>>> THIS IS AUDIO-TECHNICA STUDIO C, I'M LIZ FELIX, AND JOINING ME TODAY IS AUSTIN SONG WRITER MAX FROST.

>> HEY, HOW IT'S GOING?

THANKS FOR HAVING ME.

>> RADIO STATIONS ACROSS THE COUNTRY, AND ALSO OPENING TO YOU FORFEIT Z AND THE CAN TRIMS ON A FEW DATES AS WELL, FROM WHAT I UNDERSTAND.

>> UH-HUH.

>> THANKS FOR STOPPING IN TO PLAY FOR US TODAY, TO GET A LITTLE BACKGROUND ON YOU, YOU GROUP IN AUSTIN.

>> FROM WHAT I UNDERSTAND YOU STARTED.

>> YEAH, YEAH, MUSIC WAS ALWAYS AN ON SESSION FOR ME SINCE I A YOUNG KID, YOU KNOW, MY PARENTS PUT ME ON TO A LOT OF GOOD OLD SCHOOL MUSIC, AND I WAS ALWAYS SUPER INTO IT AND STARTED PLAYING INSTRUMENTS WHEN I WAS YOUNG AND STARTED PLAYING IN BANDS WHEN HIS 13.

>> AUSTIN IS A PRETTY GOOD PLACE TO LEARN HOW TO PLAY, GET INTO MUSIC AND YOU PROBABLY GOT EXPOSED TO A LOT OF DIFFERENT STUFF JUST LIVING IN THAT CITY AND A LOT OF LIVE STUFF COMING THROUGH THAT TOWN.

>> IT IS A GREAT PLACE TO GET A HEALTHY UPBRINGING OF MUSIC, ESPECIALLY WHEN I WAS YOUNG IT WASN'T SO MUCH OUTSIDE MUSIC, IT WAS THE LOCAL SCENE WAS REALLY KIND OF THE CENTERPIECE, WHEN ROOTSY, SOUL KIND OF VIBE TO MOST OF THE HOME BASED MUSIC THAT'S THERE, WHICH IS A PRETTY LUCKY THING TO GROW UP THERE.

>> HOW DID YOU GET TO COME IN CONTACT WITH GARY CLARK, JUNIOR, HE IS A BIG AUSTIN GUY FAR PLAYER, BOB SCHNEIDER IS ANOTHER BIG ONE, YOU MET HIM; IS THAT CORRECT.

>> I FIRST MET GARY HE WAS ALWAYS PLAYING IN AUSTIN, HE HAD BEEN PLAYING FIGURES SINCE HE WAS -- GIGS SINCE I FIRST STARTED.

I WAS IN BANDS THAT WOULD OPEN FOR HIM AND STUFF LIKE THAT, I DIDN'T REALLY COME TO KNOW HEM THAT WELL UNTIL LATER WHEN WE WERE BOTH MORE IN THE REAL WORLD, YOU KNOW, TRAVELING MORE AND PLAYING, HE ASKED ME TO COME ON A TOUR WITH HIM LAST YEAR.

I MET BOB SCHNEIDER I GUESS WHEN I WAS ABOUT 18 OR 19 WHEN I WAS A FRESHMAN AT THE UNIVERSITY OF TEXAS, I GUESS HE KNEW SOMEONE THAT HAD HIS E- MAIL, HE WAS INTO IT AND SO HE HE HAS MENTORED ME ON SOME LEVEL.

>> WHEN YOU TALK ABOUT GARY CLARK JUNIOR, I SAW HIM AT WEST SOUTHWEST, THOSE GUYS HAVE BEEN KICKING AROUND AUSTIN, TO US LIKE WHO IS THIS GUY, THIS IS CRAZY, THIS IS SO GOOD.

THAT IS GREAT THAT YOU WERE SO GOOD THAT YOU WERE ABLE TO BE AROUND ARTISTS LIKE THIS.

THE NEW RECORD FROM FAX FROST E PERCENT ACTUALLY CALLED LOW HI- LO AND IT'S CALLED WHITE LIES, SO, WATCH TO START US OFF WITH UN ♪ [ MUSIC ] ♪♪ I AM' PICKING UP SKETCH VIBES, MY WOMAN'S BEEN TELLING ME LIES ABOUT OTHER MEN, WHERE WHERE SHE'S BEEN HANGIN.

