
Saladin Ahmed, Soul Studio market, Artlab J winter gala
Season 7 Episode 27 | 26m 46sVideo has Closed Captions
Comic author Saladin Ahmed, Soul Studio’s holiday market, and Artlab J’s winter gala.
One Detroit’s Chris Jordan talks with Saladin Ahmed, an Eisner award-winning, Detroit-based but nationally renowned comic book author, best known for Marvel's Black Bolt, Ms. Marvel, and Miles Morales: Spider-Man. The Soul Studio at Friendship Circle gives adults with special needs the opportunity to hone their creative skills. Plus, Artlab J’s 10th annual winter gala.
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One Detroit is a local public television program presented by Detroit PBS

Saladin Ahmed, Soul Studio market, Artlab J winter gala
Season 7 Episode 27 | 26m 46sVideo has Closed Captions
One Detroit’s Chris Jordan talks with Saladin Ahmed, an Eisner award-winning, Detroit-based but nationally renowned comic book author, best known for Marvel's Black Bolt, Ms. Marvel, and Miles Morales: Spider-Man. The Soul Studio at Friendship Circle gives adults with special needs the opportunity to hone their creative skills. Plus, Artlab J’s 10th annual winter gala.
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorship- Hi, I'm John Sloan III, and here is what's coming up this week on One Detroit Arts & Culture.
Heads up Marvel fans, nationally-renowned comic book author Saladin Ahmed discusses his brand new Marvel series and more.
Plus a very special Holiday Market at Friendship Circle's Soul Studio.
And then a display of mesmerizing movement from ArtLab J.
It's all just ahead on One Detroit Arts & Culture.
- [Announcer 1] Support for this program provided in part by The Kresge Foundation, the Cynthia & Edsel Ford Fund for Journalism at Detroit Public TV.
From Delta faucets to Behr paint, Masco Corporation's proud to deliver products that enhance the way consumers all over the world experience and enjoy their living spaces.
Masco, serving Michigan communities since 1929.
- [Announcer 2] The DTE Foundation is a proud sponsor of Detroit Public TV.
Among the state's largest foundations committed to Michigan-focused giving.
We support organizations that are doing exceptional work in our state.
Visit DTEFoundation.com to learn more.
- [Announcer 1] Gregory Haynes and Richard Sonenklar, Nissan Foundation, and by contributions to your PBS station from viewers like you.
Thank you.
(upbeat music) - What up, though?
Welcome to One Detroit Arts & Culture.
I'm John Sloan III, Detroit-based activist creative.
Founder of GhostLight Productions and producing artistic director of the Obsidian Theater Festival.
I'm guest hosting for the immensely talented Satori Shakoor as she performs in the play Da Kink in My Hair.
Thanks for joining me here at the Fisher Lounge in Detroit's beautiful Fisher Theater.
Coming up on the show, Friendship Circle's Soul Studio holds their annual Holiday Market where the public can buy gifts and have a peak inside the studio, as the artists create their unique pieces right from the heart.
It's something everyone needs to experience.
And then ArtLab J's Winter Gala from last year, You are Beautiful.
But our first segment is for the Marvel fans.
Saladin Ahmed is an Eisner Award winning Detroit based and nationally-renowned comic book author.
He's best known for Marvel's "Black Bolt," "Ms. Marvel," and "Miles Morales: Spider-Man."
As well as his original series "Abbott," a supernatural mystery set in 1970's Detroit.
One Detroit's Chris Jordan sat down with Saladin at Vault of Midnight Comics in Detroit to discuss his Marvel series, the "Spine-Tingling Spider-Man."
And his comic website Copper Bottle.
He also talks about how he uses comics to spark important conversations about real world social issues.
Let's take a look.
- Spine-Tingling Spider-Man, brand new, first issue just dropped end of October.
You're writing three different iterations of that character.
What makes this one different?
- I've always loved Peter Parker.
I've grown a very powerful relationship with Miles Morales writing him the past few years.
But of course, Peter was the Spider-Man I knew growing up.
And to me, he's always been at his most inspiring when he's got the toughest odds against him.
And then the fact that horror stories, which I also dabble in a lot, are really about the odds being against you sometimes overwhelmingly, right?
