♪ Looking for a place to hide ♪ ♪ Baby we're all monsters ♪ ♪ Trying to change how ♪ ♪ Running for our lives ♪ - Welcome to "11th & Grant".

I'm Eric Funk.

Tonight, singer-songwriter Luke Dowler showcases his original music, spanning a wide range influences and pop sensibilities.

♪ When you gonna let me in ♪ ♪ I'm gonna make you mine ♪ ♪ When you gonna let me in ♪ ♪ When you gonna let me inside ♪ ♪ When you gonna let me in ♪ ♪ I'm gonna make you mine ♪ ♪ Yeah, I'm gonna make you mine ♪ - [Eric] Hailing from the Flathead Valley, Dowler brings a distinct and personal energy to the stage.

♪ Let me know when it's good enough ♪ ♪ Is it good enough, is it good enough for you ♪ ♪ Let me know when it's good enough for you ♪ - I wholeheartedly have planted myself in Montana.

I mean, I was born here.

I recorded in Nashville, recorded in LA, recorded in New York, all those places.

But I kind of wanted to do something that was uniquely part of where I am.

♪ And watch them lift you high ♪ ♪ High up on their wings ♪ ♪ Annalise, I'm gonna bring you beautiful things ♪ ♪ Oh 2500 miles ♪ - Performance and conversation with Luke Dowler, next on "11th & Grant".

♪ There's so many highway lines ♪ (upbeat jazz music) - [Announcer] "11th & Grant" was made possible by The Greater Montana Foundation, The Gilhousen Family Foundation, Montana State University, Office of the President, Judy Cowdrey, in memory of Don Hyyppa, Quinn's Hot Springs Resort, Donna Spitzer-Ostrovsky, in loving memory of Jack Ostrovsky, the godfather of "11th & Grant", Iris Model, Sanderson Stewart, Enduring Community Design, Music Villa, and Gibson Guitar, Sal & Carol G. Lalani, The Utzinger Family, Bill & Jane Gum, Rob Maher & Lynn Peterson-Maher, Mary Routhier, The Rocking R Bar, Stockman Bank, and by these generous donors.

(upbeat jazz music continues) (upbeat jazz music continues) (upbeat jazz music continues) [Going to Montana by Luke Dowler] ♪ Mmm ♪ ♪ Yeah ♪ ♪ I'm going to Montana, I'm already packed ♪ ♪ The engine is running and the car is out back ♪ ♪ I'm going to Montana, I made up my mind ♪ ♪ I'm gonna get a clear view of the way through ♪ ♪ When I cross that great divide ♪ ♪ I'm going to Montana, I don't know what I'll find ♪ ♪ Maybe, I'm looking for something ♪ ♪ Or trying to leave something behind ♪ ♪ I'm going to Montana, that's all I know ♪ ♪ I'm not asking you to wait for me ♪ ♪ I'm asking if you wanna go ♪ ♪ Come on darling ♪ ♪ Take my hand ♪ ♪ Nobody's gonna live forever ♪ ♪ But way out there we can live again ♪ ♪ Come on baby ♪ ♪ We don't need a plan ♪ ♪ 'Cause way out there ♪ ♪ Everything will make sense ♪ ♪ I'm going to Montana to get on track ♪ ♪ Sometimes, you've gotta climb a mountain ♪ ♪ To rise above the one on your back ♪ ♪ I'm going to Montana to start again ♪ ♪ Mmm, underneath that sky ♪ ♪ I know exactly where I stand ♪ ♪ I'm going to Montana ♪ ♪ To find Heaven's peak ♪ ♪ When they ask me where I've been ♪ ♪ Honey, you know where I'll be ♪ ♪ I'm going to Montana ♪ ♪ That's what I know ♪ ♪ I ain't asking you to wait for me ♪ ♪ I'm asking if you want to go ♪ ♪ Come on, darling ♪ ♪ Take my hand ♪ ♪ Nobody's gonna live forever ♪ ♪ Yeah, but out there we can live again ♪ ♪ Come on, baby ♪ ♪ We don't need a plan ♪ ♪ 'Cause way out there and love makes sense ♪ ♪ Yeah ♪ ♪ Hold me ♪ ♪ Ooooh ♪ (music continues) ♪ I'm going to Montana, I leave tonight ♪ ♪ I can't promise much of anything ♪ ♪ But I know it's gonna be just fine ♪ ♪ I'm going to Montana, that's where I'll be ♪ ♪ I don't have much to offer but I got this empty seat ♪ ♪ No, I don't have much to offer but I got this empty seat ♪ ♪ Yeah ♪ ♪ Come on, darling ♪ ♪ Take my hand ♪ ♪ Nobody's gonna live forever ♪ ♪ Yeah, out there we can live again ♪ ♪ Come on, baby ♪ ♪ We can make a plan ♪ ♪ 'Cause way out there it will all make sense ♪ ♪ Yeah ♪ ♪ Come on, darling ♪ ♪ Take my hand ♪ ♪ Nobody's gonna live forever ♪ ♪ Way out there, we can live again ♪ ♪ Come on, baby ♪ ♪ We don't need a plan ♪ ♪ 'Cause way out there love makes sense ♪ ♪ Oh ♪ ♪ 'Cause way out there love makes sense ♪ (music continues) [You Haunt Me, Do I Haunt You?