SUSPICIOUS THOUGHTS IN MY MIND, BEEN BREWIN UP OVERTIME.

WHEN TO ME HE'S A STRANGER.

I CAN HOLD NO EVIDENCE.

BUT IA THINK EMOTIONLESS, AND SOMETHING IN YOUR CHOICE OF DRESS TONIGHT CAN LEAD TO JUST ONE GUESS WHITE LIES, YOU CAN TRY CAN'T BLIND MY EYES YOU GOT YOUR RED DRESS ON AND YOU WANNA PLAY LIKE I CAN'T KNOW THINGS THAT I'VE NEVER SEEN, WHITE LIES, YOU TRY, CAN'T BLIND MY EYES YOU GOT YOUR RED DRESS ON AND YOU WANNA PLAY LIKE I CAN'T KNOW THINGS THAT I'VE NEVER SEEN.

IT'S BEEN KEEPING ME UP EVERY NIGHT MOST OF THE TIME IS TO AND TURN IN BED AND I TRY NOT TO EXPLODE WHEN YOU ARRIVE SPEAKING THROUGH THE DOOR I CAN'T FIGHT LIKE THIS SOMETHING'S MIND.

WONDERING WHERE YOU BEEN THINKING THAT HE AIN'T A FRIEND KNOWING THOUGHTS ARE A SIN AND SO I'LL SAY IT A AGAIN.

WHITE LIES YOU TRY CAN'T BLIND MY EYES YOU GOT YOUR RED DRESS ON AND WANNA PLAY LIKE I CAN'T KNOW THINGS THAT I'VE NEVER SEEN.

WHITE LIES YOU TRY CAN'T BLIND MY EYES YOU GOT YOUR RED DRESS ON AND YOU WANNA PLAY LIKE I CAN'T KNOW THINGS THAT I'VE NEVER SEEN.

WHITE LIES.

>> THAT IS MAX FROST IN AUDIO- TECHNICA STUDIO C IN WHITE LIES FROM THE NEW LOW HI-LO EP THAT IS A SONG THAT I THINK IS GETTING TO BE FAMILIAR TO OUR LISTENERS, WE'VE BEEN PLAYING THAT ONE, I THOUGHT IT WAS FUNNY YOU CAME UP AS ONE OF TEN ARTISTS THAT YOU SHOULD HAVE KNOWN IN 2013 FROM NPR MUSIC.

WE ARE JUST -- WE ARE A LITTLE LATE TO THE GAME ON THIS, NOT TOO LATE, I HOPE.

THAT'S THE SONG -- DO YOU WANT TO INTRODUCE YOUR SINGING PARTNER.

>> YEAH, THIS IS JANE ELLEN BRYANT OVER HERE ON THE BACKGROUND VOCALS.

>> DO YOU SING THE BACKGROUND VOCALS ON THE RECORD.

>> I DON'T.

>> YOU ARE IN THE LIVE SETUP?

COOL.

THAT SONG I THINK IS WHAT GOT THE ATTENTION OF THE ATLANTIC RECORDS, IS THAT RIGHT?

>> YEAH, THAT IS THE SONG THAT BROUGHT ME TO THE STABLE ON THE FRIDAY, I GUESS, BEFORE THAT I WAS JUST KIND OF -- I'VE ALWAYS BEEN MAKING RECORDS IN THE BASEMENT AND THAT WAS ONE THAT GOT BLOG ATTENTION, GOT ME OUT THERE IN THE WORLD AND LED TO THE PATH OF BEING SIGNED.

THESE DAYS, SIGN BEING A MAJOR LABEL IS USUALLY A PRETTY TRICKY THING, BECAUSE OF THE STATE OF THE INDUSTRY AND STUFF, I WAS REALLY FORTUNATE THAT THEY WERE REALLY INTERESTED IN WHAT I WAS DOING WHILE I WAS IN CON FOLLOW, I WAS FORTUNATE ENOUGH TO HAVE SONGS THAT I HAD BEEN DEVELOPED AT THAT POINT I HAD BEEN ABLE TO PRODUCE TO A CERTAIN LEVEL, WELL WE THINK THIS IS GREAT WHEN WE TAKE AHOLD OF IT AND DOING SOMETHING ELSE.

