Remember, Sarah Kramer?

Went missing about 8 years ago?

Yeah.

We do believe that under the grass is concrete, which may well have preserved her body, which bodes really well for forensics, obviously.

BROOKS: You kill her, and somebody buries her body in cement, and you don't know who that is.

Why don't you go and talk to your boss Drummond?

I've been investigating Drummond for years now.

What?

I am so close, but your cowboy antics are gonna fuck this whole thing up, so I need you to play by the rules and trust me, okay?

[ Chuckling ] Hi.

Chrissy.

Is -- Is Daniel with you?

BROOKS: Chrissy, what is this?

CHRISSY: That's what he was wearing that night.

To an honest day's work, right?

Cheers.

Cheers.

[ Glasses clinking ] BROOKS: Are you okay?

Listen.

Can you hear me?

Can you hear me?

Aah!

Aah!

Oh, fuck.

[ Sighs ] [ Siren wails in distance ] [ Exhales sharply ] -Hi.

-It's me.

I, um -- I've been robbed.

WESTON: What?

Put money on who's behind it.

He hasn't left the pub all night.

He's been with me all night.

BROOKS: I can't drive.

Can you, um, come and get me?

I'm -- I'm -- I'm at Abelman Road.

Okay.

I'm on my way.

Bye.

Sorry I'm a little late.

I was just down at the pub with the team.

Why are you just watching a blank screen?

-[ Scoffs ] -Huh?

You all right?

Yeah, yeah.

I'm good, just, um, tired.

I'll go and run a bath for you.

No.

It's good, honestly.

I'm fine.

You -- You have a chill.

Have the rest of the wine.

I'm gonna -- I'm gonna go to bed.

Night, then.

CHRISSY: Night.

Okay.

WESTON: You okay?

Chrissy gave me a bag of clothes.

The clothes had, um, cement on them, and she said that they were the clothes he was wearing the night Sarah went missing.

Great, right?

But they're not here, Jack.

They've been stolen.

Get in the car.

We'll go to A&E.

We worry about bags later.

-I don't need to go to -- -No.

Get in the car.

The sooner you get checked out, the sooner we can get you back.

Please don't shout at me, for fuck's sake.

[ Clears throat ] Hey, Jenny, can I get the CCTV for this room at 10:00 p.m. onwards on Abelman Road last night?

A-B-E-L. Quick as you can.

Send it to my computer.

Yeah, quick as you can, straight to this computer.

Thank you.

Bye.

-WESTON: Sir?

-Yeah.

Did you hear what happened to Alisha last night?

-DANIEL: What?

-She was attacked last night.

-What?

-What?

-STEELE: Where?

-Abelman Road.

STEELE: Are you kidding?

By who?

I don't know, actually.

Is she all right?

WESTON: I took her A&E, but she's been released from there.

She's going home to change, but she's gonna be back soon.

-Jesus Christ.

What happened?

-She was driving along.

She found a woman stranded in the middle of the road.

She got out to help, and, suddenly, she was hit from behind.

It was a trap.

She was knocked unconscious, yeah.

DANIEL: Okay.

We need to get on this.

Clear the board of the Sarah Kramer.

WESTON: Do you mind if we leave that up?

-I just think... -I do, yeah, because we need it clear.

WESTON: No, I just think it's prudent.

DANIEL: We need to find out who attacked one of our officers.

Myself and Alisha both think the cases are connected.

A murder that happened 8 years ago and an officer being attacked last night -- they're connected?

Her inquiries on the Sarah Kramer case are ongoing, therefore, my inquiries are ongoing, so I'm keeping that on the fucking board.

Sorry, but it's staying on the board.

DANIEL: Okay, you have a day to prove this wild theory to me, okay?

Both Alisha and I think that it's entirely likely that Drummond was behind the attack on Alisha last night.

What?

[ Chuckles ] What?

He was in the pub with us last night.

I know, but listen.

Maybe he orchestrated this.

He planned this.

He called someone in.

Did he leave at any stage to go make a call or something?

He went for a slash a couple of times.

I don't know.

I can't remember.

Alisha went to Drummond's house last night, spoke to Drummond's wife.

She gave Alisha clothes -- clothes that Drummond had been wearing on the night that Sarah Kramer was murdered.

-Really?

-WESTON: Exactly.

Exactly.

So Alisha was on her way back to the station to get the clothes tested forensically when -- when... We need to get those bags back.

I've already made it certain that -- No, no, no, Jack.

We as, like, a team need to get those bags back.

We have the best chance of doing this if we do it together.