And that's where the sense of horror comes from.
I went to Marvel and basically was like, I really wanna do a horror book featuring Peter Parker.
And, you know, they were very supportive of it.
I've lucked out extremely by getting the artist Juan Ferreyra who is a astonishing talent.
And that's the thing that we always have to talk about when we talk about comics is art makes the comic.
I can have all the ideas in the world and it's just an idea until somebody draws it.
And Juan took the thing to another level.
It's super important to me to talk about the world around us whether I'm talking about aliens or elves or vampires, I'm still talking about our world in our time.
And I think we have a responsibility to do that as story-tellers.
We're part of a larger world and dire things are happening in that world right now to a lot of people.
And if we don't talk about that stuff as much as we're able to in the arenas that we're able to, I think we're, you know, falling down on our duties as human beings.
- In Abbott, the way that page one of that comic is Abbott breaking the story of, you know, the police killing of a black teenager.
It really hits home to our world now.
- Abbott was my first creator-owned comic and it's the story of a female black journalist in the 1970's working at a white newspaper.
And it's a story about race.
It's a story about gender.
As much as anything, it's a story about Detroit.
I'm from Dearborn, right?
I'm from an era of enclave and Dearborn from a immigrant community there that raised me.
But I was always raised with a love for and respect for Detroit.
And also, I was raised with an awareness that Detroit had been slandered.
The kind of predominant narrative in the suburbs was sort of, oh Detroit's so dangerous and it's falling apart.
It used to be great.
And it's a transparently racist sort of take when you strip away just layer of kind of why people felt that way about Detroit.
And so, you know, to me, one of the most important things writers do is to expose lies and tell the truth.
It's why I made a journalist the hero of my story rather than a police officer or detective.
On the one hand, Abbott is a fun, scary story, hopefully, about a woman using magic powers to hunt evil wizards in a darkness that is haunting the land.
But it's also very much a story about the history Detroit and about the way in which Detroit in the 70's even as people were saying it was falling apart or it was going to the dogs, or whatever, was a place of renaissance, of true cultural renaissance of emancipation.
- Growing up in Dearborn and near Detroit, how does that translate over for you into these other stories that are, you know, set outside Detroit?
- I knew that I wanted to create Michigan heroes, Detroit heroes when I went to Marvel.
So, the first character that I created with Detroit roots was in Miles Monrales Spider-Man and her name is Tiana Toomes a.k.a.
Starling.
When I started to think about who this character was, Detroit called out to me and so we got to do some really great scenes in her origin issue with her practicing her wings flying about the Detroit River and flying around the Renaissance Center and stuff like that.
And then, I did have to represent my own, Dearborn, Michigan and Arab Americans.
And so I created their Fadi Fadlalah also known as Amulet in the pages of Ms. Marvel.
And he's a kind of big, beefy, good, thick boy (laughs) who's a football player with a heart of gold.
And he comes to New Jersey, which is where his Marvel adventures take place, from Dearborn, Michigan.
- It is so important to have that representation on and off the page in making comics a more diverse medium.
- I appreciate the distinction between on and off the page because they're definitely separate things.
I think that we've made strides, not as many as we could have but, we've made strides representing better what our culture looks like, right?
There are Muslim characters on tv.
There are trans characters in video games.
There are, you know, things that when I was a kid, just plain weren't there.
I can remember how desperate I was to latch on to characters that had any bit of Arab-ness or Muslim-ness.
No matter how cheesily and slightly stereotypically it might've been rendered, right?
My kids, when I talk to them about representation, and I talk about how cool it is that character X is of Y race.
They're just sorta like, well yeah, of course.
It's not as big a deal to them, but the fact that it's not a big deal is the big deal.
- Totally, yeah.
- And represents some progress that I think we've made.
We still live in a white supremacist country.
We still live in a country that is patriarchal.
We still live in a country where working people are you know, treated like things rather than people.
And our stories are going to reflect that.
Some of us are working very hard to make the stories reflect a different reality and maybe try and shape us toward another reality.
But that will always be an uphill battle.
And so that brings up the kind of second part of the equation which is what's happening behind the scenes.
And it's often pretty ugly.
Most of these fields are still incredibly male dominated.