SO I WAS FORTUNATE TO BE ABLE TO HAVE SOME MORE FREEDOM TO MAKE THIS EP AND THE RECORD.

>> I THINK LABELS WILL TRY TO PAIR SOMEONE UP WITH WHO HAS MORE EXPERIENCE, BUT THAT IS COOL THAT THEY LEFT IT ALONE AND KIND OF LET YOU DO YOUR THING.

BUT YOU DO HAVE AN EXPERIENCE WITH JEFF TWEEDY, FROM WILCO.

>> YEAH, JUST THROUGH A MUTUAL FRIEND I EXPRESSED INTEREST WORKING WITH HIM, HE GIVE ME HIM HIS TIME FOR A COUPLE DAYS AT THE WILCO STUDIO, I DIDN'T HAVE ANYTHING IN MIND EXCEPT -- I GUESS I REALLY WANTED TO TALK TO HIM ABOUT THE INDUSTRY HOW HE DEALT WITH THE PRESSURES AND STUFF, HE'S BEEN AROUND THE WORLD ON LABELS AND FOUND HIS OWN PATH AND ALWAYS STUCK TRUE TO WHO HE WAS AND WHAT HIS MUSIC WAS ABOUT AND NOT COMPROMISED IT AND I GUESS I WANTED TO KNOW WHAT THAT EXPERIENCE HAD BEEN LIKE FOR HIM AND HE FOUND WHATEVER IT TOOK TO PERSEVERE THAT.

DID HE GET YOU ON THE SECRET.

>> YES, BUT I CAN'T TELL ANY OF YOU.

>> SO ARE WE GOING TO GET TO HEAR -- DID YOU WORK ON ANYTHING DIRECTLY WITH HIM OR GO IN AND GET TO RECORD.

>> I SPENT THE FIRST DAY -- WE SPENT A LOT OF TIME TALKING, I MEAN WE MADE SOME MUSIC, LIKE I OPENED UP A SONG THAT I WAS REALLY INTO THAT I WAS KIND OF WORKING ON BUT I WANTED TO MAKE SOME CHANGES TO IT HE REALLY PRODUCES HIMSELF AND HE IS BRIL WANT AT LOOKING AT THE BIGGER PICTURE OF HOW A SONG WORKS, EVEN THOUGH MY STUFF IS DIFFERENT FROM HIS, HE IS LIKE THE ALIEN VISITING THE PLANET AND NOT -- THIS IS WHAT JEFF WOULD DO OR SOMETHING LIKE THAT, IT WAS VERY SORT OF OPEN ENDED.

AND BUT WE ALSO WROTE THE SECOND DAY WE WROTE A SONG TOGETHER, NONE OF THEM I AM GOING TO PLAY TONIGHT.

I AM NOT SURE IF THE ONE WE WROTE WILL MAKE THE RECORD, IT MAY.

>> SO MAYBE SOMETHING FROM MAX FROST WITH A LITTLE HELP FROM JEFF TWEEDY.

MAX FROST IN STUDIO C DO YOU GUYS WANT TO PLAY ANOTHER ONE FOR US.

>> YEAH, SURE, THIS IS ANOTHER NEW ONE CALLED BREAKDOWN.

>> SOMEBODY TELL ME WHY IT HAPPENS LIKE THIS A BED OF PROMISES SPARKED BY A KISS.

THINGS GET UGLY, OUTCOME THE FISTS, HERE WE GO AGAIN.

I SEE IT COMING ON.

I SPOT A HURRICANE, IT BEGINS WITH YOU.

CAUGHT IN THE CROSS FIRE, THERE'S NOT MUCH I CAN DO.

A SKY OF FIREWORKS AND FLYING BRICKS.

HERE WE GO AGAIN.

I SEE IT COMING ON.

BREAKDOWN, TELL ME THAT IT'S OVER.

