[MUSIC PLAYING] NARRATOR: The nation's favorite celebrities-- Got some proper bling here.

NARRATOR: --paired up with an expert-- What, what?

NARRATOR: --and a classic car.

[INTERPOSING VOICES] Their mission to scour Britain for antiques.

All breakages must be paid for.

This is a good find, is it not?

NARRATOR: The aim?

To make the biggest profit at auction, but it's no easy ride.

Who will find a hidden gem?

Who will take the biggest risks?

Putting my antiques head on.

NARRATOR: Will anybody follow expert advice?

That thing is horrible.

NARRATOR: There will be worthy winners.

This is better than Christmas!

NARRATOR: And valiant losers.

I'm sorry.

NARRATOR: Time to put your pedal to the metal.

[CHEERING] This is "Celebrity Antiques Road Trip."

Yeah.

On this road trip, we're roaring along with two lovely presenting stars of the small screen, Jenni Falconer and Angellica Bell.

ANGELLICA BELL: I'm excited.

Are you excited?

Yeah, I am excited.

This is the first time we've actually done something together and I've known you for so long.

NARRATOR: Jenni Falconer's bright and bubbly style has graced shows like the "National Lottery" and "This Morning."

She's currently cheering up the early hours on a daily radio breakfast show.

We've never worked together.

- That's odd.

- We're not.

This is just a competition.

So we're not really working together, we're just having polite conversation in the car now and then it'll be war.

NARRATOR: War, hey?

Crikey.

While the charming Angellica Bell started her presenting career delighting the young folks on the "CBBC."

Since moving into prime time, she is a regular presenter on all sorts of shows, including BBC One's hit, "The One Show."

As you'd expect, she's a font of energy and vim.

JENNI FALCONER: Did you buy that hat yourself?

I feel free.

My hat feels free.

We feel free!

That's nice.

NARRATOR: Indeed, today our glamorous TV twosome are driving an appropriately sleek 1989 Jaguar XJS.

And paired with these titans of television are two stars of the saleroom, auctioneer, Christina Trevanion and dealer, David Harper.

What could be nicer?

Driving to a beautiful park in a beautiful car with-- I know.

--you.

NARRATOR: Lovely.

Today they're driving a 1969 Porsche 911T.

Each with 400 pounds to spend, our two teams will begin this trip in East Molesey, Surrey, on the outer edges of London, aiming for auction near the village of Beltring in Kent.

They're currently driving through Bushy Park en route to their rendezvous.

This is nice.

I do like it round here.

Bushy Park.

So I come running here sometimes.

I prefer driving through it.

[CHUCKLING] It's a bit quicker.

London traffic's a nightmare.

I know.

I mean, look at it, oof!

Total gridlock.

[CHUCKLING] NARRATOR: It's time for celebrities to meet experts.

CHRISTINA TREVANION: Check those trousers out.

Hello.

JENNI FALCONER: Hi!

CHRISTINA TREVANION: Hello, there.

[CHUCKLING] Good morning.

Great hat!

NARRATOR: Jenni will pair with Christina and Angellica with David.

DAVID HARPER: Right, good luck.

NARRATOR: Both teams are sailing off.

Time to get acquainted.

So I just started working radio a couple of years ago.

Yeah.

And I have an early breakfast show.

Oh, cool.

And, um, so, yeah, I love it.

So this morning, as usual, my alarm went off just after 2:00.

[GASPS] Oh, my goodness, you're a busy, busy bee.

NARRATOR: She is indeed.

They'll need to keep their energy up today.

While in the other car they're also playing the getting to know you game.

So are you and Jenni friends then, Angellica?

Yeah, we're genuine friends.

So you haven't just met today.

It's not a show biz friendship, it's a true, genuine friendship.

We'd go to each other's houses.

DAVID HARPER: And what about your house, how do you furnish it?

Oh, we've got two Art Deco mirrors.

Ah!

And even though I'm not keen on Art Deco, but they look really nice.

OK. NARRATOR: Some pointers there on Angellica's style then, David.

They're arriving in East Molesey, on the banks of Old Father Thames for the first shop of this trip, Bridge Road Antiques.

Go on, let's have a good old route.

NARRATOR: The meeting dealer Sue.

DAVID HARPER: Hello.

SUE: Hello.

ANGELLICA BELL: Hello, Sue.

Angellica, nice to meet you.

- Hi, there, David.

- Hello.

- Hello, Sue, lovely to see you.

And you.

NARRATOR: And who's that?

Who's your friend?

He's been here for a while.

Yeah, it's my new boyfriend.

[CHUCKLES] Let me just plug him in.

MANNEQUIN: Make yourself at home.

ANGELLICA BELL: Thank you, sir.

DAVID HARPER: Thank you very much.

NARRATOR: [CHUCKLES] He's not for sale, thankfully.

Can you unplug your mate?

I can because he drives you mad after a while.

- I'm sure.

- There we go.

- There you go.

- OK. Why, if only I could unplug certain people.

Yes.

NARRATOR: I know who I'd unplug.

Let's get browsing, hey?

Let's do this.

Yeah.

- All right - Good.

[MUSIC PLAYING] So what kind of things do you really like?

Well, I do like going to antique shops.

I like rummaging around and seeing what there is.

At the minute, I'm quite into furniture because my husband has just done an upholstery course.

No!

And in our porch, we're painting old chairs and redoing the seats.

So in our house is a bit of old and tradition, traditional stuff, as well as modern and sort of shabby chic.

DAVID HARPER: Brilliant!

ANGELLICA BELL: Yeah.

DAVID HARPER: Oh, it's exciting though, isn't it?

NARRATOR: Sounds like Angellica has an experienced eye for an item.

One to watch, perhaps?

See I would love something like that in my house because I just think it's old, I can imagine someone using it, but it just looks funky and cool.

It's a talking piece.

Yes.

Isn't it?

NARRATOR: It's a stylish early 20th-century calculating machine, actually.

Ticket price is 55 pounds.

I mean, look at the colors.

Beautiful.

The colors are wonderful.

It is beautiful.

I love that.

See, I would have that in my house.

I like quirky things as well.

If you combine another 20 quid, I think that'd be fantastic.

It's got a bit of an Art Dec-- ah!

I don't like Art Deco, do I?

DAVID HARPER: It's got an Art Deco feel to it.

Can I just take all that back.

Go on then, take it back.

Rewind.

- Rewind.

- Cut that bit.