Whether it's video games, whether it's tv, whether it's comics.
I've been in those writing rooms.
I've been in those meetings with executives and really seen what the real powers in these worlds look like.
And they look pretty much like they've always looked.
You know, a few more women, you know?
But, not many.
And here and there, a face of color, but not many.
We always also have to be pushing for different kinds of faces behind the scenes.
You know, the creators have to because it's a question of political power and of resources, right?
- And I know with Copper Bottle, kind of your mission statement with that is, you know, it's creator-owned, independent comics kinda with a focus on a lot of creators of color and women.
- Copper Bottle is my pop-up imprint, as we're calling it, dedicated to my creator-owned comics.
Now I'm publishing a couple of titles.
One called Star Signs and one that's called Terror War.
Terror War drawn by a local artist, Dave Acosta, Detroit's own.
And we are producing work that we own, is the simplest version of it.
We're trying to move toward comics where if you've drawn that comic, if you've written that comic, you'll have ownership of whatever that comic becomes.
So that people feel invested in the work that they're creating.
And to me that's just an extension of what I think we need to be doing as a culture generally.
- You can find Chris' full 40-minute sit down with Saladin on our website OneDetroitPBS.org.
Next up, the artists at Friendship Circle's Soul Studio in West Bloomfield insert their personality into every gift they create for their annual Holiday Market.
Bright notebooks and fun t-shirts are just some of the pieces to buy.
And each one comes with a special message honoring the artist.
Friendship Circle is a long time local organization that helps individuals with special needs and their families.
We went to Soul Studio to check out the market and the exhibition Community Ties.
And I promise, it's an experience to remember.
(happy playful music plays) - [Sarah] This is the happiest, safest, most fulfilling space to be in.
It's colorful, it's kind of chaotic, it's fun, it's playful, and it's inviting.
- Many of our artists really live their life at a deeper soul level.
- They help me to see the world in a completely different light everyday.
- [Bassie] Soul Studio is this like, treasured haven for any individual with special needs.
- [Sarah] Anywhere from 18 to however old you want to be to participate.
So we're an assisted studio which means we have artists who come in for a day-to-day artistic practice, who are facilitated by professional instructors like myself.
- [Bassie] They get to come into this space where there's every kind of studio you can think of.
From wood to fibers, mixed media, ceramics, laser cutting.
Where they can come and explore and really create.
- [Sarah] I think that art is such a beautiful form of therapy because it involves all of the sensory experiences of life that for our friends here, are already heightened.
So we lean into that.
- [Bassie] We know how cool our artists are.
We know how much they change our life and inspire us.
But it's a really good feeling when we know that we can share it and spread it.
So by having the Holiday Market is another way to invite the community from outside to come into our four walls.
To look through the fine art as well as the Holiday Market items.
Send it out as gifts.
You can then get that bio card that describes and shares with you a bit about the story of that individual artist.
That makes for a much more meaningful gift.
- By the community coming just to see their artwork matters so much to them.
But to have somebody buy your artwork solidifies in your mind like, What I did matters and who I am matters.
And somebody else sees that in me too.
- I think the Holiday Market is amazing.
I really love to buy some of the art, some of the pieces.
- [Bassie] We're very excited that we have things, whether it's on lapel pins or journals, our wooden pins that are handcrafted, each one.
Our great sweatshirt.
Our awesome coffee bottles and mugs.
These are all items that not only is a cool gift, but the messaging and the artwork on it brings all-deeper meaning to your gift.
Our artists have been creating for the Holiday Market for the past several months.
- It took a lot of hard work to make the artwork pieces.
Well, the Pontiac Silverdome was one of them.
It's over there.
I used the sewing machine and tried to make almost an exact replica of the Pontiac Silverdome.
- What I created for the Holiday Market is some notebooks.
It's a really colorful notebook.
It was created by one of my paintings that I did.
I just put some shapes on there and just make it really colorful.
I love pink and stuff.
That's my favorite color.
- There are so many comments the artists will say, I'm just so happy.
I'm gonna make someone happy by them getting my gift.
- It makes me feel good.
They can put their thoughts in it or their ideas.
If they're anxious for some reason, they can always put something in there and make them feel, you know, okay.
