VOICEOVER (VO): It's the nation's favorite antiques experts...

I don't know what to do.

(HONKS HORN) VO: ..with £200 each, a classic car, and a goal: to scour Britain for antiques.

What a little diamond.

VO: The aim - to make the biggest profit at auction, but it's no mean feat.

Back in the game.

Charlie!

VO: There'll be worthy winners and valiant losers.

Oh!

VO: So, will it be the high road to glory or the slow road to disaster?

Oh!

VO: This is the Antiques Road Trip.

Yeah.

VO: It's another day out on the road trip for our old pals Mark Stacey and Thomas Plant.

If we were in a film...

Yes?

What would our theme tune be?

Oh gosh, that's a tricky one isn't it?

I think we'd be like Thelma and Louise.

VO: Well, hold onto your head scarves then, boys because this competition is hotting up.

MARK: I have woken up this morning with a steely determination.

Have you now?

To find, sniff out those profitable bargains and wipe that smug little smile of your chops.

I never smile.

VO: Antiques dealer Mark is always putting a smile on people's faces.

This has always been my problem, I'm too generous.

VO: Whilst auctioneer Thomas is always on the lookout for new tactics.

Yeah, that works.

Maybe I'll be able to call Mark.

VO: And they are travelling the country in style in this delightful 1978 MGB GT.

I had one of those.

THOMAS: I have to say, Mark, you are driving it very well.

I've been driving a lot longer than you have, Thomas.

Well, I know you have because you are a lot older than me.

THOMAS: Do you remember starting it by hand?

Cranking... MARK: I never had a crank.

VO: Both Mark and Thomas started the road trip with £200.

VO: After a disastrous start, Mark managed to claw back some cash at yesterday's auction and has £171 for the third leg.

VO: Thomas remains in the lead with a hefty £309.96 to play with.

VO: The boys' trip will cover over 500 miles, from Sittingbourne in Kent, winding along the southeast of England, through Norwich and finally to Oakham in the east Midlands.

VO: Today's leg begins in the town of Halsted in Essex and the auction will take place in Willingham in Cambridgeshire.

The name Halsted comes from the old English word hald, meaning safe place or refuge.

Mark's first shop of the trip is Halsted Antiques Center.

Hello.

Hello.

I'm Mark.

I'm James.

VO: Mark's trailed behind Thomas in the past two auctions and has a lot of catching up to do.

Are they negotiable, the dealers?

Yes.

Can you do me a good deal?

Probably not, but I can do you a deal.

I don't like the sound of that.

I need all the help I can get, James.

I'll be back.

That's a warning.

VO: It's a bit early in the day to be making threats.

Let me just remind you of the dire situation I'm in.

I'm £100 behind Thomas Plant.

I have got to find things that are going to give a substantial profit.

It doesn't have to be old, might have to be decorative but they have got to give me substantial profits to help me catch up.

VO: Well, get on with it, then.

MARK: This is quite charming.

This is a little pig.

Pigs are very popular.

I mean, lots and lots of people collect piggy items.

And I do sometimes nastily refer to Thomas as a little porker.

So, does that look like Thomas, do you think?

Definitely.

We'll have a little think about him, I think.

VO: Come on, little piggy, get to market.

VO: Now then, what's this he's found?

MARK: That's quite interesting, isn't it?

Those are quite fun.

They've got two columns here.

This has got a Corinthian mount to it and it's got the sort of globe at the top, which represents the Earth.

And then you've got another one here but this is representing the heavens.

VO: These globe columns are a central part of the iconography of the Freemasons and were used to decorate their lodges.

Masonic items often do very well at auction, so this could be a good find.

They are priced at £14 each.

Yes, £14.

James?

Have you found something then?

I have.

I mean, I found those rather...

I think they are very decorative, actually.

I think they're rather nice, actually.

I need to get things as inexpensively as possible because I'm way...

I'm behind Mr Plant, which I don't like.

I don't like Thomas Plant being on top.

You have my sympathy.

MARK: Exactly.

How about 10 each?

You see, I thought you might say that.

Mmm.

MARK: What about 15 for the pair?

Cuz I think they might make about 40 or £50 in the sale room.

And that would help you, wouldn't it?

Oh, it would help me hugely.

OK, 15.

James, thank you.

VO: So, Mark's on top of the world with this pair of globe columns for £15.

But he's not finished yet.

MARK: Now, that's a very decorative piece.

You can tell exactly what period it comes from.