I love Art Deco.

[CHUCKLES] You do!

NARRATOR: It seems so.

But what else Angellica?

What about this?

My gosh, what on Earth is that?

Is it a nutcracker?

ANGELLICA BELL: I don't know.

It's a nutcracker.

ANGELLICA BELL: It is.

DAVID HARPER: With the shape of a ship's well.

It's quite funky, isn't it?

It is funky.

Again, it's got that 20th century-- Would someone buy it?

Yes, definitely because it's an oddity.

You don't want something that everyone else has got.

Exactly.

NARRATOR: So they definitely like those two items.

Now who's going to lead the haggle?

- You smile.

- Yeah.

- Flutter your eyelids.

- All right.

- I'll do the negotiation.

- Will you?

ANGELLICA BELL: Yeah.

NARRATOR: Quite right too.

Combined ticket price on the two is 73 pounds.

Time to call Sue.

Watch out, Sue.

ANGELLICA BELL: Sue!

SUE: Yes?

Sue!

Come and-- Where are you, Sue?

SUE: Yes.

ANGELLICA BELL: How much would you want for that?

Well, if you did the two, then I do the two for like 50.

DAVID HARPER: 50.

OK. Help me to help you.

[GASPS] 40 pounds for the both.

No.

42.

[CHUCKLES] No.

45.

No.

[GASPS] This is all about compromise.

SUE: I'm the one that's compromising here.

[CHUCKLING] I'll do 48.

And that's as far as I'm going to go.

Is that what we call the death.

That is definitely the death.

That's it.

That is the death.

NARRATOR: Blimey, Angellica even knows the antiques lingo.

You've spoken, we're going to go with it.

- Are we going to do it?

- Yeah.

Sue, thank you.

- Thank you.

- Thank you.

I'm happy.

NARRATOR: Angellica's proving a haggling natural.

And this team are off to a storming start.

Yeah.

[MUSIC PLAYING] NARRATOR: Now Jenni and Christina are elsewhere in East Molesey.

Their first shop of the day is Hampton Court Emporium.

Hello.

Hello.

How nice to meet you, I'm Leslie.

Hi, Leslie.

[MUSIC PLAYING] NARRATOR: She's searching, but how will this team be approaching today's hunt?

We're looking for basically things that will make us a profit at auction.

OK, so we've got to not necessarily think of something we like.

It's got to be something we think will be a profit.

Personally, I do like to buy things that I like.

But if we stand any chance of winning probably got to be a bit more commercial about it.

NARRATOR: With that in mind, the search is on.

It's difficult because I don't really know what I'm looking for.

I'm just kind of like looking for things I quite like, but that's-- I've got to stop thinking like that.

It's not for me.

It's not going on display in my house, whatever it is we buy.

I've got to get that kind of my antiques head on.

I don't know what it is.

Not that.

NARRATOR: She's an eager student, but Christina spotted something.

What do you think of those?

Oh, nice.

Like a little-- are they-- I don't want to be-- I don't assume.

Are they gravy jugs or a hollandaise sauce jugs or something like that?

Sauceboats, darling.

Sourceboats.

CHRISTINA TREVANION: That's exactly what they are.

I'm so unsophisticated.

[CHUCKLES] JENNI FALCONER: I do think they're quite stylish, what do you think?

CHRISTINA TREVANION: Yeah, they're quite nice.

Would you use a sauceboat at home?

Obviously not because I didn't the need for it.

[CHUCKLES] Plastic Tupperware.

Anyone want gravy?

There you go.

Thank you.

So a spoon, that'll do.

NARRATOR: Quite.

CHRISTINA TREVANION: What do you think?

Yeah, no, they're nice.

I mean, if you think they're-- this is the kind of thing that my grandma would have had, my mom would have had for Christmas Day.

NARRATOR: Yeah.

The sauce boats date from 1912 and a ticketed at 48 pounds.

A possible first purchase.

I'll put them with Leslie.

All right.

Here you go.

NARRATOR: And Christina's also spotted something else outside.

JENNI FALCONER: Right, OK. What is-- what is it?

CHRISTINA TREVANION: It's beautiful, isn't it?

I love it, it's nice.

Yeah, it's very tactile, isn't it?

It's actually a propeller.

Oh, right.

It would have been a propeller a long time ago.

Obviously, you're not going to fly very far with the blades clipped off like that.

But I just think it's quite cool.

No, it's very cool.

NARRATOR: Jenni sounds keen on this clipped 1930s airplane propeller.

Ticket price is 75 pounds.

So off to Leslie they fly.

We've got something else.

LESLIE: Right.

Here we are.

LESLIE: Ah, you've got the lovely propeller.

Very nice light piece of driftwood.

Well, this is the gentleman here you need to speak to.

My name's Tony.

CHRISTINA TREVANION: Tony, lovely to meet you, Tony.

I'm Christina.

JENNI FALCONER: I'm Jenni.

So we've got 75 pounds on it, Tony.

We could go to 60 pounds.

60 pounds on that one, OK.

So potentially that could be of interest.

Yeah.

NARRATOR: And the Edwardian source boats?

I need to consult with Sally because those are hers.

If Sally could do those for so 25, that would be brilliant.

See what she says.

Sally?

She's always hiding behind there.

Sally, what's your thoughts?

NARRATOR: Hello, Sally.

Is that all right.

Is 25 OK, Sally?

Oh, you're an angel.

JENNI FALCONER: Thank you.

Thank you very much, Sally.

So Sally through the shelves, I've got a thumbs up.

So we're saying 25 on that 60 on that, so it's 85 pounds for the lot.

Are you happy with that, Leslie?

I am completely happy with that.

Brilliant.

Very happy.

I'm glad I negotiated that so well.

Thank you very much.

[CHUCKLING] NARRATOR: Yes, Christina, you better give Jenni a chance to shine in the next shop, or your wings may be clipped too.

[MUSIC PLAYING] Now Angellica and David are back in the car.

And David's grilling his new best friend on her job as roving reporter for "The One Show."

You're the longest standing-- - Yeah.

- --reporter.

Yeah.

Yes.

I've been there since day dot.

Have you really?

Yeah, so I love that show.

I love-- what I love about "The One Show" is all my reports I go up and down the country and I meet normal people with a fascinating story who are absolutely lovely.

And I go and I meet them and I feel like I come away and I've learnt something or they've inspired me.