Yes, that's why I'm telling you all the information that I know.

Also, have you two done your written accounts of what happened, you on the roof with Stan, you on the roof and with the guns?

I don't have time.

I don't have time.

I'm not interested in saving my career.

I'm interested in taking Drummond down.

I am interested in you saving your career.

And I don't want you to get fired, either.

STEELE: Okay.

So this -- -DANIEL: What's this?

-What?

What are you doing?

Um, this is the car carrying the people that we think attacked Alisha, and it's registered to a Natasha Roberts, 21 years old, University of Greater London.

We don't have eyes on her yet.

I've got Lofty ringing around to find her.

WESTON: Uniform are bringing the car here now, which is great.

STEELE: It was stopped last night for driving erratically.

And at some point, let's go forward a bit, they get out and stupidly just abandon ship.

-WESTON: Oh.

-STEELE: Yeah.

-WESTON: Two.

Okay.

-STEELE: Yeah.

-Do you recognize her?

-We have the car.

Crawling out of the front seat?

-Do I recognize?

-WESTON: Yeah.

-No.

-No?

-Sir.

-Li!

-Hi.

-Ooh.

Come sit down.

Come sit down.

-I'm fine, sir.

-Come and sit down, please.

-Yeah.

I'm fine.

I'm fine.

Yeah.

-Do you want me to come in?

BROOKS: Sir, I really don't want to make a fuss now.

I -- DANIEL: What the hell happened?

I don't know.

Just maybe opportunist kids.

-I just -- -Where have you been hit?

They just hit me on the back of the neck, which, obviously, stunned me and took off with the contents of my car, and... What was in the car?

-Just some shopping.

-Just some shopping?

Yeah, but I've got it all on credit card, so I'm sure I'll be able to sort it out.

So you got bashed on the back of the head for a bit of shopping?

I don't know.

I think they just thought they might get lucky.

But I'm fine.

I've been checked over by the hospital.

-Are you sure?

-Yeah, absolutely.

-Do you want to go home?

-Oh, God, no, sir.

-Are you sure?

-No, I would like to be at work.

Okay, well, we're doing everything we can to catch this.

I'm sure you are.

We've got some CCTV footage, actually, and so we've just been -- [ Telephone rings ] Oh, hang on.

I need to get that.

-Thank you, sir.

-Yeah.

Thanks, Li.

-Just take it easy today, yeah?

-Yep.

[ Door closes ] -Key?

-There's just crap.

Yes.

Done.

Got it.

-Sarge?

-BROOKS: Yeah.

Sarge, can I borrow you?

Thank you.

You have positively ID'd Natasha Roberts as the woman who decoyed you, stopped you in the street, and we know that she owns the car, so we have her, but, obviously, she has an accomplice.

Mm-hmm.

So I've been working backwards on the CCTV to try and find if she was with anyone earlier in the evening because there was obviously someone else in the car who ran when they were stopped.

So this footage comes from the ATM about an hour before you're attacked.

There's Natasha Roberts.

She's got a friend.

Stop it.

Stop it there.

I know who that is.

Do you?

It's Drummond's son.

[ Siren wails in distance ] Nice one.

Nice one.

Uh, Luke Drummond's Oyster card has just pinged at a North Hill Tube station.

So close.

Car?

No.

We don't need a car.

It's only got this exit, right?

Wait, wait, wait, wait, wait.

Oh, there he is.

I see him.

I see him.

Hi, sir.

Sorry.

If you could just stop for a second.

I'm Detective Constable Charlie Steele.

This is my colleague.

He'd like to talk to you.

-ROSCOE: Get him.

Get him.

-Fuck!

LUKE: Fuck.

Fucking hell.

Get off me!

Back off.

I didn't do anything.

-Oi!

Pipe the fuck down!

-Fuck off!

Luke Drummond, I'm arresting you... -Fuck off.

-...for robbery and ABH of a police officer.

You do not have to say anything.

It may harm your defense if you do not mention when questioned something you later rely on in court.

-Sarge, afternoon.

-Afternoon.

This is Luke Drummond.

He's been arrested on suspicion of robbery and ABH of a police officer.

Bad move.

I'm getting you so fired for this.

Just a second.

Just a second, sweetheart.

He's had a pat down, but not search, so we'll have to do that.

-Yep.

All right.

-Sorry.

What was that?

What was that?

I said I'll get you fired for this.

-Oh, can you?

-The fact that you stink of weed gives me grounds enough to take you into a cell and strip-search you.

Get the fuck out of my face.

Oh, strip searches are so much fun.

