Seniority Authority
Picturing Mom
Clip: Season 1 | 4m 4sVideo has Closed Captions
A daughter turns grief into art as her mother fades, finding love through the lens.
When her mother’s dementia began to erase the woman she’d always known, photographer Cheryle St. Onge did what artists do—she picked up her camera.Through shared moments in the garden, in the sunlight, and behind the lens, Cheryle discovered that making art wasn’t about holding on to her mother—it was about learning how to let go with love.
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Seniority Authority is a local public television program presented by NHPBS
Seniority Authority
Picturing Mom
Clip: Season 1 | 4m 4sVideo has Closed Captions
When her mother’s dementia began to erase the woman she’d always known, photographer Cheryle St. Onge did what artists do—she picked up her camera.Through shared moments in the garden, in the sunlight, and behind the lens, Cheryle discovered that making art wasn’t about holding on to her mother—it was about learning how to let go with love.
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Learn Moreabout PBS online sponsorshipSo my grandmother died at home.
My.
My aunt died at home.
My great grandmother died at home.
And my mother was fully intending to die at home.
Like that was something that was discussed, like, please don't put me in a nursing home.
And I think when you grow up hearing that, I mean, you really don't have any choice.
Being an only child, I had a really close relationship with my mom.
And so she lived on this property for about 20 years as a totally functioning person.
She had a career.
She did a lot of gardening.
You know, it was very close to her grandchildren.
It was about as wonderful a co-mingling of ages as you can imagine.
My mother was really the one that was kind of saying, like, I'm having trouble remembering how to get home, or there's a woman who calls me and I think she's my sister and her doctor.
He just said, dementia is one of those things.
We're not really sure how it's going to unfold.
So there was no roadmap, there was no promise.
But there also wasn't that sense that there should be.
It was like it was like he was explaining dementia as something that was making me not responsible for the national debt.
We're here together and we love each other, and we'll figure it out as we go.
And there was a lot of tears and a lot of sadness.
I really relied on a lot of my friends, which happened to be artists.
I had a couple friends who I think were teasing me and said, okay, so we want to see some pictures of your mother.
We've been telling you for a couple of months now.
You should be making pictures of your mother, and you don't want any part of that because I felt like it would be be like making pictures of a wounded bird.
But, you know, I sort of rose to the dare.
And so I told my mother, we're going to make a couple of pictures for Joanie and Mary Ellen, but she did this thing that I'll never forget.
She just kind of went like, oh, okay.
And I remember thinking, I don't know what just happened.
Like, you're this, you're like this.
This isn't you.
Somehow hearing the word picture and putting it all together, she sort of intrinsically kind of understood the 1950s of like, oh, let's put our best face forward.
And, and she kind of got into it and I, we looked at it together and she was like, who's that lady?
I shared a couple of them on Instagram or I posted them on Facebook or I sent them to friends and suddenly they were like, oh, wait, this is this is crazy.
Like, you should be making more of this.
And all of a sudden it was like these floodgates just opened up.
The more I share, the less pain I'll feel.
And then we also had something to do.
It, for me, it got me outside and it got me doing something with her.
I feel like I'm somebody who really likes to make things, build things.
I think for her it was helpful because she she was outside in the sun, you know, which is something that she innately loved.
She was outside still listening to birds and saying, like, did you hear that?
You know, that's that's a Jay.
That's chickadee.
Or we can pick blueberries and that's what we needed.
We needed some things to do to go outside and get some activity, get some fresh air, get away from sitting at the table and just thinking about how sad it all is.
Hospice was really good about saying to me, like, you had this great relationship.
And then all of a sudden she lost her ability to talk to you, and you have nothing in common anymore.
You didn't have any way to communicate.
And all of a sudden, the pictures and the art became the new way that you could communicate, and suddenly you're back to having a way to talk.
But, probably most days I just tried to not think about what it was going to be like when she wasn't here anymore.
And it's ironic, because I don't think I saw the pictures as, as something to hold on to.
I've certainly had people say to me like, it's so great that you have these pictures of your mother, because now that she's gone, and I think to myself, well, these aren't pictures of my mother.
My mother was a fully functioning human.
And these are pictures about a relationship between two people as one of them was dying.
That's what those pictures are about for me.
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Clip: S1 | 3m 22s | When dementia changed everything, Carol found a new way to just be her mother’s daughter. (3m 22s)
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Clip: S1 | 4m 4s | A daughter turns grief into art as her mother fades, finding love through the lens. (4m 4s)
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