(exhilarating dramatic music) - Feel the power of music as it captivates and connects us.

- Music is love.

(magical orchestral music) Music is passion.

(magical orchestral music) - [Sarah] Music belongs to everyone.

This is Minnesota Orchestra.

(audience chattering excitedly) (audience clapping) (audience roaring with cheers) Thank you.

(audience clapping) Thank you.

Good evening everyone and welcome to Orchestra Hall and how wonderful to see you all.

I'm Sarah Hicks and I'm so thrilled to be your host tonight for a dynamic and evocative program with the Minnesota Orchestra.

I'm particularly delighted that you've joined us tonight because while of course we look forward to a brilliant performance, we're celebrating a truly momentous occasion, an evening of new beginnings.

Tonight marks not only our first broadcast of the season, but also our first broadcast featuring Thomas Sondergard as music director of the Minnesota Orchestra.

(audience and ensemble clapping) So before we embark on the program, we'd like to spend a few moments marking this historic occasion for the orchestra.

So please welcome our president and CEO, Michelle Miller Burns.

(audience and ensemble clapping) (Michelle's heels tapping on floor) - Thank you Sarah.

Hello everyone.

Thank you all for being here and for tuning in.

On this special occasion, I am thrilled to welcome you all, including our many loyal supporters.

Since the Minnesota Orchestra's founding in 1903, there have been only 10 music directors to lead this great orchestra.

At this concert, we welcome the 11th conductor to join that distinguished group.

Please join me now in welcoming to the Orchestra Hall stage, Minnesota Orchestra music director Thomas Søndergård.

(audience roaring with applause) (audience cheering) (audience roaring with applause) Thomas, thank you for taking a moment to speak with us before the program begins this evening.

What is this moment like for you?

- Well, first of all, thank you, Michelle.

Thank you everyone.

I've been made to feel so welcome already.

And I would say this is actually a very precious moment, and I'm thinking here of all the conductors that came before me and who brought us to this moment, including my very good friend, Osmo Vänskä.

(audience roaring with applause) And I'm really so honored to be part of this line of music directors.

And to be the one who takes the baton now, especially knowing the caliber of this orchestra and how supportive this community is.

I'm excited about the possibilities that come with a new beginning.

- Thomas, tell us a little bit more about what a new beginning signifies to you.

- Well, everything lies ahead of us and I appreciate the chance to really to get to know the musicians, the singers in the Minnesota Chorale that would take part of the concert later.

And of course, you, the audience, and this community.

And I really look forward to deepening these relationships.

The real privilege of serving in this leadership role means that we can explore the music together.

And it will lead us to new and meaningful places, I hope.

But the people who hold the key to this partnership, of course, are the musicians.

And I really would like this celebration tonight to spotlight them.

So they are the heart of the organization and here is your Minnesota Orchestra.

(audience roaring with applause) (audience roaring with applause) - And now we move to the music, a program featuring works with a narrative bent, music of myth and magic, of love and revenge.

We end our evening with Maurice Ravel's Masterpiece 'Daphnis and Chloe'.

This choreographic symphony was based on an ancient Greek myth.

And offers up music of fervent passion, lush harmonies, and scintillating orchestral colors.

The first half features Claude Debussy's 'Prelude to the Afternoon of a Fawn', in which the mythological half man, half goat awakens to languorously revel in sensuous memories.

In contrast, Samuel Barber's 'Medea's Dance' of Vengeance takes us from tenderness, to anguish and fury as the sorcerer, Medea gruesomely avenges her husband's betrayal.

But first a work by Lera Auerbach that dramatically conjures a myth of ecstatic flight and inevitable fall.

In just a moment, the orchestra will tune and music director Thomas Søndergård will lead the Minnesota Orchestra in 'Icarus'.

