CELEBRATING EXPRESSION, FOSTERING TALENT AND CONNECTING THE COMMUNITY TO COLUMBUS ARTISTS, PERFORMANCES, EXHIBITIONS.

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>>> PRODUCTION OF "BROAD & HIGH" IS SPONSORED BY -- PERFORMANCES, EXHIBITIONS, CONFERENCES, PUBLIC ART AND MORE AT COLUMBUSMAKESART.COM.

FROM THESE CONTRIBUTING SPONSORS AND VIEWERS LIKE YOU.

THANK YOU.

>>> THIS TIME ON "BROAD & HIGH," LEARN HOW A STINT IN THE MILITARY GAVE BIRTH TO A CAREER IN ART.

EXPLORE A MUSICAL ARTIST'S CAREER THAT SPANS MORE THAN 5 DECADES.

MEET A LITURGICAL SCULPTOR WHO IS TOUCHING HEARTS NATIONWIDE.

AND, HEAR FROM TERRANCE J. DOOLEY AND TESTIMONY.

THIS AND MORE RIGHT NOW ON "BROAD & HIGH".

♪♪ ♪♪ >> WELCOME TO "BROAD & HIGH".

I'M YOUR HOST KATE QUICKEL.

FOR ED PHILLIPS, A STINT IN THE MILITARY LANDED HIM IN THE PHILIPPINES IN THE MID 1950s.

WHILE THERE HE MET AN ARTIST WHO GOT HIM STARTED DOWN A PATH TO A CAREER IN ART.

AFTER GOING TO ART SCHOOL ON THE GI BILL AND A LONG CAREER AS A COMMERCIAL ARTIST, ED RETIRED FROM GERBIG SNELL WEISHEIMER, A GLOBAL ADVERTISING AGENCY WITH ROOTS HERE IN CENTRAL OHIO.

WE TALKED WITH ED IN HIS HOME STUDIO IN DELAWARE, OHIO, WHERE HE SHARED THIS JOURNEY AND HIS LATEST CREATIONS.

>> THIS ONE HERE WAS AN EARLY ONE, BECAUSE I DID IT WITH INK DOTS FOR THE CAST SHADOWS AND THE HAIR AND EVERYTHING.

ONE DOT AT A TIME.

I BUILT UP THE SHADOWS AND ALL THAT WITH PUTTING THE DOTS CLOSER TO TOGETHER.

I LEARNED THAT IN THE PHILIPPINES.

AN ARTIST TAUGHT ME OVER THERE.

THAT'S THE WAY HE DID ARTWORK.

SO I DON'T KNOW HOW LONG IT TOOK ME TO DO THIS.

EVERYBODY CAN SAY HOW BAD THE SERVICE IS, BUT I MET A LOT OF NICE PEOPLE.

I MET A FILIPINO ARTIST AS I WAS WALKING THE BASE.

I SAW HIM AND I THOUGHT, WHAT TYPE OF WORK DO YOU DO?

HE SAID, I PAINT AND I DO ALL THE SIGNAGE FOR THE BASE.

IT WAS CLARK AIR FORCE BASE.

THAT'S WHERE IT WAS.

SO I SAID, I'M INTERESTED IN ART, BUT I HAVEN'T DONE ANYTHING.

I HAD NOT DONE ANYTHING EXCEPT FOR THIS ONE.

THAT WAS EARLY, WAY BACK WHEN I WAS PROBABLY IN HIGH SCHOOL I DID THIS.

THAT'S CHARCOAL.

THAT'S WHAT GOT ME STARTED.

THEN I GOT TO KNOW HIM AND HIS FAMILY AND WENT TO THEIR THATCHED-ROOF HOUSE.

WE HAD A TRIP TO ONE OF THE VILLAGES IN THE PHILIPPINES, SO I GOT A LITTLE BIT MORE KNOWLEDGE OF THE PEOPLE.

THIS WAS EARLY ON BEFORE I GOT INTO ANY COLOR REALLY WHEN I WORKED ON THESE.