NARRATOR: As luck would have it, they're on their way to learn the inspiring story of a local gentleman of the 18th century.

They're motoring on to the area around the village of Cobham in Surrey, where they're taking a break from buying to visit Painshill Park, a uniquely beautiful garden created by a great English eccentric.

They're meeting the director of Painshill restoration, Michael Gove.

Hello.

MICHAEL GOVE: Hello.

Welcome to Painshill.

- Thank you, I'm Angellica.

- Hello, Angellica.

I'm Michael.

- Hello, Michael.

I'm David.

- Oh, hello.

Welcome.

You picked a nice day for it too.

Wow.

It's wonderful, yes.

NARRATOR: Haven't they just.

Painshill Park is an 18th century garden that's been restored to its former glory by the charity Painshill Park Trust.

In the 1700s, garden design in Britain underwent a revolution transforming the grounds of the country's parks and stately homes from formal French-style gardens into a new type of romantic landscape.

Painshill was at the forefront of this new picturesque style.

The park boasts a collection of highly eccentric decorative structures or follies like this ruined Abbey.

Like other features in the park, the Abbey is essentially fake.

It was built just as a ruin to prettify the landscape scenes.

As you'd expect, the man who created it was quite a character.

So Michael, is this what makes Painshill so special?

Yes, it's one of the features which is within 18th-century landscape.

And there's a series of these throughout the park.

It was created by the honorable Charles Hamilton, who was born in 1704.

And like all young gentlemen of that time, he went on two grand tours.

And it was in traveling through these grand tours throughout Europe that he was inspired by the various things that he saw.

In 1738, when he came back, he bought land in this area and he started to set about a new landscape.

NARRATOR: Taking inspiration from the art and countryside he'd seen in Europe, Hamilton set about creating an idealized romantic landscape enlivened by the follies he dotted about, like the pre-ruined Abbey or his Gothic temple.

To create an artistic expression within the landscape just like an artist might do it on canvas.

There were many notable visitors.

George III visited the park.

So it was very well-known and highly respected.

NARRATOR: The park was very costly to create.

And despite his acclaim and aristocratic status, Hamilton's project here often lacked for ready cash.

He was the 14th child of the Earl of Abercorn, 9th son, so he didn't have any inheritance.

DAVID HARPER: How did they fund it?

MICHAEL GOVE: By borrowing money from his friends mostly.

But he had good friends.

And they lent him the money.

Always good to have friends in high places.

Absolutely.

I don't have any friends like that.

Exactly.

NARRATOR: Of all the buildings at Painshill, there's one that stands out as an extraordinary example of Hamilton's work.

Ooh!

Oh!

Oh.

This is quite intricate.

NARRATOR: Hamilton created this completely man-made grotto or cave system as the masterpiece of his park, with walls studded with reflective crystals.

It's cool.

Every single crystal has been put on by hand.

CHRISTINA TREVANION: No!

MICHAEL GOVE: Yes.

DAVID HARPER: You lead the way then and you go second.

Yeah and-- scaredy-cat.

NARRATOR: Man up, David.

MICHAEL GOVE: Welcome to the main chamber.

CHRISTINA TREVANION: Whoa!

DAVID HARPER: Whoa!

MICHAEL GOVE: As I said earlier, it is one of the centerpieces of the park.

And I think it's truly outstanding.

CHRISTINA TREVANION: It's quite mesmerizing, isn't it?

DAVID HARPER: It is mesmerizing.

The light reflecting, I must say is incredible, amazing.

MICHAEL GOVE: It is truly, truly.

DAVID HARPER: With the water.

NARRATOR: Michael and his team have labored to restore this grotto to its former glory after it suffered catastrophic damage in the 1940s, when lead was apparently taken from the roof to pay for a VE Day celebration.

Huh!

They pinched the lead.

Well, that is the rumor, I believe so, yes.

But, anyway, they must have had a good time but in the end the whole ceiling collapsed.

And when we arrived here in 1981, in actual fact, the whole thing had collapsed.

So we had to do complete archaeology to find all the crystals.

So is this how Hamilton originally built it?

Yes.

The whole restoration has been based upon 18th century sketches on drawings.

And even when we were doing the final piece of restoration a year ago, we suddenly found an illustration in a magazine, which showed that we had two or three too many stalactites in one area.

So we had to take those down in order to try and be true to the restoration.

Oh you're good.

I wouldn't have known otherwise, you could have just left it.

I would have let that go.

Wouldn't you?

Yeah NARRATOR: The restoration of Hamilton's wonderful park has been that careful and exacting from inside the grotto to outside amongst the beautiful vistas.

This view is spectacular.

I could just stand here all day.

So what happened then, in the end?

He set up the park, he put all these pieces of art.

It took him till 1770 three when he completed the park, and at that time, he decided to sell the park because he needed to repay his friends that had lent him money to create the park.

And after that the park stayed in the number set for owner-ships until around about just before or after the war when it became completely derelict.

NARRATOR: And so it remained until Michael's team began their restoration in the 1980s.

And what do you think Hamilton would think today I think he'd be very proud I think in actual fact that we've been able to restore his dream.

Has it been saved forever now?

Is that it?

I very much hope sir of that led NARRATOR: Well said.

Michael, it's been an absolute pleasure, hasn't it?

Yeah its been really lovely.

Well, it's been a great pleasure to show you.

NARRATOR: Now, how are the team dynamics back on the road with Jenni and Christina.

Sometimes I'm just polite.

I might not necessarily always agree with what you want, but I'm quite polite and I just smile.

Honestly, probably, I'm going to try really hard to tell you if I don't like something.

NARRATOR: Sounds promising, they're driving to Oatlands Village near Weybridge, Surrey, and heading onto their second shop Brocante Antiques-- Here we are.

Oh, cute.

Actually a house.

Yeah, it does look a bit like a house.

NARRATOR: --where resides dealer, Ray.

Hello.

Hello, there.

Hello How are you, you well?

Yeah, nice to see you.

NARRATOR: Now, what about this new Jenni takes charge tactic?

What catches your eye, darling?

Literally this eye bath.

Sorry, I've been staring at that.

NARRATOR: Very funny.

Come on, Jenni.

What does take your fancy in here?

Oh, those are beautiful.

Are those wine glasses?

They probably would have been, yes.

Whether they'd sell for profit at auction?

Probably not, to be honest, but certainly one to consider.

- OK. - What do you think?

I have to think, what would Angelica do?

She'd say no.

