
Mister Rogers' Neighborhood
Music: Unusual Musical Instruments
Season 15 Episode 50 | 28m 18sVideo has Closed Captions
Tom O'Horgan displays his large collection of unusual musical instruments.
Tom O'Horgan displays his large collection of unusual musical instruments.
Problems playing video? | Closed Captioning Feedback
Problems playing video? | Closed Captioning Feedback
Mister Rogers' Neighborhood
Music: Unusual Musical Instruments
Season 15 Episode 50 | 28m 18sVideo has Closed Captions
Tom O'Horgan displays his large collection of unusual musical instruments.
Problems playing video? | Closed Captioning Feedback
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♪ IT'S A BEAUTIFUL DAY IN THIS NEIGHBORHOOD ♪ ♪ A BEAUTIFUL DAY FOR A NEIGHBOR ♪ ♪ WOULD YOU BE MINE?
♪ ♪ COULD YOU BE MINE?
♪ ♪ IT'S A NEIGHBORLY DAY IN THIS BEAUTY WOOD ♪ ♪ A NEIGHBORLY DAY FOR A BEAUTY ♪ ♪ WOULD YOU BE MINE?
♪ ♪ COULD YOU BE MINE?
♪ ♪ I HAVE ALWAYS WANTED TO HAVE A NEIGHBOR ♪ ♪ JUST LIKE YOU ♪ ♪ I'VE ALWAYS WANTED TO LIVE ♪ ♪ IN A NEIGHBORHOOD WITH YOU ♪ ♪ SO LET'S MAKE THE MOST OF THIS BEAUTIFUL DAY ♪ ♪ SINCE WE'RE TOGETHER, WE MIGHT AS WELL SAY ♪ ♪ WOULD YOU BE MINE?
♪ ♪ COULD YOU BE MINE?
♪ ♪ WON'T YOU BE MY NEIGHBOR?
♪ ♪ WON'T YOU PLEASE ♪ ♪ WON'T YOU PLEASE ♪ ♪ PLEASE WON'T YOU BE MY NEIGHBOR?
♪♪ HI, TELEVISION NEIGHBOR.
WE'RE TOGETHER AGAIN, AND I'M GLAD OF THAT.
I WANT YOU TO SEE SOMETHING.
THIS IS CALLED A FLEXATONE.
[BING BING BING] IT'S AN INSTRUMENT THAT BELONGS TO A FRIEND OF MINE WHO HAS A WHOLE COLLECTION OF MUSICAL INSTRUMENTS.
WHENEVER HE SEES A DIFFERENT KIND OF MUSICMAKER, HE GETS IT AND LEARNS TO PLAY IT.
HIS NAME IS TOM O'HORGAN.
I WANT YOU TO MEET HIM AND SEE HIS INSTRUMENTS.
IT'S NOT TIME TO GO THERE YET, SO WE'LL THINK OF SOMETHING TO DO WHILE WE'RE WAITING.
MAYBE WE'LL FEED THE FISH.
♪ LET'S THINK OF SOMETHING TO DO ♪ ♪ WHILE WE'RE WAITING ♪ ♪ WHILE WE'RE WAITING ♪ ♪ FOR SOMETHING NEW TO DO ♪ ♪ LET'S TRY TO THINK UP A SONG ♪ ♪ WHILE WE'RE WAITING ♪ ♪ THAT'S LIBERATING ♪ ♪ AND WILL BE TRUE TO YOU ♪ ♪ LET'S THINK OF SOMETHING TO DO ♪ ♪ WHILE WE'RE WAITING ♪ ♪ WHILE WE'RE WAITING ♪ ♪ TILL SOMETHING'S THROUGH ♪ ♪ YOU KNOW, IT'S REALLY ALL RIGHT ♪ ♪ IN FACT, IT'S DOWNRIGHT QUITE BRIGHT ♪ ♪ TO THINK OF SOMETHING TO DO ♪ ♪ THAT'S SPECIFIC FOR YOU ♪ ♪ LET'S THINK OF SOMETHING TO DO ♪ ♪ WHILE WE'RE WAITING ♪♪ WERE YOU GLAD WE THOUGHT OF THAT, FISH?
IT'S TIME TO GO TO MR. O'HORGAN'S PLACE AND SEE ALL OF HIS INSTRUMENTS.
HIS GRANDMOTHER WAS A NATIVE AMERICAN.
I WONDER IF SHE HELPED HIM TO LOVE MUSIC?