GENERAL PATTON.

SOMETHING JUST POPS INTO MY HEAD.

WHEN IT DOES, I KNOW WHAT I'M I GO RIGHT STRAIGHT INTO DOING IT, MAYBE A PENCIL SKETCH.

IT DEVELOPS INTO A LITTLE GUY THAT'S GOING DOWN A HILL, BUT HAS A PROPELLER.

I DON'T KNOW WHY.

♪♪ THEN I INK ONE.

THEN I START ADDING THE INK TO AREAS.

I THINK, THAT ONE'S DONE.

LET'S SEE NOW.

I CAN DO ANOTHER ONE.

OR WHY DON'T I DO IT THIS WAY?

IT'S A WONDER I SLEEP AT NIGHT.

♪♪ >> I LIKE BUILDING TEXTURE.

THAT'S HOW I GOT INTO THIS USING SPACKLING.

I GOT THAT IN.

FROM THEN, WHEN YOU DO, YOU GET AREAS THAT ARE JUST ONE AFTER ANOTHER AND THERE'S NOTHING THERE, BUT YOU CAN BUILD IT UP SO YOU HAVE LIKE A BIG HIGH-RISE AREA, AND THEN IT GOES DOWN TO MAYBE INTO MORE SMALL ONES.

I HAVE ANOTHER ONE THAT'S GOT JUST PLAIN FLAT AND BLACK AND A MOON.

IT'S JUST A FLAT AREA, NO TEXTURE.

AFTER I DID THAT ONE, I THOUGHT MAYBE I COULD HAVE THE HIGH SPOTS LIKE THEY SHINE AND SHOW UP HERE.

BUT THEN THE TEXTURE, I LIFT IT UP WHEN I'M APPLYING IT.

IT'LL STAY PRETTY MUCH HOW I WANTED IT.

IT'S GOT LITTLE AREAS TOO.

SO THEN I GO BACK OVER THOSE LIKE I COULD HERE, BUT HAVING THAT HIGHLIGHT BRINGS IT ALL TOGETHER.

♪♪ >> WHEN I RETIRED 15 YEARS AGO OR SOMETHING LIKE THAT, I DID ARTWORK AND PAINTED THEM AND EVERYTHING LIKE THAT.

BUT THEN HERE IN THE LAST FEW YEARS, I GET AN IDEA IN MY HEAD, LIKE IN BED WHEN I'M ASLEEP.

I'LL THINK, OH, I'LL JOT IT DOWN.

THEN THE NEXT DAY I GO TO IT, AND SOMETIMES I BUILD TEXTURE, AND THAT'LL LEAD TO HOWEVER IT GOES.

OR OTHER TIMES I'LL DO CARTOONY TYPE STUFF.

AS YOU CAN SEE, THE AMOUNT OF CARTOONISH STUFF I'VE DONE THAT I KIND OF LIKE THAT ABOUT MORE THAN ANYTHING ELSE.

I JUST GET A BIG KICK OUT OF A LITTLE THING THAT MIGHT HAPPEN, AND I THINK, I DID IT AGAIN, ANOTHER GOOD ONE.

BUT I TOOK A LONG TIME TO GET TO THAT.

I MEAN, NOW IT'S A FEELING THAT I HAVE -- I DON'T KNOW WHY IT MAKES ME CRY.

THERE'S SOMETHING IN IT, I DON'T KNOW WHAT IT IS, AND I'VE NEVER THOUGHT ABOUT OTHER ARTISTS DOWN IN HISTORY ABOUT HOW THEY WERE, WHAT THEY THINK OF, BUT THERE'S SOMETHING -- I DON'T KNOW WHAT IT IS -- THAT KEEPS ME GOING IN THAT DIRECTION.

♪♪ EVERYTHING KIND OF JUST KEEPS YOU RIGHT ON THE EDGE THAT YOU WANT TO DO MORE, PAINT AGAIN.

I PAINT MORE NOW THAN I EVER DID BEFORE.

I USED TO WORK IN THE YARD.