She'd go for something that's probably going to beat us.

Are we being decisive?

Well, maybe.

Maybe on this occasion.

I'm maybe being decisive.

Maybe yes, maybe no.

Let's come back to it.

OK. NARRATOR: Oh, definite progress there.

What else will she unearth?

Here's something I don't like.

Would that be something to go for?

NARRATOR: It's an early 20th century German footed bowl.

Known as a tazza, or comporte.

Jenni's selected it because she doesn't like it, but is it a contender?

I think that was a good choice.

I think that's fab.

Would people want this in their home or is this-- see, look.

Right.

In the right house.

Oh, my goodness.

Right.

OK. OK.

But you don't like it?

No I hate it.

You think it's a good buy?

No, but, I think what I've realized is the things that the things that might sell are things I really don't like.

I know you don't like it, but I think commercially-- I can retrain my brain to believe it's beautiful.

- Can you?

- Yeah, I can.

But I want you to believe in it.

Look at that, it's gorgeous NARRATOR: So, pragmatism wins out, and they're going to have a punt on that.

Ticket price is 40 pounds.

Oh, Ray.

Ray, what can we do on you Eichwald?

I've got 40 pounds on it.

Do you love that, Ray?

We love that period, which is Jugenstild, The Art Nouveu Period.

You don't like that either, do you?

You either like it or you hate it.

He's like that, buy it, buy it.

Get it out the shop.

30.

30.

That could be a potential.

OK. Can we put that to one side?

We can indeed, yes.

Thank you.

We have to find something you love.

OK. All right.

OK - Find something you love.

NARRATOR: So upstairs our girls go.

Oh.

[LAUGHTER] You off on a Safari, my dear?

That's great.

NARRATOR: They're getting on splendidly well.

You looking?

Having a good look?

I'm looking, I'm looking.

Is your taste more, sort of, modern?

I think I'm more contemporary.

I think that's why I come in to somewhere like this and I find it quite difficult to find anything that would be of any value.

NARRATOR: But here's something.

Look at that.

Oh, it's quite nice.

What's that?

It says Minton.

Minton-- oh, is that nice?

Mintons very nice and very good firm.

What's that got on it?

It's 65 pounds, jug and bowl.

What do you think of that?

Yes.

I quite like that.

NARRATOR: It's a jug and bowl set.

Decorated in the Japanese style, dating from around 1875.

It is quite contemporary, isn't it?

It is quite contemporary, Jenni, do you-- is this good?

Yeah.

I think maybe that's why I like-- I'm like, Oh.

If you like it, then I love it.

OK. Oh, right.

OK, well we're-- this is a good one then.

OK.

But it's 65.

So what do you-- because I've noticed that what you do is you say to me, this is-- don't break it.

It's the only thing I've liked.

[LAUGHTER] Sorry.

NARRATOR: Do be careful, Christina.

At least they found something Jenni loves.

Now, how about some haggling?

It's quite awkward isn't it?

Is it?

I think it's quite awkward because you're like-- You're really not a natural haggler are you?

He's nice.

Yes, he's lovely, but-- You're going to have to just man up.

Come on, harden up.

Come on, where's haggler Jenni?

You need to reach deep inside and get her.

OK. NARRATOR: Time for Jenni's first tough deal.

Ticket price is 65 pounds.

Stand by.

We found something.

You found something?

We found something.

So, will you help us make some money because I'd like us to buy something here.

Come on Ray of sunshine.

OK.

In that case, well, I was going to say 40.

So what if we-- sorry.

No, go on, go on.

You can't help yourself can you?

I can't, I'm sorry.

I just can't.

NARRATOR: Honestly, Christina.

So what if we had the comporte and the jug and bowl?

40, 70, 65?

Ray, would 50 be massively out of the right ballpark?

It is, really.

We don't-- we try to work on quite small margins.

Yeah.

OK.

So then 55?

In the middle.

That would be nice.

Oh, that would be lovely.

OK, Jenni.

OK. NARRATOR: Watch out, you'll drop it.

Well done, Jenni.

You're getting the hang of this lark after all.

Don't drop it, don't it drop it.

[LAUGHTER] Put it there.

NARRATOR: That's a great deal on the jug and bowl set and the tazza.

Christina will have you apprenticed in no time, Jenni.

And with that, it's the end of a rollicking first day of the road trip.

Nighty-night.

[MUSIC PLAYING] The morning sun greets celebrities and experts back in their cars and exchanging notes.

How did it go yesterday?

So yesterday was fun.

I love David.

He was really energetic and chatty.

I love his trousers.

His trousers were phenomenal.

And he was really-- he taught me a lot.

I felt like I learnt a lot about antiques yesterday, did you?

Um, yeah.

I learned that I don't know much about them.

NARRATOR: And in the other car.

Angelica really does want to win.

But they're great friends aren't they?

I know, but we're great friends, but come on.

We want to win don't we?

Don't you want to win?

I'd love to kick your butt.

[LAUGHTER] One day I will.

NARRATOR: So the gloves are off.

It's time to get these teams on the road.

Good morning.

Hello.

You OK?

You look fantastic.

I'll put you in here.

See you later.

NARRATOR: So far, Angelica and David have spent 48 pounds on two lots.

The colorful calculating machine and the Nutcracker shaped as a ship's wheel.

While Jenni and Christina have spent 140 pounds on four lots.

The pair of sauce boats, the plane's propeller, the tazza, and the jug and bowl set.

David and Angelica are motoring on wards, and hopefully, upwards.

I had a fantastic day with you yesterday.

Thank you.

And I think you're absolutely lovely.

I don't think people tell people enough how they feel about people.

Awe.

NARRATOR: I quite agree.

How sweet, Angelica.

This happy pair are driving to the town of Henley on Thames in Oxfordshire, an ancient and very well-appointed place to kick off the day's buying.

Tudor House Antiques is their first stop today.

Hello.

Good day, pleased to meet you.

Oh, hello, Dave.

Right, shall we split up?

You do your thing, I'll do mine.

All right.

OK, that's fine.

NARRATOR: That's not tight enough.

Angelica's led their buying so far, but soon enough David spots something.

Yeah, I like things like this.

Tell me what you think.

Well, he's smiling.

He's smiling.

He's happy.

Is it a little Buddha?

Bhudda face.

Well, people often think that is Buddha, but that is not Buddha, as in the enlightened one.

The founder of Buddhism.

That is a Buddhist monk called Budai.