(audience clapping) (light thrilling violin) (light thrilling violin intensifying) (cello bellowing) (light thrilling violin) (audience roaring with applause) (audience roaring with applause) (Icarus' Lera Auerbach commences) (thrillingly drumming instrumental music) (thrillingly drumming instrumental music) (thrillingly drumming instrumental music) (dramatic drumming instrumental music) (dramatic and thrilling drumming instrumental music) (mythical violin music) (mythical violin intensifying) (dramatic thrilling instrumental music) (dark dramatic music) (trumpets bellowing) (dramatic thrilling instrumental music) (dramatic thrilling instrumental music) (dramatic thrilling instrumental music) (light chiming instrumental music) (bittersweet violin music) (bittersweet violin music) (sorrowful violin music) (mystical instrumental music) (intense thrilling music) (intense thrilling music) (intense thrilling music) (dramatically intense thrilling music) (suspenseful rhythmic music) (stern 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applause) (Claude Debussy's Prelude to the Afternoon of a Faun) (mystical flute music) (mystical flute music) (mystical flute music) (magical rolling orchestral music) (magical rolling orchestral music) (magical rolling orchestral music) (magical pensive flute music) (magical pensive flute music) (magical pensive flute music) (magical pensive flute music) (mystical dramatic orchestral music) (mystical dramatic orchestral music) (rhythmic mystical dramatic orchestral music) (rhythmic mystical dramatic orchestral music) (mystical pensive flute music) (magical rolling orchestral music) (mystical dramatic orchestral music) (magical rolling orchestral music) (mystical dramatic orchestral music) (mystical dramatic orchestral music) (magical rolling orchestral music) (thrilling playful magical music) (magical flute music) (thrilling playful magical music) (magical flute music) (dramatic orchestral music) (magical flute music) (dramatic orchestral music) (thrilling cello music) (magical flute 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music) (dramatic orchestral music) (thrilling xylophone music) (dramatic orchestral music) (rhythmic thrilling orchestral music) (rhythmic thrilling orchestral music) (mystical flute music) (eerie passionate orchestral music) (shrilling violin music) (mystical flute music) (thrilling playful flute music) (thrilling magical orchestral music) (thrilling magical orchestral music) (thrilling magical orchestral music) (dark dramatic orchestral music) (dark dramatic orchestral music) (thrilling rhythmic orchestral music) (drumming ominous cello music) (light thrilling orchestral music) (passionate shrilling orchestral music) (shrilling passionate violin music) (shrilling passionate violin music) (mystical flute music) (passionate dramatic cello music) (passionate dramatic cello music) (shrilling rhythmic orchestral music) (shrilling rhythmic orchestral music) (passionate magical rhythmic music) (grave dramatic drumming music) (suspenseful orchestral music) (mystical flute music) (dramatic 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stirring xylophone music) (thrilling trumpet music) (thrilling piano music) (passionate shrilling orchestral music) (booming passionate shrilling orchestral music) (playful shrilling flute music) (suspenseful passionate shrilling orchestral music) (booming suspenseful trumpet music) (shrilling booming orchestral music) (shrilling booming orchestral music) (shrilling booming orchestral music) (exhilarating orchestral music) (shrilling rhythmic orchestral music) (booming suspenseful passionate orchestral music) (booming rhythmic suspenseful music) (booming rhythmic suspenseful music) (shrilling orchestral music) (booming suspenseful orchestral music) (magical eerie suspenseful orchestral music) (suspenseful orchestral music) (suspenseful orchestral music) (light thrilling music) (shrilling suspenseful orchestral music) (shrilling suspenseful orchestral music) (thrilling xylophone music) (suspenseful drumming music) (shrilling dramatic orchestral music) (booming thrilling dramatic orchestral music) (booming thrilling dramatic orchestral music) (audience roaring with applause) (audience roaring with applause) (audience roaring with applause) - Thunderous applause for new music director Thomas Søndergård and the Minnesota Orchestra for the first half of the program.

Our colleague, my friend and your classical MPR host, Melissa Ousley tells us more about the Minnesota Orchestra's 11th music director in this special short film, "Thomas Sondergard, Taken by the Sound."

Let's take a look.

(booming dramatic orchestral music) - I'm Melissa Ousley with the Minnesota Orchestra and your classical MPR.

I'm in Denmark and I've been spending time with Thomas Søndergård at his seaside home and in the City of Copenhagen.

I can't wait to share with you our conversation and for you to see many of the important places in his life.

We met Thomas in Copenhagen at Tivoli Gardens, one of the world's oldest amusement parks.

(bright passionate orchestral music) So we're in Tivoli and we're standing by a statue of a violinist who is also a composer.

Tell me a little bit about him.

- Yeah, this is H.C. Lumbye.

Most Danes really know this composer.

He wrote loads of galops, waltzes, amusement music for this park.

And actually up here on the balcony, you can see one of his most favorite tunes.

- Oh, I see the little gold notes on the fence.

- Exactly, all Danes would know this tune and it's always playing round New year.

- And this is the concert hall, speaking of this?

- This is the concert hall in the background and this is actually, in this hall I tested what it meant to be on the podium as a conductor.

It's a very, very early memory.

- [Melissa] How did you do that?

- [Thomas] So I was playing in the chamber orchestra here and I remember everybody from the orchestra left.