Get me some gloves for this, Charlie.

That's so me.

I'm all over it.

[ Door opens ] -ROSCOE: Hi, Luke.

-STEELE: All right?

[ Door closes ] I think we had a nice moment there, didn't we, mate?

Just me and you.

He's playing hard to get, but he enjoyed himself.

You'll be happy to hear there's no additional drug charges against you, though.

Let that one slide for you.

Tell me who the girl is in this photo, please, Luke.

My girlfriend, Tash.

Does Tash have a full name?

-Natasha Roberts.

-Thank you.

Did you see Tash last night, Luke?

No.

Not at all.

No.

Let me make this slightly easier for you, okay?

But at some point, we're gonna have to talk to Tash and corroborate her story with yours.

So if there's anything that you want to tell me or tell us, tell us now because if you lie to me now, you're gonna be in a much worse position when I find out the truth.

Did you see Tash last night?

-Yeah.

-Okay.

-We're getting somewhere.

-Mm-hmm.

STEELE: So what did you do when you saw Tash last night?

Smoked a little bit of weed.

STEELE: Where?

Where?

In her car.

STEELE: And where was the car parked?

Outside my house.

[ Sighs ] She didn't have anything to do with it.

None of it was her idea.

It was my idea.

To do with it?

It being...

The assault and robbery of D.S.

Alisha Brooks?

Is that the it that you're talking about?

-Yes.

-STEELE: Okay.

Just so we're clear.

And was it your idea to use Tash as the decoy to get Alisha Brooks to stop?

Did you think it was a really clever idea?

No comment.

Can I see my dad, please?

[ Scoffs ] No.

No, because you've been arrested on suspicion of assaulting and robbing a police officer, and you're not a minor, Luke.

You're in a lot of trouble, and not even your dad can help you now.

So why don't you sit tight, think about that, and we'll talk to you a bit later?

"Can I see my dad?"

No.

No, you can't.

[ Door opens ] -WESTON: You sure you're okay?

-Yeah.

You have your chase up there.

-Hi.

How'd it go?

-Hi.

Good.

Really, really, really good.

He was basically so desperate to exonerate Natasha that he just put his hands up and said, "I did it all."

That's all right.

Safe to assume, I think, that Drummond has got a load to do with jury reform.

-STEELE: Abso-fucking-lutely.

-Yeah.

Yeah.

Okay, assumptions aside, we need proof all of this -- WESTON: Yeah, and in order to prove that, I sent Luke's phone off to TIU, so hopefully, if there's any contact between father and son last night... -It'll show up.

-WESTON: Yeah.

[ Clears throat ] Excuse me.

[ Telephone rings ] -STEELE: [ Sighs ] -BROOKS: Nice work, guys.

Weston.

Alisha, Chrissy Drummond's downstairs.

Okay.

Uh, yeah.

I've got this, thanks.

WESTON: Okay.

Alisha's coming down to you.

Okay.

Do you have a second?

-Yeah, of course.

Come in.

-Yeah?

Come in.

How you doing?

Shouldn't take too long.

Um, listen.

[ Clears throat ] I hate to be the one to have to tell you this.

-Your son is Luke, right?

-Yeah.

Listen.

We've got him downstairs.

We think that he might be connected to the assault on Alisha, yeah.

-What?

-Yeah.

Listen.

No, no.

It's probably best if you don't.

You're his parent.

You shouldn't be involved with the inquiry.

Let us ask him some questions, then you can get involved, but not until then.

I'll tell you, I need to ring Chrissy.

Uh, no need to do that.

I called her.

Last night, when I left your house, Chrissy, I was ambushed, assaulted, whatever you want to call it.

Um, and the contents of my car, what you gave me, was taken.

And I have strong suspicions and quite significant evidence to suggest that Luke was involved.

Why -- Why would -- Why would Luke -- [ Siren wails in distance ] DANIEL: You think he might have done it?

I -- Listen.

I can't give too much information away at the moment.

That doesn't concern you, but I will say that CCTV has been very helpful so far.

What's the proof on this?

I can't go into any more details.

Come on, Jack.

It's me.

What's the proof of this?

Sorry.

I can't go into any more detail.

The CCTV footage that we saw this morning, there's no conclusive proof of anything.

There's further CCTV that's come in of an ATM machine.

-That implicates Luke... -Implicates Luke.

-...with the assault on Alisha?

-Mm-hmm.

Listen, my hands are tied here.

I can't give you anything else.

I'm sorry.

[ Keys clack ] [ Lock disengages ] DANIEL: You okay?

Are you gonna get me out or what?