He's the laughing Buddha that travels around the world spreading joy and peace and happiness, just like you.

The bamboo Budai looks brand new to me.

15 pounds on the ticket.

He's a good luck symbol.

He's good luck.

But why is this valuable?

Because, well, because it's the sort of thing-- It's just an object.

It's a touch piece.

It's something that somebody would have in their modern home, in actual fact.

He's an acquired taste.

NARRATOR: Angelica doesn't seem keen.

Hm.

Lets move on.

NARRATOR: So that idea has been shelved and they're browsing on.

David, shall I look for anything specific?

I want you to look for something that you-- hello, I'm down here.

Oh, Hello.

I want you to look for things that you love.

OK.

I know David said find something that I like, but I want to impress him with my find.

NARRATOR: I'm sure you will.

Well, I just spotted that.

Can we bring it over?

- What is it?

Oh my gosh.

This thing weighs a ton.

Don't give yourself a hernia, Dave.

Do you want some help?

No, I'm not helping him.

NARRATOR: What a gentleman.

Let's put it down here.

Because, obviously, Angelica Bell, bell.

So I always look at bells.

You don't.

Seriously?

Do you really?

But then this looks like it's got a bit of history to it.

My gosh.

Should we go down and have a look because we can't lift it up.

NARRATOR: It's a ship's bell dating from the 1950s.

It's heavy in weight and its price is 200 pounds on the ticket.

That's bronze.

That is bronze.

Which is a very beautiful material and very expensive.

I think we're going to have to ring it.

OK.

I'm going to lift it once only.

OK.

Right.

We have to work together.

[BELL RINGING] Put it down, put it down.

Wow.

That is a sound.

So what do you think?

I love it.

I absolutely adore it.

Is it a risk?

It depends on how much it is.

What could you do-- what could you do David?

We've built up-- we've built up a relationship here.

Here we go.

No, no.

NARRATOR: Your reputation as a haggler precedes you, Angelica.

Right.

OK. Well, we don't insult you, obviously, because I know this is your business.

Well, all right.

Do that wink again.

It's yours.

It's ours.

Take it, take it.

100 pounds.

There you go.

NARRATOR: A generous discount at 100 pounds in a wink, but will they go for it?

OK.

I'm going to do a deal with you.

It's a risk, but it's fantastic.

Yeah.

We do work as a partnership.

Yeah.

I will happily agree with you to purchase that bell at 100 pounds, if you would agree with me to purchase Budai at 5 pounds.

You're definitely having the bell?

If we can have Budai the fiver.

OK. You got the Budai if you're buying the bell.

Just give you a minute.

Uh-oh.

You get a bell.

I get a Budai.

Partnership.

I trust you.

I trust you.

It's a deal.

We've done a deal.

Now, let's get David in.

Thank you, David.

NARRATOR: Now, that is teamwork.

Picking up the bell and the Budai for 105 pounds all in.

Now, Jenni and Christina are back in the car.

How are you finding the Porsche?

Yeah, I love it.

It's nice.

- Yeah?

- Yeah, I really like it.

NARRATOR: Whilst enjoying the German vehicle, they're on their way to visit the home of one of the British car industry's greatest characters.

They're motoring onto the village of Nuffield in Oxfordshire.

They're taking a short break from shopping to visit Nuffield Place, the home of one of Britain's greatest motoring entrepreneurs.

They're meeting house Steward Joanne Gamester.

Hello.

Hello.

Welcome to Nuffield Place.

- Jenni.

Hello.

Nice to meet you.

Would you like to come inside?

Yeah, I'd love to.

Thank you Oh a lovely, sunny room.

Yes, this is the sitting room.

Beautiful.

In the House of William Morris, Lord Nuffield.

Famed for being William Morris of Morris Motorcars.

A very hardworking man who started the business and became one of the biggest motorcar manufacturers in the country.

Ending up with 45% of the market at one point.

45% of the motoring industry?

Yes.

Wow.

And so then what he decided to do with his money was to give it away.

He was one of the biggest philanthropists that we've ever had in this country.

NARRATOR: Morris had a profound effect on early 20th century Britain.

Gaining truly enormous wealth and becoming one of the most successful British industrialists of his age.

Of course, he also founded the company that created the Morris Minor, one of the country's most iconic cars, but Morris originally came from very humble beginnings in Oxford.

He wasn't particularly well educated.

He had to leave school at the age of 14 to support his family.

But William was a natural at mending and making.

He was just fascinated by mechanical objects and it was just something he played with them and learned.

So just by experimentation he learned all about it.

NARRATOR: It was that talent and curiosity that led Morris to start his own bicycle manufacturing firm in his parents' house.

They had a small terraced house in Oxford, and he had the front room as a showroom, the shed in the backyard was his workshop, and the front garden was where bicycles were placed to be collected.

How did he go from bicycles to then developing Morris Motors?

The motorcars, well, he made them one at a time to start with.

And the First World War came along shortly afterwards, so he just kept his business going by taking orders for munitions.

And then, after the war, he built it up again and he'd been to America to see assembly line production with Ford and he brought that idea over to this country and, of course, then he could manufacture more and more cars.

And his brilliant idea was to bring motoring to the masses, and therefore to sell his cars, to make them simple and sell them at a reasonable price so that built it up too.

Not just to the Elite?

NARRATOR: Morris' business boomed in the interwar years as his dream of bringing motoring within the reach of the ordinary working Britons was realized.

But his enormous success never altered his humble and generous nature.

Can I just say, for someone that had such a successful business, his home is not very ostentatious.

It's very modest.

Well, he was a modest person.

He and his wife were used to habits of frugality.

NARRATOR: Given his enormous wealth, Morris did live fairly humbly.

We're going to Lord Nuffield's own bedroom.

So come in and see this room.

This bedroom really shows you the modesty of the man.

I find it really interesting as well.

This is so clearly a man's room.

NARRATOR: It certainly is.

Morris never lost his love of making and mending machinery, as one eccentric addition to this room shows.

His wardrobe.

This will be a bit of a surprise in the bedroom.

I really didn't expect that.

Oh, my goodness.

I truly expected it to be like a sink or something like that, yeah.

So he had a workshop in his bedroom?

He was obsessed.

That is the ultimate boys' toys isn't it?

Isn't it.

The story goes that Lady Nuffield was fed up of his bedroom being full of tools laid around and when she was away he had this built in the cupboard in the corner.