I LOVED TO WORK IN THE YARD.

I KIND OF HATE WORKING IN THE YARD NOW BECAUSE IT TAKES UP ALL MY ART TIME.

[ LAUGHTER ] I CANNOT GIVE IT UP.

THAT MIGHT BE WHY I'M STILL ALIVE AT 90 YEARS OLD.

♪♪ ♪♪ >> TO SEE MORE OF HIS WORK, CHECK HIM OUT ONLINE.

♪♪ >>> FOR MORE THAN 50 YEARS, ARTIST JOHN PALMORE HAS BEEN IMMERSED IN THE MUSIC WORLD.

FROM PLAYING THE KEYBOARD TO SINGING SONGS, HE DOES IT ALL.

LET'S LEARN MORE ABOUT HIS CREATIVE JOURNEY.

♪♪ >> I DO LOVE THE BLUES.

IT'S A GENRE THAT JUST TOUCHES EVERYBODY.

IF YOU WANT TO DANCE, THERE'S BLUES FOR THAT.

IF YOU WANT TO FEEL SAD AND CRY IN YOUR BEER, THERE'S BLUES FOR THAT.

IF YOU'RE IN LOVE, THERE'S BLUES FOR THAT.

ALL MUSIC GENRES HAVE AN ELEMENT OF THE BLUES IN IT.

MY NAME IS JOHN PALMORE AND I'M A PROFESSIONAL MUSICIAN.

I GREW UP IN A SMALL TOWN CALLED MAVEN, ALABAMA.

IN JUNIOR HIGH SCHOOL, SOMEONE PUT A PAIR OF DRUMSTICKS IN MY HAND, SO I BECAME A DRUMMER.

MY LAST YEAR IN HIGH SCHOOL I BECAME A TROMBONE PLAYER.

I GOT A SCHOLARSHIP TO MILES COLLEGE.

I HAD TO LEARN TO PLAY THE PIANO OR GUITAR.

THERE I WAS TRYING TO FIGURE OUT HOW TO PLAY PIANO.

I LEARNED TO PLAY BY EAR.

I JUST PLAYED EVERYTHING I HEARD ON THE RADIO.

AFTER I GOT OUT OF THE ARMY IN '69, I GOT IN A HOUSE BAND.

EVERY WEEKEND THIS CLUB WOULD HAVE DIFFERENT ARTISTS COME IN, AND YOU HAD TO LEARN THEIR MUSIC AND PLAY FOR THEM.

THE DRIFTERS CAME THROUGH THERE.

THE DRIFTERS WAS A HIT-MAKING GROUP OUT OF THE LATE '50s AND THROUGH THE '60s.

LATER ON, I GOT A CALL FROM THE LEADER OF THE DRIFTERS AT THAT TIME.

HE SAID, YOU WANT TO GO OUT ON THE ROAD?

I SAID, WHAT?

HE SAID, IT'S BILL PINKNEY, I'M WITH THE DRIFTERS, YOU WANT TO GO OUT ON THE ROAD?

I SAID, YES.

[ LAUGHTER ] I WAS ON TOUR WITH THE DRIFTERS FOR ABOUT 13 YEARS.

WE PLAYED VEGAS A LOT.

I LEFT THE DRIFTERS IN '89.

I THOUGHT I WAS GOING TO BE LIVING IN VEGAS, BUT I WAS GETTING MORE GIGS IN RENO, SO I MOVED TO RENO.

I WASN'T A VOCALIST AT THAT TIME SO I CALLED MY BROTHER TO SING.

WE PLAYED AS THE PALMORE BROTHERS.

WE WERE MATINEE IDOLS FROM LIKE '91 TO THE LATE '90s.

MY BROTHER GOT SICK AND PASSED AWAY.

I HAD TO DO A LOT OF THE SINGING MYSELF.

I HAD TO REMIX EVERYTHING.

I CREATED A WAY CALLED SEQUENCING.

IF I HEAR A SONG I WANT TO DO FIRST, I LISTEN TO IT AND I WHITE A CHORD CHART.