Okay, what did you say to those officers, Gary and Charlie, when they interviewed you?

-What do you mean?

-What did you say?

I told them what I did.

I didn't want to get Tash in trouble, so, I mean... What was in the bags?

-Clothes.

-Clothes?

I did exactly what you told me to do!

What kind of clothes?

What do you mean, clothes?

-Whose cl-- Whose clothes?

-I don't fucking know!

-Fucking hell.

-Dad!

-BROOKS: I really don't think... -Just a minute, please, Li.

...it's a good idea that you're in here right now.

-Just give us a minute.

-Sir, please.

You're putting me in a very difficult position.

I'm asking you to do as you're told.

It's okay.

Thank you.

[ Door opens, closes ] You okay?

What is -- What is Luke doing here?

-How could you -- -What was in those bags?

-How could you get Luke inv-- -What was in those bags?

Hang on a minute.

I've got questions, too.

Okay?

Alisha comes round my house last night.

She tells me you were sleeping with Sarah Kramer.

She tells me you had something to do with her disappearance.

She says all this stuff to me, Danny.

Chrissy, all this can be helped if you tell me what was in those bags.

-Why have you got Luke inv -- -It could help us all.

I can get Luke out, Chrissy, if you just tell me what was in those bags.

-Help us all?

-Yes.

-Help us all?

-What was in those bags?

What have you done to our family?

Chrissy, Chrissy, you have to tell me what was in those bags.

You're keeping me like some kind of criminal, Daniel.

-All right.

-I haven't -- I'm gonna ask you again, Chrissy.

You have to tell me.

You have to help us here.

What was in those bags?

[ Voice breaking ] I kept your s-- your s-suit that you were wearing the evening you came back.

I kept it.

[ Door slams ] -Right.

Luke Drummond's phone.

-WESTON: Yeah?

15 minutes before he attacked Alisha, he rang an unregistered, pay-as-you-go phone.

Surprise, surprise, surprise, it's been disconnected.

Well, Luke, obviously, saw me come out of the house and rang his dad.

He was in the pub toasting to future and team.

And then he's, what, arranging an attack?

Gary, he's done a lot, lot worse than that right under our noses.

Sir, sir, sorry, I don't think -- Li, you gonna tell me you were around at mine last night?

You think I want you to find out?

What were you doing at mine last night, Li?

-Sir, I cannot -- -What the fuck is going on?

-Why would you do that to me?

-Please respect the procedure.

-Sir, please.

-Why would you do that to me?

-Sir, please.

Please.

-Why would you do that to me?

What the fuck is going on, Li?

I think you should leave the office, please.

Oh, really?

You're gonna tell me to leave my own office?

-Oh, I'm gonna ask, sir.

-I don't think you are.

I don't think you are.

Move outta my way.

What the fuck were you doing?

Stop.

Whoa, whoa, whoa.

Whoa, whoa.

Stop, stop.

Hey!

-Jack.

Jack.

-Whoa, whoa.

Whoa, whoa.

-Jack.

-Whoa, whoa, whoa, whoa, Jack.

-All right.

-Jack.

-Sir.

-Jack, stop it.

BROOKS: Sir, please, just leave.

-Just leave.

-STEELE: Jack, I'm sorry.

-Sir, please.

-I didn't mean to push you.

You are making this a whole lot worse for yourself, sir.

Please.

Enough.

Don't give him the satisfaction.

-Sir.

-This is my fucking office!

[ Engine revs ] [ Doorbell rings ] -Daniel?

-Yeah.

-What -- What -- -Shut the door.

What do you mean, shut the door?

I'm not calling for the good of my health.

I'm chasing up to see if you got the results.

Jack, come on.

Alisha, chill out.

You've got them?

Hallelujah.

Halle-fucking-lujah.

Okay.

I'll be down at the lab in 10 minutes.

Yes, 10 minutes.

Oh, my God.

She drives me up the wall.

Jack, you've got to keep these people on side, okay?

-Yeah?

-Yeah.

Okay.

They're gonna be ready in 10 minutes.

STEELE: You owe Lindsay an apology.

You know that, right?

-I don't -- Okay.

-Okay.

What I'm doing is starting a forensic test on the clothes as we speak.

Okay.

Can they confirm they're Drummond's?

It should hopefully confirm that.

They did find a watch.

-BROOKS: Is -- is that blood?

-WESTON: That's blood.

Blood on the inside of the casing, blood in and out of the strap.

It's Sarah Kramer's blood, but it's not Drummond's watch.

BROOKS: It was in his jacket.

