The following is an excerpt from the essay "The Crack-Up," reprinted from The Crack-Up, a compilation of articles written by F. Scott Fitzgerald and published in one book by New Directions Publishing. These articles were written during Fitzgerald's later years, between 1931 and 1937, when ...
In writing "Invisible Man" the late 1940s, Ralph Ellison brought onto the scene a new kind of black protagonist, one at odds with the characters of the leading black novelist at the time, Richard Wright. If Wright’s characters were angry, uneducated, and volatile — the ...
More than fifty years after his death, Hank Williams ranks among the most powerfully iconic figures in American music. Iconic to the point that man and myth are inextricably entwined. He set the agenda for contemporary country songcraft and sang his songs with such believability ...
by A. Scott Berg Sam Goldwyn's name is synonymous with the American movie from its beginnings through its golden age. Goldwyn's story is a pioneer story, a folk story, a movie fantasy that came true; it is a story about creativity, ambition, money, drive ... ...
by Paul Cronin This essay first appeared in the book "GEORGE STEVENS: INTERVIEWS" At first glance, George Stevens appears to be the quintessential Hollywood director. But a closer look at his achievements shows him to be much more than just the creator of some of ...
Aaron Copland was one of the most respected American classical composers of the twentieth century. By incorporating popular forms of American music such as jazz and folk into his compositions, he created pieces both exceptional and innovative. As a spokesman for the advancement of indigenous ...
"Louis Armstrong is jazz. He represents what the music is all about." -- Wynton Marsalis From a New Orleans boys' home to Hollywood, Carnegie Hall and television, the tale of Louis Armstrong's life and triumphant six-decade career epitomizes the American success story. His trumpet playing ...
This essay originally appeared as the introduction to a Sweet Honey in the Rock songbook. INTRODUCTION On February 28, 1927 in Memphis, Tennessee, the blind sanctified singer Mamie Forehand recorded a refrain based on Psalm 81:16. In this passage of scripture the poet and musician ...
PART I: THE LIGHTNING STRIKE OF EGO In the opening paragraph of his monumental essay on the first Ali-Frazier fight, Norman Mailer calls ego "the great word of the twentieth century." But the magnitude of ego has long endured. Ego has probably been the great ...