AFTER WRITING A CHORD CHART, I FIGURE THE TIMING AND SET ALL THAT UP AND PLAY THE DRUMS AND THE KEYBOARD.

I MAKE SURE I'VE GOT ALL THE PARTS OF THE DRUM KIT HAPPENING.

THEN I PLAY THE PIANO ALONG WITH IT.

THEN I'LL ADD THE BASE, THEN I'LL ADD THE GUITAR, THEN I'LL ADD THE HORNS AND THE STRINGS AND I'LL MIX IT TO MAKE IT SOUND LIKE A BAND.

♪♪ >> KEYBOARD IS MY BABY.

I LOVE ORGAN MORE THAN ANY OTHER KEYBOARD, BECAUSE THE ORGAN IS SUCH A BIG SOUND.

I PLAY FOR THE BAPTIST CHURCH.

THE SERVICE THERE IS LIKE ELECTRIC.

♪♪ THE FEELING THAT GOSPEL MUSIC GIVES, YOU CAN'T GET THAT IN ANY OTHER KIND OF MUSIC.

I'VE BEEN SO BUSY THAT I RARELY HAVE TWO DAYS IN A ROW OFF.

♪♪ >> I WORK WITH PAT ESTERS WHO'S A PHENOMENAL FEMALE VOCAL LIST.

WE HAVE A DUO CALLED THE VELVET DUO.

OF COURSE, I PLAY A LOT OF FACILITIES BY MYSELF.

♪♪ I PLAY TWO OF THREE OF THE ASSISTED LIVING PLACES A WEEK.

I PLAY FOR PEOPLE THEY SAY HAVE DEMENTIA OR ALZHEIMER'S.

YOU PLAY A SONG MAYBE FROM 1947 OR SOMETHING, AND THEY SING ALL THE WORDS ALONG WITH YOU.

THAT IS SO JOYFUL TO SEE THE MUSIC TOUCHES THOSE PEOPLE.

IT MEANS EVERYTHING TO ME, BECAUSE NO MATTER HOW WELL YOU PLAY OR SING, IF IT DOESN'T TOUCH ANYBODY, YOU MIGHT AS WELL NOT DO IT.

IF YOU DO SOMETHING YOU LOVE, YOU NEVER WORK A DAY IN YOUR LIFE.

I HAVEN'T WORKED A DAY SINCE 1969.

♪♪ >> TO HEAR MORE CHECK HIM OUT ONLINE.

>>> DEBORAH LUKE IS ONE OF THE MOST HIGHLY SOUGHT AFTER LITURGICAL SCULPTORS IN THE UNITED STATES.

SHE LIVES AND WORKS IN BATON ROUGE, LOUISIANA.

DESPITE BEING INTERESTED IN ART FROM AN EARLY AGE, SHE RECEIVED HER FIRST TRAINING IN 3-DIMENSIONAL ART AT DOMINICAN COLLEGE, TAKING CLASSES UNDER THE FAMED SCULPTOR ANGELA GREGORY.

IN THIS SEGMENT, SHE SHARES HER CONTINUED ENTHUSIASM FOR CREATING ENDURING WORKS OF PUBLIC ART.

♪♪ >> I DREW PORTRAITS FROM AN EARLY AGE.

ANYBODY WHO WOULD SIT STILL FOR ME, I TENDED TO DRAW.

THAT WAS AS EARLY AS HIGH SCHOOL.

WHEN I WENT TO DOMINICAN COLLEGE, I WAS AN ENGLISH MAJOR, BUT I MET ANGELA GREGORY, WHO BECAME MY TEACHER AND MENTOR.

I MUST HAVE BEEN 19 WHEN I REALIZED HOW MUCH I LOVED SCULPTING.

GREGORY WAS IN HER 70s WHEN SHE WAS ON THE FACULTY AT DOMINICAN COLLEGE.

THE FIRST CLASS I TOOK WITH HER MIGHT HAVE BEEN AN ART HISTORY CLASS.

