- WELL, I'VE GOT MY GUITAR AND I'VE GOT MY BAG.

I WAS JUST ABOUT TO CHECK IN FOR MY FLIGHT TO ATLANTA AND HE'S LIKE, MAN, I'M NOT GONNA TELL YOU WHAT TO DO BUT I REALLY THINK IT WOULD BE GREAT IF YOU STAYED.

CAME TO THE STUDIO AND HUNG OUT WITH STING AND SHAGGY FOR A WHILE.

AND I WAS LIKE, I'M CHANGING MY TICKET.

AND WHEN I WALK INTO THE STUDIO STING STANDS UP FROM HIS CHAIR AND HE OPENS HIS ARMS TO GIVE ME A HUG AND I'M JUST LIKE, THIS IS NOT HAPPENING.

I'M ABOUT TO HUG STING.

(UPBEAT MUSIC) - I THINK THE BEAUTIFUL THING ABOUT MUSIC IS THAT IT'S ABOUT THE HUMAN EXPERIENCE.

- STING STANDS UP AND I'M JUST LIKE, THIS IS NOT HAPPENING.

- THERE'S BEEN SO MANY AMAZING SONGWRITERS THAT HAVE COME OUT OF THE ATLANTA SCENE.

- I SAY ATLANTA ARTISTICALLY RAISED ME.

- WE GREW UP IN THE APPALACHIAN FOLK TRADITION IN ATLANTA'S NINETIES HIP HOP REVOLUTION.

- THIS IS SOUNDS LIKE ATL AND EVERYTHING IS ATLANTA.

(UPBEAT MUSIC) - ATLANTA, HOW ARE YOU?

(CROWD CHEERING) - I LOVE THIS ENERGY.

Y'ALL FEELING GOOD?

- [CROWD] YEAH!

YOU LOOK GOOD.

YOU SOUND GOOD.

DO I LOOK GOOD?

- [CROWD] YEAH.

- I TRY.

YOU KNOW, IT'S A LITTLE HARD SOMETIMES BUT I MAKE IT HAPPEN.

I AM YOUR HOST FOR THIS EVENING, ALGEBRA BLESSED.

WELCOME TO SOUNDS LIKE ATL.

GIVE YOURSELVES A ROUND OF APPLAUSE.

THIS IS AN AMAZING EVENT.

I HAVE THE PRIVILEGE OF INTRODUCING ONE OF MY FAVORITE PEOPLE TO THIS STAGE TONIGHT.

HE'S WORKED WITH THE LIKES OF TONY BRAXTON, STING, SHAGGY.

HE IS A GRAMMY AWARD WINNING GUITARIST, SONGWRITER, AND HONESTLY CAN SING, LIKE, THE BOY CAN SING AND PLAY.

- [CROWD] YES.

COMING TO THE STAGE, LADIES AND GENTLEMEN MY FRIEND AND YOURS, MR. KAMERON CORVET.

(CHEERING AND APPLAUSE) - WHEN I THINK ABOUT MYSELF, THE MAN VERSUS KAMERON CORVET THE ARTIST, I THINK I'M A LOT MORE SERIOUS ON AN ARTISTIC SIDE OF THINGS.

I CAN BE TEMPERAMENTAL, YOU KNOW, PERFECTIONIST.

YOU CAN'T CONTROL NECESSARILY EVERYTHING SO I'M TRYING TO BE HUMAN ON THE ARTIST SIDE BUT I'M ALSO TRYING TO BE SERIOUS ON THE PERSONAL SIDE.

SO IT'S SOMETHING THAT I BATTLE WITH A LOT BUT I WOULD DEFINITELY SAY THERE'S MORE PERSONALITY ONE-ON-ONE WITH ME.

I KIND OF LET MY HAIR DOWN, SO TO SPEAK BUT ON THE ARTIST'S SIDE I'M VERY MUCH ABOUT THE DETAILS AND BEING AS GOOD AS I COULD POSSIBLY BE AT ANY GIVEN MOMENT.

(UPBEAT MUSIC) (UPBEAT MUSIC) - WHAT'S UP Y'ALL?

(CROWD CHEERING) (UPBEAT MUSIC) I'MA TAKE Y'ALL BACK TO WHEN THINGS FIRST STARTED FOR ME LIKE 10 YEARS AGO.

WE GONNA GO TO GOING UNDER.

♪ I SEE YOU PUT ON MY FAVORITE DRESS ♪ ♪ YOU KNOW IT GETS MY MOTOR RUNNING ♪ ♪ MATTER OF FACT YOU'RE LOOKING STUNNING ♪ ♪ I WANNA STAND RIGHT BESIDE YOU, THEN BEHIND YOU ♪ ♪ I KNOW THAT YOU WANT TO IMPRESS ♪ ♪ THESE HANDS JUST WANT TO EXPRESS ♪ ♪ I KNOW YOU'RE STEADY TRYING TO DRIVE THE CAR ♪ ♪ LET ME PLAY IT LIKE MY GUITAR ♪ ♪ I'M GOING UNDER, I'M GOING UNDER ♪ ♪ I'VE GOT TO UNCOVER ♪ ♪ JUST LET ME WONDER 'TIL MY HANDS TOUCH ♪ ♪ I'M GOING UNDER ♪ ♪ LET ME START SOME TROUBLE ♪ ♪ LET ME PRESS MY LUCK 'TIL WE CAN'T STOP ♪ ♪ GIRL, I WANNA BE WITH YOU NOW ♪ ♪ I JUST WANNA TELL EVERYBODY ♪ ♪ MATTER OF FACT I'LL GET IT STARTED ♪ ♪ 'CAUSE I'M SLICK ENOUGH TO REACH DOWN ♪ ♪ JUST TO PLAY AROUND ♪ ♪ I KNOW WE'RE IN FRONT OF A CROWD ♪ ♪ WHEN I GO ALL THE WAY DOWN ♪ ♪ I'M GONNA PRETEND THAT I LOST MY KEYS, BE AN ALIBI FOR ME ♪ ♪ I'M GOING UNDER, I'M GOING UNDER ♪ ♪ I'VE GOT TO UNCOVER ♪ ♪ JUST LET ME WONDER 'TIL MY HANDS TOUCH ♪ ♪ I'M GOING UNDER ♪ ♪ LET ME START SOME TROUBLE ♪ ♪ LET ME PRESS MY LUCK 'TIL WE CAN'T STOP ♪ ♪ YOU JUST MOVE YOUR LEGS THIS WAY BABY ♪ ♪ I'LL JUST MOVE MY HANDS THAT WAY BABY ♪ ♪ YOU JUST MOVE YOUR LEGS THIS WAY BABY ♪ ♪ I'LL JUST MOVE MY HANDS THAT WAY, BABY ♪ ♪ I'M GOING UNDER, I'VE GOT TO UNCOVER ♪ ♪ JUST LET ME WONDER 'TIL MY HANDS TOUCH ♪ ♪ I'M GOING UNDER ♪ ♪ LET ME START SOME TROUBLE, GIRL ♪ ♪ LET ME PRESS MY LUCK 'TIL WE CAN'T STOP ♪ (SOULFUL MUSIC) (SOULFUL MUSIC) ♪ OH GIRL ♪ ♪ I WANNA, YEAH, OH YEAH, OH YEAH ♪ ♪ OHHH YEAH... ♪ ♪ I'M GOING UNDER ♪ ♪ LET ME START SOME TROUBLE, GIRL... ♪ IT'S TAKEN A LOT TO BECOME KAMERON CORVET.

