
Appraisal: Over-the-shoulder Saxhorn, ca. 1865
Clip: Season 27 Episode 18 | 3m 27sVideo has Closed Captions
Appraisal: Over-the-shoulder Saxhorn, ca. 1865
Check out Frederick Oster's appraisal of an over-the-shoulder saxhorn, ca. 1865, in Vintage Chattanooga, Hour 1.
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Appraisal: Over-the-shoulder Saxhorn, ca. 1865
Clip: Season 27 Episode 18 | 3m 27sVideo has Closed Captions
Check out Frederick Oster's appraisal of an over-the-shoulder saxhorn, ca. 1865, in Vintage Chattanooga, Hour 1.
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorshipGUEST: I chose to bid on this at an auction for the purpose of raising money for our local museum.
And I was fortunate enough to gain possession of this drawing.
APPRAISER: Tell me why you liked it.
GUEST: I love water.
There's something about living and moving on the river.
APPRAISER: We have the riverboat here and boathouse here and it very much looks like the Mississippi or the Missouri, perhaps.
Thomas Hart Benton was from the Kansas City area and he spent a lot of time around the river in that area.
Benton is considered one of the leaders for the Regionalist school.
That is, realist painters that were painting roughly in the early to mid 20th century and they were painting the landscape, farming scenes, in the Midwest, primarily, although Benton also painted in Martha's Vineyard.
He had a house in that area.
He also was a muralist.
Now, what you brought to us today is a watercolor and drawing.
You can see that the artist probably started out with a little bit of pencil here and then he uses pen and ink and then sort of a sepia ink wash painted with a brush to highlight various elements of the piece.
Although I don't believe this to be the original mat and frame, you'll see that the mat is quite old.
It has an acid content, and that could cause staining or damage at some point, so you should have it reframed.
We don't see a signature on the piece.
There's a little bit of pencil here, and it's possible there could be the signature of Benton underneath.
And so, again, it would be good to take it out of this mat so that you could see whether it's signed.
But what's interesting about this piece is that it actually has provenance that seals the fact that it's by Benton.
On the back of the piece, in a little envelope, there was a photograph of the piece.
And if you turn it around, it's actually inscribed by the wife of another Regionalist painter, John Steuart Curry.
Curry is one of the other well-known members of the group, and he and Benton were friends.
And his wife is writing that Benton and Curry exchanged works of art, which artists often did, and that Curry had this in his collection and that the exchange was done around 1940.
So most likely this piece was done around that time.
Now, how long ago did you buy this?
GUEST: It's been awhile.
Time goes so fast.
I would be embarrassed to tell you.
APPRAISER: How much did you pay for it?
GUEST: Five hundred dollars.
APPRAISER: Well, of course, the market for American art has risen significantly in the last ten years, and certainly even in the last two or three years.
And Benton is extremely popular as a Regionalist artist.
If this piece were in a gallery, I believe that the asking price in the gallery would be $30,000.
GUEST: Mmm, thank you for this information.
APPRAISER: His oils can be well over a million dollars.
GUEST: I'm just sorry I didn't buy more.
(laughing)
Appraisal: 1826 P. & E.W. Blake Model 1822 Rifle
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Clip: S27 Ep18 | 1m 17s | Appraisal: 1826 P. & E.W. Blake Model 1822 Rifle (1m 17s)
Appraisal: 1866 Currier & Ives Lookout Mountain Lithograph
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Clip: S27 Ep18 | 1m 13s | Appraisal: 1866 Currier & Ives Lookout Mountain Lithograph (1m 13s)
Appraisal: 1932 Los Angeles Olympic Games Banner
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Clip: S27 Ep18 | 1m 52s | Appraisal: 1932 Los Angeles Olympic Games Banner (1m 52s)
Appraisal: 1948 Truman Presidential 8-Ball Award
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Clip: S27 Ep18 | 2m 53s | Appraisal: 1948 Truman Presidential 8-Ball Award (2m 53s)
Appraisal: 19th C. Courtois Table Clock
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Clip: S27 Ep18 | 2m 5s | Appraisal: 19th C. Courtois Table Clock (2m 5s)
Appraisal: 19th C. German Target Pistols & English Case
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Clip: S27 Ep18 | 2m 32s | Appraisal: 19th C. German Target Pistols & English Case (2m 32s)
Appraisal: Acoma Water Jar, ca. 1900
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Clip: S27 Ep18 | 2m 35s | Appraisal: Acoma Water Jar, ca. 1900 (2m 35s)
Appraisal: Chippendale Walnut Tall Chest, ca. 1790
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Clip: S27 Ep18 | 3m 10s | Appraisal: Chippendale Walnut Tall Chest, ca. 1790 (3m 10s)
Appraisal: Diamond & Pearl Necklace, ca. 1905
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Clip: S27 Ep18 | 3m 29s | Appraisal: Diamond & Pearl Necklace, ca. 1905 (3m 29s)
Appraisal: French Jewelry Collection
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Clip: S27 Ep18 | 1m 2s | Appraisal: French Jewelry Collection (1m 2s)
Appraisal: Lionel Freight Train Set, ca. 1935
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Clip: S27 Ep18 | 2m 17s | Appraisal: Lionel Freight Train Set, ca. 1935 (2m 17s)
Appraisal: Lookouts Baseball Team Collection, ca. 1945
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Clip: S27 Ep18 | 1m 50s | Appraisal: Lookouts Baseball Team Collection, ca. 1945 (1m 50s)
Appraisal: Maw & Company Encaustic Tile Panel, ca. 1870
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Clip: S27 Ep18 | 1m 6s | Appraisal: Maw & Company Encaustic Tile Panel, ca. 1870 (1m 6s)
Appraisal: Rolex Red Submariner Watch, ca. 1970
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Clip: S27 Ep18 | 1m 26s | Appraisal: Rolex Red Submariner Watch, ca. 1970 (1m 26s)
Appraisal: Rookwood Pottery Collection
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Clip: S27 Ep18 | 3m 13s | Appraisal: Rookwood Pottery Collection (3m 13s)
Appraisal: Royal Doulton Sung Ware Bowl, ca. 1930
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Clip: S27 Ep18 | 2m 16s | Appraisal: Royal Doulton Sung Ware Bowl, ca. 1930 (2m 16s)
Appraisal: Southern Needlework Picture, ca. 1830
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Clip: S27 Ep18 | 2m 16s | Appraisal: Southern Needlework Picture, ca. 1830 (2m 16s)
Appraisal: T. H. Benton Watercolor & Drawing, ca. 1940
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Clip: S27 Ep18 | 2m 43s | Appraisal: T. H. Benton Watercolor & Drawing, ca. 1940 (2m 43s)
Appraisal: Tootsietoy Dollhouse Furniture, ca. 1935
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Clip: S27 Ep18 | 2m 51s | Appraisal: Tootsietoy Dollhouse Furniture, ca. 1935 (2m 51s)
Appraisal: Walter Inglis Anderson Watercolor, ca. 1960
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Clip: S27 Ep18 | 2m 40s | Appraisal: Walter Inglis Anderson Watercolor, ca. 1960 (2m 40s)
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Hit the road in a classic car for a tour through Great Britain with two antiques experts.
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Funding for ANTIQUES ROADSHOW is provided by Ancestry and American Cruise Lines. Additional funding is provided by public television viewers.