But I was looking at that podium and I thought, "I wonder how it feels to stand up there and actually have that view of all the musicians."

So I went up and tried and stood there and something happened in my system.

- Really?

- Yeah.

So it's a special place for me.

(children chatting and giggling) - [Melissa] When did you first come here as a kid?

- I must have been just under 10 and I went here with the marching band and played in this garden.

And we were given, of course, one of the things you get around the wrists for free rides for the rest of the afternoon.

- Even coming here, it was as a musician that got you in the gates, right?

- Yeah, it took me everywhere in the world, the music and it still does.

- [Melissa] Thomas Søndergård has conducted orchestras, operas, and ballets throughout Europe, North America, Australia, and New Zealand for decades.

To find balance Thomas and his husband, Andreas retreat north of Copenhagen to their seaside home high above the Kattegat.

As you get here, can you kind of feel the notes falling off of you as you get closer?

- Yeah, exactly.

- The scores are left on the street behind.

But also I've studied some of the most important premiers here.

Before I did Mahler's Second, I remember sitting at the table over here and just looking at this.

The sea is so important for me.

I love swimming in it actually all year round and so does Andreas.

But honestly with all the travel and all the pressure to be in a job like a conductor, this is really needed, to go up here.

You see the lavender around the house here, the roses.

- [Melissa] It's gorgeous.

What made you choose this spot?

- I think what it's all about is the silent part of it and it's so calm up here.

You sleep very, very deep because there's no noise.

- That's such an interesting answer to me that silence is so much a part of it because you spend so much of your time listening.

- Yeah, and it's said many times.

But music comes out of silence.

And if somehow you're not nervous of the emptiness, of the peace, and the silence, I think you actually create arts much nicer.

And a place like this helps anyone to be reminded of that.

- [Melissa] This area is meaningful to Thomas and his husband, Andreas Landin, a professionally trained baritone from Kalmar, Sweden.

Thomas and Andreas were married nearby in 2022.

Years earlier while Andreas was studying at the Opera Academy in Copenhagen, they met at the Royal Danish Theatre.

- [Thomas] We were doing a New Year's concert and he was at the side for one of the rehearsals.

And I didn't have to play for quite a while, so I put my sticks down on the timpani.

And went to the side and had a little chat with him.

And I remember thinking he's very, very nice, but he's probably not interested in men.

We chatted a little later and then we found out that we actually had a lot to talk about.

And there we are, 23 years later.

- [Melissa] Thomas's love of music and journey to becoming a musician began several hours to the West in Jutland.

- [Thomas] I grew up in a smaller city called Holstebro.

It was a center for art actually, for music, for theater.

The library was a place where I came a lot because I could look into scores, I could listen to music, and I would sit there for for many hours when I've done my homework.

There's a beautiful church where I was baptized in the middle of the city also where my parents got married.

- Tell me a little bit about your childhood home and your family.

Were your parents interested in music?

What was that like?

- I'm forever grateful for my mom to sing when I had to sleep.

And she has a beautiful voice still.

But in particular when she was younger, it was so pure and always in tune.

My uncle was the person that got me really interested.

He had some drumsticks at my grandmother's home a Friday evening and he taught me a few things of of how to use these sticks.

- I know your father died when you were quite young.

- Yeah, I was only 10, so that's very young.

And my sister was three.

- What was he like?

- My father was as I remember him very warm, a good man.

Someone that would really gather the family.

I realize now that I'm grown up that we all have our things in our lives to deal with and you have to gather the forces.

And try to look forward and believe that the years to come will bring something much better than what's just happened.

- [Melissa] When Thomas was six years old, he was watching a parade with his parents.

And was swept up in the moment as a marching band passed by.

- It's so clear to me still one day that I really just ran away from my mother and father down in the pedestrian street, next to a beautiful sculpture, two walls in blue where water would run down.

There I remember very clearly that I saw the marching band and I ran away with them.

They couldn't find me and I was so taken about the sound.

So I explained to them later on that I would love to be a part of that.

So they immediately investigated and got me into the music school.

Very quickly I found out that I loved music and I was very good at it.

So the teacher really nourished me.

I quickly got through to some of the bigger ensembles in the music school and by the age of 15 or 16 my teacher there made contact to one of the percussion players in Copenhagen that also previously had studied and grew up in Holstebro.

He took me under his wings and then little by little I got to know people in Copenhagen.

I got into the academy and I got into the European Community Youth Orchestra.

And there something started without it being really present that I wanted to conduct.