I CAN'T START WITHOUT MENTIONING MY PARENTS BECAUSE I THINK THAT'S THE FOUNDATION OF WHO I AM AS A PERSON.

AND NOT JUST GETTING WHOOPINGS OR ANYTHING LIKE THAT, BUT MY PARENTS ELOPED AFTER KNOWING EACH OTHER FOR A MONTH.

THEY HAD A CONVERSATION.

MY MOM FLEW TO MEET MY DAD FOR THE FIRST TIME IN PERSON AND THEY GOT MARRIED TWO WEEKS LATER.

AND THAT IS THE GENESIS OF WHO I AM I THINK AS AN INDIVIDUAL AND AS AN ARTIST BECAUSE MY PERSPECTIVE IS REALLY WIDE OPEN AS IT RELATES TO WHAT IS POSSIBLE, WHAT I BELIEVE IN, WHAT CAN HAPPEN.

EVERYTHING IS MAGIC TO ME BECAUSE, YOU KNOW, OF THAT FOUNDATION.

I'D SAY MY FIRST MUSICAL EXPERIENCE, I GREW UP IN BATON ROUGE.

I WAS BORN IN BATON ROUGE AND I GREW UP THERE.

AND I GREW UP WITHOUT ANY EXTENDED FAMILY AROUND ME FOR THE FIRST MAYBE 10 YEARS OF MY LIFE.

IT WAS ONLY A NUCLEUS OF MY BROTHER AND MY SISTER AND MY MOM AND DAD.

WHEN I WAS 10, I MOVED FROM BATON ROUGE TO CINCINNATI WHICH IS WHERE MY MOTHER IS FROM.

SO I GOT MY FIRST TASTE OF EXTENDED FAMILY GOING TO GRANDMA'S HOUSE AND EVERYTHING.

DURING THAT TIME, MY UNCLE EXPOSED MYSELF AND MY BROTHER TO A LOT OF DIFFERENT THINGS THAT WE MAY NOT BE EXPOSED TO AT HOME.

SO I SAW "BOYS IN THE HOOD" FOR THE FIRST TIME RIGHT?

AND, OTHER THAN BEING MOVED BY THIS MOVIE AT THE END YOU WATCH THE CREDITS AND AT THE END IT SAYS, THAT TREY WENT TO MOREHOUSE AND HIS GIRLFRIEND WENT TO SPELMAN.

AND I'M LIKE, MAN, I WONDER WHAT THOSE SCHOOLS ARE ABOUT.

SO FAST FORWARD, I WENT TO THE UNIVERSITY OF LOUISVILLE, RAN TRACK THERE, HAD A GREAT AMOUNT OF EXPERIENCES THERE BUT THE WHOLE TIME, I WAS ITCHING TO GET OUT OF THERE.

AND IT'S FUNNY, BUT MY UNCLE BROUGHT US TO ATLANTA BEFORE HE DROPPED ME OFF AT SCHOOL.

AND I CAME TO MOREHOUSE AND I'M LIKE, OH MY GOD, I NEEDED TO COME HERE, YOU KNOW?

BUT I KNEW I HAD TO GO TO LOUISVILLE.

SO LITERALLY FOR TWO YEARS I JUST THOUGHT ABOUT TRANSFERRING TO MOREHOUSE.

AND IT WAS REALLY A KILL TWO BIRDS WITH ONE STONE TYPE OF THING BECAUSE AFTER MY SECOND YEAR OF SCHOOL I REALLY KNEW THAT I WANTED TO PURSUE MUSIC PROFESSIONALLY.

I KNEW MY PARENTS WOULDN'T BE IN FAVOR OF ME DROPPING OUTTA SCHOOL.

SO I'M LIKE, OKAY, HOW DO I DO THIS?

SO MOVING TO ATLANTA WAS WHAT MY GOAL WAS AND I KNEW TRANSFERRING WOULD BE SOMETHING THAT THEY WOULD APPROVE OF.

SO IT JUST WORKED OUT SO WELL.

(SOFT GUITAR MUSIC) THE KAMERON CORVET SOUND IS GUITAR BASED I WOULD SAY SIMPLY, BUT TO BE EVEN MORE SPECIFIC, IT'S ACOUSTIC.

YOU KNOW, THAT'S WHERE I WRITE MOST OF MY MATERIAL.

FOR ME THE ACOUSTIC GUITAR IS THAT SPIRIT INSTRUMENT, IF YOU WILL.

IT'S THE THING THAT GETS MY BRAIN MOVING.

IT'S THE THING THAT MAKES MELODIES HAPPEN.

IT'S WHAT I PLAY WHEN I DON'T WANT TO SING.

SO THE SOUND IS BASED IN THE GUITAR.

ACOUSTIC PRIMARILY, ELECTRIC SECONDARILY SPEAKING.

AND THEN FROM THERE IT IS AN EMPHASIS ON THE SONGWRITING, WHICH COMES FROM JUST ALWAYS BEING INSPIRED BY GREAT SONGS.

I DON'T KNOW WHETHER I SHOULD DANCE ON, OR WHETHER I SHOULD JUST WALK ON.

THAT'S LIKE LITERALLY WHAT I'VE BEEN THINKING ABOUT FOR THE LAST TWENTY FOUR.

BEFORE I HIT THE STAGE, AS MANY TIMES AS I'VE PERFORMED, I CAN BE A LITTLE BIT OF A BASKET CASE.

I'M GONNA BE PACING, DEFINITELY.

PACING LIKE I'M WAITING FOR A BABY TO COME PACING.

(LAUGHS) I TALK TO MYSELF, YOU KNOW, HYPE MYSELF UP.

I'M LIABLE TO GET OUT SOME NERVOUS ENERGY BY LIKE DOING SOME TYPE OF CALISTHENICS, WHETHER IT'S JUMPING JACKS OR PUSHUPS OR SOMETHING LIKE THAT.

I ALWAYS WARM UP, YOU KNOW, THAT'S SOMETHING THAT I JUST LEARNED FROM TAKING CLASSICAL VOICE OVER THE YEARS, WARMING UP.

