
Traitor or Hero? The Black Musician Spying on His Community
Season 2 Episode 2 | 9m 9sVideo has Closed Captions
This musician spied on Black socialists then criticized the government for being racist.
The details of Walter Loving’s complicated double life remained classified for over 60 years. Born to formerly enslaved parents, he became a famous band conductor and an advocate for Black Americans. When the U.S. military grew paranoid that Black Americans were colluding with German spies, they recruited Loving to infiltrate his own community and de-radicalize leaders. So whose side was he on?
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Funding for ROGUE HISTORY is provided by the Corporation for Public Broadcasting.

Traitor or Hero? The Black Musician Spying on His Community
Season 2 Episode 2 | 9m 9sVideo has Closed Captions
The details of Walter Loving’s complicated double life remained classified for over 60 years. Born to formerly enslaved parents, he became a famous band conductor and an advocate for Black Americans. When the U.S. military grew paranoid that Black Americans were colluding with German spies, they recruited Loving to infiltrate his own community and de-radicalize leaders. So whose side was he on?
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Learn Moreabout PBS online sponsorship- As World War I was coming to an end, a new war had begun at home for Americans.
Foreign spies were everywhere, and so that was the feeling at the time.
So the government responded by recruiting their own spies, hundreds of thousands that they integrated into all aspects of domestic life.
One of these spies was an esteemed Black military musician the US government deployed to investigate Black organizations that they labeled radical or subversive.
But what their spy uncovered in his final report was far from what the government expected.
I'm Joel Cook, and this is "Rogue History."
[dramatic music] The legacy of Walter Howard Loving is one primarily of a celebrated military musician, but the details of his double life remained classified for over 60 years.
In 1986, these files revealed that the Military Intelligence Division, or MID, was deeply concerned that Black Americans were colluding with German spies in order to destabilize the United States.
But as a mostly white organization, it would be pretty difficult for the MID to move around segregated Black communities without being noticed, so they recruited Loving to do their spying for them.
His work as an intermediary started in the Philippines in 1902, where he served as the conductor of the Philippine Constabulary Band for 14 years.
In an intensely violent racial climate, Loving earned the respect of his Filipino bandsmen by speaking their language and acknowledging their struggles during the early years of American colonization.
His musical talent provided a useful tool for making connections, and he could relate to them in ways that white soldiers couldn't or wouldn't.
His ability to operate in the gray area didn't escape the notice of his superiors.
Ralph Van Deman, the future Head of the MID, was also in the Philippines at the same time.
Several years later he tasked Loving with traveling the Continental US to investigate his fellow Black Americans and create a new network of volunteer spies.
So what exactly were they looking for?
Well, insurrection.
In 1917, mass racial violence against and individual lynchings of Black Americans were widespread, and segregation laws were still in effect across much of the country.
One of the worst racial atrocities in American history occurred in East St. Louis, Illinois, when white Americans murdered at least 100 Black Americans and displaced 6,000 over a three-day period.
With 200,000 veteran Black soldiers soon to return from Europe and unwilling to tolerate such violence anymore, the MID saw the Black community as vulnerable to what they called Negro subversion.
Now, it seems like it would be really hard for one of the most well-known musicians in the country to be a spy, right?
When discretion was needed, Loving had a top secret network of informants, but oftentimes, his renown was actually his best tool.
When a meeting of the National Race Congress convened in 1918, Loving the beloved band leader was front and center.
But after the meeting, Loving the government agent wrote to the State Department with a request to deny passports for the speakers, who planped to reveal American racial issues at the upcoming Paris Peace Conference.
Loving's status as a celebrity in Black communities allowed him to access spaces and people he could manipulate openly or otherwise to get in line with the agenda of the MID.
Among the most dangerous actors to the MID were Black newspaper editors like the young socialist leaders A. Philip Randolph and Chandler Owen.
One article in their newspaper "The Messenger" declared, "Patriotism has no appeal to us.
Justice has.
Party has no weight with us.
Principle has."
Even though it might sound tame in today's standards, this publication and others like it were considered a betrayal to the US government.