BREAKDOWN, THIS WILL ONLY END IN TEARS.

BREAKDOWN, EVERY TIME ONLY GETS HARDER.

TO STOP BREAKING DOWN.

BREAKING DOWN.

CRASH LAND MASSIVE CATASTROPHE BACK STAIR YOUR MADNESS BACK AT ME, I MY INSTINCTS SAID TO RUN AWAY, BUT YOUR SEDUCTION MADE ME STAY, AND NOW WE'VE STUCK INSIDE THE PLANE IT DOES LOOK LIKE THERE IS NO ESCAPE.

YOU'RE FAR FROM CIVILIZED, YOU'RE OFF THE IN, YOU'RE EAR CYST I BELIEVE, YOU'RE IN MY HEAD, YOUR PASSION HAS CONTROL I THINK WE'RE GOING DOWN, CONSIDER THESE FINAL WORDS BEFORE WE HIT THE GROUND, BREAKDOWN, TELL ME WHAT IT'S OVER.

BREAKDOWN, THIS WILL ONLY END IN TEARS.

BEAR DOWN, EVERY TIME ONLY GETS HARDER.

TO STOP BREAKING DOWN.

>> THANK YOU.

>> THAT IS MAX FROST IN STUDIO C ON THE SUMMIT.

AND IS THAT A SONG -- I DON'T THINK THAT'S ON THE EP.

>> IT'S NOT, IT'S ON THE UPCOMING EP AND DEFINITELY UPCOMING RECORD, TOO.

>> OKAY.

>> YEAH,.

>> THERE'S ANOTHER EP.

>> THERE'S ANOTHER ONE ON ITS WAY.

>> THE LOW HI-LO I THINK IT'S ACTUALLY SIX SONGS,ITY A'S SIGNIFICANT FOR A SHORT ALBUM, YOU HAVE ANOTHER ONE COMING, I ASSUME WHITE LIES IS GOING TO BE ON THE FULL RECORD.

>> WHITE LIES WILL BE ON THE FULL RECORD, I AM TAKING MAYBE A FEW MOVING THEM AROUND FOR WHAT IS GOING TO BE ON THIS EP, I AM STILL SORT OF SETTING UP THINGS FOR THIS NEXT ALBUM, I WANTED TO PUT MUSIC OUT THERE, HAVE SOME FRESH CONTENT, PLUS I REALLY THINK THAT, YOU KNOW, I MEAN I LOVE THE EP THAT I HAVE OUT NOW, THERE IS MATERIAL COMING UP THAT I AM SUPER EXCITED ABOUT IT, I WANT TO KEEP THE BEST FOOT FORWARD ALWAYS.

>> WOULD YOU LIKE TO PLAY ANOTHER ONE FOR US.

>> YEAH, THIS IS ANOTHER ONE CALLED BLIND FOOL.

>> I'M A BLIND FOOL WANDERING AROUND TOWN LOOKING FOR YOUR CAR.

GOTTA FIND YOU.

STILL MEL YOUR CLOSE, NO, YOU CAN'T BE FAR.

AND I TRY TO BEEN A COUPLE WEEKS WAITING FOR YOUR CAR, I'M A BLIND FOOL.

BOTTOM OF A BOTTLE, NEVER FELL SO HARD.

ONE TIME THE BLAMES ON ME AND I KNOW TWO TIMES THE SHAMES ON ME EVEN THOUGH THREE TIMES I'M ON NEW KNEES BEGGIN YOU FORMER SEE, BEGGIN YOU FORMER SEE, PLEASE.

YEAH YEAH YEAH MY HEART'S HOLDIN ON FOR LIFE.

THIS TIME I PUT IT ON THE LINE.

HAVE I LOST MY MIND.

BLESS MY SOUL, I'M AT YOUR DOOR AGAIN.

MY HEART'S HOLDIN ON FOR LIFE.

HELP ME BABY, I GOT SOME ISSUES THAT I SHOULD ADDRESS.

GET OFF MY CHEST AND SO CALL ME CRAZY.

BUT LATELY I HAVE BEEN CLEANING UP MY MESS, I CONFESS I'M A BLIND FOOL WANDERING AROUND TOWN LOOKING FOR YOUR CAR.

