
Appraisal: Chairs Attributed to John Gaines III, ca. 1735
Clip: Season 29 Episode 19 | 3m 40sVideo has Closed Captions
Appraisal: Chairs Attributed to John Gaines III, ca. 1735
In Vintage Raleigh 2025, Hour 2, Leigh Keno appraises chairs attributed to John Gaines III, ca. 1735.
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Funding for ANTIQUES ROADSHOW is provided by Ancestry and American Cruise Lines. Additional funding is provided by public television viewers.

Appraisal: Chairs Attributed to John Gaines III, ca. 1735
Clip: Season 29 Episode 19 | 3m 40sVideo has Closed Captions
In Vintage Raleigh 2025, Hour 2, Leigh Keno appraises chairs attributed to John Gaines III, ca. 1735.
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorshipGUEST: Well, we usually have a fall trip to New England, and a dealer had these chairs, and I had a friend who had died about a year before, and he was giving me, for Christmas, a carved, uh, chair, uh, with the same type of foot.
APPRAISER: Oh, right.
GUEST: And he had called them John Gaines chairs.
APPRAISER: Reproductions.
GUEST: Yes.
APPRAISER: Are, are they small?
Big?
GUEST: They're small, about like that.
APPRAISER: Oh, that's so nice.
APPRAISER: And may I ask what you...
I'm just curious what you, what you paid for them, or...
GUEST: $10,000.
APPRAISER: $10,000, okay.
So you paid $10,000.
You must've known that they were pretty good, then, I mean...
GUEST: I did know, from looking at pictures, that they were John Gaines chairs... APPRAISER: Okay.
GUEST: ...probably, from the foot.
APPRAISER: What did you like about 'em the most when you bought 'em?
GUEST: Definitely the foot!
APPRAISER: Definitely the foot, this...
GUEST: And I just fell in love with them.
APPRAISER: Okay.
GUEST: And we were taught by our friend to, you know, look for things like that.
APPRAISER: John Gaines and his son worked in Ipswich, Mass., from 17, 0, 07 or so till, like, 1760.
So there was this whole Gaines family that worked in Ipswich and Portsmouth that made these wonderful chairs.
These chairs have all the bells and whistles.
Don't you love this crest rail with this yoke and with this scroll here?
And coming down, a beautiful vasiform splat, and when you look sideways at it, it has the wonderful curve that fits your back.
Here we have the rush seat.
That's replaced, right?
GUEST: Yes.
Yes.
APPRAISER: You knew that, right?
APPRAISER: You come down to this double baluster turned stretcher, but the feet, you're right, the feet are so huge.
They're big.
I've never seen larger feet on a John Gaines chair.
When you look at the bottom, they usually have extra pieces of wood laminated to make 'em bigger.
This is actually solid, which you occasionally do see on John Gaines chairs.
So it's wonderful that they have those big, Spanish feet in the Baroque tradition.
This is kind of a Baroque, we also call it William and Mary chair.
This was really high style during the period.
If these had original surface, you'd, they'd be worth a lot more.
You know that these parts are original, but it's harder to tell they're original because all the surface has been cleaned, so you have to look very carefully, because of that, at the parts.
The tool marks, the chips in the plane, are here.
On, there's a, there's a chip right here, a double chip.
And the same double chip, it's like a railroad track pattern, is on the crest rail as on the splat.
So the same tool was used to finish the back as it finished the splat.
So that's a good sign.
You see, little details like that tell us, you know, it's like a clue that it's o, that it's original.
And the same thing on the other chair.
So bottom line is, they're a great pair of chairs, but they've been refinished.
And surface is extremely important on this type of chair.
They're made of maple.
An auction estimate on this pair of chairs would be $30,000 to $50,000, their value as, as they are.
So you didn't do bad.
GUEST: (laughs): No!
(both laugh) APPRAISER: And, and, and that's not bad, right?
And they really are, because they're very rare.
Now, if they had their original surface, they'd be estimated at, probably, $100,000 to $130,000.
But thank you.
GUEST: Well, I'm very pleased!
APPRAISER: Yeah, I, I'm glad you're happy.
GUEST: Thank you.