- [Bassie] For our artists, an important part is actually working as a professional artist, selling their work and realizing that they have a path that they could really take.
When somebody purchases something at the Holiday Market, artists will get 50% and then 50% will go back into Soul Studio for supplies and any other kind of items that we would need.
Every time an artist gets that check, I mean, the smile on their face is just so not necessarily about the money.
The sense of satisfaction.
Somebody else appreciates my talents.
- I sold several pieces here before.
Proud of myself.
It inspires me because it gives me more creative ideas to do artwork as time goes on, I guess.
- All the artists live their life very genuinely and they show that in their artwork.
And I can think it's a medium for them to express themselves in ways they might not be able to otherwise.
And once they are creating any of their artwork, we're able to present it and have it in our Show It Art Gallery.
- We actually had our first weaving exhibition.
- This exhibition has Community Ties.
My main point in curating this art show was highlighting the playfulness of it.
And I think that that is such an important part of trying to both represent our current volunteers in this collaborative nature, but also enticing more people from the community to want to be here.
I think Adam's work truly does show that connection to the person he was working with.
You know, this guitar, it's playful, it's fun.
It's so him, and it became an entirely different project because of the relationship that he had built with his volunteer that he was working collaboratively with.
- I made that with a sewing machine and I sewed different fabrics together and made a design on the front of the guitar right there.
I like listening to music a lot.
- Being able to show both sides of who you are through your artwork, too.
It can be this like rock-and-roll fun guy and then also make your guitar soft so you can sleep with it.
I think all of their artwork speaks volumes by itself and it's such a beautiful kind of mirror of the artist.
- I feel that Soul Studio is a treasure in our community.
It's a place where, do yourself a favor and give yourself time to come visit.
We love visitors.
Our artists love to communicate, to socialize, to share their love of life.
- So whether that's you coming in just to come and walk through the space, check out the gallery, or go to the cafe, just being apart of this experience is so important.
And we want people to know that they're always welcome.
- For more info on Friendship Circle and Soul Studio, go to our website at OneDetroitPBS.org.
Turning to ArtLab J, a non-profit dance organization connecting people of all ages and abilities through the power of dance.
Last year was the tenth year of their Winter Gala.
We caught up with the dancers as they prepared for their performance entitled You Are Beautiful.
- I think it's getting better without the speed and four eight count.
And then the last eight count when you open it, do you think we, because hands coming in, do you that two seconds you can let go?
- [Reporter] For Joori Jung, founder of ArtLab J, it was important to create a space for professional dancers in Detroit.
- Two, three, four, five, six, seven, eight and drop yes.
I think because I'm an artist too, and then I'm always starving, like hungry to space to present my work, that's my most like important part looking for.
And, yeah.
So that's why like when I start ArtLab J, I'm trying to make a space for the artists.
And what they need, what they're looking for.
So mostly artists, performing artists, they want to present their work.
- [Reported] Jung says the work of dancing- - One, two, three- hands is very clear.
- [Reporter] Has been difficult for her and other artists to carry out over the last year.
- Since pandemic start, performing arts was very sad.
Because we needed to close.
And even we practice and create something, we can't present it.
So past almost one and a half year, we didn't have a chance to meet live audience.
And finally we have a chance to rent a space to perform and that's in the arts center.
So it's coming Winter Gala with our company, one, and then news company, two, coming together presenting our new works.
And we're gonna gathering together.
- [Reporter] That work will be presented on December 19th at their Winter Gala.
There, dancers will showcase their talent.
Today, they're practicing for what they hope will be a joy for all who see it.
- Yeah, so let's stand up and when Tyler starts run, I think directly you guys can run to.
Yeah even you a little bit, the timing whatever happened, I think we should if he's moving we should move with.
- [Reporter] Tyler Korff, one of the dancers with Artlab J, says before it came into his life, he feared he wouldn't have an outlet in the area to showcase his love for dancing.
- I am a recent graduate of Western Michigan University and because of Covid, I didn't feel there was anywhere I could go to dance.
So they had their audition and I auditioned and made it.
And ever since then, I feel like I've grown more as a dancer because we've been doing so much outreach with the Metro Detroit area and performing all over the place.
