[ Applause ] [ Water dripping ] [ Wings flapping ] [ Tennis racquet whooshes ] [ Tennis ball thumping ] [ Rotary clicking ] [ Scissors snipping ] [ Car doors shutting ] [ Whistle blowing ] [ Shoes thumping ] [ Car horns blaring ] [ Jackhammer clattering ] [ Percussion instruments playing ] [ Typewriter clacking ] ♪ ♪ [ Whole band playing ] ♪ >> ♪ Day in ♪ [ Applause ] ♪ Day out ♪ ♪ ♪ That same old voodoo follows me about ♪ ♪ The same old pounding in my heart ♪ ♪ Whenever I think of you ♪ ♪ And, baby, I think of you ♪ ♪ Day in and day out ♪ ♪ ♪ Day out ♪ ♪ ♪ Day in ♪ ♪ ♪ I needn't tell you how my days begin ♪ ♪ ♪ When I awake, I get up with a tingle ♪ ♪ One possibility in view ♪ ♪ That possibility of maybe seeing you ♪ ♪ ♪ Come rain ♪ ♪ ♪ Come shine ♪ ♪ ♪ I meet you and to me the day is fine ♪ ♪ Then I kiss your lips, and the pounding becomes ♪ ♪ An ocean's roar ♪ ♪ A gang of drums ♪ ♪ Can't you see it's love, can there be any doubt?

♪ ♪ When there it is, day in, day out ♪ ♪ ♪ Come rain ♪ ♪ Come shine ♪ ♪ ♪ I meet you and to me the day is fine ♪ ♪ Then I grab your lips, and the pounding becomes ♪ ♪ A very large ocean's roar ♪ ♪ Just about 9,000 drums ♪ ♪ Can't you see it's love, can there be any doubt?

♪ ♪ When there it is ♪ ♪ And here it is ♪ ♪ And there it is day in, day out ♪ ♪ Day o-u-u-u-u-ut ♪ ♪ [ Triangle clanging ] [ Applause, music stops ] Good evening, ladies and gentlemen.

This is Nancy's father, back for another one of our loving sing-ins.

Now, I guess you might have gathered from that little drum-a-thon we had that you just saw and heard that the subject for tonight's lecture is rhythm, the beat, the driving force that holds our lives together.

Without rhythm, your heart wouldn't beat.

Why, it'd just kind of lie around the house all day listening to Eddie Fisher records.

[ Laughter ] Without rhythm, woodpeckers wouldn't knock.

They'd barge right in.

[ Laughter ] Without rhythm, there'd be no clocks.

If somebody asked you what time it was, you'd say... "Well, it's a quarter to David Niven.

[ Laughter ] Without rhythm, music would kind of wander off into nowhere without direction, without moods, and without shadings.

And so tonight we say hip-hip, chin-chin, and other assorted, uh, hoorahs to the men who make the orchestra come alive -- the rhythm section.

[ Bass cello playing ] Hark, I do believe that it's one of them gentlemen I was speaking about right now.

♪ Everybody, follow that bass.

[ Laughter ] ♪ ♪ I'm gettin' married in the morning ♪ ♪ Ding, dong, the bells are gonna chime ♪ [ Whole band playing ] ♪ Pull out the stopper, we'll have a whopper ♪ ♪ Get me to the church on time ♪ ♪ ♪ I've got to get there in the morning ♪ ♪ Spruced up and lookin' in my prime ♪ ♪ Girls come and kiss me, say that you'll miss me ♪ ♪ Get me to the church on time ♪ ♪ If I am dancing, roll up the floor ♪ ♪ If I am whistling, right out the door ♪ ♪ I'm getting married in the morning ♪ ♪ Ding-ding-dong, they're gonna chime ♪ ♪ ♪ Kick up a rumpus, don't lose your compass ♪ ♪ Get me to the church, get me to the church ♪ ♪ For Pete's sake, get me to the church on time ♪ ♪ ♪ If I am dancing, roll up the floor ♪ ♪ If I am whistling, out the door ♪ ♪ I'm getting married in the morning ♪ ♪ Ding-ding-dong, they're gonna chime ♪ ♪ Girls come and kiss me, say that you'll miss me ♪ ♪ Get me to the church, get me to the church ♪ ♪ For Pete's sake, get me to the church ♪ ♪ On ti-i-i-i-ime ♪ ♪ Ding, dong ♪ ♪ Ding, dong ♪ ♪ Ding, dong ♪ ♪ Ding, dong ♪ ♪ Ding, dong ♪ ♪ Ding, dong ♪ ♪ Ding, dong ♪ ♪ Ding ♪ [ Applause ] ♪ What now, my love?