So at least it's all tidy.

Oh he sounds like the perfect man to be married to.

He could fix anything.

One of the interesting things in here, quite a surprise this.

On the back shelf.

Yeah That is his appendix.

Pickled in a jar.

I've changed my mind.

He is disgusting.

Apparently, they offered them to you at one time when you had the operation.

Why would you keep it?

It links quite well with his interest in medicine.

He was always very concerned about his health, about other people's health, and he gave a lot of money to medicine.

NARRATOR: As Morris's business and wealth grew, so did his charitable giving.

He donated his enormous fortune to good causes, notably in education and medicine.

This is the room they called the sunroom.

Oh, look at the view.

Lots of his gifts were to do with health and medicine.

NARRATOR: Amongst many other causes, Morris endowed an Oxford college, funded the development of anesthetics, and donated a huge amount of money to medical care and research.

Truly sounds like there was a huge amount of philanthropy here.

I mean, what kind of figures are we talking?

One researcher reckoned that if you looked at it over time and took all that into account that he was giving from the 20s right through to the late 50s and early 60s it would come to, he thought, $11 billion.

So he really was one of the greatest philanthropists that has ever been.

NARRATOR: Morris compares even to the billionaire philanthropists of today like Bill Gates.

His money is working in so many ways still today.

There's a Nuffield Foundation that still gives a huge amount of money every year to education.

And you'll hear the name Nuffield in so many different places.

There'll be enough field hospital here or a Nuffield ward in another hospital somewhere else.

Most people's lives will have been touched by him in some way.

11 billion pounds, wow.

I think we really got a sense of what a modest, humble man he is.

I think that's fantastic.

Yeah, definitely.

He would definitely be a good friend to have.

- Yeah.

- [LAUGHTER] Yes.

Thank you for showing us.

It's been wonderful.

NARRATOR: Meanwhile, Angelica and David are back in their car and driving towards their next shop.

I think the tactic is we find something that we like and we pass the negotiating to you.

Because I think you were very good at it.

OK. - Happy with that?

- Yes.

I'll do anything you say.

Good.

Just keep smiling and we will win this trip.

NARRATOR: They might just.

And they still have 247 pounds left to spend.

Jenni and Christina aren't far behind them.

So we've only really got one more thing left to buy.

OK. Do we have a price limit then?

Well, our budget is 400 pounds.

We don't have to spend it all.

We've only spent so far, up to this point, 140 pounds.

You're like my husband, you do not have to spend it all.

Remember that.

Personally, I would love to find something that you absolutely love.

OK. NARRATOR: So with these tactics in mind, both teams are driving to Reading in Berkshire.

And look who it is.

Let's go, let's go.

Come on, David.

Come on, we need to do this.

NARRATOR: Competition is heating up here.

I hope dealers Tom and Will are ready for them.

Hello, there.

Hi, there.

Hi, there.

I'm Will.

NARRATOR: Each team will claim a dealer.

Well, you've got me and Angelica.

You thought I was bad.

Hello.

I'm the sweetener.

I think I've got the best pair.

Yay.

Come on, Will, let's go.

NARRATOR: I beg your pardon.

It's the final stretch for our teams, best get to it.

So let's recap, what are we ideally looking for?

What would you love to buy?

Something with a bit of history, British, a bit antiquey.

[MUSIC PLAYING] What's this?

Harrods.

I like anything with Harrods.

What's in it?

Don't know, no idea.

Well, hang on.

A badminton set.

Interesting.

NARRATOR: It's a mid-twentieth century badminton set manufactured by the century-old London games company Jaques, and bearing a Harrods retailer stamp.

We were hoping our final object, we were talking, was going to be a true traditional British antique-- Yes.

piece of furniture, but really I can't see any of those.

Yet.

Can we just hold this, maybe?

Put it to one side because we don't want the opposition to cast their beady eyes on it.

I mean, well, I mean, I'm not going to get involved in a fight with you.

NARRATOR: You won't have to fight, Will, don't worry.

There's one to come back to there, but will anything else catch their eye?

What about this?

I'm loving this.

Tell me about that.

A hall chair.

Perfect.

Well done.

1800s.

Well, hey, you are getting so good.

You are.

Victorian.

Definitely Victorian.

It's kind of 18-- 1860.

I'm going to bring this over to you.

OK. OK.

It looks it's nice.

What do you think of it as a piece?

I think it's really sweet.

NARRATOR: So that's a definite possibility.

But, Meanwhile, back downstairs.

Oh, look.

A badminton set.

Oh, it's Jaques.

I know his grandson.

I've met the grandson who now runs the business.

They're still going.

They make games, they make family compendiums and different things like that.

So, I don't know, I'm quite excited about this.

Really?

Yeah.

I don't think I've seen your face light up quite so much-- But it's interesting.

Uh-oh.

Perhaps Will should have put that one to one side after all.

War it may be.

I really like this.

I think this is a really good choice.

I like it as well.

Good call.

Good call, Jenni, I like it.

- No, I like it.

- Yeah?

This is- Are we thinking-- Gosh, this is my favorite thing I've seen.

- Really?

- Yeah.

Oh, cool.

OK. Jenni finally finds something she really loves, but, of course, their dealer Tom doesn't know the other team has already reserved it.

Or think they have.

Oh, Tom.

Come hither.

Light of my life.

Here we go.

I found him.

- Hello.

Hello.

Over to you.

See, we've found this.

Right.

It's quite interesting.

What kind of price could you offer this to us for?

Well, I was thinking about 35.

Is that any good?

We could come down a little bit more couldn't we?

Like to 15.

15?

20.

Come on, you'll make money on 20.

This is a 20 pound handshake.

- You're welcome.

- Thank you.

Brilliant.

- OK That's exciting.

Well done.

OK, good.

We've got something.

Yes.

NARRATOR: Blimey, Jenni's haggling really has come on leaps and bounds.

Bravo.

There you go.

NARRATOR: They steal the badminton set right out from under the other team's noses, albeit unintentionally.

Back upstairs and completely oblivious, Angelica and David have uncovered a hall chair.

So crosswords might yet be avoided.

Ticket price on the chair is 48 pounds.

I know which I'd prefer.

This has caught our eye.

Well, how should we do this?

Should I offer you a price and you come back with another offer?

Go on.

What is your offer, then?

8 pounds.

I think 15 would be fair.

12.

15.

It will give you a good profit.

Look into her eyes.