I REALIZE THAT WHEN I FEEL LIKE I LOOK MY BEST AND I FEEL LIKE I'VE TUNED UP EVERYTHING AND I'M READY TO GO, I'M GONNA GO AND OPERATE IN THAT CONFIDENCE.

AND I THINK CONFIDENCE COMES ACROSS TO THE AUDIENCE.

I'VE SEEN PEOPLE PERFORM BEFORE AND WHEN I WATCH PEOPLE PERFORM, I'M LOOKING TO SEE IF THEY ARE CONFIDENT IN WHAT THEY ARE DOING.

DO THEY BELIEVE?

DO THEY BELIEVE THAT EVERYBODY'S LOOKING AT THEM AND THAT EVERYONE'S HANGING ON EVERY WORD THAT THEY SAY?

AND, IF THEY DON'T, YOU KNOW, WHAT IS IT THAT COULD MAKE THAT EXPERIENCE BETTER?

OR HOW COULD YOU GET CLOSER TO THAT?

SO BEFORE A SHOW, I'M THINKING ABOUT THOSE THINGS.

I'M VISUALIZING THE AUDIENCE BEFORE I EVEN GET ON STAGE, AND JUST REMINDING MYSELF TO LIVE IN THE MOMENT.

(SOFT GUITAR MUSIC) (SOFT GUITAR MUSIC) ♪ NORMALLY I LIKE TO JUST GO WITH THE FLOW OF THINGS ♪ ♪ I'VE BEEN KNOW TO DISAPPEAR ♪ ♪ WHEN PEOPLE TALK ABOUT LOVE AND WHAT IT MEANS ♪ ♪ BUT FOR SOME REASON WE TALK ABOUT IT NOW ♪ ♪ SOUND GOOD?

GOOD.

REAL GOOD ♪ ♪ YOU GOT WHAT I WANT, WHAT I NEED, AND I SWEAR IT'S UNFAIR ♪ ♪ I WANT YOU MORNING, NOON, AND NIGHT ♪ ♪ SHOW ME WHERE I SIGN I'LL BE YOURS ♪ ♪ YOU'LL BE MINE, I DON'T CARE ♪ ♪ I WANNA GIVE IT A TRY, WANNA GIVE IT A TRY ♪ ♪ AND MAKE YOU MY ONLY ONE ♪ ♪ I WANNA GIVE IT A TRY AND I WANNA GIVE IT A TRY ♪ ♪ AND MAKE YOU MY ONLY ONE ♪ ♪ OH, YEAH.

I WANNA GIVE IT A TRY, I ♪ ♪ SUDDENLY, MY NIGHTS AIN'T THE SAME WHEN YOU'RE NOT AROUND ♪ ♪ IT'S NOT AS EASY AS IT SEEMS WHEN YOU'RE HAVING BAD DREAMS ♪ ♪ AND I'M OUT OF TOWN ♪ ♪ BUT MY GUT FEELING IS TELLING ME YOU'D BE FINE ♪ ♪ SO FINE ♪ ♪ 'CAUSE ONLY YOU GOT WHAT I WANT, WHAT I NEED ♪ ♪ AND I SWEAR IT'S NOT FAIR ♪ ♪ I WANT YOU MORNING, NOON, AND NIGHT ♪ ♪ SHOW ME WHERE I START, I'LL BE YOURS ♪ ♪ YOU'LL BE MINE, I DON'T CARE ♪ ♪ I WANNA GIVE IT A TRY, WANNA GIVE IT A TRY ♪ ♪ AND MAKE YOU MY ONLY ONE ♪ ♪ I WANNA GIVE IT A TRY, I ♪ ♪ I WANNA GIVE IT A TRY AND MAKE YOU MY ONLY ONE ♪ ♪ OH, YEAH.

I WANNA GIVE IT A TRY ♪ ♪ IT'S WAY TOO LATE TO BE CALLING ♪ ♪ WAY TOO YOUNG TO BE FALLING ♪ ♪ BUT YOU MAKE ME WANNA TRY IT ALL OVER AGAIN ♪ ♪ IT'S WAY TOO LATE TO BE CALLING ♪ ♪ WAY TOO YOUNG TO BE FALLING ♪ ♪ BUT YOU MAKE ME WANNA TRY IT ALL OVER AGAIN ♪ ♪ I WANNA GIVE IT A TRY AND MAKE YOU MY ONLY ONE ♪ ♪ I WANNA GIVE IT A TRY, I ♪ ♪ WANNA GIVE IT A TRY AND MAKE YOU MY ONLY ONE ♪ ♪ OH YEAH, I WANNA GIVE IT A TRY ♪ (SMOOTH SOULFUL MUSIC) (SMOOTH SOULFUL MUSIC) ♪ I WANNA GIVE IT A TRY AND MAKE YOU MY ONLY ONE ♪ ♪ I WANNA WANNA GIVE IT A TRY, I, I , I ♪ ♪ AND MAKE YOU MY ONLY ONE ♪ ♪ I WANNA GIVE IT A TRY ♪ ♪ WANNA GIVE IT A TRY ♪ ♪ I WANNA GIVE IT A TRY, GIRL, YEAH ♪ ♪ AND MAKE YOU MY ONLY ONE ♪ ♪ I WANNA GIVE IT A TRY ♪ (CROWD CHEERING) - MY EXPERIENCE AS A MUSICIAN AND AS AN ARTIST HAS ALLOWED ME TO RUB ELBOWS WITH A LOT OF VERY, VERY SUCCESSFUL ARTISTS AND MUSICIANS.

I DON'T TAKE ANY OF THAT FOR GRANTED.

AND ONE THING I CAN SAY IS, I HAVE DONE THINGS IN, I DON'T WANNA SAY A CHRONOLOGICAL TYPE OF ORDER, BUT WHEN WE TALK ABOUT STEPS THAT IT TAKES TO GET TO A CERTAIN POINT, I'VE DEFINITELY TRIED TO MAKE SURE THAT I'VE DONE THINGS HONESTLY AS A MUSICIAN AND AN ARTIST.

THAT'S ONE OF THE THINGS I PRIDE MYSELF FOR.

GROWING UP LISTENING TO DIFFERENT ARTISTS AND BEING INFLUENCED BY THEM YOU NEVER THINK THAT YOU'RE GONNA BE ABLE TO WORK WITH THEM.

SO, BEING A SONGWRITER, PUTTING OUT INDEPENDENT MUSIC, GETTING FEEDBACK, DOING PERFORMANCES; ALL OF THOSE THINGS WERE BUILDING BLOCKS TO ALLOW ME TO BE IN THE PROPER POSITION, TO HAVE AN ENCOUNTER WITH ONE OF MY HEROES, GORDON SUMNER, OTHERWISE KNOWN AS STING.