♪ ♪ ♪ Now that you've left me ♪ ♪ ♪ How can I live ♪ ♪ ♪ Through another day?

♪ ♪ ♪ Watching my dreams ♪ ♪ ♪ Turn into ashes ♪ ♪ ♪ And my hopes ♪ ♪ ♪ Turn to bits of clay ♪ ♪ ♪ Once I could see ♪ ♪ ♪ Once I could feel ♪ ♪ ♪ Now I am numb ♪ ♪ I've become unreal ♪ ♪ ♪ I walk the night ♪ ♪ ♪ Without a goal ♪ ♪ ♪ Stripped of my heart ♪ ♪ ♪ My poor heart and soul ♪ ♪ ♪ What now, my love?

♪ ♪ ♪ Now that it's over ♪ ♪ ♪ I feel the world ♪ ♪ ♪ It's closing in on me ♪ ♪ ♪ Here come the stars ♪ ♪ ♪ Tumbling around me ♪ ♪ ♪ There's the sky ♪ ♪ ♪ Where that sea should be ♪ ♪ ♪ What now, my love?

♪ ♪ ♪ Now that you're gone ♪ ♪ ♪ I'd be a fool ♪ ♪ ♪ To go on and on ♪ ♪ ♪ No one would care ♪ ♪ ♪ Nobody would cry ♪ ♪ ♪ If I should live ♪ ♪ ♪ If I should live or die ♪ ♪ ♪ What now my love?

♪ ♪ ♪ Now that there's nothing ♪ ♪ ♪ Only my last ♪ ♪ ♪ My last goodbye ♪ ♪ Bye-bye ♪ [ Cheers and applause ] Thank you.

You know, ladies and gentlemen, in my business, or in our business, when a song lingers on through the years, we call it a standard.

But, uh, there are some songs that transcend the word "standard."

They kind of become classics, like this great song by Jerome Kern and Oscar Hammerstein II from "Show Boat."

♪ ♪ ♪ Here we all work 'long the Mississippi ♪ ♪ Here we all work while the rich folk play ♪ ♪ Pullin' them boats from the dawn till sunset ♪ ♪ Gettin' no rest until the Judgment Day ♪ ♪ Don't look up and don't look down ♪ ♪ You don't das make the boss man frown ♪ ♪ Bend your knees and bow your head ♪ ♪ And pull that rope until you're dead ♪ ♪ ♪ Let me go 'way from the Mississippi ♪ ♪ Let me go 'way from the white man boss ♪ ♪ Show me that stream called the river Jordan ♪ ♪ That's the old stream that I long to cro-o-o-o-oss ♪ ♪ ♪ Ol' man river, that ol' man river ♪ ♪ He don't say nothin', but he must know somethin' ♪ ♪ He just keeps rollin', he keeps on rollin' along ♪ ♪ ♪ He don't plant cotton, and he don't plant tatters ♪ ♪ And them what plants 'em, are soon forgotten ♪ ♪ But ol' man river just keeps rollin' along ♪ ♪ ♪ You and me, we sweat and strain ♪ ♪ Body all achin' and racked with pain ♪ ♪ Tote that barge and lift that bail ♪ ♪ You get a little drunk and you lands in jai-i-i-i-i-i-il ♪ ♪ I gets weary and sick of trying ♪ ♪ I'm tired of livin', but I'm scared of dyin' ♪ ♪ And ol' man river, he just keeps rollin' ♪ ♪ A-a-a-a-l-o-o-o-ong ♪ [ Cheers and applause ] ♪ [ Cheers and applause ] ♪ >> ♪ Got my suit pressed ♪ ♪ ♪ Got my best vest ♪ ♪ All I need now is the girl ♪ ♪ ♪ Got my bow tie ♪ ♪ And my hopes high ♪ ♪ I got the time and the place, and I got rhythm ♪ ♪ Now all I need's the girl to go with them ♪ And what a girl.