- [Reporter] The ability to make a difference in the community through dance is one of the things Britney Birr loves about ArtLab J.
She's one of the company's most senior dancers.
- It provides a lot for the Detroit community, especially in terms of just it being so close to the community, and the way that Joori has her plans and how she's already involved in the community.
First with this youth education that we're working on, and then just a chance to really spread a sort of dance and passion to all aspects of the community.
She is very much involved in all sorts of projects.
And it's very special and I think everyone needs a chance to see it.
- [Reporter] But ArtLab J is not only a space for adult dancers.
It's a space where children are able to show their creative side through movement and other expressions.
- [Joori] You're very slow, slow.
- [Reporter] But Jung says she's proud that within these walls, it's dance that's leading the way and making an impact in Detroit.
- [Joori] And stop.
- For more on our Arts and Culture stories and live performances, just head to OneDetroitPBS.org.
As well as on social media @onedetroit.
That's gonna do it for me.
But before I leave you, I urge you to get out and experience the Arts and Culture scene of the season.
Even if it's just touring the beautiful lights in your neighborhood.
I promise you, it's sure to uplift.
From all of us here, to all of you at home, Happy Holidays and we'll see you next time.
(band plays jazz music) ♪ There's no shame ♪ ♪ In how you make me feel, it feels so unreal ♪ ♪ With you I know it's not a game ♪ ♪ Your love is indescribable ♪ ♪ You've been there for me in my time of need ♪ ♪ And you never let me go ♪ ♪ Even when I was afraid ♪ ♪ To give you my heart ♪ ♪ You said, trust my love will never depart ♪ ♪ Yes you've got me convinced ♪ ♪ I didn't think this could exist ♪ ♪ No matter sun or rain you've been by my side ♪ ♪ It can't be denied ♪ ♪ There's no love like our love ♪ ♪ I don't wanna know what life is like ♪ ♪ Without you by my side ♪ ♪ Only you and I ♪ ♪ Are in love, yeah in love ♪ ♪ And this is beautiful ♪ ♪ I get butterflies when I hear your voice ♪ ♪ I know I made the right choice ♪ ♪ Your words are edible ♪ ♪ You're a whole meal and then some ♪ ♪ We can weather any storm ♪ ♪ You see me for who I am ♪ ♪ From the purest place ♪ ♪ You take me to outer space ♪ ♪ Just know that I'm all in ♪ ♪ Cause you have been my best friend ♪ ♪ Oh, no matter sun or rain ♪ - Yeah ♪ You've been by my side ♪ ♪ It can't be denied ♪ ♪ Aint no love like our love ♪ - [Announcer 1] You can find more at OneDetroitPBS.org or subscribe to our social media channels and sign up for our One Detroit newsletter.
Support for this program provided in part by The Kresge Foundation, The Cynthia and Edsel Ford Fund for Journalism at Detroit Public TV.
From Delta faucets to Behr paint, Macso Corporation's proud to deliver products that enhance the way consumers all of the world experience and enjoy their living spaces.
Masco, serving Michigan communities since 1929.
- [Announcer 2] The DTE Foundation is a proud sponsor of Detroit Public TV.
Among the state's largest foundations committed to Michigan-focused giving.
We support organizations that are doing exceptional work in our state.
Visit DTEFoundation.com to learn more.
- [Announcer 1] Gregory Haynes and Richard Sonenklar, Nissan Foundation, and by contributions to your PBS Station from viewers like you.
Thank you.
(upbeat music plays) (piano snippet plays)
Artlab J’s 10th annual winter gala
Video has Closed Captions
Clip: S7 Ep27 | 3m 52s | Artlab J, a nonprofit dance studio in Detroit, prepares for its 10th annual winter gala. (3m 52s)
Friendship Circle Soul Studio holiday market
Video has Closed Captions
Clip: S7 Ep27 | 6m 27s | The Friendship Circle’s annual Soul Studio holiday market supports special needs adults. (6m 27s)
Saladin Ahmed on Spider Man, Abbott, diversity in comics
Video has Closed Captions
Clip: S7 Ep27 | 8m 29s | Comic author Saladin Ahmed talks about his comics and the role of diversity in them. (8m 29s)
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