by Luke Dowler] (music continues) (music continues) ♪ I want to sink to the bottom of the ocean ♪ ♪ With you ♪ ♪ Yeah ♪ ♪ I want to take your deepest poison, hundred proof ♪ ♪ Yes I do ♪ ♪ Just like footsteps down the hallway ♪ ♪ You haunt me ♪ ♪ I ♪ ♪ I want to get lost in your dresses ♪ ♪ And all the ways that you can make me move ♪ ♪ But you never do ♪ ♪ I, yeah, yeah, yeah ♪ ♪ I wanna drown in your darkness ♪ ♪ Feel so blue ♪ ♪ Just like silence when you pray ♪ ♪ You haunt me ♪ (music continues) (music continues) ♪ Oh ♪ ♪ You haunt me, yeah ♪ ♪ Yes, it's true ♪ ♪ Oh, yeah, you haunt me ♪ ♪ Do I haunt you ♪ ♪ Do you want me ♪ ♪ Do you want me ♪ ♪ I need to hear you say it ♪ ♪ Yeah, I wanna hear you say it ♪ ♪ Tell me do you want me, no, no, no ♪ ♪ Yes, do you want me, yeah ♪ ♪ I kinda want you to ♪ ♪ I want you ♪ ♪ Yes I do ♪ (music continues) [Good Enough by Luke Dowler] ♪ You're taking me for a ride ♪ ♪ But I'm doing all the driving ♪ ♪ I can't do anything right ♪ ♪ That doesn't mean that I ain't trying ♪ ♪ Yeah ♪ ♪ So let me know when it's good enough ♪ ♪ When it's good enough ♪ ♪ When it's good enough for you ♪ ♪ Let me know when it's good enough for you ♪ ♪ Let me know when it's good enough ♪ ♪ When It's good enough ♪ ♪ When it's good enough for you ♪ ♪ Let me know when it's good enough for you ♪ (music continues) ♪ I'd do anything you ever asked me to, darling ♪ ♪ I'd swim across the ocean to Japan ♪ ♪ Oh, but how was I supposed to know ♪ ♪ You'd want to change everything I am ♪ ♪ Now listen ♪ ♪ I tried to do my best for you ♪ ♪ I threw myself upon the flames for you ♪ ♪ You can't love someone if you can't love yourself ♪ ♪ Maybe I'm the one to blame ♪ ♪ Let me know when it's good enough ♪ ♪ When it's good enough ♪ ♪ When it's good enough for you ♪ ♪ Let me know when it's good enough for you, yeah ♪ ♪ Let me know when it's good enough ♪ ♪ When it's good enough ♪ ♪ When it's good enough for you ♪ ♪ Let me know when it's good enough for you, yeah ♪ ♪ If you won't set me free ♪ ♪ free ♪ ♪ Then I'll just have to leave ♪ ♪ Leave ♪ ♪ Let me know when it's good enough ♪ ♪ When it's good enough ♪ ♪ When it's good enough for you ♪ ♪ Let me know when it's good enough for you ♪ ♪ Let me know when it's good enough ♪ ♪ Is that good enough ♪ ♪ Is that good enough for you ♪ ♪ Let me know when it's good enough for you ♪ (music continues) (music continues) ♪ Let me know when it's good enough ♪ ♪ When it's good enough ♪ ♪ When it's good enough for you ♪ ♪ Let me know when it's good enough for you ♪ ♪ Let me know when it's good enough ♪ ♪ When It's good enough ♪ ♪ It's never good enough for you ♪ ♪ Let me know when it's good enough for you ♪ ♪ Yeah ♪ ♪ Is it ever good enough for you ♪ (music continues) (music continues) - First time I heard you, first time I heard a recording of you, I was honestly blown away by your unique sound.