WE'LL JUST TAKE THE FLEXATONE BACK TO HIM AND MEET TOM O'HORGAN.
COME ALONG.
THIS IS HIS APARTMENT HOUSE.
LET'S GO ON IN.
[PIANO PLAYING] [BING BING] HI, TOM.
HELLO, FRED.
MEET MY TELEVISION NEIGHBOR.
WELCOME TO MY HOUSE.
YOU'VE BROUGHT BACK THE TOY.
ACTUALLY, IT'S A MUSICAL INSTRUMENT CALLED A FLEXATONE.
HERE'S THE BASS OF THE FAMILY.
[BOING BOING] [BING BING] CAN YOU HEAR THE DIFFERENCE?
THE WHOLE SCALE.
SEE?
NOW YOU PLAY A DUET.
I LIKE THIS.
THESE ARE ALL MUSICAL INSTRUMENTS?
YES.
FROM DIFFERENT PARTS OF THE WORLD.
THEY'RE MADE FROM ELEMENTS AROUND THEIR HOUSE.
FOR INSTANCE, THIS IS A SET OF STICKS FROM THE ABORIGINAL PEOPLE FROM AUSTRALIA.
[CLACK CLACK CLACK] THEY'RE USED AS RHYTHM STICKS.
WANT TO TRY IT?
THEY SOUND LIKE SOME BIRDS.
THESE ARE SEEDPOD INSTRUMENTS, RATTLES.
THIS IS FROM THE CARIBBEAN ISLANDS.
[RATTLE] WONDERFUL PERCUSSION INSTRUMENT.
THOSE ARE JUST SEEDS IN THERE?
MM-HMM.
RIGHT OFF A TREE.
THIS HERE...
THESE ARE NUT CASES.
[CLICK CLICK CLICK] A HIGHER VERSION.
THESE ARE JUST NUTS?
MM-HMM.
THEY'RE FROM AFRICA.
THIS ONE'S REALLY LOVELY.
[RATTLE] THESE ARE SEED CASES.
THAT SOUNDS SO SOFT.
JUST LIKE RAIN.
THESE ARE INTERESTING.
THESE ARE FROM THE AMAZON INDIANS, AND THEY'RE DANCING INSTRUMENTS.
[TOCK TOCK TOCK] WANT TO TRY IT?
I'LL GIVE YOU BACK THE SEEDPOD.
@@ LET'S SEE, NOW.
OH, IT JUST...
IT'S JUST A COCONUT...
SHELL.
YOU CAN DANCE AND MAKE YOUR OWN MUSIC.
IS THAT WHAT YOU PLAY WHEN YOU'RE HAPPY?
I LIKE THESE HERE.
[DING DING DONG] I HAVE A WHOLE SERIES OF GONGS.
COME ON, I'LL SHOW YOU.
OH, MY!
ALL THESE GONGS.
YES.
THEY'RE INDONESIAN, CHINESE, AND JAPANESE.
THESE ARE WONDERFUL PITCHED GONGS.
[BONG] ♪ OUMMMMMM ♪♪ THE SMALL ONES ARE NICE.
[BING BING] WOULD YOU LIKE TO TRY?
THEY SOUND BEAUTIFUL.
EACH ONE HAS ITS OWN VOICE.
IT SURE DOES.
THESE THINGS UP ON THE CEILING HERE ARE QUITE INTERESTING.
[CLANG CLANG] THESE ARE BURMESE.
[TINKLE] [DONG] I LOVE TO LISTEN TO THAT.
TOM, WHAT GOT YOU SO INTERESTED IN THESE THINGS?
WHEN I WAS IN FOURTH GRADE, A TEACHER NAMED MR. SHEEHAN GUIDED MY INTEREST TOWARDS MUSIC.
I WAS A SINGER.
I BECAME VERY INTERESTED IN MUSICAL INSTRUMENTS, PLAYING TOGETHER AND SINGING TOGETHER.
YOU'VE FOUND THINGS ALL OVER THE WORLD.
THAT'S RIGHT.
WOULD YOU LIKE TO PLAY A DUET?
SURE.
I'LL PLAY THE BELLS AND YOU CAN PLAY THE CEILING INSTRUMENTS.
[TING] [DING] I LIKE PLAYING TOGETHER LIKE THAT.
WHAT IS THIS BIG THING FOR?
THAT'S FOR HITTING THIS GONG.
GIVE IT A GOOD STROKE.
[BWWONG] I LIKE THAT.
LET ME SHOW YOU SOME OTHER THINGS.