It could only be one period and that's the Art Deco movement.

I mean, this is priced up at £35.

You get a lot for your money, don't you?

You get a lot of color and pattern and original design for 35 quid.

I mean, I have just noticed, actually, which might explain the price, there's a crack running into that body there and I think that will make a big difference.

Oh, do you know, I'm so disappointed I found that crack now because I love this piece but it does have a big, a big bearing on the price.

VO: Yeah.

Better ask James.

James, I really fell in love with this.

But I found a nasty crack in it I'm afraid.

Could you have a word with the dealer, because... JAMES: Yep.

Unfortunately it has put me off it but I do love the shape.

MARK: Do you want to just try 20 as a throwaway and then I can see whether it fits into my plan or not.

Hi Sally, it's James at Halstead Antiques Center.

Got a customer who has seen your phoenix ware pot and they were wondering if you could actually go down to 20?

MARK: (WHISPERS) Pleading with her, pleading with her.

Even if I told you the customer was Mark Stacey?

VO: Namedropping are we?

She likes you very much.

She's a great fan and therefore she will do the 20.

James, wonderful.

I am thrilled with that and of course I'm a huge, huge fan of Sally, whoever she is.

VO: She's the woman that just sold you the vase for £20.

Along with the globe columns it's not a bad start.

This leg is beginning much better than the other two legs.

Thomas, I hope it's going well for you.

VO: Let's see, shall we?

VO: Thomas is 13 miles away, in the village of Cavendish, in Suffolk.

And his first shop is Cavendish Antiques.

THOMAS: Hello.

JACKIE: Hi there.

I'm Thomas.

Nice to see you.

I'm Jackie.

Nice to see you, Jackie.

This is like, we've got a tearoom?

It is indeed, yes.

All sorts, cakes, soups, light lunches, whatever you like.

VO: He likes antiques, Jackie.

THOMAS: What goes on upstairs?

More antiques upstairs.

THOMAS: Oh really.

No tea up there?

No tea up there.

What does better, teas or antiques?

Hopefully antiques.

Yeah.

You bring them in with a cup of tea.

Sometimes teas.

Well I'm gonna have a look upstairs and down here.

OK, rightio.

And, um... Give us a shout if you need any help up there and I'll come up.

That's really kind of you, Jackie, thank you very much.

OK. VO: Move away from the cakes, Thomas.

THOMAS: A lot of pressure.

There's a tremendous amount of pressure on me to continue buying well.

And making sure that I still beat Mark.

VO: Ooh.

There's that competitive streak.

What's this?

THOMAS: That has caught my eye.

You've got a little silver pillbox.

Little enamel decoration there of a leaping stag, with his antlers.

So the way this is done it's almost, we call it Guilloche enamel.

This is engine turned.

That means the underside has been engraved.

VO: Guilloche is a decorative engraving term where a precise and repetitive pattern is mechanically applied.

This early 1900s piece has a pricetag of £95.

Enamel is almost like a glass substance, so when it cracks it shatters and it's so difficult to repair.

That's why I'm so intent on looking at the... ..quality of the enamel.

Making sure that it is in good condition, but it is dead sweet.

A good looking object, that.

VO: I think he likes it.

Time to speak to co-owner, Graham.

THOMAS: What's your best offer on that?

Got 95 on it.

We'll do you 75.

THOMAS: The thing is at £75 there's no profit in it.

GRAHAM: There's a small profit in it for us.

There's a small profit in it for you.

GRAHAM: So there's one winner.

VO: Steady on Graham, he's up against Mark Stacey, not you.

THOMAS: I've got a figure in mind less than that.

GRAHAM: It doesn't surprise me.

THOMAS: I think at auction that's £50 worth.

Yeah, I can't do it for 50.

THOMAS: What can you do it for?

GRAHAM: I don't mind meeting you halfway and we'll go down to 65.

What about 60, then?

Not at 60.

You sure?

Well, depending what else you're buying.

VO: Oh, you drive a hard bargain, Graham.

VO: But don't worry, Thomas.

Jackie's got a few potential items for you.

THOMAS: That is pretty.

GRAHAM: The jewelry's nice isn't it, yes.

The jewelry is nice.

A little pretty brooch here.

Art Nouveau in style.

VO: There's £18 on the ticket.

THOMAS: What can that be?

What about 12?

£12?

Yes.

I think that's fair enough.

Yes.

Yeah.

Where can we be with the box now?

Well, as you've done that, I will go down to 60 for you.

Will you?