GOTTA FIND YOU, STILL SMELL YOU CLOSE, NO, YOU CAN'T BE FAR.

ONE TIME THE BLAMES ON ME AND I KNOW TWO TIMES THE SHAMES ON ME EVEN THOUGH THREE TIMES I'M ON MY KNEES BEGGIN YOU FORMER SEE BEGGIN YOU FORMER SEE, PLEASE.

YEAH YEAH YEAH AS MY HEART'S HOLDIN ON FOR LIFE.

THIS TIME I PUT IT ON THE LINE.

HAVE I LOST MY MIND.

BLESS MY SOUL, I'M AT YOUR DOOR AGAIN.

AS MY HEART'S HOLDIN ON FOR LIFE.

>> THANKS, EVERYBODY.

>> I'M LIZ FELIX, WE ARE IN AUDIO-TECHNICA STUDIO C TODAY WITH MIKE DOUGHTY JUST PLAYED THE MUSIC BOX UP IN CLEVELAND LAST NIGHT, HEADED TO COLUMBUS FOR THE LUMBAR CAFE TOMORROW.

>> ANDREW SCRAP LIVINGSTONE ON THE CELL LOW, EVERYBODY.

-- CELLO, EVERYBODY.

♪ [ MUSIC ] ♪♪ THESE ARE YOUR FRIENDS, THESE ARE YOUR FRIENDS, THESE ARE YOUR FRIENDS, THESE ARE YOUR FRIENDS, THESE ARE YOUR FRIENDS, THESE ARE YOUR FRIENDS, THESE ARE YOUR FRIENDS, THESE ARE YOUR FRIENDS.

HEY DO YOU WANT TO GO OUT?

DO YOU WANT TO BURN?

IT'S NOT FOR CHUMPS, HEY, HEY, DO YOU WANT TO DANCE?

SIZE THE MYSTERY HOLD THEM IN YOUR HANDS.

THESE ARE YOUR FRIENDS.

THESE ARE YOUR FRIENDS.

THESE ARE YOUR FRIENDS.

THESE ARE YOUR FRIENDS.

THESE ARE YOUR FRIENDS.

THESE ARE YOUR FRIENDS.

THESE ARE YOUR FRIENDS.

THESE ARE YOUR FRIENDS.

HEY, LET'S BUMP AROUND.

LET'S BRING IT DOWN.

PUZZLE IT OUT.

HEY, DO YOU WANT TO GET WEIRD?

LIKE THE SUCKERS HERE, PLEASE ARE YOUR FRIENDS.

THESE OF YOUR FRIENDS.

THESE ARE YOUR FRIENDS.

THESE ARE YOUR FRIENDS.

THESE ARE YOUR FRIENDS.

THESE ARE YOUR FRIENDS.

THESE ARE YOUR FRIENDS.

THANK YOU.

>> THAT'S MIKE DOUGHTY IN AUDIO- TECHNICA STUDIO C AND THESE ARE YOUR FRIENDS FROM THE NEW RECORD STELLAR MOTEL.

>> ANY TIME, MY PLEASURE.

>> MADE IT THROUGH THE SNOW TO GET HERE.

>> YEAH, TOTALLY.

>> LET'S TALK ABOUT THE NEW RECORD, INTERESTING HOW YOU PUT IT TOGETHER, CALL IT CROWD FUNDED THROUGH PLEDGE MUSIC AND THERE IS A TON OF GUEST STARS ON THE RECORD AND ACTUALLY A LOT OF INTERESTING SONGS BECAUSE HALF OF IT LIKE HAS HIP HOP AND DANCE INFLUENCES, TELL ME HOW YOU PUT THIS TOGETHER AND HOW YOU GOT ALL THE GUEST STARS ON IT.

>> I DID IT WITH A PRODUCER NAMED GOOD GOOSE WHO IS A KID IN HIS EARLY 20s, LIVES IN BROOKLYN, HIP HOP KID BASICALLY I TOOK IT ON AS A FULL COLLABORATION WITH HIM, I WANTED IT TO BE VERY MUCH ABOUT HIS AND MY MUSICAL RELATIONSHIP.