HERE'S A TRUMPET THAT'S HOMEMADE OUT OF OIL CANS, COOKING OIL CANS.
[BLAT] IS THAT WONDERFUL!
OIL CANS FOR A TRUMPET.
HERE'S SOMETHING I'D LIKE YOU TO PLAY.
HOLD IT THERE, THEN BOW IT WITH THIS DOWN TOWARDS THE BOTTOM.
[SQUEAK] WHAT A BEAUTIFUL SOUND.
WHAT IS THAT INSIDE?
WATER.
IT'S CALLED A WATERPHONE.
THE WATER GIVES IT AN ECHO EFFECT.
I'D LIKE TO PLAY YOU ANOTHER BOWED INSTRUMENT, WHICH I'M VERY CLOSE TO BECAUSE IT'S AN APACHE FIDDLE.
MY GRANDMOTHER WAS CHEROKEE, SO I FEEL CLOSE TO IT.
♪ ♪ ♪ IT'S VERY GENTLE.
IT IS.
ALL OF THESE INSTRUMENTS HAVE THE SPIRIT OF THE PEOPLE THAT MADE THEM.
EACH ONE HAS A VOICE OF ITS OWN AND SPEAKS TO ME VERY DIRECTLY.
I WISH I COULD SEE THEM ALL, BUT I NEED TO GO.
LET ME SHOW YOU THIS LAST THING.
THIS IS A GREAT GONG, A TEMPLE GONG FROM JAPAN.
IT'S ALSO A FRICTION INSTRUMENT LIKE THOSE TWO.
[BONG] WHEN YOU RUB IT, IT BEGINS TO MAKE A GREAT SOUND.
IT TAKES A MOMENT FOR IT TO COME UP.
[HMMMM] I FEEL IT.
♪ OOOOOOH ♪♪ THANK YOU, TOM.
THANK YOU FOR COMING.
I APPRECIATE YOUR SHOWING US THIS.
IT'S MY PLEASURE.
THANK YOU.
BYE.
HERE'S A GONG TO GO.
[BONG] LET'S GO TO MY PLACE.
IT'S FUN TO FIND OUT THINGS YOU NEVER KNEW BEFORE.
IF YOU ASK PEOPLE, MANY WILL TELL YOU AND SHOW YOU WONDERFUL THINGS.
I REALLY ENJOY LEARNING FROM MY FRIENDS.
NOW IT'S TIME FOR MAKE-BELIEVE.
TROLLEY.
[TOOT!
TOOT!]
[DING!
DING!]
LET'S PRETEND THAT THIS IS THE TIME FOR THE BASS VIOLIN FESTIVAL, AND PEOPLE ARE COMING FROM WESTWOOD, NORTHWOOD, AND SOUTHWOOD.
LET'S PRETEND IT'S JUST ABOUT TO BEGIN.
WE'LL MAKE BELIEVE THAT TROLLEY IS CARRYING A BASS VIOLIN.
[TOOT!
TOOT!]
[TOOT!
TOOT!]
[DING!
DING!]
[DING!
DING!]
YES, TROLLEY, WE'RE ALMOST READY TO BEGIN.
[TOOT!
TOOT!]
YES, IT'S A REAL NICE ONE.
[DING!]
[DING!]
[DING!]
IT PLAYS YOUR MUSIC.
[TOOT!
TOOT!]
OF COURSE.
WE'RE READY FOR THE FESTIVAL.
KING FRIDAY'S WAITING.
BUT THE PEOPLE FROM WESTWOOD HAVEN'T ARRIVED.
[TOOT!
TOOT!]
YES.
MAYOR MAGGIE.
SHE'S THE ONE WHO SUGGESTED THE FESTIVAL SO THAT ALL THE NEIGHBORHOODS COULD GET TOGETHER.
[DING!
DING!]
NO, WE HAVEN'T CALLED HER.
THANKS, TROLLEY.
THAT'S A TERRIFIC IDEA.
I'LL CALL HER.
HELLO, MISS PAULIFFICATE?
NO, NOT YET.
WE'LL LET YOU KNOW.
WOULD YOU PLEASE GET ME WESTWOOD?
I WANT TO SEE IF MAYOR MAGGIE LEFT YET.
HELLO, MAYOR MAGGIE.
AREN'T YOU COMING?
WHAT?
WE THOUGHT IT WAS SUPPOSED TO BE HERE.
WELL, I'LL SEE.
YOU MEAN EVERYONE ELSE IS THERE?
FROM SOUTHWOOD?
