By — Larisa Epatko Larisa Epatko Leave your feedback Share Copy URL https://www.pbs.org/newshour/world/two-poems-on-ebola-climate-change Email Facebook Twitter LinkedIn Pinterest Tumblr Share on Facebook Share on Twitter Two poems on what it’s like to live with Ebola, climate change World Oct 6, 2014 2:24 PM EDT The two women live in different parts of the world: one on a tropical island in the Pacific, another in a former war-torn African country now fighting Ebola. Their lives are very different but they chose the same way to express their anguish and hopes for their situation: through poetry. Kathy Jetnil-Kijiner, 26, was born in Majuro, capital of the Marshall Islands. The low-lying island chains in the Pacific Ocean are about halfway between Hawaii and Australia. The population, numbering about 71,000, is contending with the effects of climate change, including rising sea levels and more severe droughts and flooding. When Jetnil-Kijiner was asked to present a poem at the opening of the U.N. Climate Summit in September, she thought about the toll climate change was taking. She thought of her baby daughter and all that she had to lose if the sea swallowed up her homeland. “We shouldn’t have to leave. We should be able to stay where we were born and where our ancestors all have been,” she said in New York after delivering her poem to the U.N. representatives. She feels strongly that it isn’t too late to save the islands. Dear Matefele Peinam By Kathy Jetnil-Kijiner dear matefele peinam, you are a seven month old sunrise of gummy smiles you are bald as an egg and bald as the buddha you are thunder thighs and lightning shrieks so excited for bananas, hugs and our morning walks past the lagoon dear matefele peinam, i want to tell you about that lagoon that lucid, sleepy lagoon lounging against the sunrise some men say that one day that lagoon will devour you they say it will gnaw at the shoreline chew at the roots of your breadfruit trees gulp down rows of your seawalls and crunch your island’s shattered bones they say you, your daughter and your granddaughter, too will wander rootless with only a passport to call home dear matefele peinam, don’t cry mommy promises you no one will come and devour you no greedy what of a company sharking through political seas no backwater bullying of businesses with broken morals no blindfolded bureaucracies gonna push this mother ocean over the edge no one’s drowning, baby no one’s moving no one’s losing their homeland no one’s gonna become a climate change refugee or should I say no one else to the carteret islanders of papua new guinea and to the taro islanders of fiji i take this moment to apologize to you we are drawing the line here because baby we are going to fight your mommy daddy bubu jimma your country and president too we will all fight and even though there are those hidden behind platinum titles who like to pretend that we don’t exist that the marshall islands tuvalu kiribati maldives and typhoon haiyan in the philippines and floods of pakistan, algeria, and colombia and all the hurricanes, earthquakes, and tidalwaves didn’t exist still there are those who see us hands reaching out fists raising up banners unfurling megaphones booming and we are canoes blocking coal ships we are the radiance of solar villages we are the rich clean soil of the farmer’s past we are petitions blooming from teenage fingertips we are families biking, recycling, reusing, engineers dreaming, designing, building, artists painting, dancing, writing we are spreading the word and there are thousands out on the street marching with signs hand in hand chanting for change NOW they’re marching for you, baby they’re marching for us because we deserve to do more than just survive we deserve to thrive dear matefele peinam, you are eyes heavy with drowsy weight so just close those eyes, baby and sleep in peace because we won’t let you down you’ll see Patrice Juah hangs a dress in her store, Moie, in Monrovia, Liberia. Photo courtesy of Juah Patrice Juah, who describes herself as in her late 20s, is a small business owner in Monrovia, Liberia. Just as her country was recovering from back-to-back civil wars from the late 1980s to early 2000s, an Ebola outbreak this year sent it into a tailspin. The World Health Organization has confirmed 7,470 cases of Ebola in West Africa, with more than half in Liberia. More than 2,000 people have died in Liberia alone. “I was really young since the war. That’s all we knew,” she said recently by telephone. During the war, “you could determine the enemy from which side they were coming. But now with Ebola, it’s a silent enemy. You don’t when it’s going to strike. You don’t know who’s next or who already has it. Everybody is a suspect, even your children, your friends.” Juah’s business, like others in Monrovia, has taken a nosedive. The lack of customers has given her more time to work on her poetry, she said. “I use poetry to write about the pain in the street.” The Ebola Ride By Patrice Juah On the Ebola ride, paranoia is the driver. It takes