I just wanted to dig deeper into the music when I saw what was possible.

(playful shrilling orchestral music) - [Melissa] In 1992, Thomas began his career as a timpanist with the Royal Danish Orchestra and performed here at the Royal Danish Theater.

- [Thomas] When I was 18 I was lucky enough to actually get a job here.

So this door is a door that I walked through I don't know how many thousands of times.

And it really was my home from I was 18 till I started conducting.

- Wow.

- So let me show you a few things.

- A lot of memories in here.

- Yeah.

- [Melissa] We looked at art and old photographs and Thomas reminisced as we made our way through the hallways backstage.

- In here, I stood for hours.

There was an old telephone, that's gone now.

But actually the telephone book is still there.

And I phoned many colleagues just to try and convince them if they would like to play for me so I could train as a conductor.

- [Melissa] Thomas is deeply connected to the Royal Danish Theater's old stage and the rich history of the Royal Danish Orchestra.

- Here is actually drawings back from 1448 where the Royal Danish Orchestra was established.

And this makes the Royal Danish Orchestra the oldest orchestra in the world.

Of course, it's not a symphonic orchestra by this time.

But there are member numbers back from this time of the orchestra and maybe the most famous member of the Royal Danish Orchestra is Carl Nielsen.

He was a violinist in the orchestra for a long time and he also conducted the orchestra.

His number is 657.

My number is 959 so I'm 300 numbers later than him.

But it's really interesting to be part of an orchestra that dates back so, so long.

And in this very room, I've sat for many hours with a great view of the square and practiced quite a lot.

This is my first teacher that also became my colleague in this orchestra (indistinct).

And round the corner here is the steps up to the pits and into the sacred room.

Here was really where I had the first experiences of music and theater.

You can see here we have Schiller, Shakespeare, and Mozart is on the other side here.

So it was a place that was created for both opera and play theater.

That's what the Royal Danish Theatre consists of.

It really has all the arts.

Up here is the Royal (Danish word) where the Queen sits and her family.

And she's still very, very much interested in both ballet and opera.

So when I played in the orchestra, I don't know, twice a month easily she would come to the theater and look at what we were doing.

- [Melissa] I'm just looking at this gorgeous theater and I imagine that your earliest memories of it are probably pretty vivid.

- [Thomas] They really are.

Coming from a little town of just 40,000 people, arriving here in the capitol and seeing a building like this.

And feeling the magic, the history in the seats, in the room.

And I remember so clearly.

It's one of those moments in my life where I just said, I will do everything it takes to come and play here every day.

And I ended up playing in that corner of the pit for 16 years.

(romantic passionate orchestral music) - [Melissa] With the opening of the Royal Danish Opera House in 2005 came new opportunities for Thomas.

- [Thomas] When the visions opened up for a new opera house in Copenhagen, I had a feeling that something important could maybe happen.

Because I felt more and more ready to actually ask other conductors if I could assist them.

And so did I do with Michael Schonwandt.

That was the music director of the opera by this time.

And I ended up assisting him on a wonderful opera by Danish composer, Paul Ruders, Kafka's Trial.

I actually was offered to take over the whole production and that was really when this place opened.

- [Melissa] Thomas's conducting debut attracted the attention of many.

- Little by little I ended up by some of the most important and great orchestras in the world.

- [Melissa] Thomas Søndergård has served as principal conductor for the Norwegian Radio Orchestra and the BBC National Orchestra of Wales.

He has made numerous appearances at the BBC Proms and made numerous recordings.

Thomas is currently serving as principal conductor of the Royal Scottish National Orchestra.

And now Thomas Søndergård is the 11th music director of the Minnesota Orchestra.

- [Thomas] It is such a complex role to be able to listen to what comes towards you.

But with a lot of knowledgement of what's in the score and what you hear and see is written on the paper.

And the person in the room that needs to be able to operate that to a better or to a different result is the conductor.

And you need to have so many different skills to capture the interests, the respect from the musicians to take them from one place to another.

- Does that just come naturally to you?

It seems like it does.

- Well, it's probably a mixture of many things but it's also having the luck to sit in an orchestra for so long.

So that's why I'm so grateful to the Royal Danish Theater, to the Royal Danish Opera because I learned so much in those years.

I saw so many wonderful things happening between conductors, and orchestras, and singers.

I guess being in the room for so many hours and absorbing that has changed me as a musician.

(passionate mystical orchestral music) - [Thomas] One of the beautiful things in my job is to work with many different people, soloist and ensembles because they all so different.