I will.

THOMAS: That's very generous.

So, 72.

VO: After that generous discount, give yourself a pat on the back, Thomas.

You have two lovely lots for auction.

VO: Meanwhile Mark has travelled to Castle Hedingham in Essex, for a visit to Hedingham Castle.

VO: This castle has been home to the same family for over 800 years - the de Veres.

A family that once had a great reputation for its military prowess.

And one that has left a unique mark on England's history.

But there's one de Vere who stands out from the crowd.

A military hero whose boldness helped put a king on the throne, but ultimately almost destroyed him and his family's wealth.

Mark is meeting a de Vere descendant, Jason Lindsay, to find out more.

Hello, I'm Mark.

Mark, very good to meet you.

Jason Lindsay.

MARK: This is amazing.

Now, this must be Norman.

VO: It is indeed.

This is the best preserved Norman castle in England and has been in the de Vere family since 1140.

MARK: Wow, it really is well preserved, isn't it.

It can tell us a lot of stories.

There must be some notable Earls in the family.

Well they are rather an incredible bunch.

550 years they lasted, 20 generations.

VO: Hedingham was once home to John de Vere, the 13th Earl of Oxford, who lived during the 15th century when England was embroiled in a bloody civil war.

The Wars of the Roses tore the country apart, as two rival dynasties, the Lancastrians and the Yorks, fought for the English crown.

This was also a tragic time for John de Vere, whose family suffered at the hands of the Yorkist King Edward VII.

Basically he had been locked up for many years.

Tragically his father and his older brother had been taken off to the Tower of London and beheaded.

Ooh.

And his son was beheaded earlier, four days before, so the father could have his pain and they were accused of treason, so off came their heads.

VO: With his family in turmoil, John staged a dramatic escape and took up the fight for the Lancastrians.

At this point the country had been warning for three decades.

VO: When it all came to a head, at the Battle of Bosworth, John de Vere was a commander for the future King Henry VII.

JASON: There was a vanguard and they managed to cut two armies in half and he helped swing the battle, definitely, and it's stated in all the history books.

And as a result when he was, Henry was crowned, the Earl of Oxford was returned all his hereditary titles, all his lands, all his castles.

He was hugely powerful.

VO: Having played a key role in helping secure the throne for Henry Tudor, John de Vere used his newfound wealth to host a lavish week-long banquet, attended by the king.

JASON: It was an extremely expensive thing to do, and there must have been hundreds and hundreds of people with Henry, his courtiers and his cooks...

The whole entourage, yes.

So, the castle had to be in absolute, probably its best condition it's ever been in.

VO: But the celebrations were to have a sour ending.

JASON: When Henry, after this great sumptuous feasting and everything, left, they went from the castle down to the village.

John de Vere lined all his men down the drive, two deep, and they were all wearing the livery of the Earl of Oxford, and Henry felt threatened, because he'd banned all his barons from displaying livery, because it was basically showing a private army.

Yes, exactly.

And it just shows how insecure he was in his position.

VO: Confronted by what he saw as a potentially threatening army, it's said the King imposed a massive fine on the Earl, the equivalent of millions of pounds today.

Some notable historians basically say that that was the beginning of the decline of the de Veres, the earls of Oxford.

VO: Despite this, John de Vere remained loyal to the King for the rest of his life.

But it's his victory on the battlefield which helped stabilize a country in turmoil and established a royal dynasty that ruled for over a century.

That is his lasting legacy.

VO: Speaking of epic battles, our pair are back together again and heading for a well-deserved night's rest.

Bye bye, you two.

So sweet.

VO: Morning has broken in the county of Essex and Mark and Thomas are back on the road.

MARK: We are in my home county of Essex.

I know.

You're an Essex boy, aren't you?

I'm an Essex boy.

We have everything in Essex.

We've got coasts with amusements, and we've got beautiful countryside.

We've got something for everyone.

THOMAS: And beautiful people.

VO: Flattery will get you everywhere, Thomas.

Before we get started with today's shenanigans, let's take a look at the shopping trip so far.

VO: Playing a thrifty game, Mark has bagged himself a couple of bargains.

The rather unusual pair of globe columns and the Art Deco vase, spending £35, leaving him with £136.

VO: Thomas Plant notched up two lovely buys, spending £72 on the dainty silver pillbox and the pretty Art Nouveau brooch.

Giving him £237.96 for the day ahead.

VO: Mark and Thomas are heading south to the very charming village of Blackmore.