Ladies and gentlemen, Miss Ella Fitzgerald.

[ Cheers and applause ] ♪ >> ♪ My heart is sad and lonely ♪ ♪ For you I sigh, for you, dear, only ♪ ♪ Why haven't you seen it?

♪ ♪ I'm all for you, b-b-body and soul ♪ ♪ I spend my days in longing ♪ ♪ And wondering why it's me you're wronging ♪ ♪ I tell you, I mean it ♪ ♪ I'm all for you, bo-o-dy and soul ♪ ♪ I can't believe it ♪ ♪ It's hard to conceive it ♪ ♪ That you'd turn away romance ♪ ♪ Are you pretending?

♪ ♪ It looks like the ending ♪ ♪ Unless, I can have one more chance to prove, dear ♪ ♪ My life a wreck you're making ♪ ♪ You know, you know, you know ♪ ♪ I'm yours for just the taking ♪ ♪ I'd gladly surrender ♪ ♪ Myself to you ♪ ♪ Body and so-o-o-oul ♪ ♪ Body and so-o-o-o-oul ♪ ♪ Body-y-y-y and ♪ ♪ Body and soul ♪ [ Cheers and applause ] ♪ ♪ It's the wrong time and the wrong place ♪ ♪ Though your face is charming, it's the wrong face ♪ ♪ It's not his face, but such a charming face ♪ ♪ That it's all right with me ♪ ♪ It's the wrong song with the wrong style ♪ ♪ Though your smile is lovely, it's the wrong smile ♪ ♪ It's not his smile, but such a lovely smile ♪ ♪ That it's all right with me ♪ ♪ You can't know how happy I am that we met ♪ ♪ I'm strangely attracted to you ♪ ♪ There's someone I'm trying so hard to forget ♪ ♪ Don't you want to forget someone, too?

♪ ♪ It's the wrong game with the wrong chips ♪ ♪ Though your lips are tempting, they're the wrong lips ♪ ♪ They're not his lips but they're such tempting lips ♪ ♪ That, if some night, you're free ♪ ♪ Well, it's all right ♪ ♪ It's all right ♪ ♪ It's all right with me ♪ ♪ Oh, yeah ♪ ♪ Yeah, yeah ♪ ♪ ♪ They're not his lips but they're tasty lips ♪ ♪ And it's all right with me ♪ ♪ Oh, ah ♪ ♪ ♪ They're not his lips but they're such sweet-tasting lips that it's all right with me ♪ ♪ You can't know how happy I am that we met ♪ ♪ I'm strangely attracted to you ♪ ♪ There's someone I'm trying so hard to forget ♪ ♪ Don't you want to forget someone, too?

♪ ♪ It's the wrong game with the wrong chips ♪ ♪ Though your lips are tempting, they're the wrong lips ♪ ♪ They're not his lips but they're such tempting lips ♪ ♪ That, if some night, you're free ♪ ♪ Well, it's all right ♪ ♪ All right ♪ ♪ It's a-a-all right with ♪ ♪ Me-e-e-e-e ♪ ♪ With me-e-e-e ♪ [ Cheers and applause ] >> I think somebody's been getting to my Kool-Aid.