SHE WAS JUST AS EXCITED ABOUT WORK SHE HAD DONE IN HER 50s AND 40s AND COMMUNICATED THAT JOY TO HER STUDENTS.

I TOOK A COUPLE OF SCULPTURE CLASSES AND A PORTRAIT CLASS.

PRIMARILY IT WAS MODELING AND CLAY.

OUR FIRST CLASS WAS TO DO A PORTRAIT BUST.

I GOT TO HANDLE ALL THE TRADITIONAL TOOLS IN TERMS OF PLASTERPIECE MOLDS WHICH AREN'T MADE ANYMORE BECAUSE OF THE ADVENT OF RUBBER AND MORE MODERN MATERIALS.

I LEARNED THE CLASSICAL TECHNIQUES FROM MS. GREGORY BECAUSE SHE STUDIED IN PARIS WITH ANTWAN BODEL, WHO WAS A STUDENT OF RODIN.

SOME OF THAT FILTERED DOWN TO ME.

SHE HAD SEVERAL PIECES OF STONE THAT THE STUDENTS COULD WORK ON.

I GOT TO LEARN BASICALLY MODELING AND CARVING, WHICH ARE THE TWO TRADITIONAL TYPES OF SCULPTURE.

I LOVED BOTH OF THEM.

I REMEMBER LOVING THE FACT THAT I WOULD GO INTO A THREE-HOUR STUDIO CLASS, AND BEFORE I KNEW IT THE THREE HOURS WERE UP.

IT WAS JUST A TREMENDOUSLY DIFFERENT KIND OF EXPERIENCE THAT I'D NEVER HAD, THAT GETTING LOST IN AN ACTIVITY.

THE CHRIST VICTORIOUS PIECE IS ONE OF MY FAVORITES, BECAUSE IT REPRESENTS THE EVOLUTION OF A WORK OF ART OVER TIME.

THE ORIGINAL PIECE, WHICH GAVE BIRTH TO THE LARGER PIECE, CAME FROM ME JUST LOOKING AT A FORKED BRANCH IN MY YARD AND SEEING THE BODY OF CHRIST ON THAT FORKED BRANCH.

IT TOOK ON NEW LIFE EACH TIME I WAS CHALLENGED TO MAKE ANOTHER ONE.

I MADE BOTH A SMALLER ONE AND THE EIGHT-FOOT ONE IN RESPONSE TO THE NEEDS OF A PARTICULAR JESUIT COMMUNITY IN PHILADELPHIA.

♪♪ ♪♪ >> I'M ALSO VERY FOND OF A PIECE I DID FOR A CHURCH IN ARIZONA, IN PHOENIX, CALLED THE FRANCISCAN RENEWAL CENTER.

THAT PIECE IS CALLED THE RESURRECTION.

IT REPRESENTS, AGAIN, THE EVOLUTION OF A PIECE OF WORK THAT I DID MANY YEARS PRIOR BASED ON THE GOSPEL OF JOHN.

I WAS WORKING ON THEMES FROM THE GOSPEL OF JOHN.

I DID A LARGE RELIEF THAT'S OVER MY FIREPLACE CALLED THE ANGELS ASCENDING AND DESCENDING.

IT'S AN IMAGE OF CHRIST ON THE CROSS, BUT NOT LOOKING CRUCIFIED, LOOKING RESURRECTED.

SO WHEN I WAS APPROACHED ABOUT A SEVEN-FOOT RELIEF SCULPTURE FOR THIS CHURCH IN PHOENIX, I IMMEDIATELY WENT BACK TO THAT IMAGE BECAUSE I ALWAYS THOUGHT IT WAS AN IMAGE OF THE RESURRECTION EVEN THOUGH IT CAME DIRECTLY FROM THE GOSPEL OF JOHN.

THOSE ARE TWO OF MY FAVORITE WORKS BECAUSE THEY'VE LASTED THROUGH TIME IN TERMS OF MY OWN DEVELOPMENT AS AN ARTIST.