This was the middle of a time known as the First Red Scare.
During this period when Russia's Bolsheviks toppled the Czar and withdrew from World War I, socialism was viewed as a significant threat to the US government.
German intelligence agents supported the Bolshevik movement by assisting Vladimir Lenin's return to Russia, which fueled concerns among US officials that a similar socialist uprising might occur within the United States.
Loving would often approach targets like Owen and Randolph directly with firm but friendly warnings about their anti-American stances.
But he also advised Black newspaper editors on how to avoid having their publications banned from the mail, even when he disagreed with their anti-war messaging.
Despite Loving's warnings, Owen and Randolph were arrested under the Espionage Act for their outspoken opposition to Black participation in the war.
It couldn't have been easy for Loving to balance his personal perspective as a Black man and professional obligations as a government asset.
In a November 1917 memorandum, he declared, "I am the most loyal to the race with which I'm identified, but not to the extent that I would see the blood of thousands of American soldiers shed upon a foreign battlefield before I would consent to lend my assistance either by deed or pen to help win the struggle."
Born to formerly enslaved parents in Virginia, he understood the desire for racial equality.
Even within the MID, Loving still faced discrimination.
His office was in a completely separate building from his white colleagues.
As complicated as it was, Loving's goal was to protect both the people he loved and the nation he served.
After an insurrection by Black soldiers against the abuses of Houston police in August 1917 and the army's swift execution of 13 of those men, Loving successfully intercepted popular speaker Roscoe Simmons on his way to a rally in Virginia.
He convinced Simmons that it was critical to counter the angry mood of the audience with a rallying cry for African American patriotism.
After the speech, the public, who had come there to protest, were suddenly joining in on a rousing rendition of "The Star-Spangled Banner" played at the request of Loving.
From then on, Loving would send Roscoe Simmons letters and give him talking points.
In exchange, it was arranged that military intelligence would pay for Simmons' expenses for his nationwide speaking tour.
And just like that, another asset was added to Loving's network.
Though his role in the MID made it appear otherwise, Walter Loving was a strong advocate for Black Americans.
Just before he retired from the MID, he submitted his final report on Negro subversion.
Writing just after the horrific Red Summer of 1919 during which white supremacist terrorism and race riots occurred in more than three dozen cities across the US, Loving used his strongest words yet in an attempt to call for change.
He leveraged the threat of socialism in his message, writing that, "Unless there is some quick and radical departure in the present policy of the government on questions affecting the welfare and rights of its Negro citizens, the time is not far distant when greater numbers of Negroes will be converted to socialist doctrines."
He also described housing segregation as a public menace.
He criticized the War Department, who he was working for, on their handling of racial violence on the home front, stating that they provided no redress or relief, which intensified discontent.
He noted that sick and wounded Black soldiers returning home were denied accommodation and forced into segregated cars under the supervision of the very government for which they had risked their lives.
Despite all of this horrible mistreatment from their own country, not one single Black American was found to be spying for the enemy.
Whether Walter Loving knew that would be the outcome is unknown.
But he did know that Black people could not afford to be denounced en mass as disloyal, and he used the best leverage he had to try to protect Black people from injustices that might make them susceptible to subversion in the first place.
After retiring from the MID, Walter Loving returned to the Philippines to continue his work as a band leader.
He unfortunately died during the Battle of Manila in World War II, leaving behind a complex legacy few people would ever fully know.
In order to thrive in an oppressive system, marginalized people require not just those who wanna fight the system, but those who are willing to work inside the system.
As a veteran of the US imperial era, Loving was under no illusion about the racism and wanton violence of America.
Both in the field and on the home front he saw just how brutal white supremacy was to marginalized people.
But his appointment to the MID gave him the ability to influence the structure from the inside, and it worked.
Loving's report made its way up the chain of command from the MID director all the way to the Secretary of War, and even across the pond to the British government.
When we talk about spies, we often jump to label them as heroes or traitors, but it's easy to forget that these historical figures were often in circumstances that we could never imagine.
What if we were willing to accept the gray area, just as Walter Loving did?
[dramatic music] ♪
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