The trouble is, Thomas, you know I'm still £130 behind you.

I know, I know, and I've got to make a boo-boo for you to catch up.

And you've got to spend some money, Tom.

You're just playing Planty tactics.

It won't be entertaining them.

THOMAS: Oh.

MARK: Here we are, Thomas.

THOMAS: There we are.

MARK: Thank you so much.

Get out!

Go.

Get out!

VO: Come on, boys, play nice.

Mark's first shop today is Megarrys Antiques.

Hello.

JUDI: Morning, Mark.

How are you?

I'm fine.

I'm Judi Wood.

Nice to meet you, Judi.

You've got a treasure trove here.

MARK: Ooh, gosh.

Well, lots of china.

I think this is going to be fun, because I'm gonna have to look in every nook and cranny to see what's here.

There's so much to see.

Which is good, and bad in equal measures.

Because, like always, the clock is ticking, and time waits for no man.

VO: Feeling the pressure, Mark?

What's this?

Oh, I can't get it out.

It's quite interesting, isn't it.

It's a frame, obviously, you can see that, and it's glazed.

It probably would have had a sort of religious woolwork picture in there to begin with.

It's got these four sort of cast gilded brass plaques here, which are almost like a sort of Celtic religious theme.

Let's turn it and see what the back is like.

Ah, now this is interesting.

On the front it says 16, but on the back it says 8.75.

I think we might have a word with Judi about this.

JUDI: I'd forgotten completely that it was there.

MARK: You see, this is music to my ears, because you don't really want it.

I've noticed something quite odd.

JUDI: Mm-hm?

MARK: On the front it's got £16, but then on the back it's got a price ticket of 8.75.

Well, naturally I want to go near the, nearer the 8.75 than the 16.

That's what I paid for it.

Oh.

VO: Mystery solved.

Judi left the original pricetag on.

Oh, Judi.

MARK: Well, how close can we get to 8.75?

How about 8.75?

I think that would suit me down to the ground.

Thank you very much indeed.

I think I've got to pay you.

JUDI: Yes, please.

MARK: And I've decided, there's £10.

Just give me £1 change because I think you need to earn a bit of profit.

You see, this has always been my problem.

I'm too generous.

Thank you, Mark.

Thank you so much.

Lovely to meet you.

And you.

VO: Don't blow that 25p all at once, Judi.

At a bargain £9, Mark has his third item for auction.

VO: Meanwhile, our Thomas is motoring on to Chelmsford.

In the late 19th century, Chelmsford was a hotbed of innovative industry, attracting engineers and inventors from all over, who carried out pioneering work that would change Chelmsford and the world for ever.

VO: Thomas is visiting Sandford Mill, part of Chelmsford Museum, to learn about the town's history and one of the inventors that helped put it on the map.

Hello, I'm Thomas.

Welcome, Thomas.

VO: Showing him around is curator, Nick Wickenden.

Chelmsford at the time was like the silicon valley of its day.

There was electrical engineering going on here already, with Colonel Crompton and the Christies.

There was Hoffman's, which were ballbearings.

VO: Joining these pioneers was Guglielmo Marconi.

He began developing wireless radio whilst growing up in Italy and with the British government investing in new technology, he brought his idea to Chelmsford in 1898.

NICK: He found out that there was an old silk factory which was empty and so it was perfect for him to set up the first radio factory in the world in this former silk factory.

VO: Marconi continued his groundbreaking work, developing and manufacturing wireless technology in his Chelmsford factory.

In 1912, he opened the world's first purpose-built radio factory, the Marconi works, at New Street, becoming one of Chelmsford's biggest employers and making his mark on the town.

It's dominated by two aerials, 450 feet high and that really dominates Chelmsford's landscape in the center of the town for at least a generation.

VO: Although Marconi had proved that signals could be sent wirelessly over long distances, at the start of the 20th century the technology was still in its infancy.

VO: It wasn't until after the First World War that those experiments into entertainment broadcasts started in Chelmsford.

In 1920, Dame Nellie Melba, a famous Australian opera singer, performed a concert at the factory that was transmitted over the wireless.

This was a major turning point and demand for radios in the home grew.

THOMAS: And who's listening to this at this time?

NICK: People who have wireless sets are basically by now all around the world.

And not just Britain, not just Chelmsford, it's literally all around the world.

VO: But Chelmsford was to play another vital role, as it was here, from an old World War I hut on the outskirts of town, that the world's first regular entertainment broadcasts started in 1922.