AND THE EXPERIENCE WAS REALLY QUITE DIVINE IN THE SENSE THAT NOT UNLIKE ANY OF THE OTHER SONGS THAT I'VE WRITTEN, I SAT DOWN ON THE FLOOR ON A SUNDAY AND TRIED TO DO SOMETHING DIFFERENT THAN I NORMALLY DO.

AND I SAID, YOU KNOW WHAT?

I WANT TO BE AS SIMPLE AS POSSIBLE, AND I WANT TO WRITE A LOVE SONG.

AND WHAT WOULD THAT BE?

NO PEN, NO PHONE, JUST GUITAR.

HOW CAN I WRITE SOMETHING THAT I'M GONNA REMEMBER?

AND I JUST STARTED PLAYING THESE CHORDS.

THIS CHORUS JUST CAME OUT AND I'M LIKE, THIS FEELS GOOD.

IT SOUNDS GOOD.

IT'S EFFORTLESS.

THERE MAY BE SOMETHING TO IT.

I RECORDED IT, YOU KNOW, AT HOME, PASSED IT AROUND TO A COUPLE PEOPLE, GOT SOME FEEDBACK, AND ONE OF MY MOREHOUSE BROTHERS ENDED UP TAKING WHAT I HAD COMPOSED AT THAT TIME, WHICH WAS GUITAR, THE CHORUS, AND ANOTHER PART AT THE END OF THE SONG AND HE ADDED TO THAT.

THIS IS THE THE GREAT THING ABOUT ATLANTA.

EVERYBODY'S BRINGING THEIR EXPERIENCE SO THAT WHEN THEY HEAR THE SAME PIECE OF MUSIC THEY CAN HEAR IT IN SO MANY DIFFERENT WAYS.

SO IN THE SPIRIT OF COLLABORATION MY MOREHOUSE BROTHER ADDED A FEW NUANCES TO THIS PIECE OF MATERIAL, AND HE ENDED UP SPEAKING TO A COLLABORATOR OF HIS, AND HE SHARES IT WITH A, THAT COLLABORATOR WHO HAPPENS TO BE A FREQUENT COLLABORATOR OF SHAGGY.

SHAGGY HEARS THE SONG, LOVES THE SONG.

SO THEN ANOTHER PIECE GETS ADDED.

THEN, MAGICALLY, SHAGGY HAPPENS TO BE IN THE STUDIO IN L.A.

DOING A FEATURE FOR ANOTHER ARTIST FROM FRANCE.

BUT THE FEATURE THAT HE'S WORKING ON IS BEING ORCHESTRATED BY STING'S MANAGER.

STING'S MANAGER ASKED SHAGGY WHAT HE'S BEEN WORKING ON, "...LET ME HEAR SOMETHING NEW".

HE PLAYS THE SONG AT THAT POINT.

HE SAYS, "OH MY GOSH, YOU KNOW WHO WOULD BE GREAT ON THIS?"

AND HE'S LIKE, STING.

HE SENDS IT TO STING.

STING HEARS IT AND DRIVES OVER TO THE STUDIO 45 MINUTES LATER AND THEY START RECORDING.

I STILL HAVE THE PICTURE OF THEM.

STING HAS GOT A BEARD, YOU KNOW, SHAGGY'S HAIR IS LOW AND EVERYTHING.

AND THAT ENDED UP BEING THE CATALYST FOR AN ENTIRE ALBUM.

SO THAT REALLY STARTED THIS JOURNEY FOR THE NEXT 18 MONTHS WHICH WAS ME JUST LEARNING ABOUT THE PROCESS OF RELEASING A SONG AT ITS HIGHEST LEVEL.

SEEING THEM PERFORM THIS SONG ON ALL THE TELEVISION SHOWS.

SEEING THEM TRAVEL ALL OVER THE PLACE, DOING IT AS A PART OF THE PRE-GAME FOR THE SUPER BOWL THAT YEAR, THE STANLEY CUP, I MEAN, EUROPE, EVERYWHERE, YOU KNOW.

SONG GETS RELEASED, GOES NUMBER ONE IN 14 DIFFERENT COUNTRIES.

AND THEN WE ENDED UP WINNING THE GRAMMY.

THE ALBUM WAS THE NUMBER ONE REGGAE ALBUM FOR THE YEAR.

AND YEAH, IT'S STILL SURREAL TO THINK ABOUT IT, BUT AS AN ARTIST, YOU'RE ALWAYS LOOKING FOR AN OPPORTUNITY TO HAVE THAT MOMENT THAT IS GOING TO SET YOU UP FOR THE NEXT 20 YEARS, YOU KNOW.

A PIECE OF ADVICE THAT I RECEIVED FROM STING THAT I ALWAYS HOLD ONTO IS THE ELEMENT OF SURPRISE.

USING THE ELEMENT OF SURPRISE TO YOUR ADVANTAGE.

BECAUSE ONCE YOU BROADCAST WHAT IT IS YOU'RE ABOUT TO DO PEOPLE CAN SPECULATE AND IT WON'T TAKE THEM OFF GUARD THE WAY A SURPRISE WOULD.

I WOULD ALSO SAY THAT JUST ALONG THE WAY DIFFERENT PEOPLE HAVE TOLD ME THE BEST PART ABOUT THE JOURNEY IS THE JOURNEY ITSELF, YOU KNOW.

ONCE YOU GET THERE, YOU KNOW, YOU KIND OF FEEL LIKE YOU'RE UNDERWHELMED BUT ALL THE EXPERIENCES THAT GOT YOU THERE ARE THE THINGS TO CHERISH.

SO REALLY TRYING TO LIVE IN THE MOMENT AS THINGS ARE HAPPENING, APPRECIATING THOSE MOMENTS AS THEY COME, AND REALIZING THAT THEY MAY NEVER HAPPEN AGAIN.