But one of the absolute biggest privileges is when you get to know an ensemble well because you can then really dig deep.

And when I feel that there's an ensemble in front of me with a gathered experience and a gathered joy like the Minnesota Orchestra.

When that meets my experience now as a 53 year old, something really beautiful emerges from that.

So in many ways it's just the perfect timing definitely for me, and I hope so also for both the Minnesota Orchestra and all our wonderful audiences.

(passionate magical orchestral music) (passionate magical orchestral music) (passionate magical orchestral music) (audience cheering and roaring with applause) (audience roaring with applause) - How wonderful to hear Thomas's story and to see where he comes from.

These days he's been busy getting to know Minneapolis and St. Paul and his husband, Andreas Landin has been by his side and is actually by my side here tonight.

We're so glad that you're here with us today, Andreas.

- Thank you, Sarah.

- So Andreas, you and Thomas are such an artistic couple.

You are a musician as well.

Tell us a little bit about what you do.

- Well, I'm an opera singer, a baritone trained in Stockholm and Copenhagen.

And I work mostly as a singer in Scandinavia.

- And you are actually preparing a role right now?

- Yes.

- A new role for you?

- Yes, Harlequin in Ariadne auf Naxos, by Richard Strauss, which I'm going to perform in Copenhagen this season.

- Fantastic.

- And so I actually have the score with me here in Minnesota and trying to... - You do?

Have you been practicing your score or learning your score?

- Yes, yes I have, yeah.

- And so we've heard your voice, your lovely voice floating through backstage here.

How much can an opera singer practice in a day?

- Yeah, a day.

Yeah, well, about two and a half hours, for me anyway.

And not more than that with some breaks in between.

- You don't wanna stress the physical instrument.

- No, exactly.

- Is there a favorite role that you have that you enjoy playing?

- Well, I just did Macbeth Verdi, which is a fantastic piece and a fantastic part to act and to sing.

- It's interesting because opera singers need to have this acting component.

Do you enjoy acting?

- Yes, I love it.

We also act with the voice, of course, so.

- It's the physical and the vocal and everything put together.

- Absolutely, yes.

- So as a performer yourself and a musician, you must understand what an exciting time this is for Thomas as he gets to know this community, this orchestra.

What have you observed?

Is he excited?

- Well, yes, he is extremely excited.

This orchestra is so unique and they fit him perfectly.

And as you know, as a conductor the orchestra is the instrument of the conductor.

So this is a fantastic instrument.

- I think it is as well.

Thank you so much for joining us, Andreas.

- Thank you.

(distant low chattering) - In a moment, the orchestra will tune for the second half of our program, which brings the luxurious sound worlds of Daphnis and Chloe from the master of orchestral colors, Maurice Ravel.

I'm looking forward to that famously gorgeous flute solo that will be played by Minnesota Orchestra, Principal Flute Adam Kuenzel, who's had a very busy evening with the Debussy and the Ravel.

Under the leadership of Kathy Saltzman Romey, the Minnesota Chorale joins the Minnesota Orchestra for the second half of our program.

What a thrilling ending to a historic evening.

I'll leave you now with a performance of Daphnis and Chloe led by music director Thomas Søndergård.