They were led by Marconi engineer, Peter Eckersley.

NICK: Eckersley's a bit of a comedian.

He starts telling jokes.

They bring in the piano from the local pub.

This is the actual piano.

THOMAS: Really?

And they bring in the singers, little concerts, little sketches and the people who are listening to this on their radio sets at home absolutely love it.

And they actually then get a license from the British Post Office and it's effectively the first broadcasting station in the world that is purely for entertainment, and Eckersley really becomes the first disc jockey if you like.

VO: Soon others recognized the chance to transmit their own shows and there were 20 applications to broadcast.

A decision was made to form a single company, responsible for broadcasting in Britain.

Yes, you guessed it, the good old BBC was born.

VO: Marconi remained very much at the heart of Chelmsford, with the company moving into areas like radar and television equipment, before finally closing its doors in 2006.

VO: But, as the birthplace of the wireless and the foundation of entertainment broadcasting, Chelmsford has secured its rightful place in the history books and Marconi's legacy lives on throughout the town.

VO: Meanwhile, Mark is moving onto Gosfield for his last shop, at Gosfield shopping village, and Glen is on hand to assist.

Hello, Glen.

MARK: Hello.

GLEN: Good afternoon.

Welcome to Gosfield.

MARK: Nice to see you.

This is good fun, isn't it.

GLEN: Well, there's plenty to take a good look at.

Let's take a look at the plenty to look at, shall we, first?

Go this way.

VO: With over 100 dealers, Mark should have no problem in shelling out some of that £127 he's got left.

I'm going to try and stick to my tactics, you know, of buying interesting, good items as cheaply as possible, which have as wide a range of profit as possible, because I am trailing Thomas, and there's one thing we've learnt this week, and that's Mr Plant is rather good at finding profitable items.

And I'm not terribly happy with him for that.

VO: Well, profit is the name of the game, Mark.

I like that little box there.

It's a small, I would have thought a small snuffbox, and it dates to the sort of 1830s, 1840s, so it's a proper antique.

You are allowed to sell tortoiseshell if the work of art you're handling was produced before 1947.

Well, this is 100 years before that, so we are well into the antique world.

That's something I'm going to keep in my mind.

That's quite interesting there.

That vase, I mean, it looks very stylized.

You can see this is Art Nouveau, so 1910-ish, that sort of period.

You see I'm going off piste again, because it's priced at £165.

Please stop me.

Don't let me buy it.

VO: OK, we'll remember that.

And, to add to your woes, Mark, the competition has arrived.

Look out.

This is the first cabinet I want to look into.

There are some interesting objects in here.

Good, solid antiques.

And I wouldn't mind looking...

There's a...

There's a pen set, like a desk set, which looks really lovely.

VO: With a really lovely pricetag of £58.

Beata is on hand to assist.

THOMAS: It's a good looking a lot, that.

I don't want to pay that, though.

I am sure, if you find some other things.

You never know.

THOMAS: Can I have a look at the rest of it?

There's this really nice, coromandel, lovely vesta.

It's in the form of a drum, isn't it.

VO: Vestas appeared around the 1830s designed to carry matches.

This particular model is made of coromandel wood and has £60 on the ticket.

There's two items there which I'm relatively interested in.

I'll keep in my mind.

So, so could you take those to the desk?

Uh-huh?

And see what we could do on those?

Yes, of course.

While I carry on looking.

THOMAS: Is that alright?

BEATA: Yes, no problem.

VO: While Tom carries on looking, let's check on Mr Stacey.

One thing I've noticed here actually, I was looking at a little seated pig yesterday and didn't buy it but here they've got a very big, fat, juicy succulent pig and it's actually a pin cushion.

And he's rather fun actually.

Does look as if he's got a fun face.

I don't think it's terribly old, but it's only £22.

The price of pork has just gone down.

VO: Oink, oink.

And there is an interesting spoon here.

Simply says Arts and Crafts spoon, £22.

It's all hand beaten and hand shaped.

I can't believe it's silver for £22.

But it's worth a look, I think.

VO: Better have a word with Glen.

You're very naughty man.

What have you found?

Well, I've found so much, I could fill cabinets here with the amount of stuff that I've found, but I have found a vase, an interesting spoon, a lovely little regency tortoiseshell box and a big fat porker.

But I've got to try and make choices about what I'm going to put in the auction.

Right, let's have a look.

What have we got?

The vase.

The best price we could do there would be 80.

For the spoon, 10.