I WORK ON COMMISSION AND I DO MY OWN PRIVATE WORK, WHICH FINDS ITS WAY INTO HOMES, SCHOOLS, HOSPITALS.

MY MOST RECENT LARGE COMMISSION HERE IN BATON ROUGE WAS OUR LADY OF THE LAKE CHILDREN'S HOSPITAL.

I DID THE LARGE TRYPTIC IN THE CHAPEL.

THE HOSPITAL HAD THEMES FOR THE FLOORS.

THE FIRST FLOOR THIS WORK WAS INTENDED FOR, THE THEME WAS THE RIVER.

MY HUSBAND AND I SPENT A LOT OF TIME KAYAKING LOUISIANA RIVERS.

SINCE IT WAS A FRANCISCAN ESTABLISHMENT, I THOUGHT OF SAT SAINT FRANCIS IN A ROBE.

IT WAS A CHILDREN'S HOSPITAL.

I DIDN'T WANT TO DO ANYTHING OVERLY SOMBER.

MOST OF MY WORK IS AS A RELIGIOUS ARTIST.

IT HAS RATHER SOMBER THEMES.

BUT THE OPPORTUNITY TO DO WORK AT A CHILDREN'S HOSPITAL ENABLED ME TO PURSUE A MORE WHIMSICAL PATH AND YET GIVE HONOR TO CHRIST, ST. FRANCIS, THE BLESSED MOTHER.

ALL THREE ARE CONTAINED IN THIS COMPOSITION.

I HAVE CLIENTS ALL OVER THE UNITED STATES.

FROM 2001 TO 2008 OR 2009 THERE WAS A TREMENDOUS BOOM IN THE BUILDING OR RENOVATION OF CHARGES, SO THAT WAS MARKET FOR OBJECTS THAT MOST CATHOLIC OR PROTESTANT CHURCHES HAVE.

I WAS ABLE TO MAKE SOME CONNECTIONS IN THAT DECADE THAT HAVE SERVED ME WELL SINCE THEN.

I GRADUALLY OVER THE YEARS DEVELOPED A NATURAL NETWORK OF LITURGICAL DESIGN CONSULTANTS AND PEOPLE IN THE BUILDING COMMUNITY.

IN 2006 I DID A LARGE-SCALE BRONZE.

IT MEMORIALIZES CHILDREN LOST TO MISCARRIAGE OR SUDDEN INFANT DEATH, AND IT GIVES THEIR MOTHERS A PLACE TO GO TO REMEMBER THEIR CHILDREN AND FEEL LIKE THEY'RE IN THE PRESENCE OF THEIR CHILDREN.

>> TO SEE MORE, CHECK HER OUT ONLINE AT DEBORAH LUKE DOT COM.

♪♪ >>> IN HONOR OF GOSPEL, A NEW FOUR-PART SERIES HOSTED BY HENRY LOUIS GATES, JR WE'RE WRAPPING UP THIS EPISODE WITH A SONG FROM LAST SEASON'S "BROAD & HIGH" PRESENTED BY TERRANCE J. DOOLEY AND TESTIMONY.

LISTEN TO THIS ENCORE PERFORMANCE FROM THIS AWARD WINNING, SINGER AND SONGWRITER AND HIS AMAZING CHOIR.

♪♪ >> I DON'T KNOW ABOUT YOU, BUT I LOVE THE LORD.

DEEP IN MY HEART I LOVE HIM.

