story of Tom Glover, son of a Japanese geisha and a Scottish industrialist.
Problems playing video? | Closed Captioning Feedback
Problems playing video? | Closed Captioning Feedback
Live From Lincoln Center is made possible with support from the Family of Robert Wood Johnson III, the Audrey and Martin Gruss Foundation, The Robert and Renée Belfer Family Foundation, Mercedes T. Bass, and the National Endowment for the Arts.

There Really Was A Madam Butterfly: Madama Butterfly
Clip: Season 33 | 4m 44s
Does life really imitate art? Susan Graham, host of Live From Lincoln Center's broadcast of the New York City Opera production of Puccini's Madama Butterfly, makes the case. With rare photographs of World War II-era Nagasaki, she tells the tragic real-life story of Tom Glover, son of a Japanese geisha and a Scottish industrialist.
Problems playing video? | Closed Captioning Feedback
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Lorin Maazel: How The Maestro Conducts Himself
Clip: S33 | 4m 20s | Before his retirement, Lorin Maazel reflects on his style - and that of his predecessors. (4m 20s)
There Really Was A Madam Butterfly: Madama Butterfly
Clip: S33 | 4m 44s | The tragic story of the son of a geisha and a Scots industrialist. Susan Graham narrates. (4m 44s)
Madama Butterfly: Butterfly and Belasco
Clip: S33 | 2m 51s | Susan Graham explores the working relationship between David Belasco and Giacomo Puccini. (2m 51s)
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How the greatest artworks of all time were born of an era of war, rivalry and bloodshed.
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Live From Lincoln Center is made possible with support from the Family of Robert Wood Johnson III, the Audrey and Martin Gruss Foundation, The Robert and Renée Belfer Family Foundation, Mercedes T. Bass, and the National Endowment for the Arts.