you on a high leaving your senses hanging in the wild. Fear is its deputy, and panic, the conductor. You never know which way the bus will go, but you are told that as long as you stay put, constantly wash your hands, and limit human contact; you’re in a “safe” place, at least for a while. You do your best, to secure your seat, making sure your loved ones are safely on board, but as the death news come in, you’re reminded that this isn’t a normal ride. You get a sudden kick, a silent voice asking why you’re still here; perhaps on a mission, or for a purpose, you think. Then suddenly humility takes over, the only calm you’ll feel in a while, as you give thanks for still being alive. And this is all happening on the Ebola ride. Still on the road, Pickups rush by with men dressed like aliens, either carrying or going to pick up fallen victims. And somewhere at a Containment Unit, a baby cries in horror, as his mother takes her last breath. As you peek through the window, crowded streets create the illusion of a normal life, but as alive as everything appears from the outside, fear is killing us slowly on the inside. Sometimes we wonder who’ll get off next. But that’s the Ebola ride: no traffic lights, no horns, no road signs, just us against an unseen enemy. The night brings relative calm, but we rarely sleep, as the nightmare of what’s to come the day ahead, haunts our dreams. If you’re a diehard patriot, you remain on the ride for the love of country. If you’re poor, the ride is your only choice. If your survivor is your priority, you’re left with more choices then one: to flee for dear life, with hope of returning when normal days are back? Well, in the midst of this chaos, no one can tell. And on the other side, the ocean wind sets the flames in the Crematorium ablaze, as our hearts leap, for the souls of the ones we loved so dearly. No last goodbyes, only memories, anguish, pain and grief. The road is too narrow, the ride long and bumpy. When will we arrive? No one really knows. We’re stuck on this ride, with tiny doses of hope. And though help arrives, we’re still in doubt, as they too are clueless about when the ride will end. So world, we’re here, on this hand washing, temperature taking, friends avoiding, hugs and handshakes prohibiting, nonstop Ebola ride. The reporting from New York was supported in part by the U.N. Foundation’s press fellowship program. Follow @NewsHourWorld We're not going anywhere. Stand up for truly independent, trusted news that you can count on! Donate now By — Larisa Epatko Larisa Epatko Larisa Epatko produced multimedia web features and broadcast reports with a focus on foreign affairs for the PBS NewsHour. She has reported in places such as Jordan, Pakistan, Iraq, Haiti, Sudan, Western Sahara, Guantanamo Bay, China, Vietnam, South Korea, Turkey, Germany and Ireland. @NewsHourWorld
The two women live in different parts of the world: one on a tropical island in the Pacific, another in a former war-torn African country now fighting Ebola. Their lives are very different but they chose the same way to express their anguish and hopes for their situation: through poetry. Kathy Jetnil-Kijiner, 26, was born in Majuro, capital of the Marshall Islands. The low-lying island chains in the Pacific Ocean are about halfway between Hawaii and Australia. The population, numbering about 71,000, is contending with the effects of climate change, including rising sea levels and more severe droughts and flooding. When Jetnil-Kijiner was asked to present a poem at the opening of the U.N. Climate Summit in September, she thought about the toll climate change was taking. She thought of her baby daughter and all that she had to lose if the sea swallowed up her homeland. “We shouldn’t have to leave. We should be able to stay where we were born and where our ancestors all have been,” she said in New York after delivering her poem to the U.N. representatives. She feels strongly that it isn’t too late to save the islands. Dear Matefele Peinam By Kathy Jetnil-Kijiner dear matefele peinam, you are a seven month old sunrise of gummy smiles you are bald as an egg and bald as the buddha you are thunder thighs and lightning shrieks so excited for bananas, hugs and our morning walks past the lagoon dear matefele peinam, i want to tell you about that lagoon that lucid, sleepy lagoon lounging against the sunrise some men say that one day that lagoon will devour you they say it will gnaw at the shoreline chew at the roots of your breadfruit trees gulp down rows of your seawalls and crunch your island’s shattered bones they say you, your daughter and your granddaughter, too will wander rootless with only a passport to call home dear matefele peinam, don’t cry mommy promises you no one will come and devour you no greedy what of a company sharking through political seas no backwater bullying of businesses with broken morals no blindfolded bureaucracies gonna push this mother ocean over the edge no one’s drowning, baby no one’s moving no one’s losing their homeland no one’s gonna become a climate