AND, YOU KNOW, HE'S A HIP HOP PRODUCER, SO HE KNOWS A LOT OF RAPPERS.

SO WE GOT SOME RAPPERS AND VOCALISTS ON THE ALBUM JUST TO -- IT'S SOMETHING THAT I LIKE ABOUT HIP HOP AND THAT SOMEBODY CAN REALLY APPEAR ON A SONG AND REALLY BRING THEIR FULL PERSONALITY TO THE SONG.

>> YEAH.

>> IT'S NOT JUST LIKE YOU'RE DOING THE BACKING VOCAL OR YOU JOINING IN ON THE COULD CHORUS, THEY TAKE SOMETHING AND REALLY PUT THEMSELVES IN THE TRACK.

>> WERE YOU FAMILIAR WITH A LOT OF GUEST STARS THAT GOOD GOOSE BROUGHT IN, OR WAS IT LIKE YOU GOT INTRODUCED TO THEM AS YOU WERE MAKING THE RECORD.

THROUGH HIM AND THROUGH BASICALLY I MET BIG DIP PER THROUGH HIM, DIP PER KNEW JBOOGS, MC FRONTALOT I KNEW FROM BROOKLYN.

YOU KNOW, SO IT WAS EVERYBODY AND EVERYBODY AND I GUESS -- YOU KNOW, IT WASN'T LIKE -- I DIDN'T HAVE IN-DEPTH KNOWLEDGE OF THEIR WORK BUT DEFINITELY LESS TONE EVERYBODY AND IT WAS INCREDIBLE.

I SAID I WANT YOU ON THE ALBUM.

THE PLEDGE MUSIC ELEMENT IS INTERESTING, TOO, WE GOT THROUGH THE FUND DRIVE, WHEN I WAS LISTENING TO THIS RECORD I WAS KIND OF THINKING ABOUT, YOU KNOW, HOW THAT WHOLE THING IS KIND OF SIMILAR TO DOING A FUND DRIVE, YOU HAVE TO KNOW YOU HAVE A FAN BASE THAT IS WILLING TO PAY FOR THIS, YES.

>> AND BEYOND THAT IT'S A LOT OF WORK.

>> OH, YEAH.

>> LOOKING AT THIS RECORD IN PARTICULAR, IT WAS LIKE YOU DID VIDEOS FOR ALL THESE SONGS.

>> SURE.

>> SO IT LOOKS LIKE THERE A LOT OF WORK PUT IT INTO.

>> A TON OF WORK.

I TRY TO MAKE EVERYTHING ITS OWN SORT OF PIECE OF ART SO THE VIDEOS ARE REALLY -- THEY WERE VIDEOS OF EVERY DAY IN THE STUDIO,.

>> YEAH, THERE WAS A LITTLE MINI DOCUMENTARY OF EVERY SINGLE DAY, EVERY COLLABORATION, YOU WANT THOSE THINGS TO REALLY BE, YOU KNOW, FUN AS OPPOSED TO JUST SOMETHING YOU KIND OF SLOG OUT THERE.

YOU KNOW, THERE WAS WEIRD PERFORMANCE ARTY STUFF, MICROCASSETTE, THE TINY ANSWERING MACHINE CASSETTES, YOU GET THE RECORDER WITH THE MICROCASSETTE IF THAT'S WHAT YOU BUY.

I TYPED OUT LYRICS ON A LITTLE IBMSELECTIC.

I DO SHOWS ON SKYPE ALL THIS KIND OF STUFF THAT IT'S ITS OWN UNIQUE THING, IT'S NOT JUST LIKE SIGNING SOMETHING.

THERE WAS PLENTY OF THAT.

RIGHT.

>> THAT IS THE THING ABOUT DOING PLEDGE CAMPAIGNS YOU END UP SPENDING LIKE FIVE HOURS SIGNING STUFF, WHICH IS LIKE AN EXTRAORDINARY YOU ARE REAL SITUATION.

>> IT PROBABLY TAKES HAVING A CERTAIN KIND OF PERSONAL, TOO, NOT NECESSARILY EVERY ARTIST IS GOING TO BE WILLING.