I know it was in his jacket.

It's Joseph Kramer's watch.

We took Joseph's samples when we were looking for Sarah when she originally went missing.

It's a perfect match.

The police will be here.

They're gonna have to talk to you.

That's all.

We just stick to the story.

I will make sure nothing happens to you.

-Are we good?

-I'll try.

You don't have to prove you're innocent.

They have to prove you guilty.

It's up to them, all right?

[ Door knocker clacking ] Mr. Kramer, Joseph, hi.

Do you remember me, Detective Sergeant Jack Weston?

This is my colleague, Detective Sergeant Alisha Brooks.

I actually have a few more questions to ask you about Sarah.

Now, unfortunately, my colleague here has to search your premises, so I don't want to put you out any further.

I'm gonna bring you back to the station.

Uh, we have a quick couple of questions, quick cup of tea, and we get you back here as soon as we can.

-Let's pop down.

-Mr. Kramer, is there a key you can leave with me?

I'll let -- I'll make sure that gets back to you.

-Okay.

-Thanks.

BROOKS: Thank you, Mr. Kramer.

Thanks for your cooperation.

Let me know if you find anything.

BROOKS: Yeah.

Got it.

As I said, hopefully, we're not gonna keep you too long.

Just have a few questions to ask you.

Right.

Okay.

Do you recognize this?

Oh.

[ Inhales sharply ] It's my watch.

-It was my watch.

-Yeah.

When was the last time do you think you saw that watch?

Oh, um, years ago.

WESTON: We found that watch today.

We sent it into the lab.

We got our guys to crack it open.

Inside the casing, we found... blood.

Oh.

God.

Sarah's blood, isn't it?

It is Sarah's blood, yeah.

Oh.

[ Sniffles ] How did Sarah's blood get on the inside of the watch?

[ Inhales sharply ] Oh, thanks.

[ Blows nose ] [ Sobs ] She said that if I wouldn't -- If I wouldn't -- if I wouldn't give her any more money, she would tell people that... [ Sighs ] She would tell people that I touched her, abused her, and not only that, but abused the foster kids.

Well, I got angry.

I got more angry.

I saw red.

[ Sniffles ] And I pushed her very hard against the fireplace.

And she hit her head.

[ Sniffles ] And there was so much blood.

There was blood everywhere.

You know?

And I didn't know what to do.

One of the kids I fostered was, uh, Mo Jones, a lad called -- Morris Jones.

Yeah.

KRAMER: So I phoned him to see what to do.

I didn't know what to do.

I was in...

So you called Mo over.

Please.

Please, Joseph.

And he -- he -- he said, um, he would sort it all out and told me to -- told me to go upstairs and, um, get changed, take all the clothes off that I had on.

There was -- You know, there was blood all over everything.

So that's what I did.

And he said, "Go to the pub.

Make a fuss about the time," and he would sort it all out.

In that case, for the moment, Joseph Kramer, I'm arresting you for the murder of Sarah Kramer.

You don't have to say anything, though it may harm your defense if you fail to mention when questioned something you later rely on in court.

Anything you do say may be used in evidence.

Do you understand?

Guys.

[ Indistinct conversations ] Can I pick your brains for a second?

Of course.

Joseph Kramer is absolutely convinced Sarah Kramer died when they had a row and she fell and hit her head.

-Right.

-WESTON: But we already -- Mo's confessed to strangling her.

Exactly, and -- and we know that she died of strangulation.

She died of strangulation.

Of course.

Joseph's downstairs bawling his eyes out.

He's convinced that she died after they had a row.

He pushed her, and she fell and hit her head.

He panics, doesn't know what to do, doesn't call the police, calls Mo.

Mo comes over, says, "Oh, do you know what?

Why don't you piss off for an hour, get yourself an alibi, I'll sort this out?"

So Mo finishes her off because, obviously, it suits him for her to be dead.

You know, she's informing on him.

She's sleeping with Drummond.

That fucker's gone.

She's lying there unconscious and... And Joseph's blamed himself all these years.

Can you get onto the pathologist, see if there's any evidence of a nonfatal head injury to the back of Sarah Kramer's skull immediately prior to the death?

ROSCOE: Yeah.

Right on, Sarge.

Hold on two seconds here.

ROSCOE: Yeah.

Coroner's office.

[ Clears throat ] What's Safe Gate Prison again?

STEELE: Oh, just call reception.

They'll put you through.

ROSCOE: Tim, how you doing, mate?

It's Roscoe.

Hey, hey, can you put me through to Safe Gate Prison?