For the snuffbox, 40, and the pig, 10 on that one.

MARK: The pig, at £10 is a no-brainer really, isn't it?

I mean, that at auction could do really well.

The vase I love, because it sums up to me a very subtle Art Nouveau form, that the Americans surpassed themselves in.

I want to take a bit of a risk.

I've been very... ..restrained so far.

If I try to buy those two, Glen, to put forward as my last two items, could I possibly get those two for £60?

60.

Well, I think I could meet you halfway there.

Oh, at 55?

At 75.

Oh my gosh, that's not halfway, is it.

If we could say 70 I'll have a go.

GLEN: OK, we could do those two for 70.

MARK: Are we there?

GLEN: Yes.

Lovely.

Let's shake on 70, shall we?

Thank you.

What have I done?

VO: You've taken a bit of a gamble on that vase, Mark.

That's what you've done.

But you have five items for auction, and well done.

VO: Meanwhile, Thomas is still on the hunt.

I feel there's this last-minute, last item buy.

It could be the wrong thing to do, buying at speed, buying at haste and not really giving it careful consideration.

Not finding a real... bargain.

VO: Here comes trouble.

Thomas, how are you doing?

Fine.

Time is running out, Thomas.

THOMAS: I know.

Have you purchased?

I'm all done.

You're all done?

MARK: I'm all done.

Well, I suggest you go away.

MARK: But my...my strategy has gone out of the window, again.

Have you spent?

I've spent a lot of money, Tom.

THOMAS: No, you haven't.

Have you?

Look, there's wonderful cabinets here of quality items.

Mm-hm.

You've got a huge amount of money left, Tom.

THOMAS: Yes, yes.

Now get spending it.

Well, I'm going to spend some.

MARK: I'll... No, I'll be so disappointed if you've been tactical again.

Turn around and off you go.

No, no...

I will be really disappointed if you're tactical.

There's more spending.

More spending going on, I promise.

MARK: Promise?

THOMAS: I promise.

VO: Don't make promises you can't keep, Thomas.

Naughty.

This last bit is such a panic.

I mean, you know, there's...

The thing is you've got to think about auctions, and what's going to sell well at auction.

THOMAS: This is what caught my eye.

It's a sort of double whistle-cum-compass.

VO: £28 on the ticket, but does it work?

(BLOWS WHISTLE) Yeah, that works.

Maybe I'll be able to call Mark.

(BLOWS WHISTLE) VO: Well, it's got someone's attention.

THOMAS: Look at these cigar cutters in silver, gosh.

You put your cigar in the end, you snip it.

They're in solid silver and they're probably 1920s.

Oh, those are absolutely wonderful, aren't they?

For the man who has everything.

VO: Priced at £45.

Thomas also has his eye on the writing set and the vesta.

All four items have a combined ticket price of £191.

THOMAS: What can be done on, on, on all of these?

BEATA: Ah...177.

THOMAS: 177?

That's a lot of money.

BEATA: It's a first step, 177.

THOMAS: Yeah, no, I wouldn't be happy with that.

BEATA: I know.

How much are you prepared?

I know this is really going to push it... Mm-hm?

Really push it.

Mm?

But I'm at round about £110.

That's where I am.

110?

You're going to do it for me at 110?

Really?

Deal.

Thank you very much.

£110.

VO: So, that means 40 for the matchbox, 30 for the desk set, £15 for the scout's compass whistle and £25 for the cigar cutters.

He's cleaned up.

Well done, Thomas.

That's four items.

Mark's gonna go mad that I've bought four items, that's six in total.

He's going to go bonkers.

VO: Thomas has spent £182.

As well as his latest purchases, he's also picked up the pillbox and the brooch.

VO: Despite starting out with thrifty intentions, Mark threw caution to the wind and bought five items.

The piggy pincushion, the globe columns, the bronze vase, the frame, and the Art Deco vase.

Spending a grand total of £114.

Quite a haul for them both.

But what do they think of one another's buys?

One of the best items Thomas has bought, and one of his most expensive, is the little Art Deco pillbox.

Beautifully enameled and very collectable, but £60.

That's quite a lot of money.

He's bought this fabulous sterling silver and bronze vase.

This could be a bit too subtle for the auction.

But somebody out there will spot the quality and hopefully he'll make a good profit on it.

I'm really looking forward to this auction because I've bought very well and I think Thomas has bought reasonably well.

But he's bought a Scout's whistle, honestly what next?