I thought there's something in this guy's voice that's singular.

They're not gonna say you sound like anybody.

You're part of a soundtrack of this place.

And one of the values of the show is that, well, I'll back up a notch.

A friend of mine had been editor of Billboard Magazine, which you know is the big trade magazine.

- Oh yeah.

- Forever and ever.

He's deceased now.

Old country drummer.

But we were really close buddies and one day he told me over coffee, he said, "You know, Eric, somebody in every state needs to rake all the talent to the middle 'cause there's no way people in the rest of the country are gonna know what's going on.

- Right.

- Well that was synchronous with a friend of mine talking very deeply, and we've continued this conversation for a long time now, about when you're in Europe and you travel from Poland to Hungary to the Czech Republic to Germany, you're changing language, you're changing architecture, you're changing culture, you're changing music and art.

We've gotten to the point in the United States now where almost the United Countries of America and there is a Montana sound.

- Yeah.

- And even within your genre or sub-genre- - A Montana sound with within each genre.

- Exactly.

- Yeah.

- And so, you know, we've raked this stuff together.

We've got everything from jazz to classical to the country to rock to zydeco, blah, blah, blah.

But there's a unique quality to it.

And I think you have a big fingerprint on that because I had trouble when somebody said, "Well, how would you describe Luke Dowler?"

Said, I can't tell you.

I can give you words that are gonna mean something, but they're gonna minimize exactly what it is he did Because it's such an amalgamation of things.

- Well, and that's also, that's part of the commercial tension, the music business, right, part, the business part of it is, you know, how do you brand, which, because how do you communicate before somebody listens?

How do you communicate to interest them in listening?

And at the end of the day, I guess I've always considered myself, or at least aspired to be a songwriter.

And for me, that has meant song is the banner that I'm under.

Song is for lack, king.

Song is king, so to speak.

So style, you know, style is part of what you dress a song up in.

And if it's a good song, you might be able to deliver it in a number of different ways.

- Well said.

- You know, I've been in search of it, I've been in search of a good song.

You can be inspired.

I have been inspired by a wide range and it, because I think maybe it's been a personal journey as a songwriter too, not a commercial one.

The commercial has always been secondary.

And that's a tension that I think I'll always walk.

I've recorded in, you know, studios.

I've recorded in Nashville, recorded in LA, recorded in New York, all those places.

But I kind of wanted to do something that was uniquely part of where I am.

And I planted my flag here in Northwest Montana and was like, I'm gonna do it from here no matter, like this is where I'm gonna do it from.