ROSCOE: I need to know who was on the Kramer case.

Hi, there.

This is Detective Sergeant Jack Weston.

Can I get through to police liaison, please?

Thank you.

Hey, Graham.

Um, want to check out a prisoner for interview, please.

Morris Jones.

How you doing?

[ Door closes ] Look at that.

Wow.

Looks painful.

Uh, Joseph Kramer.

When my old man went down back in the '80s, he looked after me.

He fostered you.

That's right, yeah.

Hmm.

-He's a good man.

-Yeah.

-He's a good man.

-Yeah.

You fucked him over, though, didn't you?

He won't last a week in prison.

He's a good man.

You leave him alone.

I'd love to leave him alone, but you've got him right in the frame for Sarah Kramer's murder.

I gave you a statement, I've told you what's happened, and that's that.

STEELE: Yep.

Yeah, that's a good point, Charlie.

Sorry.

That was the pathologist who did the PM on Kramer.

Um, there's definitely bruising on the head, but no fracture.

Uh, bruising was about enough to knock her out, but definitely not to kill her.

Okay.

One of us and Gary go down and talk to Joseph.

-BROOKS: Put it to Joseph.

-See how he reacts.

We might be able to get something from that.

ROSCOE: Joseph, the pathologist confirms that Sarah Kramer had bruising to the head, but not a fractured skull.

The cause of death was actually strangulation, Joseph.

No, it wasn't.

Mo killed Sarah.

She wasn't dead when she hit her head.

-I don't know -- -It was just bruising.

There was no fracture.

And when Mo arrived, he pretended to you that she was dead.

-And when you went upstairs... -I can't believe this.

...Mo strangled Sarah.

Got it, yeah.

I understand.

So, so helpful.

Thank you very, very much.

Yep.

Thank you.

BROOKS: What have you got?

So Joseph and Marian Kramer have fostered hundreds of kids over the course of 25 years, either kids like Mo, whose parents were in prison, or families where there was domestic abuse, substance abuse, right?

Daniel Drummond was 12 when he stayed with the Kramers.

Now, his mother had reported some domestic abuse in the home.

But when the Social Services looked into it more, it also turned out she was struggling with substance abuse.

So did he go back?

Was he fostered only the once?

STEELE: That's all that they told me.

-Just the one time.

-Okay.

I mean, it's not uncommon.

I see it time and time again.

Once you gel with a foster parent, you're back and forth to that parent whenever it gets tricky at home, so that may well have been the case.

If he had met Mo in that time and spent time with him, that would make so much sense.

And it also makes sense of this loyalty that he has to Joseph.

Joseph told us that on the night that Sarah died that he argued with her, that she fell and hit her head and that he called you for help.

At no point when you gave us this statement did you tell us any of this, but we now know it to be true.

And when you arrived following his call for help and you saw Sarah lying prostrate on the ground, you made a choice, Mr. Jones.

You made a choice in that moment to strangle her rather than help her.

And a man who had cared for you for such a long time... ...believed that he killed his own daughter.

Do you acknowledge that the things that I have just said to you are true?

Listen.

I'll tell you one thing.

I didn't know she was pregnant, all right?

Things might have been different if I had known that.

Different?

How so?

You mean you might not have strangled her when she was lying unconscious?

You might not have buried her body in concrete?

You might not have let her mother die not knowing what happened to her?

You might not have let Joseph think for all this time that he killed her?

Mr. Jones, it's my belief and understanding from, um, all the evidence that we've gathered that you were exploiting Daniel Drummond's loyalty to Joseph when you asked him to help you bury the body.

Is that correct?

We were in foster care together.

-BROOKS: We know this.

-We were like brothers.

BROOKS: Mm-hmm.

That's all you fucking need to know.

Not very brotherly to set up your brother, is it?

You do know that's what's happened here.

Drummond has very detailed knowledge of the ins and outs of forensic investigation.

When he put that scarf in that cement with that body, he knew it'd lead us straight to you, no question.

That's your brother, Mr. Jones.

So I'll ask again.

Was it Daniel Drummond who helped you cover up and bury Sarah Kramer's body?

You shouldn't still be here.

What -- What have you said?

You should be released.

You'll have to forgive me, Daniel.

I've told 'em everything.

What do you mean?

I've told 'em everything I did.

Fuck.

Joe, I can't keep you out of prison anymore, all right?

I'm so sorry.

There's nothing I can do now you've done that.

But there's something else that... And this is terrible.

They told me in there that when I called Mo and he came round, Sarah wasn't dead.

KRAMER: Mo killed her.

I could have saved her.