[ Laughter ] Ella, you are positively bell-like.

Sonorous, mellifluous, and, uh, latissimus dorsis.

[ Laughter ] >> Latissimus dorsis?

>> Yeah, a couple of words I had left over from my last physical.

You remember Latissimus Dorsis.

I used to sing with his band.

>> How could I ever forget?

>> Ella, would you mind if I join you in a song?

>> I thought you'd never ask.

What kind of songs are you in a mood for, Frank?

>> Well, I feel kind of wistful and nostalgic.

In fact, I'm bluish.

>> Funny.

[ Laughs ] You don't look bluish.

>> She not only sing better but she's funnier too.

[ Laughter ] >> Frank, how do you feel about the music the kids is playing today?

>> Groovy, groovy.

I love it.

As a matter of fact, every generation has its own sound.

In the '20s, they had the Charleston.

After that came swing.

>> Oh, yes, my parents told me about that.

[ Laughter ] >> Is there no end to this girl's zingers at me?

But the thing that strikes me, Ella, is that songs actually haven't changed very much, you know?

>> Mm-hmm.

>> They sound different and the beat has changed but the tunes basically say the same thing.

And these days, the kids sing about taking trips and getting high and all that jazz, you know?

>> Oh, we invented that.

Remember?

>> Do I remember?

I haven't come down yet.

[ Laughter ] >> ♪ Somewhere there's music ♪ ♪ How faint the tune ♪ ♪ Somewhere there's heaven ♪ ♪ How high the moon ♪ >> And today they're still reaching for the moon.

♪ Would you like to ride in my beautiful balloon?

♪ ♪ Would you like to glide in my beautiful balloon?

♪ ♪ We could float among the stars together, you and I ♪ ♪ For we could ♪ [ Whistling ] You think they got anything like this?

♪ Look out, look out ♪ ♪ Look out for Jimmy Valentine ♪ ♪ He's a pal of mine, a sentimental sn-crook ♪ [ Laughs ] Good old Jimmy Valentine.

I wonder whatever happened to him.

>> Oh, he's got a whole new look.

Debonair, suave.

And he's the star of a new movie starring Frank Sinatra.

>> Is that so?

>> Yeah.

>> Good old Frank Sinatra.

I wonder whatever happened to him.

>> Oh, I don't know.

Just lives quietly now.

Never hear much about him.

No, but Tony Rome.

>> Oh, he's a cat.

>> Mm-hmm.

>> He swings.

♪ >> ♪ Mothers, lock your daughters in ♪ ♪ It's too late to talk to them ♪ ♪ 'Cause Tony Rome is out ♪ >> Yep.

>> ♪ And about ♪ ♪ And Tony Rome will get 'em if you don't watch out ♪ ♪ Tony Rome will get 'em if you don't watch out ♪ >> ♪ Yeah, I'm gonna grab 'em if you don't watch out ♪ >> Another type of song that's been around a long time is the name songs, like "Margie," "Ida," "Mary."

>> And "Sonia."

You remember "Sonia"?

>> I'm afraid to ask.

>> Nah.

>> Sonia?

>> Sonia.

♪ So'n ya met someone who set you back on your heels ♪ ♪ Goody, goody ♪ >> Oh, Frank, you're irascible.

>> Now, if that means "scamp," that's me.

>> Joey's always been a particular favorite of mine, you know, songs that happen to suggest old Joe.

>> I got one.

>> Mm.

>> ♪ Don't cry, Joe ♪ ♪ Let her go, let her go, let her go ♪ ♪ Don't cry, Joe ♪ ♪ Let her go, let her go, let her go ♪ But the kids today have got a Joe song that just knocks me out.

>> I know the one you mean.

♪ Ah, yeah.