[Annalise by Luke Dowler] (music continues) ♪ Annalise, I hope that you're sleeping ♪ ♪ I hope you dream easy tonight ♪ ♪ 'Cause everything in this world is changing ♪ ♪ You can't stop it, girl, no matter how hard that you try ♪ (music continues) ♪ 'Cause Annalise, you know I've been working ♪ ♪ I've been working hard and spinning my wheels ♪ ♪ Yeah, you know that I thought ♪ ♪ That I was planting you a garden ♪ ♪ You know I did, yeah ♪ ♪ Turns out I've just been wrestling angels ♪ ♪ Out in the field ♪ ♪ Sorry, girl ♪ ♪ Hey ♪ ♪ Red red ♪ ♪ Roses ♪ ♪ As far as your pretty green eyes can see ♪ ♪ Blue blue butterflies ♪ ♪ Gonna watch them lift you high, high up on their wings ♪ ♪ Annalise, I'm gonna bring you beautiful things ♪ (music continues) ♪ Annalise, you know I ain't been praying ♪ ♪ Yeah, I still believe, but I'm tired of all the talk ♪ ♪ And when I think about you, I think about you darling ♪ ♪ You know I, you know I feel closer, closer to God ♪ ♪ So I'm gonna bring you now ♪ ♪ Red red roses ♪ ♪ Mmm ♪ ♪ As far as your pretty green eyes can see ♪ ♪ Blue blue butterflies ♪ ♪ And watch them lift you high, high up on their wings ♪ ♪ Annalise, I'm gonna bring you beautiful things ♪ ♪ Oh, 2500 miles ♪ ♪ Mmm, between us there's so many highway lines ♪ ♪ Yeah, I'm counting down every, every step down the road ♪ ♪ Oh, I coming home ♪ ♪ Hey ♪ ♪ Running home ♪ ♪ To you ♪ ♪ Yeah ♪ ♪ Red red roses ♪ ♪ Mmm, as far as your pretty green eyes can see, yeah ♪ ♪ Oh, I'm gonna bring you now ♪ ♪ Blue blue butterflies, yeah ♪ ♪ Hey ♪ ♪ And watch them lift you high, high up on their wings ♪ ♪ Hey, I'm gonna bring you beautiful things ♪ ♪ I'm gonna bring you beautiful things ♪ (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) [Shadow Dancer by Luke Dowler] (music continues) ♪ I've done some bad things, things I can't forget ♪ ♪ But standing out on your street now I find forgiveness ♪ ♪ Shadow dancer, turn off all the lights ♪ ♪ Before the day breaks I'm gonna make you mine ♪ ♪ When you gonna let me in ♪ ♪ When you gonna let me inside ♪ ♪ When you gonna let me in ♪ ♪ I'm gonna make you mine ♪ ♪ I know what you want, I can see it in your eyes ♪ ♪ I know what you need, when you gonna let me provide ♪ ♪ Unlock your heart honey for just a little while ♪ ♪ Unlock your doors, when you gonna let me inside ♪ ♪ When you gonna let me in ♪ ♪ When you gonna let me inside ♪ ♪ When you gonna let me in ♪ ♪ I'm gonna make you mine ♪ ♪ When you gonna let me in ♪ ♪ When you gonna let me inside ♪ ♪ When you gonna let me in ♪ ♪ I'm gonna make you mine ♪ ♪ I'm gonna make you mine ♪ ♪ I'm gonna make you mine ♪ ♪ I'm gonna make you mine ♪ ♪ Yeah, let me inside ♪ (music continues) (music continues) ♪ When you gonna let me in ♪ ♪ When you gonna let me inside ♪ ♪ When you gonna let me in ♪ ♪ I'm gonna make you mine ♪ ♪ When you gonna let me in ♪ ♪ When you gonna let me inside ♪ ♪ When you gonna let me in ♪ ♪ I'm gonna make you mine ♪ ♪ When you gonna let me in ♪ ♪ When you gonna let me inside ♪ ♪ When you gonna let me in ♪ ♪ I'm gonna make you mine ♪ ♪ Yeah ♪ (music continues) (music continues) (music continues) [The Fall by Luke Dowler] (music continues) ♪ Throw out the pictures ♪ ♪ Push delete on the past ♪ ♪ 'Cause our love came too easy ♪ ♪ It's going out with a crash ♪ ♪ Didn't think much about it ♪ ♪ When we were first taking off ♪ ♪ Now were unraveling ♪ ♪ Guess we'll go out on top ♪ ♪ Should've known better ♪ ♪ But we took our chances ♪ ♪ The writing was on the wall ♪ ♪ The higher we climbed, the harder the landing ♪ ♪ It ain't the climb that kills you, it's the fall ♪ ♪ It's the fall ♪ ♪ Run and tell all your family ♪ ♪ Go on and tell all your friends ♪ ♪ Honey if you're asking me to jump ♪ ♪ You first, there's the ledge ♪ ♪ It's a high price to pay ♪ ♪ For beginner's mistakes ♪ ♪ Too much too fast ♪ ♪ Too little too late ♪ ♪ Should've known better ♪ ♪ But we took our chances ♪ ♪ The writing was on the wall ♪ ♪ The higher we climb, the harder the landing ♪ ♪ It ain't the climb that kills you, it's the fall ♪ ♪ It's the fall ♪ ♪ Was getting this high ♪ ♪ Worth the coming back down ♪ ♪ This is one of those nights ♪ ♪ That's gonna be the talk of this town ♪ ♪ Was getting this high ♪ ♪ Worth the coming back down ♪ ♪ This is one of those nights ♪ ♪ That's gonna be the talk of this town ♪ ♪ Yeah ♪ ♪ Should've known better ♪ ♪ But we took our chances ♪ ♪ The writing was on the wall ♪ ♪ The higher we climbed, the harder the landing ♪ ♪ It ain't the climb that kills you, it's the fall ♪ ♪ It's the fall ♪ - You have sort of a unique, I mean there's, you have kind of a dark visage, you know, so you've got that sort of mysterious quality going for you.