But when I got there, she was already dead.

It was too late.

You knew about this?

Mo killed Sarah because she was informing on him to me, to the police.

I buried her body for you.

Well, you're no better than him.

DANIEL: No.

That's -- Don't say that.

That's bullshit.

I can't believe what you've said.

I believed in you when nobody else did.

Your parents didn't believe in you.

I believed in you.

I'll tell you what, Daniel, you got to fix this.

You owe that to Sarah.

You fix it.

[ Glass scrapes ] [ Keys clack ] [ Lock disengages ] CPS now have the case files for both Luke and Joseph Kramer.

And then in terms of D.C.I.

Drummond, I think the next step for us will be to contact... [ Alarm beeping ] That the cells?

BROOKS: ...the Department of Professional Standards.

[ Beeping continues ] [ Indistinct shouting ] -Jesus.

-Aah!

Jack, no, no, no!

Stop!

Stay.

BROOKS: Can we just have a look at that, please?

Thank you.

Jack, I mean, did all the usual checks, questions, and there was nothing to suggest he should have been suicidal.

Was his cell searched beforehand?

-Yeah.

-You sure?

Yes, Jack.

Yes.

It was definitely searched.

In that case, someone walked this in.

Someone's brought this in.

Okay.

[ Sighs ] What now?

Wasn't even on suicide watch.

-Did you get it?

-Yeah.

-I don't get it.

How is it -- -No, he wasn't.

And all the correct procedures were taken.

It still happened.

How did he even get ahold of this?

Like, it couldn't have been in the cell.

He couldn't -- He can't smuggle this in.

Look at the size of it.

Geez.

Oh, it's making me feel sick, actually.

ROSCOE: That's pretty gross.

[ Television beeps] Here we go.

[ Remote thuds ] Okay.

BROOKS: It's just the stuff on the cells, right?

WESTON: Yeah.

[ Siren wails in distance ] -See?

-ROSCOE: See what?

-Nothing there.

-Just playing with his nose.

STEELE: He couldn't have taken anything in, anyway.

I don't know how long this tape is.

-ROSCOE: Oh, who's this?

-Huh?

Oh.

STEELE: Oh, for fuck's sake.

Oh.

What's that in his hand?

Oh, keys.

-STEELE: Oh, it's the keys.

-ROSCOE: Keys.

BROOKS: I would love to hear what he's saying.

ROSCOE: Well, doesn't want the cameras to see what he's saying.

-That's for sure.

-STEELE: Ah.

Oh!

Whoa, whoa, whoa.

Okay.

We need to find Drummond.

Hello.

I need a trace on one of our C.I.D.

cards.

It's Oscar, uniform, 65, Yankee, Zulu, echo.

[ Siren wails in distance ] He's gone home.

He's gone home.

-Okay.

He's gone home.

-Go.

-Sarge, will you start this?

-Throw it in the boot.

-DANIEL: Listen to me!

-Don't fucking touch me!

I need to talk to you about this!

-Get out of my way!

-Chrissy!

I'm not gonna fucking hurt you.

You are not going anywhere.

Listen to me.

Listen to me.

Let me explain to you what happened.

Stay there.

Stay there.

Okay.

I did not kill that girl.

But I had to help -- I had to help -- I had to help bury her because Joseph -- Joseph was gonna go down for murdering her, okay, and I had to help, but I did it for Joseph.

I don't give a shit about you.

Our son is going to prison because of you.

You don't give a damn about anybody except yourself.

79.

ROSCOE: Okay.

So this is it.

[ Pounding on door ] Please.

Please.

Please, Chrissy.

Go check at the back door.

No, no, no, no.

This one.

Where is he?

[ Clears throat ] Mr. Drummond, I'm arresting you for encouraging the suicide of Morris Jones and for preventing the lawful burial of Sarah Kramer.

You do not have to say anything, thought it may harm your defense if you fail to mention when questioned something you later rely on in court.

Anything you do say may be used in evidence.

Do you understand?

Gary, search him.

-Clear.

-Downstairs.

There you go.

Sarge.

This is Mr. Daniel Drummond.

He's my prisoner.

I arrested him for preventing a lawful burial and for assisting a suicide.

Are we free to approach the desk?

-Yes, you are.

-Yeah.

Gary, can you go and get some grays?

Yeah, Sarge.

On the night in question, I got a phone call from Joseph Kramer, my foster father.

He was very distressed, said there'd been an accident and would I come round.

You have to understand when someone you love, someone you owe your life to, calls in that kind of hysterical state, you do anything to -- What happened next?