♪ I LOVE THE LORD, I LOVE THE LORD ♪ ♪ I LOVE THE LORD ♪ ♪ I LOVE THE LORD ♪ ♪ I LOVE THE LORD, I LOVE THE LORD, I LOVE THE LORD ♪ ♪ I REALLY LOVE HIM ♪ ♪ I REALLY, REALLY LOVE THE LORD ♪ ♪ I LOVE THE LORD, I LOVE THE LORD, I LOVE THE LORD ♪ ♪ YES, I LOVE HIM AND I ADORE HIM ♪ ♪ I LIVE BY HIM ♪ ♪ I REALLY LOVE THE LORD ♪ ♪ I LOVE THE LORD, I LOVE THE LORD, I LOVE THE LORD ♪ ♪ I LOVE THE LORD, I LOVE THE LORD ♪ ♪ I LOVE THE LORD ♪ ♪ I LOVE THE LORD, I LOVE THE LORD ♪ ♪ I LOVE THE LORD ♪ ♪ I LOVE THE LORD ♪ ♪ I REALLY LOVE HIM ♪ ♪ I LOVE THE LORD ♪ ♪ I LOVE THE LORD, I LOVE THE LORD, I LOVE THE LORD ♪ ♪ HE'S BEEN SO GOOD ♪ ♪ HE'S BEEN SO GOOD, HE'S BEEN SO GOOD, HE'S BEEN SO GOOD ♪ ♪ HE'S BEEN SO GOOD ♪ ♪ THE LORD HAS BEEN SO GOOD ♪ ♪ I LOVE THE LORD, I LOVE THE LORD, I LOVE THE LORD ♪ ♪ YES, I LOVE HIM AND I ADORE HIM ♪ ♪ I LIFT MY HANDS AND I BOW BEFORE HIM ♪ ♪ DEEP IN MY HEART, I REALLY LOVE THE LORD ♪ ♪ I REALLY, REALLY LOVE THE LORD ♪ ♪ I LOVE HIM ♪ ♪ I LOVE THE LORD, I LOVE THE LORD, I LOVE THE LORD ♪ ♪ YES, I LOVE HIM AND I ADORE HIM AND I LIFT MY HAND AND I BOW BEFORE HIM ♪ ♪ DEEP IN MY HEART, I SAID I REALLY LOVE THE LORD ♪ ♪ I LOVE THE LORD, I LOVE THE LORD, I LOVE THE LORD ♪ ♪ COME ON ♪ ♪ YES, I LO HIM AND I ADORE HIM AND I LIFT MY HANDS AND I BOW BEFORE HIM ♪ ♪ DEEP IN MY HEART, I SAID I REALLY LOVE THE LORD ♪ ♪ DEEP IN MY HEART I REALLY LOVE THE LORD ♪ ♪ I SAID I REALLY, REALLY LOVE HIM ♪ ♪ DEEP IN MY HEART ♪ ♪ I REALLY LOVE THE LORD ♪ ♪ I LOVE THE LORD, I LOVE THE LORD, I LOVE THE LORD ♪ >> MAKE SOME NOISE IF YOU LOVE THE LORD, IF HE'S BEEN GOOD TO YOU.

♪ YES, I LOVE HIM ♪ ♪ YES, I LOVE THE LORD ♪ ♪ I LOVE HIM, I LOVE HIM, YES, I LOVE HIM ♪ ♪ BECAUSE HE FIRST LOVED ME ♪ ♪ YES, I LOVE HIM ♪ ♪ I LOVE HIM I REALLY LOVE HIM I LOVE HIM ♪ ♪ YES, I LOVE HIM ♪ ♪ YES, I LOVE THE LORD ♪ ♪ THAT'S WHY I PRAISE HIM BECAUSE THE LORD'S BEEN KIND ♪ ♪ I LOVE HIM, I LOVE HIM, I LOVE HIM ♪ ♪ COME ON ♪ ♪ YES, SIR ♪ ♪ DEEP IN MY HEART ♪ ♪ I LOVE THE LORD ♪ >> TO HEAR MORE, CHECK OUT TERRANCE J DOOLEY DOT COM.

♪♪ >>> WELL, THAT'S OUR SHOW.

REMEMBER YOU CAN FIND ALL OF OUR STORIES ONLINE AT WOSU DOT ORG AS WELL AS ON OUR YOUTUBE CHANNEL.

FOR ALL OF US HERE AT WOSU, I'M KATE QUICKEL.

THANKS FOR WATCHING!

♪♪ ♪♪ ♪♪ ♪♪ ♪♪ >>> PRODUCTION OF "BROAD & HIGH" IS FUNDED BY --