♪ BOTTLES AND BEER CANS ♪ ♪ EARRINGS ON THE NIGHTSTAND ♪ ♪ SO MUCH FOR SCENERY ♪ ♪ YOU COULD MAKE BELIEVE HOLDING ONTO WRISTBANDS ♪ ♪ WILL LEAD US TO A ROMANCE ♪ ♪ BUT IT MAKES NO DIFFERENCE TO ME ♪ ♪ DON'T GO LOOKING FOR A DEEPER MEANING ♪ ♪ 'CAUSE I HAVE WAGERED FEELINGS WAY TOO MUCH ♪ ♪ I'M SO USED TO LIVING FOR THE WEEKEND ♪ ♪ COULD IT POSSIBLY FALL VICTIM TO YOUR TOUCH ♪ ♪ WHY DON'T YOU IGNORE THE TRUTH, BE CONFUSED ♪ ♪ TAKE WHAT YOU CAN GET AND THEN, THROW THE REST AWAY ♪ ♪ THIS LIFE WASN'T MADE FOR TWO, THOUGHT YOU KNEW ♪ ♪ TAKE WHAT YOU CAN GET AND THEN, THROW THE REST AWAY ♪ ♪ BIRTHDAYS AND NEW YEARS ♪ ♪ WISHING YOU WERE RIGHT HERE ♪ ♪ HITCHHIKING AROUND THE WORLD ♪ ♪ THAT COULD MAKE ME WEAK, FALLING FOR YOU HEAD FIRST ♪ ♪ COULD LEAVE ME WITH A HEART BURST ♪ ♪ I'M JUST TOO MATURE TO BE ABSURD ♪ ♪ SO DON'T GO LOOKING FOR THE DEEPER MEANING ♪ ♪ 'CAUSE I HAVE WAGERED FEELINGS WAY TOO MUCH ♪ ♪ OH, I'M SO USED TO LIVING FOR THE WEEKEND ♪ ♪ COULD IT POSSIBLY FALL VICTIM TO YOUR TOUCH?

♪ ♪ WHY DON'T YOU IGNORE THE TRUTH, BE CONFUSED ♪ ♪ TAKE WHAT YOU CAN GET AND THEN THROW THE REST AWAY ♪ ♪ THIS LIFE WASN'T MADE FOR TWO ♪ ♪ I THOUGHT YOU KNEW ♪ ♪ TAKE WHAT YOU CAN GET AND THEN, THROW THE REST AWAY ♪ ♪ WHY DON'T YOU IGNORE THE TRUTH ♪ ♪ BE CONFUSED ♪ ♪ TAKE WHAT YOU CAN GET, THROW THE REST AWAY ♪ ♪ THIS LIFE WASN'T MADE FOR TWO ♪ ♪ I THOUGHT YOU KNEW, GIRL ♪ ♪ TAKE WHAT YOU CAN GET, AND THROW THE REST AWAY ♪ (JAZZY MUSIC) (JAZZY MUSIC) ♪ THROW THE REST AWAY, BABY ♪ ♪ TAKE WHAT YOU CAN GET, YEAH ♪ ♪ I WANT YOU TO BE CONFUSED ♪ ♪ TAKE WHAT YOU CAN GET, AND THEN ♪ (UPBEAT JAZZ MUSIC) (UPBEAT JAZZ MUSIC) ♪ OH GIRL, THIS LIFE WAS MADE FOR TWO... ♪ ♪ I WANT YOU TO TAKE IT ♪ (UPBEAT JAZZ MUSIC) (UPBEAT JAZZ MUSIC) - HOW Y'ALL FEELING?

I'M MOTIVATED BY BEING THE BEST, BY BEING ONE OF THE BEST TO EVER DO IT, YOU KNOW?

THAT HAS ALWAYS BEEN MY GOAL.

I'VE ALWAYS BEEN AN OVERACHIEVER, AND DOING MUSIC, BEING AN ARTIST, IT'S BEEN THE MOST ELUSIVE THING THAT I'VE EVER DONE IN MY LIFE IN TERMS OF GETTING TO WHAT PEOPLE WOULD CALL SOME POINT OF SUCCESS.

IT'S REALLY FINDING OUT WHO YOU ARE AS A PERSON AND BECOMING A BETTER PERSON INSIDE OF THE ARTISTRY.

MY INFLUENCES ARE VARIED, BUT THERE ARE CERTAIN ONES THAT ABOVE ALL WILL ALWAYS BE THERE.

PRINCE, DEFINITELY, LENNY KRAVITZ, D'ANGELO, STING, AND THE POLICE, ALL OF THAT.

DONNY HATHAWAY, MARVIN GAYE, IT KIND OF DEPENDS, RIGHT?

BECAUSE ONE THING I LIKE ABOUT MY JOURNEY IS THAT I HAVEN'T SKIPPED A STEP.

AND THAT INCLUDES NOT JUST SAYING THAT I'M A GUITAR PLAYER, NOT BEING ABLE TO EXEMPLIFY MY GUITAR-PLAYING SKILLS ON THEIR OWN, SEPARATE FROM BEING A SINGER.

THERE ARE A LOT OF PEOPLE WHO RUSH INTO SAYING THAT THEY'RE AN INSTRUMENTALIST AS WELL AS A SINGER AND THAT WHEN IT'S TIME TO SHOW IMPROVEMENT ON THAT INSTRUMENT, YOU KNOW, THEY CAN LET YOU DOWN.

SO MY INFLUENCES HAVE COME FROM STUDYING GUITAR PLAYERS, YOU KNOW, JOHN MAYER'S AN ANOTHER INFLUENCE OF MINE.

BUT ALSO STUDYING SINGERS AND THEN ALSO STUDYING SINGERS THAT PLAY GUITAR.

♪ AS I, AS I ♪ ♪ AS I SEEM TO RECALL IT ♪ ♪ YOU WERE FALLING FOR ME BIG TIME ♪ ♪ YOU WERE TELLING ME TO GIVE YOU ♪ ♪ ALL OF IT ♪ ♪ YOU WANTED LOVE REDEFINED ♪ ♪ SOMEWHERE, SOMEWHERE, SOMEWHERE ALONG THE WAY ♪ ♪ YOU WANTED OUT WHEN I ASKED YOU TO STAY ♪ ♪ WERE YOU JUST LOOKIN' FOR SHINE, GIRL?

♪ ♪ WERE YOU LYING WHILE YOU WERE THERE CRYING?

♪ ♪ I DON'T KNOW, I DON'T KNOW WHAT YOU TOLD YOUR FRIENDS ♪ ♪ DID YOU REALLY, DID YOU TELL THE TRUTH ABOUT WHO HURT WHO?

♪ ♪ AND NOW IF WE GO, IF WE GO, IF WE GO AGAIN ♪ ♪ WOULD YOU REALLY, WOULD YOU TELL THE TRUTH ABOUT WHO HURT ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO, BABY ♪ ♪ IF YOU, IF YOU GET TO TELLING, TELLING THE STORY ♪ ♪ MENTION MORE THAN JUST THE GROUPIES ♪ ♪ TELL THEM HOW, IN THE WORLD YOU WERE THERE FOR ME ♪ ♪ WAS IT ALL JUST A DREAM?

♪ ♪ WAS I JUST REALLY MESSING WITH YOUR HEAD?

♪ ♪ WERE YOU ONLY TELLING THE TRUTH IN BED?

♪ ♪ WERE YOU JUST LOOKIN' FOR SHINE, GIRL?

♪ ♪ WERE YOU LYING WHILE YOU WERE THERE CRYING?