AND NORTHWOOD?
I'LL TALK WITH UNCLE FRIDAY.
WE'LL COME AS SOON AS WE CAN.
YES, HE'S PLAYING, AND WE'LL HAVE DANCING AND OTHER MUSIC.
GOOD.
WE'LL COME WHEN WE CAN.
WHAT'S GOING ON?
THE FESTIVAL'S GOING TO BE...
IN WESTWOOD.
IN WESTWOOD.
I'M GLAD WE CHECKED.
YOU TALK TO KING FRIDAY, AND I'LL TELL EVERYONE.
WHAT ABOUT THE DECORATIONS?
MAYBE WE'LL TAKE A COUPLE OF BALLOONS.
OK. FIRST THINGS FIRST.
HELLO, TRIO.
HELLO, LADY ABERLIN.
I NEED TO TALK WITH UNCLE FRIDAY.
HERE HE COMES.
[ROYAL FANFARE ♪♪] NIECE ABERLIN, I PRESUME.
WHEN SHALL I BEGIN TO PLAY MY OVERTURE?
AS SOON AS WE ARRIVE IN WESTWOOD.
WHY DID YOU SAY THAT?
THE FESTIVAL IS IN WESTWOOD.
NOT HERE?
UH...NO.
EVERYONE WHO'S IN IT IS ALREADY THERE.
EVERYONE EXCEPT US.
I THINK THE BEST THING TO DO IS TO GO TO WESTWOOD RIGHT AWAY.
AND THINK ABOUT REASONS LATER.
FANFARE PEOPLE, PLAY US TO WESTWOOD.
[ROYAL FANFARE ♪♪] I DON'T KNOW.
MAYOR MAGGIE HAS JUST TALKED WITH MAKE-BELIEVE AND THEIR PARTICIPANTS ARE ON THEIR WAY.
WHILE WE'RE WAITING, BETTY BASS VIOLET HAS OFFERED TO SING US A FLOWER SONG.
♪ WHAT HAS SUCH GRACE AS A BASS VIOLET?
♪ ♪ A BASS VIOLET ♪ ♪ IS LIKE A LACE VIOLET ♪ ♪ WHAT HAS A FACE LIKE A BASS VIOLET?
♪ ♪ A BASS VIOLET ♪ ♪ CAN HOLD THE ACE TETE-A-TETE ♪ ♪ WHO KEEPS THE PACE WHILE ALL OTHERS ARE RACING?
♪ ♪ THE FLOWERS OF LIFE BREATHE AND BEND ♪ ♪ BEND AND WAVE ♪ ♪ BUT ASK ♪ ♪ WHO FILLS THE SPACE WHILE ALL OTHERS ARE LACING?
♪ ♪ THE BASS VIOLET WINS THIS RACE ♪ ♪ WHAT HAS SUCH GRACE AS A BASS VIOLET?
♪ ♪ A BASS VIOLET ♪ ♪ IS LIKE A LACE VIOLET ♪ ♪ WHAT HAS A FACE LIKE A BASS VIOLET?
♪ ♪ A BASS VIOLET ♪ ♪ CAN KEEP THE PACE THAT IS SET ♪♪ OH, TERRIFIC!
FRIENDS, I SEE OUR NEIGHBORS FROM MAKE-BELIEVE ARRIVING.
LET'S GIVE THEM A HEARTY WELCOME.
WELCOME, NEIGHBORS!
HELLO, MAYOR MAGGIE.
WE'RE SORRY TO BE LATE.
THERE WAS A MIX-UP, BUT WE WON'T DWELL ON THAT.
WE'VE BROUGHT BALLOONS AND GREAT TALENT.
THEN LET'S BEGIN.
IT'S THIS WAY OVER HERE.
WELCOME, EVERYONE.
GOOD TO SEE YOU.
AH, THE KING'S BASS.
THANK YOU.
LADIES AND GENTLEMEN, THE BASS VIOLIN FESTIVAL SHALL BEGIN.
OUR OVERTURE WILL BE PLAYED BY HIS MAJESTY KING FRIDAY XIII.
WHO IS ALWAYS SO GENEROUS WITH HIS MUSICAL TALENT.
WHO IS ALWAYS SO GENEROUS WITH HIS MUSICAL TALENT.
YES.
I'M PREPARED NOW.
OH, THANK YOU.
THANK YOU.
♪♪♪♪ THERE YOU HAVE IT.
WHAT MORE NEEDS TO BE SAID?
THANK YOU, KING FRIDAY.