He's used his eye, he's used his knowledge and I am in fear of him racing ahead, while I slightly lag behind.

VO: After their trip around Essex... VO: ..and Suffolk, our road trippers are heading north to the village of Willingham in Cambridgeshire for auction.

MARK: Are you excited?

Auction day.

Auction day.

Yeah, I am excited.

I think you've bought immensely well.

Do you think so?

Yes, I do.

I'm a little bit jealous.

MARK: I've had to be very cunning.

THOMAS: I am...

In awe.

In awe of Mr Mark Stacey.

Well, so you should be Tom.

You've bought so well.

It's only taken you three legs to get this far.

VO: You are cheeky, Thomas.

Today's auction is being held at Willingham Auctions.

THOMAS: Look at you.

You're already dying to get out.

I am.

It's like auction village.

It's like Starsky and Hutch, isn't it?

VO: More like Laurel and Hardy.

Ha!

VO: Our auctioneer today is Stephen Drake.

What does he think of Mark and Thomas's purchases?

The bronze vase is very nice actually.

It's got a tiny bit of oxidization on it but it's really nice, nice, small, well made.

Good quality.

I'm probably going to put my foot in it but the Scout's whistle you know, it's a bit...

I mean, there are whistle collectors out there and I'm hoping that they are going to turn out today, basically.

VO: Come on, boys.

The auction is just about to start.

VO: First up is Mark's piggy pincushion.

AUCTIONEER (AU): Decorative little lot, stick pins in pigs.

We'll start at £10 on this lot.

£10 bid.

Oh, this isn't looking good.

AU: 18, 20, £25 bid on the lot, at 25.

25, 30, five, 40.

It's going on, you see.

£45 bid.

45 bid.

Are we all done?

Selling then at 45.

Oh I... That's not bad on a tenner, is it?

No, on little piggy.

Oink oink.

You'll be having your pork chops tonight.

VO: The £10 piggy has paid off for Mark.

Next up, Thomas's silver cigar cutters.

Interest in this.

Start at £40.

Oh, £40 straight in.

AU: At £40 bid on the lot, at 40.

£45 bid.

In the room at 45, 50, five, 60, five, £65 bid.

MARK: £65, Tom.

AU: 70.

£75 bid, 80, five, £85 bid.

THOMAS: That's awesome.

AU: Are you bidding at the moment sir, at 85?

90 anywhere?

If you want to bid, be quick on the internet.

90, that was quick.

MARK: It wasn't quick.

He gave him a half an hour to make his mind up.

I don't care.

AU: Selling then at £90.

That's not bad, is it?

I'm rubbing my hands with glee.

Well I think it's over for me already, Tom.

Don't be so ridiculous.

Terrible.

VO: Great result for Thomas.

Putting him in a strong lead.

But let's not light the cigars just yet.

It's Thomas's pillbox next.

£50 bid, nice little pot, at 50, five, 60, five... Oh, profit.

There we are, you're in profit.

AU: 80, five, 90, five, 100, 110, £110 bid.

Gosh, that's a jolly good profit, Tom.

You weren't expecting that.

No.

Well done.

130?

140?

You're not gonna give up now, are you?

Good man.

AU: Lady's bid at 140.

Are we all done now?

Selling then at 140.

That's brilliant.

That's £80 profit, Thomas.

That is brilliant.

Well, I think you have done very well.

I think I have.

I wasn't expecting that, Tom.

No, nor was I. I thought you might get 20 quid out of that.

VO: You're on a roll, Thomas.

Up next are Mark's globe columns.

Can their association with the Masons spark some interest?

AU: Start at 75 on this lot.

That's not bad.

That's alright.

AU: £5 bid on the lot.

85, 90, £90 bid.

95, £95 bid.

Oh, that's alright.

Get in there.

Look at the profit on that.

£100 bid on the Masonic columns, at 100.

Are we done then?

Selling then at £100.

That is all right.

It's brilliant.

£85 profit.

Superb.

I'm pleased with that.

God.

VO: An amazing profit.

This could really help Mark.

Back to Thomas now with his desk writing set.

AU: Start at 25 on this lot.

£25 bid.

25, 30, £30 bid.

£30 bid on the lot, at 30.

35.

£35 bid.

If you want to bid, be quick.

£35 bid, and selling then at 35.

MARK: What did you pay for that?

£30 I think.

So, £5 profit.

VO: Not quite as good a result.

Can Mark's bargain frame put him in the winning picture?

£10 on this lot.