♪ ♪ I DON'T KNOW WHAT YOU TOLD YOUR FRIENDS ♪ ♪ DID YOU REALLY, DID YOU TELL THE TRUTH ABOUT WHO HURT WHO?

♪ ♪ AND NOW IF WE GO, IF WE GO, IF WE GO AGAIN ♪ ♪ WOULD YOU REALLY, WOULD YOU TELL THE TRUTH ABOUT WHO HURT ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO, BABY ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO ♪ ♪ I'VE DONE SOME GOOD ♪ ♪ YOU'VE DONE SOME BAD ♪ ♪ WE'LL NEVER GET BACK WHAT WE HAD ♪ ♪ DON'T TAKE IT BACK ♪ ♪ I WON'T GET EVEN, EVEN THOUGH I WANT TO ♪ ♪ I'VE GOT REASONS THAT WOULD HAUNT YOU ♪ ♪ DON'T JUST KEEP ON POINTING FINGERS ♪ ♪ WHEN YOU KNOW IT'S NO SECRET IT'S MORE THAN TRUE ♪ ♪ IF I GOT MY HURT FROM YOU THEN ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO, BABY ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO ♪ ♪ WHO HURT WHO... ♪ (AUDIENCE CHEERING) WHEN I THINK ABOUT THE ATLANTA SOUND AND ALL THE DIFFERENT POCKETS OF MUSIC THAT BLEND TOGETHER AND HOW IT'S REFLECTED IN WHAT IT IS I DO AND THE MUSIC I MAKE, I THINK ABOUT RHYTHM, MAINLY.

MY APPROACH TO SONGWRITING FROM A RHYTHMIC STANDPOINT CHANGED DRAMATICALLY FROM BEING HERE.

MAINLY BECAUSE I GOT TO HEAR A LOT OF UNDERGROUND RAP ARTISTS.

I GOT TO HEAR A LOT OF EXPERIMENTAL LIKE DRUM AND BASS.

I GOT TO HEAR A LOT OF JAZZ ONCE I GOT HERE.

AND THAT LIVE MUSIC EXPERIENCE IN ATLANTA, LIKE, ONE THING I CAN SAY ABOUT ATLANTA FOR SURE IS YOU WILL FIND SOME LIVE MUSIC HERE AT ALL TIMES, EVERYWHERE.

YOU CAN GO SEE BLUES, YOU CAN SEE SOME ACOUSTIC MUSIC, YOU CAN GO HEAR SOME JAZZ AND FROM MOVING AROUND LIKE THAT, YOU JUST, IT JUST STARTS TO SEEP INTO YOU IF YOU'RE A CREATIVE.

(SOFT SOUL MUSIC) (SOFT SOUL MUSIC) ♪ WHAT IS IT NOW?

♪ ♪ MAYBE YOU'RE SCREAMING LOUDER THAN YOU CAN COMPREHEND ♪ ♪ AND AS YOUR MAN, I SHOULD JUST LISTEN TO YOU ♪ ♪ 'TIL YOU THINK I FULLY UNDERSTAND ♪ ♪ 'CAUSE WHEN THERE'S LOVE AT STAKE YOU GET BESIDE YOURSELF ♪ ♪ SO MAYBE THIS LOVE IS REAL ♪ ♪ AND THOUGH I MAKE MISTAKES, IT'S ALRIGHT IN A COUPLE HOURS ♪ ♪ 'CAUSE I SEE JUST HOW YOU FEEL ♪ ♪ AND IF I RETURN THE WORDS TO YOU ♪ ♪ DISCARD THEM WITH A SMILE ♪ ♪ 'CAUSE YOU KNOW WHAT I WANNA SAY ♪ ♪ THIS IS WHAT WE DO WHEN WE ARGUE, WE HUFF AND WE PUFF ♪ ♪ UNTIL WE BLOW DOWN THE HOUSE AGAIN ♪ ♪ WHAT WE SHOULD DO IS KISS AND MAKE UP ♪ ♪ HAVE AMNESIA JUST ONCE AGAIN ♪ ♪ DA DA DA, DA DA DA DA DA ♪ ♪ MUST WE GO ON WITH THIS THING HERE?