(thrilling dramatic orchestral music) (thrilling dramatic orchestral music) (thrilling dramatic orchestral music) (light rustling of the crowd) (audience roaring with applause) (audience roaring with applause) (Maurice Ravel's Daphnis and Chloe) (light peaceful chiming flute music) (shrilling mystical eerie music) (celestial choir signing) (mystical flute music) (shrilling mystical flute music) (bellowing trumpet music) (celestial choir signing) (shrilling mystical flute music) (dramatic passionate orchestral music) (celestial choir signing) (bellowing passionate trumpet) (suspenseful passionate orchestral music) (suspenseful passionate orchestral music) (exhilarating suspenseful passionate orchestral music) (exhilarating suspenseful passionate orchestral music) (exhilarating suspenseful passionate orchestral music) (mystical suspenseful music) (celestial choir singing) (mystical suspenseful music) (celestial choir singing) (mystical suspenseful music) (celestial choir singing) (Daphnis and Chloe Religious Dance) (mystical romantic orchestral music) (mystical romantic orchestral music) (mystical romantic orchestral music) (magical rhythmic orchestral music) (mystical romantic orchestral music) (mystical romantic orchestral music) (mystical romantic orchestral music) (booming mystical romantic orchestral music) (booming celestial choir music) (mystical romantic orchestral music) (mystical romantic orchestral music) (passionate mystical orchestral music) (booming passionate mystical orchestral music) (booming passionate mystical orchestral music) (mystical romantic orchestral music) (mystical romantic orchestral music) (mystical romantic orchestral music) (mystical flute music) (mystical flute music) (mystical flute music) (shrilling mystical flute music) (soft humming celestial choir music) (bellowing mystical flute music) (romantic mystical orchestral music) (romantic mystical orchestral music) (thrilling romantic mystical orchestral music) (thrilling romantic mystical orchestral music) (booming thrilling celestial choir music) (booming thrilling celestial choir music) (romantic violin music) (magical choir music) (exhilarating mystical romantic music) (exhilarating mystical romantic music) (exhilarating mystical romantic music) (magical mystical flute music) (romantic orchestral music) (magical mystical flute music) (romantic orchestral music) (bellowing trumpet music) (soft humming celestial choir music) (shrilling passionate violin music) (shrilling passionate violin music) (playful magical orchestral music) (rhythmic playful violin music) (playful magical orchestral music) (rhythmic playful chiming music) (rhythmic playful chiming music) (rhythmic playful chiming music) (mystical romantic orchestral music) (rhythmic playful chiming music) (rhythmic passionate orchestral music) (rhythmic passionate orchestral music) (romantic playful chiming orchestral music) (romantic playful chiming orchestral music) (romantic playful chiming orchestral music) (exhilarating romantic playful chiming orchestral music) (exhilarating romantic playful chiming orchestral music) (playful bellowing trumpet music) (playful mystical flute music) (thrilling chiming orchestral music) (Daphnis and Chloe General Dance) (romantic magical orchestral music) (romantic magical orchestral music) (exhilarating romantic magical orchestral music) (playful bright flute music) (suspenseful playful orchestral music) (bellowing passionate cello music) (light mystical flute music) (rhythmic booming orchestral music) (Daphnis' Light and Gracious Dance) (romantic dramatic orchestral music) (thrilling magical orchestral music) (exhilarating sharp rhythmic music) (magical passionate orchestral music) (magical passionate orchestral music) (magical passionate orchestral music) (suspenseful bellowing orchestral music) (magical dramatic booming orchestral music) (booming celestial choir music) (light romantic orchestral music) (mystical playful flute music) (mystical playful flute music) (bittersweet bellowing cello music) (magical transcendent orchestral music) (passionate trumpet music) (magical transcendent orchestral music) (Lyceion's Dance) (mystical passionate chiming flute music) (mystical passionate chiming flute music) (romantic mystical orchestral music) (romantic mystical orchestral music) (passionate suspenseful orchestral music) (romantic thrilling flute music) (romantic thrilling flute music) (booming exhilarating romantic orchestral music) (booming exhilarating romantic orchestral music) (suspenseful playful mystical orchestral music) (mystical passionate chiming flute music) (romantic passionate mystical music) (romantic passionate mystical music) (exhilarating playful mystical orchestral music) (exhilarating playful mystical orchestral music) (booming playful mystical orchestral music) (suspenseful playful mystical orchestral music) (booming suspenseful playful mystical orchestral music) (booming suspenseful playful mystical orchestral music) (Slow and Mysterious Dance of the Nymphs) (gentle mystical flute music) (gentle mystical flute music) (gentle mystical flute music) (suspenseful trumpet music) (shrilling playful mystical flute music) (shrilling playful mystical flute music) (shrilling playful mystical flute music) (passionate orchestral music) (wind whooshing) (magical romantic orchestral music) (suspenseful passionate orchestral music) (suspenseful shrilling passionate orchestral music) (suspenseful passionate orchestral