£10 bid.

A pound.

Pound profit.

It is useful to have one, at 12, 15, 18.

£18 bid, 20, £20 bid and five, £25.

Oh, come on.

A bit more.

Oh no, I think that's going well.

Shut up.

They've got 40 to 60.

Have they?

Are we done now?

I shall sell then at £25.

£16 profit.

I think that's brilliant.

16 quid profit.

VO: That's more than double back.

Well done.

It's Thomas's Art Nouveau brooch next.

AU: Bit of interest in this.

We will start at a tenner on this one.

Come on.

It should make a lot more than that.

18, 20, 25, 30, 35... THOMAS: 35, that's good.

AU: £40 bid on the lot, at 40.

£40 bid.

It's not expensive for what it is actually.

It's charming.

I think it's lovely.

Are there any further bids?

Selling then in the room at £40.

Brilliant.

That's what you want, more of those.

VO: That turned out to be a good little find.

VO: Next up is Mark's bronze vase.

The auctioneer has high hopes for this.

Start at £80 on this lot.

£80 bid.

£80.

Oh, we've got 80.

We're £20 in profit.

With me at 85.

At 85.

Got to go 90.

95, I am out.

95, that is, well I have covered it.

I have made a profit.

AU: Are there any further bids?

I shall sell in the room then at 95.

100.

Five, I'll take.

105, that's alright.

It's broken that three figure.

AU: 110, against you now.

115.

£115 bid.

Creeping.

Still in the room.

120, against you.

120.

It's on the internet at 120.

Selling then at 120.

I was concerned at that because I didn't know the factory.

I mean it looked very Tiffany's to me.

THOMAS: It did, it did.

And it has that look, so it's obviously from that period.

THOMAS: Doubled its...

So, I'm pleased with that.

I'm happy.

Oh, well done you.

VO: What a gamble!

He's doubled his cash.

But is it enough to put him in the lead?

VO: Back to Thomas, and his vesta is the next lot.

£20 bid.

Bid's with me at £20.

25, 30, 35.

Got to go 40.

One more, I'll take it.

45, I'm out.

45 Oh, in profit.

Yep, yep, very small profit though.

Are we done now?

And selling in the room at 45.

I am surprised at that.

Well...

I thought that would've done better.

The same here, but it's yesterday's antiques, isn't it.

VO: Turn that frown upside down.

It's still a profit.

Thomas again now with his Scout whistle.

The auctioneer and Mark aren't fans.

But will the bidders be?

£10 bid on the Scout's whistle.

Ever popular at £10.

£10 bid.

£10 bid on the whistle, at 10.

12, £15 bid.

18.

Just what you want, madam, at 18.

£18 bid.

£18.

Selling then, in front, lady's bid, at £18.

Well done, you made a profit on that.

Well, that was great.

Reminded me of my schoolboy days.

Yes.

You know, yomping through the moors.

Well, you managed to navigate yourself to a profit there.

I did, I did.

Very, very cautiously, but it happened.

VO: It's a profit, albeit a small one.

It's our lads' last lot of the day.

Mark's cracked Art Deco vase.

£20 bid.

Bid's with me at 20.

£20 bid.

It's cool that they're saying that.

25 Bid on the lot, at 25.

£30 bid.

Decorative little lot at 30.

And selling now in front at £30.

Well done, madam.

VO: Well done, Mark.

Another good profit.

Come on, you can buy me a cup of tea.

Why me?

Because you've got more money.

VO: Great auction, chaps.

Now let's do the math.

VO: Thomas started off this leg of the trip with £309.96 in his pocket.

After auction costs he made a profit of £119.76.

Giving him a hefty £429.72 to carry forward.

VO: But today is Mark's day.

Starting off with £171, after auction costs, he has notched up a profit of £148.40, winning this leg of the trip.

He has an impressive £319.40 to take forward.

Well done.

THOMAS: You've beaten me.

MARK: But you're still £110 ahead, Thomas.

Yes, but you know, this is where as I say you are on the ropes, the fightback starts here for Mark.

MARK: Absolutely, it's started, my friend.

Be afraid.

I... Be very afraid.

I'm quaking.

VO: Best we leave them before it all kicks off.

Bye for now.

VO: Next time on Antiques Road Trip Mark's having a crisis of confidence.

What am I doing here?

VO: While Thomas keeps his eye on the ball.

THOMAS: Maybe I can look into the crystal ball and see how Mark's fortunes turn out.

subtitling@stv.tv