♪ ♪ YOU KNOW SOMETIMES I FORGET ♪ ♪ AND ON A BLUE MOON, YOU COPY ME DEAR ♪ ♪ FOR THAT THERE'S NO ANSWER YET ♪ ♪ SO IF YOU CAN'T DECIDE IF YOU'LL STAY ON THE OUTSIDE ♪ ♪ OR IF YOU'LL COME BACK IN ♪ ♪ JUST REMEMBER THE FRIEND THAT WILL SINK IN THE OCEAN ♪ ♪ 'TIL YOU LEARN HOW TO SWIM ♪ ♪ AND IF I RETURN THE WORDS TO YOU ♪ ♪ DISCARD THEM WITH A SMILE ♪ ♪ 'CAUSE YOU KNOW WHAT I WANNA SAY ♪ ♪ THIS IS WHAT WE DO WHEN WE ARGUE, WE HUFF AND WE PUFF ♪ ♪ UNTIL WE BLOW DOWN THE HOUSE AGAIN ♪ ♪ WHAT WE SHOULD DO IS KISS AND MAKE UP ♪ ♪ HAVE AMNESIA JUST ONCE AGAIN ♪ ♪ DA DA DA, DA DA DA DA DA ♪ ♪ THIS IS OUR EXCUSE TO MAKE BETTER LOVE ♪ ♪ RAISE YOUR HANDS WITH ME, GO 50 ON A HUG , OH YEAH... ♪ ♪ THIS IS OUR EXCUSE TO MAKE BETTER LOVE ♪ ♪ RAISE YOUR HANDS WITH ME, GO 50 ON A HUG, 50 ON A HUG ♪ ♪ THIS IS WHAT WE DO WHEN WE ARGUE, WE HUFF AND WE PUFF ♪ ♪ UNTIL WE BLOW DOWN THE HOUSE AGAIN ♪ ♪ WHAT WE SHOULD DO IS KISS AND MAKE UP ♪ ♪ HAVE AMNESIA JUST ONCE AGAIN ♪ ♪ WHAT WE DO WHEN WE ARGUE, WE HUFF AND WE PUFF ♪ ♪ UNTIL WE BLOW DOWN THE HOUSE AGAIN ♪ ♪ WHAT WE DO, OH BABY, WE SHOULD KISS AND MAKE UP ♪ ♪ HAVE AMNESIA JUST ONCE AGAIN ♪ (SMOOTH JAZZ MUSIC) (SMOOTH JAZZ MUSIC) ♪ WHAT WE DO, OH YEAH ♪ ♪ WHAT WE SHOULD DO IS KISS AND MAKE UP ♪ ♪ HAVE AMNESIA JUST ONCE AGAIN... ♪ (CHEERING AND APPLAUSE) (SOULFUL MUSIC) (SOULFUL MUSIC) ♪ FATHER, PLEASE FORGIVE ME FOR WHAT I'M 'BOUT TO DO ♪ ♪ FAR TOO GONE OFF OF FEELINGS ♪ ♪ I DON'T NEED AN EXCUSE ♪ ♪ HANDS ARE SLOWLY DRIFTING TOWARDS THE OCEAN BELOW ♪ ♪ HIPS ARE WAY TOO APPEALING, LET ME TASTE YOUR SOUL ♪ ♪ BE MY WEAKNESS ♪ ♪ OUR BODIES MOVING UP AND DOWN IN SEQUENCE ♪ ♪ AND FOR WHAT IT'S WORTH ♪ ♪ I WANNA REPEAT THIS ♪ ♪ I WANNA TAKE YOU DEEPER THAN YOUR DEEPEST ♪ ♪ IMMA PUT THAT WORK ♪ ♪ N-U, N-U, I'M LOVIN' YOU ♪ ♪ N-U, N-U, N-U, YEAH ♪ ♪ PUSHIN' AND PULLIN' IT ALMOST HURTS TO FEEL SO GOOD ♪ ♪ LOOKING FOR BURIED TREASURE, ONLY RIGHT THAT I SHOULD ♪ ♪ ALL I CAN DO IS STARE AT HANDFULS OF YOUR HAIR ♪ ♪ DON'T YOU FOLD UNDER PRESSURE, 'CAUSE WE'RE ALMOST THERE ♪ ♪ BE MY WEAKNESS ♪ ♪ OUR BODIES MOVING UP AND DOWN IN SEQUENCE ♪ ♪ AND FOR WHAT IT'S WORTH ♪ ♪ I WANNA REPEAT THIS ♪ ♪ I WANNA TAKE YOU DEEPER THAN YOUR DEEPEST ♪ ♪ IMMA PUT THAT WORK ♪ ♪ N-U, N-U, I'M LOVIN' YOU ♪ ♪ N-U, N-U, N-U, YEAH ♪ ♪ HIGH ABOVE THE CLOUDS IS WHERE WE STAY ♪ ♪ CURSING LIKE IT'S ALL WE GOT TO SAY ♪ ♪ EACH AND EVERY MILE I HAVE TO PAY ♪ ♪ HOW I LOVE TO TAKE YOUR BREATH AWAY ♪ ♪ BE MY WEAKNESS ♪ ♪ OUR BODIES MOVING UP AND DOWN IN SEQUENCE ♪ ♪ AND FOR WHAT IT'S WORTH ♪ ♪ I WANNA REPEAT THIS ♪ ♪ I WANNA TAKE YOU DEEPER THAN YOUR DEEPEST ♪ ♪ IMMA PUT THAT WORK ♪ ♪ N-U, N-U, I'M LOVIN' YOU ♪ ♪ N-U, N-U, N-U, YEAH ♪ ♪ N-U, N-U, I'M LOVIN' YOU ♪ ♪ N-U, N-U, N-U, YEAH ♪ (SOULFUL MUSIC) (SOULFUL MUSIC) ♪ N-U, N-U, I'M LOVIN' YOU ♪ ♪ N-U, N-U, N-U, YEAH ♪ ♪ N-U, N-U, I'M LOVIN' YOU ♪ ♪ N-U, N-U, N-U, YEAH YEAH... ♪ (SOULFUL MUSIC) (SOULFUL MUSIC) JESSE BOND, Y'ALL.

(AUDIENCE CHEERING) I WANT MY AUDIENCE TO TAKE AWAY A PIECE OF ME WHEN I PERFORM.

ALL THE MUSIC THAT MY AUDIENCE HEARS WHEN I'M PERFORMING AN ENTIRE ORIGINAL SET, IT'S COMING FROM ME.

I WANT THEM TO BE CONFIDENT THAT I BELIEVE IN WHAT I'M SAYING, AND THAT WHEN THEY MAYBE GO AND LISTEN TO THE SONG AGAIN, THE RECORDED VERSION, THAT THEY CAN TRUST THAT IT'S SOMETHING THAT STARTED IN ITS MOST INFANTILE STAGE AS JUST A SONG THAT I WROTE AT HOME, BUT I FELT ENOUGH ABOUT IT TO WANT TO MAKE IT BLOSSOM INTO SOMETHING THAT I COULD SHARE WITH THEM.

SO I WANT THEM TO TAKE SOME MOMENT FROM THE PERFORMANCE AWAY, AND I ALSO WANT THEM TO FEEL LIKE, "HE'S GENUINE," YOU KNOW, I'M A GENUINE GUY, FIRST OF ALL.

I'M A GENUINE PERSON, BUT I'M A GENUINE ARTIST.

THIS ISN'T ABOUT FANFARE OR ANYTHING LIKE THAT.

THIS IS ABOUT ME DOING WHAT I BELIEVE I WAS PUT ON THIS EARTH TO DO.

SO I REALLY WANT PEOPLE TO UNDERSTAND THAT THIS GUY REALLY MEANS IT, HE REALLY LOVES WHAT HE DOES, AND HE'S WORTH OUR SUPPORT.

♪ SOMETIMES LOVE HASN'T QUITE WORKED OUT ♪ ♪ LIKE I MAY HAVE PLANNED IT ♪ ♪ BUT LOOK WHERE I HAVE LANDED, NEXT TO YOU ♪ ♪ I MUST ADMIT I HAD MY DOUBTS ♪ ♪ COULD I EVEN STAND IT?

♪ ♪ WOULD I JUST BE STRANDED LIKE A FOOL?