♪ It was the third of June, another sleepy, dusty day ♪ ♪ I was out on Choctaw Ridge ♪ ♪ My brother Bill was balin' ha-a-a-ay ♪ ♪ And at dinner time we stopped and walked back to the house to e-e-e-eat ♪ ♪ And Mama hollered out the back door, y'all, remember to wipe your feet ♪ ♪ Then she said I got some news this mornin' ♪ ♪ From Choctaw Ri-i-i-idge ♪ ♪ Today, Billy Joe MacAllister jumped off the Tallahatchie Bri-i-i-i-idge ♪ >> Yeah.

>> Yeah.

>> ♪ Well, I think I'm going out of my head ♪ ♪ Yes, I think I'm goin' out of my head over you ♪ >> Sing pretty.

>> ♪ Over you ♪ >> ♪ I want you to want me ♪ >> ♪ I want you ♪ >> ♪ I need you so badly ♪ ♪ I can't think of anything but you ♪ >> Both: ♪ Goin' out of my head over you ♪ ♪ Out of my head over you ♪ ♪ Out of my head day and night ♪ ♪ Night and day and night ♪ ♪ Wrong or right ♪ >> ♪ I must think of a way into your heart ♪ >> ♪ There's no reason why my being shy should keep us apart ♪ >> Both: ♪ And I think I'm goin' out of my head ♪ ♪ 'Cause I can't explain the tears that I shed ♪ >> ♪ O-o-o-over you ♪ >> ♪ Over you ♪ >> ♪ I see you each morning, but you just walk by me ♪ ♪ You don't even know that I exist ♪ >> Both: ♪ Goin' out of my head over you ♪ ♪ Out of my head over you ♪ ♪ Out of my head day and night ♪ ♪ Night and day and night ♪ ♪ Wrong or right, day and night ♪ ♪ Night and day and night ♪ ♪ Wrong or right, day and night ♪ ♪ Night and day and night ♪ ♪ Wrong or right ♪ [ Cheers and applause ] >> Olé.

[ Cheers and applause continue ] [ Guitar strumming ] ♪ ♪ ♪ Quiet nights of quiet stars ♪ ♪ Quiet chords from my guitar ♪ ♪ Floating on the silence that surrounds us ♪ ♪ Quiet thoughts and quiet dreams ♪ ♪ Quiet walks by quiet streams ♪ ♪ And a window looking on the mountains and the sea ♪ ♪ How lovely ♪ The instrument -- guitar.

The beat -- bossa nova.

The artist -- One of the inventors of this exciting, all-new sound, Antonio Carlos Jobim.

[ Applause ] >> [ Vocalizing ] ♪ ♪ >> ♪ Must you dance every dance with the same fortunate man?

♪ ♪ You have danced with him since the music began ♪ ♪ Won't you change partners and dance with me?

♪ ♪ Must you dance quite so close ♪ ♪ With your lips touching his face?

♪ ♪ Can't you see ♪ ♪ I'm longing to be in his place?

♪ ♪ Won't you change partners and dance with me?