Appraisal: 1798 John Trumbull Engraving
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Clip: S29 Ep19 | 3m 48s | Appraisal: 1798 John Trumbull Engraving (3m 48s)
Appraisal: 1812 Needlework Sampler
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Clip: S29 Ep19 | 2m 7s | Appraisal: 1812 Needlework Sampler (2m 7s)
Appraisal: 1985 Andrew Wyeth "Trammel" Watercolor
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Clip: S29 Ep19 | 4m 38s | Appraisal: 1985 Andrew Wyeth "Trammel" Watercolor (4m 38s)
Appraisal: 20th C. Articulated Silver & Gold Charms
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Clip: S29 Ep19 | 1m 26s | Appraisal: 20th C. Articulated Silver & Gold Charms (1m 26s)
Appraisal: Apollo II Lunar Reflector Model, ca. 1969
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Clip: S29 Ep19 | 1m 23s | Appraisal: Apollo II Lunar Reflector Model, ca. 1969 (1m 23s)
Appraisal: Edmund Darch Lewis Watercolor, ca. 1885
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Clip: S29 Ep19 | 34s | Appraisal: Edmund Darch Lewis Watercolor, ca. 1885 (34s)
Appraisal: Engraved Sharps Pistol Rifle, ca. 1857
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Clip: S29 Ep19 | 3m 16s | Appraisal: Engraved Sharps Pistol Rifle, ca. 1857 (3m 16s)
Appraisal: Enos Slaughter Baseball Group, ca. 1950
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Clip: S29 Ep19 | 3m 47s | Appraisal: Enos Slaughter Baseball Group, ca. 1950 (3m 47s)
Appraisal: Fake Fabergé Set & Wax Case, ca. 1980
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Clip: S29 Ep19 | 3m 22s | Appraisal: Fake Fabergé Set & Wax Case, ca. 1980 (3m 22s)
Appraisal: French Bisque Mignonette Doll, ca. 1880
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Clip: S29 Ep19 | 2m 15s | Appraisal: French Bisque Mignonette Doll, ca. 1880 (2m 15s)
Appraisal: French Couture Dress, ca. 1925
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Clip: S29 Ep19 | 41s | Appraisal: French Couture Dress, ca. 1925 (41s)
Appraisal: Fulper Pottery Vases, ca. 1920
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Clip: S29 Ep19 | 38s | Appraisal: Fulper Pottery Vases, ca. 1920 (38s)
Appraisal: Gibson Double 12 Electric Guitar, ca. 1960
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Clip: S29 Ep19 | 3m 17s | Appraisal: Gibson Double 12 Electric Guitar, ca. 1960 (3m 17s)
Appraisal: G. Lapchine "The Flower Market" Oil, ca. 1935
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Clip: S29 Ep19 | 30s | Appraisal: G. Lapchine "The Flower Market" Oil, ca. 1935 (30s)
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Clip: S29 Ep19 | 41s | Appraisal: Jewelry Collection (41s)
Appraisal: John Bennett Faience Vase, ca. 1885
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Clip: S29 Ep19 | 1m 4s | Appraisal: John Bennett Faience Vase, ca. 1885 (1m 4s)
Appraisal: Louis C. Tiffany Furnaces Clock, ca. 1920
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Clip: S29 Ep19 | 27s | Appraisal: Louis C. Tiffany Furnaces Clock, ca. 1920 (27s)
Appraisal: Maria & Popovi Pottery, ca. 1965
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Clip: S29 Ep19 | 2m 58s | Appraisal: Maria & Popovi Pottery, ca. 1965 (2m 58s)
Appraisal: Mid-19th C. José Rafael Aragón Crucifix
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Clip: S29 Ep19 | 46s | Appraisal: Mid-19th C. José Rafael Aragón Crucifix (46s)
Appraisal: Paperbacks & Original Cover Art, ca. 1950
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Clip: S29 Ep19 | 2m 35s | Appraisal: Paperbacks & Original Cover Art, ca. 1950 (2m 35s)
Appraisal: Wihelm Schiller & Sons Majolica Bowl, ca. 1885
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Clip: S29 Ep19 | 45s | Appraisal: Wihelm Schiller & Sons Majolica Bowl, ca. 1885 (45s)
Appraisal: Martin Luther King Jr. Archive
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Clip: S29 Ep19 | 1m 31s | Appraisal: Martin Luther King Jr. Archive (1m 31s)
Appraisal: Chinese Famille Rose Charger, ca. 1900
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Clip: S29 Ep19 | 3m 20s | Appraisal: Chinese Famille Rose Charger, ca. 1900 (3m 20s)
Appraisal: 1909 Steinlen "Summer: Cat on a Balustrade" Lithograph
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Clip: S29 Ep19 | 3m 21s | Appraisal: 1909 Steinlen "Summer: Cat on a Balustrade" Lithograph (3m 21s)
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