DANIEL: So I arrived at Joseph's, um, to find Mo there.

Joseph wasn't there.

Mo led me through to the living room where Sarah was, uh, dead on the floor.

I asked what happened, and Mo said, "Joe and Sarah had had one of their rows."

They were rowing a lot in those days about her drug problem.

She'd got very upset and accused him of some terrible things.

He lost his temper and he pushed her and she hit her head.

And it became apparent very quickly that what Mo was saying wasn't the case.

There were ligature marks on Sarah's neck and -- and I noticed a scarf not far away from her.

I put two and two together and realized that Mo had strangled her.

I buried the body to protect Joseph, to make sure that he didn't go down for a crime that he didn't commit.

[ Pencil tapping ] Here's another way you could have done it.

You could have called the police.

Why didn't you?

Mo would have told the police that I was having an affair with Sarah Kramer who, as you know, was an informant.

What's the lesser of two evils there?

And that would have been the end of my job.

[ Scoffs ] And as a young police officer, Jack, you know how important your job is to you.

-Mm-hmm.

I do.

-Okay.

So in that moment, I made a judgment call.

I got it wrong.

-BROOKS: Very wrong.

-Mm.

You care so much about protecting Joseph.

Yeah.

And yet you drag your son into this whole sordidness.

Where was your concern for Luke?

First and foremost, I apologize for what he did to you.

That wasn't the plan.

-Thank you for your apology.

-That was not my intention.

You can keep your apology.

I am sorry that he hurt you, okay?

I was in a desperate situation.

Fuck, no.

[ Pencil clacks ] Mo pushed Stan, his brother, off the top of the car park, and you covered it up.

I'm absolutely comfortable with the fact that Stan, a low-life pedophile, met his death at the hands of one of his victims' father.

So, shall we move on to the next offense -- supplying Mo Jones with this piece of glass so that he could take his own life in the police cell?

DANIEL: Mm-hmm.

Yeah.

WESTON: Why?

Why do that?

Mo and I, we go back a long ways, you know?

Oh, Jesus, to be perfectly honest with you, I'm not interested in emotions, I'm interested in facts.

-Why did you do it?

-What did you say to Mo Jones -You want the facts?

-...that made him take his life?

I wouldn't -- I'm not gonna tell you what I said to Mo Jones.

You walked the fucking weapon into his hand.

You might as well have sharpened the piece of glass for him.

I would have done if I could.

That moves us, finally, onto the last offense, the murder of Martha and Adrian Bellamy.

I'm sure Jack would like to, uh, to take this one.

Hmm?

Adrian -- found in the boot of a car.

And Martha -- shot dead while she was asleep.

That's one thing I can't abide is stupidity.

And Mo was fucking stupid, all right?

When Martha reopened that case into Sarah Kramer's disappearance, he was like a dog with a fucking bone.

He was paranoid.

He couldn't just leave it.

He couldn't just let her reach a natural conclusion of a brick wall.

He got involved and he was stupid and he killed them, and that is unforgivable.

You covered it up because, what, it means nothing to you?

It's an obstacle in the way.

Had you been more present the last three weeks, you would have realized that wasn't my intention ever to hide those murders.

It was to nail the fucker for them.

But we had to get him right.

You shut down the case.

So don't come in here with your cock out, looking like the big, fucking savior.

You're a pathetic man, aren't you?

-Yeah.

-WESTON: Okay, good.

Just so we clarify that.

-Absolutely.

-WESTON: Good.

I think we're done here, aren't we?

Yeah.

Li, is -- is Luke still here?

BROOKS: Yeah.

Can I see him?

BROOKS: No chance.

Take this off.

This isn't easy for me.

Okay.

It's not easy for me, either.

WESTON: Good.

But you're on the right side of the fence right now.

So be the bigger man and leave me alone.

[ Rails screeching ] I don't even know what half of that is.

STEELE: [ Sighs ] That went well.

Um, the superintendent is 100 percent behind us.

She is happy that Drummond has confessed to everything in his interviews.

She hopes to see him go down for a long time, and she congratulates you all on a lot of hard work.

What about Jack?

He's not tried to stitch him up for anything, has he?

No, no.

Um, Drummond exonerated him and yourself in his statement.

Which means I will be supporting your development from trainee to D.C., so congratulations.

She's also asked me to stay on here as D.I.

And, Charlie, I think it's about time you did your Sergeant's exam.

Yeah.

Congratulations to you both.

So Jack's not going away?

No.

Jack gets to stay.

[ Door opens ] [ Door closes ] [ Engine starts ]