change refugee or should I say no one else to the carteret islanders of papua new guinea and to the taro islanders of fiji i take this moment to apologize to you we are drawing the line here because baby we are going to fight your mommy daddy bubu jimma your country and president too we will all fight and even though there are those hidden behind platinum titles who like to pretend that we don’t exist that the marshall islands tuvalu kiribati maldives and typhoon haiyan in the philippines and floods of pakistan, algeria, and colombia and all the hurricanes, earthquakes, and tidalwaves didn’t exist still there are those who see us hands reaching out fists raising up banners unfurling megaphones booming and we are canoes blocking coal ships we are the radiance of solar villages we are the rich clean soil of the farmer’s past we are petitions blooming from teenage fingertips we are families biking, recycling, reusing, engineers dreaming, designing, building, artists painting, dancing, writing we are spreading the word and there are thousands out on the street marching with signs hand in hand chanting for change NOW they’re marching for you, baby they’re marching for us because we deserve to do more than just survive we deserve to thrive dear matefele peinam, you are eyes heavy with drowsy weight so just close those eyes, baby and sleep in peace because we won’t let you down you’ll see Patrice Juah hangs a dress in her store, Moie, in Monrovia, Liberia. Photo courtesy of Juah Patrice Juah, who describes herself as in her late 20s, is a small business owner in Monrovia, Liberia. Just as her country was recovering from back-to-back civil wars from the late 1980s to early 2000s, an Ebola outbreak this year sent it into a tailspin. The World Health Organization has confirmed 7,470 cases of Ebola in West Africa, with more than half in Liberia. More than 2,000 people have died in Liberia alone. “I was really young since the war. That’s all we knew,” she said recently by telephone. During the war, “you could determine the enemy from which side they were coming. But now with Ebola, it’s a silent enemy. You don’t when it’s going to strike. You don’t know who’s next or who already has it. Everybody is a suspect, even your children, your friends.” Juah’s business, like others in Monrovia, has taken a nosedive. The lack of customers has given her more time to work on her poetry, she said. “I use poetry to write about the pain in the street.” The Ebola Ride By Patrice Juah On the Ebola ride, paranoia is the driver. It takes you on a high leaving your senses hanging in the wild. Fear is its deputy, and panic, the conductor. You never know which way the bus will go, but you are told that as long as you stay put, constantly wash your hands, and limit human contact; you’re in a “safe” place, at least for a while. You do your best, to secure your seat, making sure your loved ones are safely on board, but as the death news come in, you’re reminded that this isn’t a normal ride. You get a sudden kick, a silent voice asking why you’re still here; perhaps on a mission, or for a purpose, you think. Then suddenly humility takes over, the only calm you’ll feel in a while, as you give thanks for still being alive. And this is all happening on the Ebola ride. Still on the road, Pickups rush by with men dressed like aliens, either carrying or going to pick up fallen victims. And somewhere at a Containment Unit, a baby cries in horror, as his mother takes her last breath. As you peek through the window, crowded streets create the illusion of a normal life, but as alive as everything appears from the outside, fear is killing us slowly on the inside. Sometimes we wonder who’ll get off next. But that’s the Ebola ride: no traffic lights, no horns, no road signs, just us against an unseen enemy. The night brings relative calm, but we rarely sleep, as the nightmare of what’s to come the day ahead, haunts our dreams. If you’re a diehard patriot, you remain on the ride for the love of country. If you’re poor, the ride is your only choice. If your survivor is your priority, you’re left with more choices then one: to flee for dear life, with hope of returning when normal days are back? Well, in the midst of this chaos, no one can tell. And on the other side, the ocean wind sets the flames in the Crematorium ablaze, as our hearts leap, for the souls of the ones we loved so dearly. No last goodbyes, only memories, anguish, pain and grief. The road is too narrow, the ride long and bumpy. When will we arrive? No one really knows. We’re stuck on this ride, with tiny doses of hope. And though help arrives, we’re still in doubt, as they too are clueless about when the ride will end. So world, we’re here, on this hand washing, temperature taking, friends avoiding, hugs and handshakes prohibiting, nonstop Ebola ride. The reporting from New York was supported in part by the U.N. Foundation’s press fellowship program. Follow @NewsHourWorld We're not going anywhere. Stand up for truly independent, trusted news that you can count on! Donate now