♪ ♪ ♪ Ask him to sit this one out and when you're alone ♪ ♪ ♪ I'll ask the waiter to tell him he's wanted on the telephone ♪ ♪ You've been locked ♪ ♪ In his arms ♪ ♪ Ever since heaven-knows-when ♪ ♪ Won't you change partners and then ♪ ♪ You may never want to change partners again ♪ >> [ Vocalizing ] ♪ ♪ >> ♪ Whenever skies look gray to me ♪ ♪ And trouble begins to brew ♪ ♪ Whenever the winter winds, they become too strong ♪ ♪ I concentrate on you ♪ ♪ When fortune cries "Nay, nay" to me ♪ ♪ And people declare "You're through" ♪ ♪ Whenever the blues become my only song ♪ ♪ I concentrate on you ♪ ♪ >> [ Vocalizing ] ♪ ♪ ♪ >> ♪ Tall and tan and young and lovely ♪ ♪ The girl from Ipanema goes walking ♪ ♪ And when she passes ♪ ♪ Each one she passes goes, "Ah" ♪ >> [ Singing in Portuguese ] ♪ ♪ >> ♪ Oh, but I watch her so sadly ♪ >> [ Singing in Portuguese ] ♪ >> ♪ Yes, I would give my heart gladly ♪ >> Both: ♪ But each day, when she walks to the sea ♪ ♪ She looks straight ahead, not at me ♪ >> ♪ Tall, tan, young, lovely ♪ ♪ The girl from Ipanema goes walking ♪ ♪ And when she passes ♪ ♪ I smile but she doesn't see ♪ >> [ Singing in Portuguese ] >> ♪ I mean, she just doesn't see ♪ >> [ Singing in Portuguese ] >> ♪ She doesn't see me ♪ ♪ [ Cheers and applause ] ♪ [ Applause ] ♪ ♪ >> Both: ♪ I hear music when I think of you ♪ ♪ A beautiful theme of every dream I ever knew ♪ >> ♪ The music is sweet ♪ >> ♪ And the words are true ♪ >> Both: ♪ The song is you-u-u ♪ >> ♪ The way you wear your hat ♪ >> ♪ The lad's a charmer at that ♪ >> ♪ The way you sip your tea ♪ >> ♪ A cup of tea suits me ♪ >> ♪ The memory of all that ♪ >> ♪ Don't quit now ♪ >> ♪ No, no, they can't take that away from me ♪ >> ♪ The way your smile just beams ♪ >> ♪ Do tell, do tell ♪ >> ♪ The way you sing off-key ♪ >> ♪ I ain't feeling very well ♪ >> ♪ The way you haunt my dreams ♪ >> ♪ Tell me more ♪ >> ♪ No, no, they can't take that away from me ♪ >> ♪ We may never, never, never, never, never meet again ♪ ♪ On that bumpy road to love ♪ >> ♪ But I'll always, always, always, always, always ♪ ♪ Keep the memory of ♪ >> ♪ The way you hold your knife ♪ >> ♪ One...for two ♪ >> ♪ The way we danced until three ♪ >> ♪ Oh, the Frug and Boogaloo ♪ >> ♪ The way you changed my life ♪ >> ♪ Tonight you've changed my tune ♪ >> ♪ No, no, they can't take that away from me ♪ >> ♪ No, they can't take that away ♪ >> ♪ No, they can't take that away ♪ >> Both: ♪ No, they can't take that away ♪ ♪ From me-e-e-e ♪ >> ♪ Savoy ♪ >> ♪ The home of sweet romance ♪ >> ♪ Savoy ♪ >> ♪ It wins you at a glance ♪ >> ♪ Savoy ♪ >> ♪ Gives happy whole feet a dance ♪ >> ♪ Savoy ♪ >> ♪ Each note as warm as wine ♪ >> ♪ And my eyes ♪ >> ♪ I love the way they shine ♪ >> ♪ You rest, I'll grab another line ♪ >> ♪ That's fine, that's fine ♪ >> ♪ How my heart is swaying, baby ♪ >> ♪ Yeah, yeah, yeah ♪ >> ♪ How my heart is swaying ♪ ♪ While the band is playing ♪ >> ♪ I'll never tire of romping and stompin' with you at the Savoy ♪ >> ♪ Savoy ♪ >> ♪ A perfect holiday ♪ >> ♪ Savoy ♪ >> ♪ Where we can dance and sway ♪ >> Got a great part.

What joy.

>> ♪ Until the break of day ♪ >> ♪ With you ♪ ♪ Go!

>> [ Scatting ] ♪ ♪ ♪ [ Scatting continues ] ♪ ♪ ♪ [ Scatting continues ] ♪ ♪ [ Scatting continues ] ♪ [ Applause ] >> Yeah, yeah, yeah, yeah.