The songs that you write are personal and there's almost a secret quality to them.

I mean, it is really like you're sharing something very personal.

It kind of brings up the story.

Okay, you've got new people coming to town, you've got people who can bring in bigger names, but I don't know if they can bring in an equal, you know?

In other words, I think you've got a brand that you can capitalize and you probably know that and have been doing it for a while, but- - I definitely have a little bit of a soapbox when it comes to Montana, when it comes to music, because I wholeheartedly have planted myself in Montana.

I mean, I was born here.

Traveled all over the country, being the son of a Marine, was born here, moved away before I was even one, I think.

So didn't know it, came back, planted myself here and have always had a little bit of a frustration, a love, it's a love/hate thing where Montana kind of been like, hey, if we don't get behind some of the things that are going on and artistically, if we don't support, if we don't create levels to get up, no doubt, why wouldn't people say like, I gotta get outta here.

I gotta get to Nashville, I gotta get to LA, I gotta get to New York.

I gotta get somewhere else because there's nothing here for me.

And so there's always been like a... And so you have the out, you know, the outflux, if that's even a word.

You have the outflux of art.

But then you also have the influx of people from other places deciding for you because they come in and they say, "Okay, well we're gonna do things now."

You know, and there's a tension even in, you know, even in Whitefish, it's a tension.

We'll see where it goes.

There's been a lot of great music, a lot of great things that are happening, but at the same time, some of the locals are also going like, maybe we don't want the bedazzled jeans and the, you know, just bought the cowboy hat.

Like, you know who out there actually owns a cow?

I do actually.

I do own a cow.

(both laughing) But you know, that sort of, it's an experience.

And so with that experience comes, okay, well, now you're kind of outnumbered.

I mean we live in Montana 'cause we love the lifestyle and sometimes some of the arts can be background.

Like, hey, that's cool, that's cool, good for you.

Back to loving life here.

And that that tension is one that I think we're gonna, we'll see where it goes.

You know, we're all kind of living it and it's not a bad thing, it's just a thing.

That's what I see happening and I've always been one to say like, let's give artists, let's give musicians, you know, filmmakers, whatever the may be the case, let's give them support.

Let's give opportunities to grow.