Well, I don't want to, because she's going to sort of hypnotise me and I might say yes.

I've got an idea, right.

Let me mediate.

Both agree to this.

On the spin of a coin.

12 pounds 50 or 15 pounds.

- OK. - All right.

OK, Angelica?

Oh, go ahead.

Ready?

Sorry, darling, it's tails.

No, all's fair.

- 15.

- Well done.

Well done.

Thank you.

Thank you very much.

[LAUGHTER] NARRATOR: Witty banter and a great deal from Will.

They've got the chair, so they don't need the badminton set.

With all the items in the bag, it's time to reveal their purchases to each other.

Let's go outside.

Hello.

Hello It's nice to be all together.

It's a bit nerve-wracking, though, isn't it?

Let's be honest.

I think I'm more intrigued to see what you got.

I think actually I like everything that we've got apart from one item.

Let's try and work that one out.

Here we go.

Wow, ooh.

Ta-da.

I recognize that box.

Do you?

Oh, come on.

You-- Have you seen this before?

Did you see this?

Yes.

Yeah.

- OK. Now, it all becomes clear.

But we didn't want it.

NARRATOR: Well, you did at one point.

We got it for 20.

Good.

Good buy.

That's OK. That will make you some money.

I think that's a good buy.

You did love that.

I Did.

That one I did like.

OK.

So we haven't found yet the object that you hate?

NARRATOR: You have not.

Can I say the one I think you won't like?

It's the red one.

Oh.

You know me well.

Why do you say that?

It's just knowing Jenni and knowing her house and her style, it's too busy.

OK.

It's just too garish.

OK. Yeah you really didn't like that.

Exactly.

That's exactly what I feel.

- Yeah.

But there is money to be made in that.

It was 25 quid.

That's cheap.

Jolly good.

OK.

It's nice seeing everything together.

Yeah Because suddenly I'm like, actually with the exception of one item.

I'm really, really, really proud of what we've got.

NARRATOR: Wonderful.

Now for Angelica and David.

Jenni, there is one thing here that I don't like.

Oh, OK. Oh, right.

OK. Find that one.

OK. - OK. - What do you think?

Oh, wow.

I love your bell.

Very nice.

I love the bell.

I like it, I like it.

Brilliant.

Is this a calculator?

Yes.

It's an Art Deco.

Look at the Bakelite, it's amazing.

Bakelite.

Isn't it gorgeous?

NARRATOR: Can Jenni spot the odd one out in this haul?

There's one object that kind of stands out for me, but-- do you have any idea which one she might not like?

I don't think you like the Buddha.

That's exactly what I was going to say.

I hate the Buddah.

[LAUGHING] Why would you buy the Buddha?

Can I-- can I just make something clear?

That is not Buddha.

NARRATOR: Quite right, David.

Budai.

Budai.

Hand-carved out of bamboo and it cost a 5 pounds note.

OK.

He's got to be lucky for that, hasn't he?

He's going to get loads on the auction.

I think so.

Amazing.

Well, we'll see your auction you two.

- Yeah.

- We will, David.

Best of luck.

NARRATOR: You will.

But before that, how do they really rate her rival's lots?

Out of their items and our items, would you swap?

No I like ours more.

I do too.

NARRATOR: Aw.

And would Angelica swap any of their haul?

No.

Even Budai?

No, because you love Budai Aw.

And we're a team.

- We are a team.

- Remember?

That's what we said.

You know what?

We are a team.

Oh, thank you.

NARRATOR: So, it's all love and joy as they head to auction.

On this trip, they've motored all the way from East Moseley in Surrey to auction near the village of Beltring in Kent.

That sounds Beltering.

Jenni and Angelica are driving to the sale.

I'm excited about today too.

It's going to be amazing.

How about David?

What color trousers will he be wearing today?

I think he might be wearing green.

NARRATOR: Whatever he wears, they'll be tight.

While David and Christina await them at Hop Farm Auction House-- well, look, the girls were almost right.

Blue.

Blue trousers.

Hi.

Not green.

You look very glamorous, you two.

Super duper glam.

Oh, thank you very much.

How are you, my love?

Nice to see you.

NARRATOR: Hm.

Formation kissing, look.

To the saleroom, teams.

Our auctioneer today is Alex Jenkins.

Before the off, what does he think of our team's lots?

The Harrods badminton set, yeah, a nice lot.

Like it.

That kind of thing is really popular at the moment.

The Bakelite calculator, nice Art Deco piece, lovely colors.

Green, chocolate lime almost.

Nice thing.

NARRATOR: Both teams started with 400 pounds.

Angelica and David spent 168 pounds exactly and have five lots to show for it.

While Jenni and Christina spent 160 pounds and also have five lots in today's sale.

The auctions are about to begin.

Right we're off.

OK. Good luck you two.

This is it.

NARRATOR: First up, Jenni and Christina's opinion dividing tazza.

At 20 pounds straight in, 20 pounds.

26 straight in.

They're loving it online.

26 pounds there, 28 pounds if you will.

28, thank you.

28 is in the room.

30 has been bid.

It's very rare.

[LAUGHTER] 36.

38 pounds, 40.

42 is there.

44 in the room.

46, next.

46, 48, 48 pounds in the room.

46, 50 has been bid.

NARRATOR: It's doing well.

50 is out.

50 pounds online.

55 pounds if you want.

At 50 pounds if you want.

Look how nice it is.

Look how nice.

It's a good start.

NARRATOR: It is.

Jenni hated it, but that pragmatic buy has paid off splendidly.

Now, it's the first lot for Angelica and David.

Are you nervous?

You are nervous.

Have you been to an auction before?

No, It's my first one.

NARRATOR: Their maiden lot is their very first buy.

The Art Deco calculating machine.

Oh, my goodness gracious me.

What a beauty.

And I'm not talking about me.

Start them off now.

Should be 50 pounds for this one, easily.

50 pounds, 40 pounds only.

40 pounds, got to be.

Come along.

40 pounds.

What's that?

Oh, internet.

30 you're saying?

No you've got internet.

This-- I'm concentrating on him so much.

Trying to tease him.

40 pounds is there.

42 pounds, let's get excited.

40 pounds is online.

42 pounds is next.

Come along now, you look pretty, let's show us your money.

Come on.

No I've got 42 there.

44 is there, 46.

NARRATOR: Oh, do behave David.

It's like an argument at the auction isn't it?

They're falling out over this.