A SUPERB BEGINNING.
AND NOW, OLD GOAT WILL RECITE HIS POEM ABOUT THE BASS VIOLIN.
BAHAHAHAHAAA.
HE NEEDS SOMEONE TO ACCOMPANY HIM WITH MUSIC.
I'LL DO THAT, TOOTS.
VERY WELL.
LADY ELAINE FAIRCHILDE, THEN, WILL JOIN OLD GOAT.
ALWAYS READY TO HELP.
BAA.
BAHAHAA?
SURE.
I'M WAYS READY.
GO ON UP THERE.
BAHAA.
♪♪ BAHAHA.
♪♪ BAAAHAAAAA.
♪♪ ♪ AAA BAAA BAAAHAA.
♪♪ ♪ BAAAA HAAA.
♪♪ BAAAHAAHAHAH.
♪♪ BAAAHAAHAHAH.
IF YOUR POEM IS OVER, KEEP HOPPING UNTIL I FINISH MY PIECE.
♪ ♪ ♪ THAT'S IT, EVERYBODY.
AH, THAT WAS NICE.
THANK YOU, OLD GOAT AND LADY ELAINE.
AND NOW, A BASS VIOLIN DANCE BY LADY ABERLIN AND MISS PAULIFFICATE, ACCOMPANIED BY HANDYMAN NEGRI.
ALL THREE FROM THE NEIGHBORHOOD OF MAKE-BELIEVE.
WONDERFUL.
I LOVE IT!
A UNIQUE PRESENTATION IN ALL RESPECTS.
WESTWOOD IS SO PROUD OF ITS NEIGHBORS.
WOULD YOU LIKE TO DO SOMETHING?
OH, NO, I CAME TO BE THE AUDIENCE AND CLAP MY PAWS.
WE'RE VERY GLAD YOU CAME.
SOMETIMES I'M VERY SHY.
WELL, YOU'RE ALWAYS WELCOME IN WESTWOOD.
WHAT'S NEXT FOR THE FESTIVAL?
NEXT, KEITH DAVID AND JAMES MICHAEL JONES WILL TREAT US TO A PUPPET SHOW.
OH, GOOD!
THESE PUPPETS ARE BROTHERS-- KEITH BASS VIOLIN, AND JIMMY BASS VIOLIN.
NOW, JAMES WILL MAKE JIMMY TALK, AND I'LL MAKE KEITH TALK.
HELLO, KEITH.
I DON'T WANT TO TALK.
WHAT'S THE MATTER?
I DON'T KNOW.
I THOUGHT WE COULD PLAY TOGETHER.
I DON'T FEEL LIKE PLAYING WITH YOU.
WHY NOT?
YOU'RE TOO YOUNG.
BUT I'M YOUR BROTHER.
THAT'S TOO BAD.
I'M GOING TO PLAY WITH MY BIG FRIENDS.
BYE.
I FEEL SO SAD.
I THINK I'LL CRY.
BOO HOO HOO!
OH, UH... OH, UH... OH, JIMMY, I'LL PLAY WITH YOU.
WHO ARE YOU?
DANIEL STRIPED TIGER.
I'M A GOOD PLAYER.
WELL, I DIDN'T EXPECT YOU TO HELP.
SOMETIMES PEOPLE GET SAD OR ANGRY.
I KNOW ABOUT THAT.
AND ABOUT BROTHERS WHO WON'T PLAY WITH YOU?
YES, I DO.
LOOK, HERE COMES YOUR BIG BROTHER.
WHO ARE YOU?
DANIEL TIGER, JIMMY'S FRIEND.
ARE YOU PART OF THE PUPPET SHOW?
OH, NO!
I'M SORRY!
I FORGOT IT WAS A SHOW.
EXCUSE ME.
YOU'RE WELCOME TO STAY.
WELL, THANK YOU.
MY FRIENDS DIDN'T WANT TO PLAY, SO I CAME BACK TO PLAY WITH YOU.
WELL!
GOOD.
NOW YOU BOTH HAVE SOMEBODY TO PLAY WITH.
I LIKED YOUR SHOW.
WE CAN ALL SING TOGETHER.
GOOD!
♪ BASS VIOLIN ♪ ♪ BASS VIOLIN ♪ ♪ BASS VIOLIN ♪ ♪ BASS VIOLIN ♪ ♪ WE LOVE YOU ♪ ♪ YES, WE DO ♪ ♪ YES, WE DO ♪ ♪ WE LOVE YOU ♪♪ THE END.
