(upbeat music) (customers chatting) - How's it going?

- Great, good to see you.

- Rob Edwards, a lot of viewers will know your work as a screenwriter from stuff like "Princess and the Frog," "Treasure Planet," "In Living Color," "Fresh Prince."

A very storied career in TV and film.

But now your latest project is a graphic novel about the life of the fascinating and way too little known still historical figure Robert Smalls.

- Exactly, and that's the tragedy, is that this guy lived this extraordinary life and just nobody knows about him.

You tell people, and the first question, they don't say like, "Well wait, and then what did he do?"

They say, "why don't I know about this guy?"

- For those who are watching who don't know anything about Robert Smalls, tell us the short version of his story.

- He was born a slave when he was about 23 years old, during the Civil War, he was basically assigned to work on this ship, the Planter, which ferried munitions back and forth.

And one night when the white crew took off, they commandeered the boat.

All their families got onto the boat and they took off.

They went through five checkpoints disguised as the captain, and then surrendered the ship to the Union army that was just outside of Charleston Harbor.

He then became rich because it was bloated with weapons.

And so it was the biggest haul in the Civil War.

He was famous for pulling this thing off.

He then ran for Congress five times, won, he started a printing press, he started a railroad.

He's the reason why we have Black people in the military because they showed courage, intelligence, and strength.

He's the reason why we have public schools.

Because he really, really wanted to be able to read all of his life.

So that is the shortest version possible of the extraordinary life of Robert Smalls.

- How did you decide that you were gonna tell this story and that this was how you were gonna tell it?

- Well, actually the story starts here in Bloomfield Hills where a classmate of mine, a guy named David Baxter, I'd gone to Cranbrook with, he calls me up and he says, "Hey, we got this script."

And he gave it to me and said, "Well, what do you think?"

And basically the story well written, but it focused on the heist itself.

Just the taking of the Planter.

And as I was reading it and then went down the rabbit hole, like all the stuff that this guy had done, I said, "Well I think that that's the beginning of the story."

I think that it's about a man who is free in his heart.

He becomes free and then he does all the things that you do when you've been caged for so long.

And I said, "Well, I hope you don't mind, but rather than just give a bunch of notes on it, I'd like to take a crack at it."

And also I think it's important that a story like this be told by a Black author, just because the times we live in.

And also my filter is different.

And so for me as a, I'm not a historian, I'm just a writer, I just write Disney movies and stuff.

And so I took it as a character study.

What kind of person would do this thing?

And I discovered actually that as I was doing it, that in a lot of ways, I was able to find things that the historians were not, because I was asking questions that they weren't.

I was always focused on like, where is the family and whatever, and why would he do this, rather than what did he do, why would he do it?

And so it's just been a really great journey for me.

- Since you are a screenwriter, how did you end up deciding to write it as a graphic novel rather than just a screenplay?

- Well it's interesting because I had just been into Netflix with a project and we just kept hitting against the fact that we didn't have IP, that there was no intellectual property that it was based on.

And my heart had been broken so many times by the kind of risk averse world that I said, "Well, you know what, let's not go in just with the story.

Let's go in with with something."

And the books that were out there were good, but none of them did what I wanted to do.

I said, "Well look, I'm writing the script anyway, I know the story.

Why don't we just make a graphic novel of it?"

If the graphic novel works, then we know we're in good shape.

And the graphic novel is fantastic.

I thought, okay, well this guy is basically larger than life anyway.

He's essentially a superhero, so why not?

It's a perfect format for him.

And also like for kids that will be hearing this story for the first time, what better way to hear it?

You meet people where they live.

I think for the kid that I'd most want to hear this, it's a graphic novel.

- It was funded with a very successful Kickstarter campaign.

And something that you had told me that really stood out to me was how many of the contributions were people buying boxes of the comics to have sent to schools and libraries.

- People wanted to buy boxes of them and take them to schools.

So we're actually starting another campaign on the defiantproject.com website and also on the Legion M website for people to be able to do just that.

Because I do think it's important, what better gift at Black History Month or whatever to kind of go outside and there's a great box of these fantastic comic books.

Hopefully they'll be fun to read and everything and inspirational, life changing I believe.

I would think that if I was a kid, if I was 10, 15 or whatever and I read the story, I would say, "Okay, that is the measure of a great man.

What would it take for me to be like that?

Okay, I should read this story."

And then, "Wow, what did he do afterwards?"

Well, okay, public schools, whatever, the military, just proving one after the other to people that were skeptical.

And all the more reason why you need this story to kind of emphasize why we need history, why we need to learn all this stuff.