Yeah, yeah, yeah.

[ Applause continues ] >> Thank you.

>> Beautiful, Ella, beautiful.

>> Thank you, thank you so much.

♪ >> Wonderful song by Cole Porter.

>> You sing it so pretty.

>> Well, I'm gonna try.

♪ ♪ Is it an earthquake or simply a shock?

♪ ♪ Is it that good turtle soup or merely the mock?

♪ ♪ Is it the cocktail, this feeling of joy?

♪ ♪ Or is what I feel ♪ ♪ What I feel, the real McCoy?

♪ ♪ Is it for all time or is it simply a lark?

♪ ♪ Is that Granada I see or only Asbury Park?

♪ ♪ Is this a fancy not worth thinking of?

♪ ♪ Or is it at long ♪ ♪ Is this at long ♪ ♪ Is it at long last lo-o-ove?

♪ [ Applause ] You didn't know I could dance.

[ Applause continues ] Your turn.

♪ >> You didn't know I could dance.

[ Laughter ] >> ♪ Don't cry ♪ >> I ain't gonna cry.

>> ♪ Oh, honey, please don't be that way ♪ ♪ Clouds in the sky ♪ ♪ Should never make you feel that way ♪ ♪ The ra-a-a-a-ain ♪ ♪ Will bring the violets of May ♪ ♪ Tears are in vain ♪ ♪ So, honey, please don't be that way ♪ ♪ As long as we ♪ ♪ See it through ♪ ♪ You'll have me ♪ ♪ I'll have you ♪ ♪ Sweetheart ♪ ♪ Tomorrow is another day ♪ ♪ Don't break my heart ♪ ♪ Oh, honey, please don't be that way ♪ ♪ Don't you cry ♪ ♪ Honey, don't you be that way ♪ ♪ Clouds in the sky ♪ ♪ Should never make you feel that way ♪ ♪ The ra-a-a-a-a-ain ♪ ♪ Will bring the violets of May ♪ ♪ Tears are in vain ♪ ♪ So, honey, don't be ♪ ♪ Be that way ♪ ♪ As long as we ♪ ♪ See-e-e it through ♪ ♪ You'll have me ♪ ♪ And I-I-I-I-I'll have you ♪ ♪ Sweetheart ♪ ♪ Tomorrow is another day ♪ ♪ Don't, don't break my heart ♪ ♪ Tomorrow is another day ♪ [ Vocalizes ] ♪ ♪ H-H-H-Honey, don't you cry ♪ ♪ H-H-H-Honey, don't you cry ♪ ♪ Oh, honey, please ♪ ♪ Oh, honey, please ♪ ♪ Don't be that wa-a-a-ay ♪ [ Cheers and applause ] >> It sure do feel good when it's right, don't it?

You're on again.

It ain't my turn.

It's your turn.