music) (suspenseful magical passionate orchestral music) (wind whooshing) (mystical flute music) (suspenseful dramatic romantic orchestral music) (passionate orchestral music) (thrilling orchestral music) (thrilling orchestral music) (wind whooshing) (romantic dramatic orchestral music) (light calming orchestral music) (light shrilling orchestral music) (booming thrilling orchestral music) (Daphnis and Chloe Part II) (haunting choir music) (suspenseful celestial orchestral music) (suspenseful celestial orchestral music) (suspenseful celestial choir music) (exhilarating celestial orchestral music) (humming suspenseful orchestral music) (haunting celestial choir music) (thrilling celestial choir music) (exhilarating celestial choir music) (booming exhilarating celestial choir music) (cheerful trumpet music) (haunting celestial choir music) (cheerful bellowing trumpet music) (haunting celestial choir music) (dramatic trumpet music) (thrilling haunting celestial choir music) (cheerful trumpet music) (exhilarating celestial choir music) (suspenseful dramatic drumming orchestral music) (Daphnis and Chloe War Dance) (thrilling playful rhythmic music) (suspenseful dramatic booming orchestral music) (rhythmic chirpy violin music) (chirpy trumpet music) (thrilling bellowing cello music) (suspenseful rhythmic orchestral music) (booming dramatic suspenseful orchestral music) (rhythmic chirpy violin music) (playful thrilling orchestral music) (exhilarating playful suspenseful music) (booming dramatic magical orchestral music) (exhilarating playful suspenseful music) (chirpy drumming trumpet music) (playful booming victorious music) (shrill chiming music) (light playful trumpet) (shrilling magical flute music) (magical dramatic orchestral music) (booming ominous orchestral music) (light shrill chiming music) (light playful magical flute music) (suspenseful dramatic orchestral music) (booming thrilling dramatic drumming orchestral music) (light ominous music) (soft thrilling flute music) (magical shrilling orchestral music) (booming magical suspenseful orchestral music) (booming magical suspenseful orchestral music) (light playful flute music) (booming trumpet music) (booming magical suspenseful orchestral music) (booming bright mystical orchestral music) (exhilarating bright mystical orchestral music) (exhilarating rhythmic mystical orchestral music) (booming exhilarating rhythmic mystical orchestral music) (haunting chanting rhythmic choir music) (playful mystical flute music) (thrilling playful flute music) (booming haunting choir music) (booming rhythmic exhilarating orchestral music) (bellowing romantic trumpet music) (magical passionate orchestral music) (magical passionate orchestral music) (thrilling chiming orchestral music) (thrilling chiming orchestral music) (passionate light thrilling orchestral music) (passionate bittersweet orchestral music) (Chloe's Pleading Dance) (light heartfelt flute music) (light heartfelt flute music) (passionate bittersweet orchestral music) (magical romantic orchestral music) (exhilarating romantic orchestral music) (suspenseful magical orchestral music) (suspenseful magical orchestral music) (booming magical harp music) (drumming trumpet music) (passionate heartfelt flute music) (romantic dramatic orchestral music) (romantic suspenseful dramatic orchestral music) (suspenseful romantic shrilling orchestral music) (thrilling romantic magical orchestral music) (exhilarating romantic dramatic orchestral music) (exhilarating romantic dramatic orchestral music) (booming ominous trumpet music) (passionate heartfelt flute music) (passionate heartfelt flute music) (bellowing heartfelt flute music) (passionate heartfelt flute music) (passionate heartfelt flute music) (passionate heartfelt flute music) (booming orchestral music) (suspenseful ominous booming orchestral music) (magical flute music) (bellowing trumpet music) (magical romantic thrilling orchestral music) (wind whooshing) (magical chiming music) (magical dramatic trumpet music) (magical suspenseful orchestral music) (magical suspenseful orchestral music) (booming sorrowful trumpet music) (booming sorrowful trumpet music) (dark thrilling cello music) (magical playful orchestral music) (thrilling booming magical orchestral music) (thrilling booming magical orchestral music) (exhilarating booming magical orchestral music) (ominous bellowing orchestral music) (magical booming drum music) (wind whooshing) (dramatic suspenseful orchestral music) (celestial choir music) (Daphnis and Chloe Part III Sunrise) (light ominous music) (enigmatic magical flute music) (enigmatic magical flute music) (suspenseful dramatic flute music) (suspenseful dramatic flute music) (booming bellowing cello music) (poetic shrilling violin music) (magical enigmatic orchestral music) (heartfelt beautifully romantic orchestral music) (heartfelt beautifully romantic orchestral music) (romantic orchestral music) (romantic passionate orchestral music) (romantic passionate orchestral music) (romantic passionate orchestral music) (magical enigmatic flute music) (heartfelt beautifully romantic orchestral music) (heartfelt beautifully romantic orchestral music) (thrilling heartfelt romantic orchestral music) (heartfelt romantic orchestral music) (romantic passionate heartfelt orchestral music) (romantic passionate heartfelt orchestral music) (humming celestial choir music) (booming romantic passionate heartfelt orchestral music) (celestial choir music) (booming