>> YEAH, EXACTLY.

>> TO GO TO THESE LENGTHS.

>> FOR THOSE OF US THAT ARE INTO THIS KIND OF THING IT'S ABSOLUTELY GREAT, I DON'T KNOW ABOUT IT AS A MODEL FOR EVERY ARTIST, SOME PEOPLE JUST WANT TO FOCUS ON RECORDINGS AND BE INTRAVERTED, US EXTROVERTED PERFORMANCE ARTISTS MODEL -- >> I HAVE FRIENDS WHO MADE FILMS, THEY TRIED -- EVEN MUSICIANS AND NOT EVERYBODY MAKES THEIR GOAL, I MEAN, I DON'T -- YOU KIND OF DON'T KNOW, ARE YOU FREAKED OUT AT ALL, YOU HAVE DONE THIS BEFORE.

>> YEAH, UNMY HEART OF HEARTS I WAS CONFIDENT.

I AM WILLING TO FREAK ABOUT JUST ABOUT ANYTHING.

YOU KNOW, BUS ANYTHING YOU GOT, I WILL WORRY ABOUT, IT DOESN'T MATTER IF IT'S WHETHER OR NOT I AM GOING TO PUT ON MY SHOES, I'LL WORRY ABOUT IT.

YEAH, THERE WAS ANXIETY BUT, IT'S MY FAN BASE IS PRETTY HARD CORE, SO I'M APPRECIATIVE OF THEM.

>> DO YOU WANT TO PLAY ANOTHER SONG FOR US.

>> YEAH, THIS IS LIGHT WILL KEEP YOUR HEARTBEATING IN THE FUTURE.

♪ [ MUSIC ] ♪♪ I WAS IN MANY MINDS.

I WAS IN AN AIRPORT BOOKSTORE.

I WAIT FOR MANY MOONS.

LEFT A SUITCASE ON THE FOURTH FLOOR.

ENORMOUS BALLOONS.

GOLD CHOKER ALL MADE OUT OF SPOONS.

EATIN SUPER SUGAR CRISP.

I WAS GETTING USED TO THIS WELL.

LIGHT WILL KEEP YOUR HEARTBEATING IN THE FUTURE.

LIGHT WILL KEEP YOUR HEARTBEATING IN THE FUTURE.

THERE WAS A LOT OF THEM.

THERE WAS A BLOODY FIGHT NEXT DOOR.

THERE WAS THE CRACK STEM.

THERE WAS A BOWL ON THE MISTY MOORE.

CITY BUS COAT A MEAN, LUCY LAWLESS MAGAZINE DATABASE LUCKY CHARM.

OUTER SPACE.

SMOKE ALARM.

LIGHT WILL KEEP YOUR HEARTBEATING IN THE FUTURE.

LIGHT WILL KEEP YOUR HEARTBEATING IN THE FUTURE.

LIGHT WILL KEEP YOUR HEARTBEATING IN THE FUTURE.

KEEP YOUR HEARTBEATING KEEP YOUR HEARTBEATING BEATING KEEP YOUR HEARTBEATING BEATING KEEP YOUR HEARTBEATING IN THE FUTURE.

OVERLAP, OVERLEAF SHOULDER STRAP, FIRE CHIEF.

PORCH SWING.

MONEY LESS.

PURPLE WINE.

FREQUENT HE WILL FACE.

HEAVY HAND.

CLOSED DOOR.

CONTRABAND.

NORTH SHORE.

FINE LINE.

MARGE RUN, RIDIN LINE, MARGE RUN.

LIGHT WILL KEEP YOUR HEARTBEATING IN THE FUTURE.

LIGHT WILL KEEP YOUR HEARTBEATING IN THE FUTURE.

LIGHT WILL KEEP YOUR HEARTBEATING IN THE FUTURE.

LIGHT WILL KEEP YOUR HEART BEATING, KEEP YOUR HEART BEATING BEATING KEEP YOUR HEART BEATING BEATING AND BEATING KEEP YOUR HEARTBEAT IN BEAT IN KEEP YOUR HEARTBEAT I DIDN'T KNOW IN THE FUTURE.

THANK YOU.