[Horsefeathers & War Machines by Luke Dowler] ♪ Baby we're back in business ♪ ♪ Long live the war machine ♪ ♪ Baby we're back in business ♪ ♪ Long live the war machine ♪ ♪ Mmm ♪ ♪ Put on your best dress sister ♪ ♪ Brother better get yourself clean ♪ ♪ Baby we're back in business ♪ ♪ All hail the war machine ♪ ♪ Mmm ♪ ♪ Baby don't try to fight it ♪ ♪ Yeah, you can count on me ♪ ♪ Up on the rooftop sister ♪ ♪ Better get yourself free ♪ ♪ I am the cherry red fire ♪ ♪ Over desert and sky ♪ ♪ Long live the war machine ♪ ♪ 'Cause I am the war ♪ ♪ Give me your sons and your daughters ♪ ♪ I'll give blood in the water ♪ ♪ Long live the war machine ♪ ♪ 'Cause I am the war ♪ ♪ Horsefeathers and war machines ♪ ♪ Horsefeathers and war machines ♪ ♪ Baby there's no resistance ♪ ♪ You can go back to sleep ♪ ♪ Baby don't try to fight it ♪ ♪ You look better on your knees ♪ ♪ Oh, there ain't no chains on you brother ♪ ♪ Mmm ♪ ♪ But don't think that you're free ♪ ♪ I am the cherry red fire ♪ ♪ Over desert and sky ♪ ♪ Long live the war machine ♪ ♪ 'Cause I am the war ♪ ♪ Give me your sons and your daughters ♪ ♪ I'll give blood in the water ♪ ♪ Long live the war machine ♪ ♪ 'Cause I am the war ♪ ♪ Horsefeathers and war machines ♪ ♪ Horsefeathers and war machines ♪ ♪ Horsefeathers and war machines ♪ ♪ Horsefeathers and war machines ♪ [Baby, We're All Monsters by Luke Dowler] (music continues) ♪ I need a reason why, a place to hide ♪ ♪ I need something that I can't seem to find ♪ ♪ Maybe its growing up, feeling old or getting stuck ♪ ♪ But the same routine feels like a cold machine ♪ ♪ Whose gonna love you when the lights go out ♪ ♪ Whose gonna love you when the lights go out ♪ ♪ Whose gonna save you from the monsters now ♪ ♪ Whose gonna save you from the monsters now ♪ ♪ Whose gonna love you when the lights go out ♪ ♪ Whose gonna love you when the lights go out ♪ ♪ Whose gonna save you from the monsters now ♪ ♪ Baby we're all monsters ♪ ♪ Looking for a place to hide ♪ ♪ Baby we're all monsters ♪ ♪ Trying to change running for our lives ♪ ♪ Yeah ♪ (music continues) ♪ I need a second chance ♪ ♪ Yeah, I need a backup plan ♪ ♪ I need someone else to do what I can't myself ♪ ♪ And all this second guessing ♪ ♪ Well it keeps right on slipping ♪ ♪ Through these two hands and I don't what is left ♪ ♪ And who's gonna love you when the lights go out ♪ ♪ Whose gonna love you when the lights go out ♪ ♪ Whose gonna save you from the monsters now ♪ ♪ Whose gonna save you from the monsters now ♪ ♪ Whose gonna love you when the lights go out ♪ ♪ Whose gonna love you when the lights go out ♪ ♪ When they decide you're the monster now ♪ ♪ Maybe we're all monsters ♪ ♪ Looking for a place to hide ♪ ♪ Baby, we're all monsters ♪ ♪ Trying to change running for our lives ♪ ♪ Mmmm ♪ (music continues) ♪ Whose gonna love you when the lights go out ♪ ♪ Whose gonna love you when the lights go out ♪ ♪ Whose gonna save you from the monsters ♪ ♪ Whose gonna save you from the monsters now ♪ ♪ Maybe we're all monsters ♪ ♪ Maybe we're all monsters ♪ ♪ Maybe we're all monsters ♪ ♪ Trying to survive ♪ ♪ Baby we're all monsters ♪ ♪ Looking for a place to hide ♪ ♪ Baby we're all monsters ♪ ♪ Trying to change running for our lives ♪ ♪ Maybe we're all monsters ♪ ♪ Take a chance, take that chance ♪ ♪ Roll the dice ♪ ♪ Maybe we're all monsters ♪ ♪ Trying to change running for our lives ♪ (music continues) [Wilderness by Luke Dowler] (music continues) ♪ Alone ♪ ♪ I don't want to wind up alone ♪ ♪ But all the things I want and everything I love ♪ ♪ Keep pulling me down that road ♪ ♪ I've always had wide eyes ♪ ♪ Raging like wildfire ♪ ♪ That ain't ever going to change ♪ ♪ I've put on a few miles ♪ ♪ Put a few irons in the fire ♪ ♪ I had to get lost to find my way ♪ ♪ I've been searching high ♪ ♪ While feeling low ♪ ♪ How much longer will I have to go ♪ ♪ I'm still chasing after promises ♪ ♪ Way out in the wilderness ♪ ♪ I've been walking on the wire's edge ♪ ♪ Out here in the wilderness ♪ ♪ Remember that summer ♪ ♪ Back when we were younger ♪ ♪ When everything was going our way ♪ ♪ Your silhouette ♪ ♪ Leaning up against that fence ♪ ♪ Was all it was going to take ♪ ♪ Searching high ♪ ♪ While Feeling low ♪ ♪ Tell me how much longer will we have to go ♪ ♪ I'm still chasing after promises ♪ ♪ Way out in the wilderness ♪ ♪ I've been walking on the wire's edge ♪ ♪ Out here in the wilderness ♪ ♪ I'm still chasing after promises ♪ ♪ Way out in the wilderness ♪ ♪ I've been walking on the wire's edge ♪ ♪ Out here in the wilderness ♪ ♪ In your eyes ♪ ♪ There's something I ain't ever seen ♪ ♪ There's a sun that's burning ♪ ♪ And a highway running ♪ ♪ With no one's on it ♪ ♪ But you and me ♪ (music continues) ♪ I've been chasing after promises ♪ ♪ Way out in the wilderness ♪ ♪ I've been walking on the wire's edge ♪ ♪ Out here in the wilderness ♪ ♪ I've been chasing after promises ♪ ♪ Honey, I'm still feeling dangerous ♪ ♪ I've been walking on the wire's edge ♪ ♪ Out here in the wilderness ♪ ♪ Mmmm ♪ ♪ Oh ♪ ♪ Way out in the wilderness ♪ ♪ Honey, I'm old and grown ♪ ♪ Way out in the wilderness ♪ ♪ Honey, I'm old and grown ♪ ♪ The wilderness ♪ ♪ Ashes to ashes ♪ ♪ Honey, I'm grown ♪ ♪ Out here in the wilderness ♪ ♪ Come on darling ♪ ♪ Take my hand ♪ ♪ Nobody's gonna live forever ♪ ♪ But way out there we can live again ♪ ♪ Come on baby ♪ ♪ We don't need a plan ♪ ♪ 'Cause way out there and love makes sense ♪ ♪ Yeah ♪ ♪ Come on, darling ♪ ♪ Take my hand ♪ ♪ Nobody's gonna live forever ♪ (upbeat jazz music) - [Announcer] "11th & Grant" was made possible by The Greater Montana Foundation, The Gilhousen Family Foundation, Montana State University, Office of the President, Judy Cowdrey, in memory of Don Hyyppa, Quinn's Hot Springs Resort, Donna Spitzer-Ostrovsky, in loving memory of Jack Ostrovsky, the godfather of "11th & Grant", Iris Model, Sanderson Stewart, Enduring Community Design, Music Villa, and Gibson Guitar, Sal & Carol G. Lalani, The Utzinger Family, Bill & Jane Gum, Rob Maher & Lynn Peterson-Maher, Mary Routhier, The Rocking R Bar, Stockman Bank, and by these generous donors.

(gentle orchestral music)