romantic music) (suspenseful magical violin music) (booming heartfelt passionate romantic music) (booming heartfelt passionate romantic music) (passionate violin music) (suspenseful romantic orchestral music) (exhilarating passionate romantic orchestral music) (exhilarating passionate romantic orchestral music) (exhilarating passionate romantic orchestral music) (bellowing suspenseful dramatic romantic music) (romantic passionate dramatic music) (romantic heartfelt passionate dramatic music) (exhilarating passionate romantic orchestral music) (booming passionate romantic orchestral music) (magical chiming music) (celestial choir music) (light romantic dramatic magical music) (passionate mystical flute music) (humming booming celestial choir music) (dramatic passionate shrilling orchestral music) (passionate mystical flute music) (passionate mystical flute music) (Daphnis and Chloe Pantomime music) (heartfelt mystical flute music) (heartfelt mystical flute music) (rhythmic passionate romantic music) (passionate magical romantic music) (shrilling heartfelt magical flute music) (magical suspenseful music) (magical heartfelt flute music) (magical chiming heartfelt flute music) (thrilling magical chiming heartfelt flute music) (light humming magical romantic music) (light humming magical romantic music) (magical heartfelt airy flute music) (magical heartfelt airy flute music) (magical heartfelt airy flute music) (light magical romantic orchestral music) (magical heartfelt airy flute music) (magical heartfelt airy flute music) (magical heartfelt airy flute music) (light magical romantic orchestral music) (magical heartfelt airy flute music) (passionate shrilling flute music) (magical heartfelt airy flute music) (shrilling playful airy flute music) (booming magical wand music) (light playful suspenseful orchestral music) (light drumming orchestral music) (light romantic thrilling flute music) (chirpy sharp rhythmic flute music) (magical heartfelt romantic orchestral music) (magical heartfelt romantic orchestral music) (shrilling booming mystical orchestral music) (passionate heartfelt mystical flute music) (booming magical orchestral music) (passionate heartfelt mystical flute music) (booming magical orchestral music) (heartfelt passionate magical orchestral music) (booming passionate magical orchestral music) (booming passionate magical orchestral music) (dramatic passionate magical orchestral music) (shrilling passionate romantic violin music) (shrilling passionate romantic violin music) (shrilling passionate romantic violin music) (romantic magical orchestral music) (romantic magical orchestral music) (booming thrilling romantic magical orchestral music) (booming thrilling romantic magical orchestral music) (shrilling romantic magical orchestral music) (sharp rhythmic magical orchestral music) (magical passionate orchestral music) (sharp chirpy rhythmic orchestral music) (sharp chirpy rhythmic orchestral music) (booming sharp chirpy rhythmic orchestral music) (Daphnis and Chole General Dance) (playful bright flute music) (bellowing sharp trumpet music) (bright mischievous orchestral music) (booming mischievous orchestral music) (bright mischievous orchestral music) (booming mischievous orchestral music) (sharp rhythmic booming orchestral music) (sharp rhythmic booming orchestral music) (bright victorious trumpet music) (light romantic dramatic music) (thrilling passionate rhythmic orchestral music) (booming passionate rhythmic orchestral music) (booming passionate rhythmic orchestral music) (booming passionate rhythmic orchestral music) (exhilarating booming passionate orchestral music) (magical suspenseful romantic orchestral music) (exhilarating booming passionate orchestral music) (drumming music) (bellowing cello music) (thrilling orchestral music) (thrilling magical orchestral music) (magical suspenseful romantic orchestral music) (eerie celestial choir music) (thrilling magical orchestral music) (eerie celestial choir music) (booming thrilling magical orchestral music) (mischievous shrilling flute music) (booming thrilling orchestral music) (eerie celestial choir music) (booming thrilling orchestral music) (suspenseful dramatic booming orchestral music) (eerie celestial chanting choir music) (suspenseful dramatic booming drumming orchestral music) (rhythmic booming exhilarating orchestral music) (haunting celestial chanting choir music) (haunting celestial chanting choir music) (booming thrilling orchestral music) (rhythmic booming exhilarating orchestral music) (haunting celestial chanting choir music) (audience roaring with applause) (audience roaring with applause) (audience cheering and applauding) (audience cheering and applauding) (audience roaring with applause) (audience roaring with applause) (audience roaring with applause) (audience roaring with applause) (audience cheering) (audience roaring with applause) (audience and ensemble cheering and applauding) (audience and ensemble cheering and applauding) (audience and ensemble roaring with applause) (audience cheering and applauding) (audience and ensemble roaring with applause) (audience and ensemble roaring with applause) (audience and ensemble roaring with applause) (audience and ensemble roaring with applause) (audience and ensemble roaring with applause) (audience and ensemble roaring with applause) (audience and ensemble roaring with applause) (audience and ensemble roaring with applause) (audience and ensemble roaring with applause)