♪ ♪ AFTER ALL THE DRAMA THAT I'VE BEEN THROUGH ♪ ♪ YOU BROUGHT ME GOOD KARMA ♪ ♪ THIS ONE GOES OUT TO KELLY ♪ ♪ THIS ONE GOES OUT TO COURTNEY ♪ ♪ THEY WEREN'T THE RIGHT ONE FOR ME ♪ ♪ BUT THEY LED, LED ME TO YOU ♪ ♪ THIS ONE GOES OUT TO LISA ♪ ♪ THIS ONE GOES OUT TO MONA ♪ ♪ THEY WEREN'T QUITE WHAT I WANTED ♪ ♪ BUT THEY LED, LED ME TO YOU ♪ ♪ THEY LED ME TO YOU... ♪ ♪ THEY LED ME TO YOU ♪ ♪ THEY LED ME TO YOU ♪ ♪ THEY LED ME TO YOU ♪ ♪ I'M NOT ONE FOR SUPERSTITION OR SUPERFICIAL MISSIONS ♪ ♪ TO CALLOUSLY KEEP FISHING FOR A DIME ♪ ♪ LOVE SHOWED UP RIGHT IN FRONT OF ME ♪ ♪ MADE A TWO-PART HARMONY ♪ ♪ MADE A PERFECT DIAMOND FOR ME TO FIND ♪ ♪ AFTER ALL THE DRAMA THAT I'VE BEEN THROUGH ♪ ♪ YOU BROUGHT ME GOOD KARMA ♪ ♪ THIS ONE GOES OUT TO KELLY ♪ ♪ THIS ONE GOES OUT TO COURTNEY ♪ ♪ THEY WEREN'T THE RIGHT ONE FOR ME ♪ ♪ BUT THEY LED, LED ME TO YOU ♪ ♪ THIS ONE GOES OUT TO LISA ♪ ♪ THIS ONE GOES OUT TO MONA ♪ ♪ THEY WEREN'T QUITE WHAT I WANTED ♪ ♪ BUT THEY LED, LED ME TO YOU ♪ ♪ THEY LED ME TO YOU ♪ ♪ THEY LED ME TO YOU ♪ ♪ THEY LED ME TO YOU ♪ ♪ THEY LED ME ♪ ♪ OH BABY, I JUST WANNA, I WANNA LOVE YOU CRAZY ♪ ♪ AND SHOW 'EM, SHOW 'EM HOW AMAZING IT CAN BE ♪ ♪ WHEN IT FALLS INTO PLACE AND LOVE WE MAKING ♪ ♪ OH BABY, I JUST WANNA, I WANNA LOVE YOU CRAZY ♪ ♪ AND SHOW 'EM, SHOW 'EM HOW AMAZING IT CAN BE ♪ ♪ WHEN THINGS FALL INTO PLACE ♪ ♪ THIS GOES OUT TO KELLY ♪ ♪ THIS ONE GOES OUT TO COURTNEY ♪ ♪ THEY WEREN'T THE RIGHT ONE FOR ME ♪ ♪ BUT THEY LED, LED ME TO YOU ♪ ♪ THIS ONE GOES OUT TO LISA ♪ ♪ THIS ONE GOES OUT TO MONA ♪ ♪ THEY WEREN'T QUITE WHAT I WANTED ♪ ♪ BUT THEY LED, LED ME TO YOU ♪ ♪ THEY LED ME TO YOU ♪ ♪ THEY LED ME TO YOU ♪ ♪ THEY LED ME TO YOU ♪ ♪ THEY LED ME TO YOU... ♪ ♪ THEY LED ME... ♪ ♪ THEY LED ME TO YOU ♪ ♪ THEY LED ME ♪ ♪ THEY LED ME TO YOU ♪ ♪ THEY LED ME TO YOU ♪ I WANNA INTRODUCE THESE GUYS ONE MORE TIME.

TO MY LEFT, ON THE GUITAR, MR. JESSE BOND.

(AUDIENCE CHEERS) TO MY RIGHT, IN THE BACK, MR. BRANDON MCRAE.

(AUDIENCE CHEERS) KILLIN' THE BASS.

AND IN THE BACK, MY LITTLE BRO, MR. JUSTICE MICHAEL.

(AUDIENCE CHEERS) MY NAME IS KAMERON CORVET.

♪ VOCALIZING ♪ (UPBEAT MUSIC) ♪ THEY LED ME TO YOU ♪ ♪ THEY LED ME TO YOU... ♪ ♪ THEY LED ME... TO YOU... ♪ (UPBEAT MUSIC) (UPBEAT MUSIC) (AUDIENCE CHEERING) I'D RATHER BE REMEMBERED AS A LEGEND.

LEGENDS DON'T ALWAYS GET THE SAME PUBLICITY AS ICONS DO, BUT I'D LIKE TO BE REMEMBERED IN THE WAY THAT LEGENDS ARE REMEMBERED.

YOU KNOW, PEOPLE TALK ABOUT LEGENDS AROUND THE FIREPLACE WITH MARSHMALLOWS AND IN RANDOM MOMENTS, I WANT PEOPLE TO SPEAK ABOUT ME LIKE THAT.

I WANT YOU TO BE DOING YOUR LAUNDRY, AND THINKING, "MAN, I REMEMBER WHEN HE WAS PLAYING THAT GUITAR SOLO AND, YOU KNOW, HE STOPPED IN THE MIDDLE OF IT AND HE LOOKED AT ME AND THEN HE STARTED SINGING AGAIN."

I FEEL LIKE LEGENDS CREATE THEIR OWN PATH, YOU KNOW?

AND ICONS ARE AMAZING AS WELL, BUT, YOU KNOW, I THINK BEING FAMOUS ISN'T SOMETHING THAT I'M ATTACHED TO.

I WANT MY AUDIENCE TO BE ABLE TO FIND ME WHEREVER THEY ARE AND TO BE INSPIRED BY ME.

WHETHER THAT MEANS THE WORLD KNOWS ME OR WHETHER THAT MEANS YOU KNOW, THERE'S A JUST A GROUP OF PEOPLE THAT ARE MY COLLECTIVE CREW KNOW WHO I AM AND WHEN I'M IN TOWN, THEY COME TO MY SHOWS.

SO, LEGEND FOR SURE.

(ACOUSTIC GUITAR MUSIC) ♪ NORMALLY, I LIKE TO JUST GO WITH THE FLOW OF THINGS ♪ ♪ I BEEN KNOWN TO DISAPPEAR ♪ ♪ WHEN PEOPLE TALK ABOUT LOVE ♪ KNOWING WHAT I KNOW NOW, I WOULDN'T CHANGE ANYTHING ABOUT MY JOURNEY, YOU KNOW.

SOME OF THE HEARTBREAK I WISH WAS, YOU KNOW, NOT AS DIFFICULT.

BUT SOME OF MY BEST SONGS HAVE COME FROM THAT.

♪ YOU GOT WHAT I WANT, WHAT I NEED, AND I SWEAR IT'S UNFAIR ♪ SOMETIMES THE ROAD IS MEANT TO TEST US WITH THINGS THAT WE NEED TO OVERCOME, YOU KNOW?

SO, NO, I WOULDN'T CHANGE MY JOURNEY AT ALL AS FAST OR SLOW AS IT GOES, I'M COOL WITH IT AS IT IS.

♪ I WANNA GIVE IT A TRY ♪ ♪ I WANNA GIVE IT A TRY ♪ ♪ AND MAKE YOU MY ONLY ONE ♪ ♪ I WANNA GIVE IT A TRY... ♪ ♪ WANNA GIVE IT A TRY ♪ ♪ AND MAKE YOU MY ONLY ONE ♪ ♪ OH YEAH, I WANNA GIVE IT A TRY ♪ (SOFT GUITAR MUSIC) W-A-B-E (MUSIC TONES)