OH!
EXCELLENT.
PERFECT.
I HOPE I DIDN'T RUIN YOUR SHOW.
YOU HELPED US, DANIEL.
THANK YOU FOR THAT SHOW, ALL OF YOU.
NOW CHARLES AND I AND THE ORCHESTRA AND CHORUS WOULD LIKE TO SING A FAVORITE SELECTION.
♪ IT'S A BEAUTIFUL DAY IN THIS NEIGHBORHOOD ♪ ♪ A BEAUTIFUL DAY FOR A NEIGHBOR ♪ ♪ WOULD YOU BE MINE?
♪ ♪ COULD YOU BE MINE?
♪ ♪ IT'S A NEIGHBORLY DAY IN THIS BEAUTY WOOD ♪ ♪ A NEIGHBORLY DAY FOR A BEAUTY ♪ ♪ WOULD YOU BE MINE?
♪ ♪ COULD YOU BE MINE?
♪ ♪ I HAVE ALWAYS WANTED TO HAVE A NEIGHBOR ♪ ♪ JUST LIKE YOU ♪ ♪ I'VE ALWAYS WANTED TO LIVE ♪ ♪ IN A NEIGHBORHOOD WITH YOU ♪ ♪ SO LET'S MAKE THE MOST OF THIS BEAUTIFUL DAY... ♪♪ [TOOT!]
[DING!
DING!]
[TOOT!
TOOT!]
[DING!
DING!]
THAT WAS A HAPPY FESTIVAL, WASN'T IT?
EACH PERSON DID SOMETHING SPECIAL BY PLAYING OR DANCING OR TALKING FOR PUPPETS.
AND THEN THEY ALL SANG TOGETHER, PEOPLE FROM ALL THE DIFFERENT NEIGHBORHOODS TOGETHER.
I GUESS YOU KNOW THAT I REALLY LOVE MUSIC.
IT'S BEEN VERY IMPORTANT TO ME SINCE I WAS LITTLE.
MY PARENTS DIDN'T LIKE ME TO BANG WHEN I WAS ANGRY.
BUT IF I PLAYED THE PIANO WHEN I WAS ANGRY, THEY DIDN'T MIND, SO THAT'S WHAT I DID.
I'D PLAY LIKE THAT.
♪♪ ♪♪ THEN LITTLE BY LITTLE, I'D SEE THAT THE MUSIC WOULD SOUND LESS AND LESS ANGRY.
IT SEEMED THAT THE MORE I PLAYED, THE MORE ANGER GOT OUT OF ME, AND I FELT BETTER ABOUT EVERYTHING.
THAT'S ONE REASON I WROTE GOOD FEELING BECAUSE IT GIVES YOU A GOOD FEELING TO KNOW THERE'S SOMETHING YOU CAN DO TO HELP YOU BECOME THE MASTER OF THE MAD YOU FEEL.
I HOPE YOU'RE FINDING YOUR WAYS OF SAYING HOW YOU FEEL, WAYS THAT DON'T HURT YOU OR ANYBODY ELSE.
♪ IT'S SUCH A GOOD FEELING ♪ ♪ TO KNOW YOU'RE ALIVE ♪ ♪ IT'S SUCH A HAPPY FEELING ♪ ♪ YOU'RE GROWING INSIDE ♪ ♪ AND WHEN YOU WAKE UP READY TO SAY ♪ ♪ I THINK I'LL MAKE A SNAPPY NEW DAY ♪ [SNAP SNAP] ♪ IT'S SUCH A GOOD FEELING ♪ ♪ A VERY GOOD FEELING ♪ ♪ THE FEELING YOU KNOW THAT I'LL BE BACK ♪ ♪ WHEN THE WEEK IS NEW ♪ ♪ AND I'LL HAVE MORE IDEAS FOR YOU ♪ ♪ AND YOU'LL HAVE THINGS YOU'LL WANT TO TALK ABOUT ♪ ♪ I WILL, TOO ♪♪ YOU ALWAYS MAKE EACH WEEK A SPECIAL ONE BY JUST YOUR BEING YOURSELF.
THERE'S ONLY ONE PERSON IN THE WHOLE WORLD LIKE YOU.
PEOPLE CAN LIKE YOU EXACTLY AS YOU ARE.
BYE.
CAPTIONING MADE POSSIBLE BY U.S. DEPARTMENT OF EDUCATION CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. CAPTIONS COPYRIGHT 1988 FAMILY COMMUNICATIONS, INC. PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE
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