♪ >> ♪ I've wined and dined on Mulligan stew and never wished for turkey ♪ ♪ As I hitched and hiked and drifted too, from Maine to Albuquerque ♪ ♪ Alas I missed the Beaux Arts Ball and what is twice as sad ♪ ♪ I've never been to a party where they honored Noel Ca-ad ♪ ♪ Social circles move too fast for me ♪ ♪ My "hobohemia" is the place to be ♪ >> ♪ She gets too hungry for dinner at eight ♪ ♪ Loves the theater but she never comes late ♪ >> ♪ I never bother with people I hate ♪ ♪ That's why the lady is a tramp ♪ >> ♪ Doesn't dig dice games with barons and earls ♪ >> ♪ I won't go to Harlem in ermine and pearls ♪ >> ♪ She won't dish the dirt with the rest of those girls ♪ >> Both: ♪ That's why the lady is a tramp ♪ >> ♪ I love the free, fresh wind in my hair ♪ >> ♪ Life without care ♪ >> ♪ I'm broke ♪ >> ♪ That's oak ♪ >> ♪ Hate California, it's cold and it's damp ♪ >> ♪ That's why the lady is a tramp ♪ >> ♪ Oh, yeah ♪ ♪ I go to Coney ♪ >> ♪ The beach is divine ♪ >> ♪ I root for the Dodgers ♪ >> ♪ The bleachers are fine ♪ >> ♪ Still follow Winchell ♪ >> ♪ And she reads every line ♪ >> Both: ♪ That's why the lady is a tramp ♪ >> ♪ I like a prizefight ♪ >> ♪ If isn't a fake ♪ >> ♪ I like the rowing on Central Park lake ♪ >> ♪ She goes to the opera but she doesn't stay awake ♪ >> ♪ That's why the lady is a tramp ♪ >> ♪ She likes the green grass under her shoes ♪ >> ♪ What can I lose ♪ ♪ I'm flat ♪ >> ♪ That's that ♪ >> ♪ I'm all alone when I lower my lamp ♪ >> ♪ That's why the lady, she's a tramp ♪ >> ♪ I get too hungry for dinner at eight ♪ >> ♪ She adores the theater but she doesn't get there late ♪ >> ♪ I never bother with people I hate ♪ >> ♪ That's why, that's why, that's why, that's why ♪ ♪ That's why she is a tramp ♪ >> ♪ I don't like crapping with barons and earls ♪ >> ♪ She'll never go to Harlem dressed in ermine and pearls ♪ >> ♪ I don't dish the dirt with the rest of the girls ♪ >> ♪ That's why this chick is a tramp ♪ >> ♪ I like the free, fresh wind in my hair ♪ >> ♪ Life without care ♪ ♪ She's broke ♪ >> ♪ That's oak ♪ >> Both: ♪ Hate California, it's cold and it's damp ♪ >> ♪ That's why the lady ♪ ♪ That's why the lady ♪ ♪ That's why the lady is a tramp ♪ >> ♪ That's why the lady is a tramp ♪ [ Vocalizes ] [ Applause ] [ Applause continues ] Thank you.

>> ♪ She likes the green grass under her shoes ♪ >> ♪ What can I lose ♪ >> ♪ She's flat ♪ >> ♪ That's that ♪ ♪ Hate California, it's funky and swampy and damp ♪ >> ♪ That's why the lady ♪ >> ♪ Oh, that's why the lady ♪ >> ♪ That is why the lady is a tramp ♪ >> [ Scatting ] >> ♪ She's a tramp ♪ ♪ [ Applause ] >> I think I hurt myself.

[ Applause continues ] ♪ ♪ So drink up, all of you people ♪ ♪ Order anything you see ♪ ♪ And have fun, all you happy people ♪ ♪ The songs and the drinks were on me ♪ Well, sir and ma'am, it's that time again.

I know I've enjoyed it because I don't remember an hour going by as quickly as this one has, and I hope it felt like that to you too.

And I'd like to thank the great artists who helped make the minutes pass so quickly and so deliciously.

First, Mr. Nelson Riddle and our wonderful orchestra, ladies and gentlemen.

[ Applause ] Bravo.

Bravo, bravo, bravo.

Down.

And of course from Brazil, the remarkable Antonio Carlos Jobim right here.

Antonio, thank you.

[ Applause ] Bravo, bravo.

And nothing else I can say except the phenomenal Miss Ella Fitzgerald.

[ Applause ] I love you.

Thank you.

♪ Put your dreams away for another day ♪ ♪ And I will take their place in your heart ♪ ♪ Wishing on a star never got you far ♪ ♪ And so it's time to make a new start ♪ ♪ When your dreams at night ♪ ♪ Fade before you ♪ ♪ Then I'll have the right ♪ ♪ To adore you ♪ ♪ Let your kiss confess ♪ ♪ This is happiness, darling ♪ ♪ And put all your dreams away ♪ Sleep warm, good night.

[ Applause ] ♪