50 pounds there, 55 is next.

55, there's been 60.

Well done there, sir.

60 pounds next.

At 55 pounds, last chances.

55 it is, at 55.

[APPLAUSE] NARRATOR: That all adds up to a terrific start for them.

I don't know if we're meant to heckle him.

No.

That's not really done.

NARRATOR: Quite, Christina.

Now, it's Jenni and Christina's jug and bowl set.

It was the first thing Jenni picked herself.

Oh.

Look at that.

Sorry, what have you seen?

This is-- can I just say, this is beautiful.

15 pounds, 15 pounds I've got.

18, 20, 22, 22 anywhere.

22 is there.

24, 26, 28, 30.

Come on, sir, it's 2 pounds.

30 pounds there.

32.

34 next.

It's got so much history, she says.

No way.

I'm not even making that up.

Really?

No.

32 pounds there.

It's 32 pounds in the room.

And selling at 32.

NARRATOR: Some charm from Jenni, and Alex are auctioneer pulls that into the black before costs.

Bravo.

The lovely Nutcracker which captures Angelica's quirky, classic style is the next lot to meet the room.

10 pounds for it.

10 pounds novelty item there he is.

12 pounds there, 14 next.

There we are.

14, 16.

18 pounds next anywhere?

Tell them how rare it is Angelica.

16 pounds in the room.

18 bid, 20.

Don't make me work for it, 20 is in the room.

22 is there, 24.

We're getting there.

We're getting there, go for it.

24 pounds is bid in the room.

They're going quiet.

There's some dancing going on.

20-- you get the dance for free.

26 pounds next if you will.

24 for it is and selling at 24.

NARRATOR: They danced their way to a nice little profit.

Angelic.

Should we be more in competition?

Are we being too nice?

Should we be more aggressive against them?

You want to do that?

NARRATOR: Groovy.

Up next, it's Jenni and Christina's early aeroplane propeller.

It was Christina's pick, but they both liked it.

Let's hope some bidders agree.

40 pounds starts it.

40 pounds, it's got to be worth 40 pounds.

30 pounds in the room there.

32 pounds next, 32 is there.

34.

36, come along.

Come on, 36 there.

38, 40.

42.

That 42 and selling.

42.

Ouch NARRATOR: Unlucky girl's.

First loss of the day.

Now, the lot that divided rock-solid team Angelica and David, will luck shine on the bamboo Budai?

Any bid-ais out there?

He's on fire isn't he?

It's got to be.

Let's see, starts here with me.

At, I'll go the top end, 36 pounds starts in.

38 pounds if you want it.

36 pounds is with me.

38 pounds next.

38 pounds there, 40 with me, 42 next.

42 is there.

44.

I love Buddai.

42 pounds.

Would you like to buy one?

44 Pounds.

44 pounds next.

And selling at 42.

Did that just happen?

NARRATOR: It did.

Even Angelica's won round to its charms.

I am indebted to you forever.

Thank you.

He does know what he's talking about after all.

So surprising.

Jenni wasn't sure what these sauce boats were, but she put her faith in Christina.

Will it pay off?

Let's just go with your fiver.

Come on then.

5 pounds is there.

6 pounds is online.

seven, eight pounds next.

8 pound is there.

9 is in the room.

10 pounds if you want.

Come on.

NARRATOR: But it's climbing.

20 pounds is there.

22 next.

In 22.

24 pounds there.

24 is bid.

26, 28 pounds if you want.

28 is online.

32, 30 is in the room.

NARRATOR: It really is climbing.

36 next.

Well done.

You're a good man.

36 is there.

38, 38 is in the room.

40 next.

42, 42 is in the room.

44 next.

At 42.

A little bit, nope.

Oh.

[APPLAUSE] Well done.

What a great starter, a fiver.

NARRATOR: Patience wins out and that's another great profit for Jenni and Christina.

Angelica wanted a traditional antique and she got one in the form of this hall chair.

20 pounds.

Do I see 22?

22 pounds, got to be more in here.

22 pounds.

22 anywhere, 22 is bid.

24 next.

24 is there.

26 next.

26 pounds, got to be.

There it is.

28.

30 next.

30, 32.

30 pounds here.

At 30 pounds and selling at 30.

Thank you.

Double bubble.

NARRATOR: Double bubble, indeed.

And this game is looking close.

Now, the Jaques badminton set that both teams liked, but only Jenni and Christina picked up.

40 pounds is there.

42 pounds next.

I only want 2 pounds.

There it is.

42 is there.

44 next.

44 pounds is all I want.

At 42 pounds I'm selling then.

Oh, no.

More than.

42.

Oh.

That's a shame.

What a shame.

It's terrible Angelica.

Lots of people here haven't even bid.

There he is.

44 is there.

46 Pounds next.

46 pounds I'm selling, last chance.

At 46.

Well done.

NARRATOR: That scores a nice profit for them.

Could that have won the day?

It's Angelica's bell now.

Can her namesake win them this game?

80 pounds and I'm in.

90 pounds, well done.

95 next.

Back in.

100.

110 if you will.

110 if you will.

110 is there.

120 is in the room.

120, I'm finding it hard to see you.

130 is there.

140, 140 is in.

150 if you will.

150 is there.

160.

I'll offer it up 155 to make it cheeky.

155, if you will.

155.

160 it is.

Very nice.

At 160 it's going.

It's gone.

[CHEERING] This is better than Christmas.

Maybe someone just bought you a bell.

You never know.

NARRATOR: The bell is a big winner on their very last lot.

We need now to go do some numbers and find out who's won.

Let's go.

I think we could work out.

NARRATOR: Both teams started this trip with 400 pounds, after auction costs, Jenni and Christina made a profit of 13 pounds and 84 pence.

Giving them 413 pounds and 84 P. Well done girls.

But Angelica and David romped home with a profit of 87 pounds and 2 pence.

Giving them, oddly enough, 487 pounds and two pennies and bragging rights forever more.

It was good.

Really good.

Really good.

I know.

It was fantastic.

NARRATOR: What a trip, aye?

Thank you, Jenni.

Thank you so much.

Thanks for being a brilliant partner.

You've been brilliant.

Thank you.

NARRATOR: Thank you girls for the laughs, the profits, and all the horsing about.

I've enjoyed doing this show.

Oh, look.

Aw.

- Hello.

Hello.

NARRATOR: All profits from this series go to children in need.

[MUSIC PLAYING]